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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41AF44 it is the complementary color #BE50BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41AF44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41AF44 shade: #46AF3F, #57C152, #68D365, #79E578 and #8AF78B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41AF44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41AF44 shade: #41AF44, #309D31, #1F8B1E, #0E790B and #006700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41AF44 shade: #41AF44, #5BAF41, #79AF41, #97AF41 and #AFA941

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41AF44 shade: #41AF44, #41AF61, #41AF7F, #41AF9D and #41A3AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41AF44 shade matches the following richer shades: #41AF44, #2DC231, #1AD61F and #07E90D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41AF44 shade: #41AF44, #549C56, #688868, #7B757B and #8E618D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41AF44 shade: #7AAF41, #5CAF41, #41AF43, #41AF60 and #41AF7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41AF44 shade: #2A732C, #369138, #41AF44, #58C15B and #76CC78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41AF44 shade: #41AF44, #4197AF and #AF416B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41AF44 shade: #41AF44, #4341AF and #AF4341

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41AF44 shade: #41AF44, #4197AF, #AF41AD and #AF5941

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41AF44 shade: #41AF44, #4176AF, #AF41AD and #AF7A41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 61 / 31

HEX #41AF44

RGB 65 175 68

HSL 121.64, 0.46%, 0.47%

LAB 63.51, -52.67, 44.77

 

Complementary color

CMYK 0 / 58 / 2 / 25

HEX #BE50BB

RGB 190 80 187

HSL 301.64, 0.46%, 0.53%

LAB 52.14, 57.96, -35.97

 

CMYK 60 / 0 / 64 / 31

HEX #46AF3F

RGB 70 175 63

HSL 116.25, 0.47%, 0.47%

LAB 63.61, -52.05, 47.16

 

CMYK 55 / 0 / 58 / 24

HEX #57C152

RGB 87 193 82

HSL 117.3, 0.47%, 0.54%

LAB 70.02, -52.46, 46.03

 

CMYK 51 / 0 / 52 / 17

HEX #68D365

RGB 104 211 101

HSL 118.36, 0.56%, 0.61%

LAB 76.36, -52.62, 44.79

 

CMYK 47 / 0 / 48 / 10

HEX #79E578

RGB 121 229 120

HSL 119.45, 0.68%, 0.68%

LAB 82.63, -52.63, 43.53

 

CMYK 44 / 0 / 44 / 3

HEX #8AF78B

RGB 138 247 139

HSL 120.55, 0.87%, 0.75%

LAB 88.82, -52.54, 42.28

 

CMYK 63 / 0 / 61 / 31

HEX #41AF44

RGB 65 175 68

HSL 121.64, 0.46%, 0.47%

LAB 63.51, -52.67, 44.77

 

CMYK 69 / 0 / 69 / 38

HEX #309D31

RGB 48 157 49

HSL 120.55, 0.53%, 0.4%

LAB 57.04, -51.84, 45.83

 

CMYK 78 / 0 / 78 / 45

HEX #1F8B1E

RGB 31 139 30

HSL 119.45, 0.64%, 0.33%

LAB 50.51, -50.39, 46.37

 

CMYK 88 / 0 / 91 / 53

HEX #0E790B

RGB 14 121 11

HSL 118.36, 0.83%, 0.26%

LAB 43.93, -47.97, 45.7

 

CMYK 100 / 0 / 100 / 60

HEX #006700

RGB 0 103 0

HSL 120, 1%, 0.2%

LAB 37.3, -44.28, 42.74

 

CMYK 63 / 0 / 61 / 31

HEX #41AF44

RGB 65 175 68

HSL 121.64, 0.46%, 0.47%

LAB 63.51, -52.67, 44.77

 

CMYK 48 / 0 / 63 / 31

HEX #5BAF41

RGB 91 175 65

HSL 105.82, 0.46%, 0.47%

LAB 64.38, -46.11, 47.34

 

CMYK 31 / 0 / 63 / 31

HEX #79AF41

RGB 121 175 65

HSL 89.45, 0.46%, 0.47%

LAB 65.83, -35.95, 49.36

 

