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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41ABCB it is the complementary color #BE5434. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41ABCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41ABCB shade: #46ABC6, #57BDD9, #68CFEC, #79E1FF and #8AF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41ABCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41ABCB shade: #41ABCB, #3099B8, #1F87A5, #0E7592 and #00637F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41ABCB shade: #42ABCB, #4286CB, #4262CB, #4842CB and #6D42CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41ABCB shade: #42ABCB, #4286CB, #4262CB and #4242CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41ABCB shade matches the following richer shades: #42ABCB, #2FB6DE and #1CC0F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41ABCB shade: #42ABCB, #56A1B8, #6996A4, #7D8C91 and #90827D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41ABCB shade: #42CBA0, #42CBC4, #42ADCB, #4289CB and #4264CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41ABCB shade: #287A93, #3195B3, #42ABCB, #63BAD4 and #83C8DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41ABCB shade: #41ABCB, #7B42CB and #CBB242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41ABCB shade: #41ABCB, #CB42AD and #ADCB42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41ABCB shade: #41ABCB, #7B42CB, #CB6042 and #92CB42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41ABCB shade: #41ABCB, #A442CB, #CB6042 and #69CB42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 16 / 0 / 20

HEX #41ABCB

RGB 65 171 203

HSL 193.91, 0.57%, 0.53%

LAB 65.41, -20.1, -25.17

 

Complementary color

CMYK 0 / 56 / 73 / 25

HEX #BE5434

RGB 190 84 52

HSL 13.91, 0.57%, 0.47%

LAB 48.93, 40.61, 38.85

 

CMYK 65 / 14 / 0 / 22

HEX #46ABC6

RGB 70 171 198

HSL 192.66, 0.53%, 0.53%

LAB 65.36, -20.87, -22.45

 

CMYK 60 / 13 / 0 / 15

HEX #57BDD9

RGB 87 189 217

HSL 192.92, 0.63%, 0.6%

LAB 71.85, -21.46, -22.95

 

CMYK 56 / 12 / 0 / 7

HEX #68CFEC

RGB 104 207 236

HSL 193.18, 0.78%, 0.67%

LAB 78.24, -21.9, -23.41

 

CMYK 53 / 12 / 0 / 0

HEX #79E1FF

RGB 121 225 255

HSL 193.43, 1%, 0.74%

LAB 84.55, -22.24, -23.84

 

CMYK 46 / 5 / 0 / 0

HEX #8AF3FF

RGB 138 243 255

HSL 186.15, 1%, 0.77%

LAB 90.19, -27.44, -15.26

 

CMYK 68 / 16 / 0 / 20

HEX #41ABCB

RGB 65 171 203

HSL 193.91, 0.57%, 0.53%

LAB 65.41, -20.1, -25.17

 

CMYK 74 / 17 / 0 / 28

HEX #3099B8

RGB 48 153 184

HSL 193.68, 0.59%, 0.45%

LAB 58.86, -19.13, -24.63

 

CMYK 81 / 18 / 0 / 35

HEX #1F87A5

RGB 31 135 165

HSL 193.43, 0.68%, 0.38%

LAB 52.21, -17.83, -24.03

 

CMYK 90 / 20 / 0 / 43

HEX #0E7592

RGB 14 117 146

HSL 193.18, 0.83%, 0.31%

LAB 45.48, -16.08, -23.33

 

CMYK 100 / 22 / 0 / 50

HEX #00637F

RGB 0 99 127

HSL 193.23, 1%, 0.25%

LAB 38.65, -13.79, -22.53

 

CMYK 67 / 16 / 0 / 20

HEX #42ABCB

RGB 66 171 203

HSL 194.01, 0.57%, 0.53%

LAB 65.43, -19.95, -25.12

 

CMYK 67 / 34 / 0 / 20

HEX #4286CB

RGB 66 134 203

HSL 210.22, 0.57%, 0.53%

LAB 54.57, 0.69, -42.02

 

CMYK 67 / 52 / 0 / 20

HEX #4262CB

RGB 66 98 203

HSL 225.99, 0.57%, 0.53%

LAB 44.53, 22.98, -58.07

 

CMYK 65 / 67 / 0 / 20

HEX #4842CB

RGB 72 66 203

HSL 242.63, 0.57%, 0.53%

LAB 37.09, 43.75, -70.16

 

CMYK 46 / 67 / 0 / 20

HEX #6D42CB

RGB 109 66 203

HSL 258.83, 0.57%, 0.53%

LAB 40.34, 49.67, -64.71

 

CMYK 67 / 16 / 0 / 20

HEX #42ABCB

RGB 66 171 203

HSL 194.01, 0.57%, 0.53%

LAB 65.43, -19.95, -25.12

 

CMYK 67 / 34 / 0 / 20

HEX #4286CB

RGB 66 134 203

HSL 210.22, 0.57%, 0.53%

LAB 54.57, 0.69, -42.02

 

CMYK 67 / 52 / 0 / 20

HEX #4262CB

RGB 66 98 203

HSL 225.99, 0.57%, 0.53%

LAB 44.53, 22.98, -58.07

 

CMYK 67 / 67 / 0 / 20

HEX #4242CB

RGB 66 66 203

HSL 240, 0.57%, 0.53%

LAB 36.68, 42.98, -70.85

 

CMYK 67 / 16 / 0 / 20

HEX #42ABCB

RGB 66 171 203

HSL 194.01, 0.57%, 0.53%

LAB 65.43, -19.95, -25.12

 

CMYK 79 / 18 / 0 / 13

HEX #2FB6DE

RGB 47 182 222

HSL 193.71, 0.73%, 0.53%

LAB 68.99, -21.86, -30.14

 

CMYK 88 / 21 / 0 / 5

HEX #1CC0F2

RGB 28 192 242

HSL 194.02, 0.89%, 0.53%

LAB 72.47, -21.73, -35.66

 

CMYK 67 / 16 / 0 / 20

HEX #42ABCB

RGB 66 171 203

HSL 194.01, 0.57%, 0.53%

LAB 65.43, -19.95, -25.12

 

CMYK 53 / 13 / 0 / 28

HEX #56A1B8

RGB 86 161 184

HSL 194.08, 0.41%, 0.53%

LAB 62.45, -16.78, -19.03

 

CMYK 36 / 9 / 0 / 36

HEX #6996A4

RGB 105 150 164

HSL 194.24, 0.24%, 0.53%

LAB 59.43, -11.61, -12.22

 

CMYK 14 / 3 / 0 / 43

HEX #7D8C91

RGB 125 140 145

HSL 195, 0.08%, 0.53%

LAB 57.23, -4.32, -4.51

 

CMYK 0 / 10 / 13 / 44

HEX #90827D

RGB 144 130 125

HSL 15.79, 0.08%, 0.53%

LAB 55.46, 4.41, 4.62

 

CMYK 67 / 0 / 21 / 20

HEX #42CBA0

RGB 66 203 160

HSL 161.17, 0.57%, 0.53%

LAB 73.81, -46.88, 10.85

 

CMYK 67 / 0 / 3 / 20

HEX #42CBC4

RGB 66 203 196

HSL 176.93, 0.57%, 0.53%

LAB 74.73, -37.67, -7.25

 

CMYK 67 / 15 / 0 / 20

HEX #42ADCB

RGB 66 173 203

HSL 193.14, 0.57%, 0.53%

LAB 66.03, -20.99, -24.21

 

CMYK 67 / 33 / 0 / 20

HEX #4289CB

RGB 66 137 203

HSL 208.91, 0.57%, 0.53%

LAB 55.44, -1.08, -40.66

 

CMYK 67 / 51 / 0 / 20

HEX #4264CB

RGB 66 100 203

HSL 225.11, 0.57%, 0.53%

LAB 45.06, 21.71, -57.21

 