CMYK 14 / 0 / 63 / 31

HEX #97AF41

RGB 151 175 65

HSL 73.09, 0.46%, 0.47%

LAB 67.74, -24.16, 52

 

CMYK 0 / 3 / 63 / 31

HEX #AFA941

RGB 175 169 65

HSL 56.73, 0.46%, 0.47%

LAB 67.93, -10.96, 52.75

 

CMYK 63 / 0 / 61 / 31

HEX #41AF44

RGB 65 175 68

HSL 121.64, 0.46%, 0.47%

LAB 63.51, -52.67, 44.77

 

CMYK 63 / 0 / 45 / 31

HEX #41AF61

RGB 65 175 97

HSL 137.45, 0.46%, 0.47%

LAB 63.87, -48.55, 30.93

 

CMYK 63 / 0 / 27 / 31

HEX #41AF7F

RGB 65 175 127

HSL 153.82, 0.46%, 0.47%

LAB 64.42, -42.72, 15.56

 

CMYK 63 / 0 / 10 / 31

HEX #41AF9D

RGB 65 175 157

HSL 170.18, 0.46%, 0.47%

LAB 65.14, -35.48, -0

 

CMYK 63 / 7 / 0 / 31

HEX #41A3AF

RGB 65 163 175

HSL 186.55, 0.46%, 0.47%

LAB 62.01, -24.6, -14.71

 

CMYK 63 / 0 / 61 / 31

HEX #41AF44

RGB 65 175 68

HSL 121.64, 0.46%, 0.47%

LAB 63.51, -52.67, 44.77

 

CMYK 77 / 0 / 75 / 24

HEX #2DC231

RGB 45 194 49

HSL 121.61, 0.62%, 0.47%

LAB 69.01, -64.51, 58.18

 

CMYK 88 / 0 / 86 / 16

HEX #1AD61F

RGB 26 214 31

HSL 121.6, 0.78%, 0.47%

LAB 75.08, -73.44, 68.84

 

CMYK 97 / 0 / 94 / 9

HEX #07E90D

RGB 7 233 13

HSL 121.59, 0.94%, 0.47%

LAB 80.93, -80.06, 76.59

 

CMYK 63 / 0 / 61 / 31

HEX #41AF44

RGB 65 175 68

HSL 121.64, 0.46%, 0.47%

LAB 63.51, -52.67, 44.77

 

CMYK 46 / 0 / 45 / 39

HEX #549C56

RGB 84 156 86

HSL 121.67, 0.3%, 0.47%

LAB 58.35, -37.54, 29.76

 

CMYK 24 / 0 / 24 / 47

HEX #688868

RGB 104 136 104

HSL 120, 0.13%, 0.47%

LAB 53.55, -17.99, 13.58

 

CMYK 0 / 5 / 0 / 52

HEX #7B757B

RGB 123 117 123

HSL 300, 0.03%, 0.47%

LAB 49.93, 3.49, -2.47

 

CMYK 0 / 32 / 1 / 44

HEX #8E618D

RGB 142 97 141

HSL 301.33, 0.19%, 0.47%

LAB 47.27, 25.87, -16.98

 

CMYK 30 / 0 / 63 / 31

HEX #7AAF41

RGB 122 175 65

HSL 88.91, 0.46%, 0.47%

LAB 65.89, -35.58, 49.44

 

CMYK 47 / 0 / 63 / 31

HEX #5CAF41

RGB 92 175 65

HSL 105.27, 0.46%, 0.47%

LAB 64.42, -45.81, 47.4

 

CMYK 63 / 0 / 62 / 31

HEX #41AF43

RGB 65 175 67

HSL 121.09, 0.46%, 0.47%

LAB 63.5, -52.78, 45.22

 

CMYK 63 / 0 / 45 / 31

HEX #41AF60

RGB 65 175 96

HSL 136.91, 0.46%, 0.47%

LAB 63.86, -48.71, 31.43

 