CMYK 73 / 17 / 0 / 42

HEX #287A93

RGB 40 122 147

HSL 194.02, 0.57%, 0.37%

LAB 47.59, -15.83, -20.63

 

CMYK 73 / 17 / 0 / 30

HEX #3195B3

RGB 49 149 179

HSL 193.85, 0.57%, 0.45%

LAB 57.47, -18.52, -23.94

 

CMYK 67 / 16 / 0 / 20

HEX #42ABCB

RGB 66 171 203

HSL 194.01, 0.57%, 0.53%

LAB 65.43, -19.95, -25.12

 

CMYK 53 / 12 / 0 / 17

HEX #63BAD4

RGB 99 186 212

HSL 193.81, 0.57%, 0.61%

LAB 71.23, -19.02, -21.12

 

CMYK 41 / 10 / 0 / 13

HEX #83C8DD

RGB 131 200 221

HSL 194, 0.57%, 0.69%

LAB 76.89, -16.37, -17.29

 

CMYK 68 / 16 / 0 / 20

HEX #41ABCB

RGB 65 171 203

HSL 193.91, 0.57%, 0.53%

LAB 65.41, -20.1, -25.17

 

CMYK 39 / 67 / 0 / 20

HEX #7B42CB

RGB 123 66 203

HSL 264.96, 0.57%, 0.53%

LAB 41.87, 52.31, -62.15

 

CMYK 0 / 12 / 67 / 20

HEX #CBB242

RGB 203 178 66

HSL 49.05, 0.57%, 0.53%

LAB 72.85, -3.54, 58.27

 

CMYK 68 / 16 / 0 / 20

HEX #41ABCB

RGB 65 171 203

HSL 193.91, 0.57%, 0.53%

LAB 65.41, -20.1, -25.17

 

CMYK 0 / 67 / 15 / 20

HEX #CB42AD

RGB 203 66 173

HSL 313.14, 0.57%, 0.53%

LAB 51.39, 64.86, -28.84

 

CMYK 15 / 0 / 67 / 20

HEX #ADCB42

RGB 173 203 66

HSL 73.14, 0.57%, 0.53%

LAB 77.27, -28.69, 62.08

 

CMYK 68 / 16 / 0 / 20

HEX #41ABCB

RGB 65 171 203

HSL 193.91, 0.57%, 0.53%

LAB 65.41, -20.1, -25.17

 

CMYK 39 / 67 / 0 / 20

HEX #7B42CB

RGB 123 66 203

HSL 264.96, 0.57%, 0.53%

LAB 41.87, 52.31, -62.15

 

CMYK 0 / 53 / 67 / 20

HEX #CB6042

RGB 203 96 66

HSL 13.14, 0.57%, 0.53%

LAB 53.44, 40.32, 36.94

 

CMYK 28 / 0 / 67 / 20

HEX #92CB42

RGB 146 203 66

HSL 84.96, 0.57%, 0.53%

LAB 75.59, -39.16, 59.8

 

CMYK 68 / 16 / 0 / 20

HEX #41ABCB

RGB 65 171 203

HSL 193.91, 0.57%, 0.53%

LAB 65.41, -20.1, -25.17

 

CMYK 19 / 67 / 0 / 20

HEX #A442CB

RGB 164 66 203

HSL 282.92, 0.57%, 0.53%

LAB 47.11, 60.83, -53.44

 

CMYK 0 / 53 / 67 / 20

HEX #CB6042

RGB 203 96 66

HSL 13.14, 0.57%, 0.53%

LAB 53.44, 40.32, 36.94

 

CMYK 48 / 0 / 67 / 20

HEX #69CB42

RGB 105 203 66

HSL 102.92, 0.57%, 0.53%

LAB 73.62, -52.93, 57.13

 

Description

Color code: HEX #41ABCB | qconv.com Color code: HEX #41ABCB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 171 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 171 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 16 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 16% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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