CMYK 63 / 0 / 29 / 31

HEX #41AF7D

RGB 65 175 125

HSL 152.73, 0.46%, 0.47%

LAB 64.37, -43.16, 16.59

 

CMYK 63 / 0 / 62 / 55

HEX #2A732C

RGB 42 115 44

HSL 121.64, 0.46%, 0.31%

LAB 42.67, -38.03, 32.09

 

CMYK 63 / 0 / 61 / 43

HEX #369138

RGB 54 145 56

HSL 121.32, 0.46%, 0.39%

LAB 53.3, -45.38, 38.58

 

CMYK 63 / 0 / 61 / 31

HEX #41AF44

RGB 65 175 68

HSL 121.64, 0.46%, 0.47%

LAB 63.51, -52.67, 44.77

 

CMYK 54 / 0 / 53 / 24

HEX #58C15B

RGB 88 193 91

HSL 121.71, 0.46%, 0.55%

LAB 70.15, -51.07, 41.94

 

CMYK 42 / 0 / 41 / 20

HEX #76CC78

RGB 118 204 120

HSL 121.4, 0.46%, 0.63%

LAB 75.07, -43.08, 33.9

 

CMYK 63 / 0 / 61 / 31

HEX #41AF44

RGB 65 175 68

HSL 121.64, 0.46%, 0.47%

LAB 63.51, -52.67, 44.77

 

CMYK 63 / 14 / 0 / 31

HEX #4197AF

RGB 65 151 175

HSL 193.09, 0.46%, 0.47%

LAB 58.37, -18.36, -20.24

 

CMYK 0 / 63 / 39 / 31

HEX #AF416B

RGB 175 65 107

HSL 337.09, 0.46%, 0.47%

LAB 44.17, 48.68, -0.54

 

CMYK 63 / 0 / 61 / 31

HEX #41AF44

RGB 65 175 68

HSL 121.64, 0.46%, 0.47%

LAB 63.51, -52.67, 44.77

 

CMYK 62 / 63 / 0 / 31

HEX #4341AF

RGB 67 65 175

HSL 241.09, 0.46%, 0.47%

LAB 34.13, 34.37, -58.57

 

CMYK 0 / 62 / 63 / 31

HEX #AF4341

RGB 175 67 65

HSL 1.09, 0.46%, 0.47%

LAB 43.52, 43.98, 24.37

 

CMYK 63 / 0 / 61 / 31

HEX #41AF44

RGB 65 175 68

HSL 121.64, 0.46%, 0.47%

LAB 63.51, -52.67, 44.77

 

CMYK 63 / 14 / 0 / 31

HEX #4197AF

RGB 65 151 175

HSL 193.09, 0.46%, 0.47%

LAB 58.37, -18.36, -20.24

 

CMYK 0 / 63 / 1 / 31

HEX #AF41AD

RGB 175 65 173

HSL 301.09, 0.46%, 0.47%

LAB 46.86, 58.2, -36.26

 

CMYK 0 / 49 / 63 / 31

HEX #AF5941

RGB 175 89 65

HSL 13.09, 0.46%, 0.47%

LAB 47.8, 32.93, 29.72

 

CMYK 63 / 0 / 61 / 31

HEX #41AF44

RGB 65 175 68

HSL 121.64, 0.46%, 0.47%

LAB 63.51, -52.67, 44.77

 

CMYK 63 / 33 / 0 / 31

HEX #4176AF

RGB 65 118 175

HSL 211.09, 0.46%, 0.47%

LAB 48.48, 0.4, -35.57

 

CMYK 0 / 63 / 1 / 31

HEX #AF41AD

RGB 175 65 173

HSL 301.09, 0.46%, 0.47%

LAB 46.86, 58.2, -36.26

 

CMYK 0 / 30 / 63 / 31

HEX #AF7A41

RGB 175 122 65

HSL 31.09, 0.46%, 0.47%

LAB 55.5, 14.7, 38.91

 

Description

Color code: HEX #41AF44 | qconv.com Color code: HEX #41AF44 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 175 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 175 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 61 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 61% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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