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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41A203 it is the complementary color #BE5DFC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41A203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41A203 shade: #46A200, #57B411, #68C624, #79D837 and #8AEA4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41A203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41A203 shade: #41A203, #309000, #1F7E00, #0E6C00 and #005A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41A203 shade: #40A003, #6BA003, #95A003, #A08103 and #A05703

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41A203 shade: #40A003, #16A003, #03A01B, #03A045 and #03A06F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41A203 shade matches the following richer shades: #40A003

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41A203 shade: #40A003, #439310, #46861E, #49782B and #4C6B38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41A203 shade: #95A003, #6CA003, #42A003, #18A003 and #03A018

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41A203 shade: #204F02, #307802, #40A003, #51C804 and #61F105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41A203 shade: #41A203, #03A081 and #A00381

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41A203 shade: #41A203, #0342A0 and #A00342

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41A203 shade: #41A203, #03A081, #6103A0 and #A00323

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41A203 shade: #41A203, #0390A0, #6103A0 and #A01303

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 98 / 36

HEX #41A203

RGB 65 162 3

HSL 96.6, 0.96%, 0.32%

LAB 58.95, -52.15, 60.1

 

Complementary color

CMYK 25 / 63 / 0 / 1

HEX #BE5DFC

RGB 190 93 252

HSL 276.6, 0.96%, 0.68%

LAB 57.85, 64.68, -63.66

 

CMYK 57 / 0 / 100 / 36

HEX #46A200

RGB 70 162 0

HSL 94.07, 1%, 0.32%

LAB 59.11, -50.88, 60.73

 

CMYK 52 / 0 / 91 / 29

HEX #57B411

RGB 87 180 17

HSL 94.23, 0.83%, 0.39%

LAB 65.52, -52.25, 63.79

 

CMYK 47 / 0 / 82 / 22

HEX #68C624

RGB 104 198 36

HSL 94.81, 0.69%, 0.46%

LAB 71.87, -53.24, 65.43

 

CMYK 44 / 0 / 75 / 15

HEX #79D837

RGB 121 216 55

HSL 95.4, 0.67%, 0.53%

LAB 78.14, -53.9, 65.93

 

CMYK 41 / 0 / 68 / 8

HEX #8AEA4A

RGB 138 234 74

HSL 96, 0.79%, 0.6%

LAB 84.35, -54.33, 65.73

 

CMYK 60 / 0 / 98 / 36

HEX #41A203

RGB 65 162 3

HSL 96.6, 0.96%, 0.32%

LAB 58.95, -52.15, 60.1

 

CMYK 67 / 0 / 100 / 44

HEX #309000

RGB 48 144 0

HSL 100, 1%, 0.28%

LAB 52.48, -50.1, 55.21

 

CMYK 75 / 0 / 100 / 51

HEX #1F7E00

RGB 31 126 0

HSL 105.24, 1%, 0.25%

LAB 45.92, -47.56, 49.82

 

CMYK 87 / 0 / 100 / 58

HEX #0E6C00

RGB 14 108 0

HSL 112.22, 1%, 0.21%

LAB 39.27, -44.34, 44.39

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 60 / 0 / 98 / 37

HEX #40A003

RGB 64 160 3

HSL 96.69, 0.96%, 0.32%

LAB 58.26, -51.7, 59.53

 

CMYK 33 / 0 / 98 / 37

HEX #6BA003

RGB 107 160 3

HSL 80.25, 0.96%, 0.32%

LAB 60.14, -37.62, 61.81

 

CMYK 7 / 0 / 98 / 37

HEX #95A003

RGB 149 160 3

HSL 64.2, 0.96%, 0.32%

LAB 62.96, -20.06, 65.21

 

CMYK 0 / 19 / 98 / 37

HEX #A08103

RGB 160 129 3

HSL 48.15, 0.96%, 0.32%

LAB 55.26, 1.53, 59.99

 

CMYK 0 / 46 / 98 / 37

HEX #A05703

RGB 160 87 3

HSL 32.1, 0.96%, 0.32%

LAB 44.66, 25.27, 52.69

 

CMYK 60 / 0 / 98 / 37

HEX #40A003

RGB 64 160 3

HSL 96.69, 0.96%, 0.32%

LAB 58.26, -51.7, 59.53

 

CMYK 86 / 0 / 98 / 37

HEX #16A003

RGB 22 160 3

HSL 112.74, 0.96%, 0.32%

LAB 57.38, -59.24, 58.46

 

CMYK 98 / 0 / 83 / 37

HEX #03A01B

RGB 3 160 27

HSL 129.17, 0.96%, 0.32%

LAB 57.31, -59.66, 53.68

 

CMYK 98 / 0 / 57 / 37

HEX #03A045

RGB 3 160 69

HSL 145.22, 0.96%, 0.32%

LAB 57.65, -55.39, 37.2

 

CMYK 98 / 0 / 31 / 37

HEX #03A06F

RGB 3 160 111

HSL 161.27, 0.96%, 0.32%

LAB 58.33, -47.34, 15.8

 

CMYK 60 / 0 / 98 / 37

HEX #40A003

RGB 64 160 3

HSL 96.69, 0.96%, 0.32%

LAB 58.26, -51.7, 59.53

 

CMYK 60 / 0 / 98 / 37

HEX #40A003

RGB 64 160 3

HSL 96.69, 0.96%, 0.32%

LAB 58.26, -51.7, 59.53

 

CMYK 54 / 0 / 89 / 42

HEX #439310

RGB 67 147 16

HSL 96.64, 0.8%, 0.32%

LAB 54.13, -45.72, 54

 

CMYK 48 / 0 / 78 / 47

HEX #46861E

RGB 70 134 30

HSL 96.92, 0.63%, 0.32%

LAB 50.03, -38.87, 46.31

 

CMYK 39 / 0 / 64 / 53

HEX #49782B

RGB 73 120 43

HSL 96.62, 0.47%, 0.32%

LAB 45.67, -30.55, 36.35

 

CMYK 29 / 0 / 48 / 58

HEX #4C6B38

RGB 76 107 56

HSL 96.47, 0.31%, 0.32%

LAB 41.75, -21.42, 24.96

 

CMYK 7 / 0 / 98 / 37

HEX #95A003

RGB 149 160 3

HSL 64.2, 0.96%, 0.32%

LAB 62.96, -20.06, 65.21

 

CMYK 33 / 0 / 98 / 37

HEX #6CA003

RGB 108 160 3

HSL 79.87, 0.96%, 0.32%

LAB 60.19, -37.23, 61.88

 

CMYK 59 / 0 / 98 / 37

HEX #42A003

RGB 66 160 3

HSL 95.92, 0.96%, 0.32%

LAB 58.33, -51.17, 59.61

 

CMYK 85 / 0 / 98 / 37

HEX #18A003

RGB 24 160 3

HSL 111.97, 0.96%, 0.32%

LAB 57.41, -59.03, 58.49

 

CMYK 98 / 0 / 85 / 37

HEX #03A018

RGB 3 160 24

HSL 128.03, 0.96%, 0.32%

LAB 57.3, -59.82, 54.47

 

CMYK 59 / 0 / 97 / 69

HEX #204F02

RGB 32 79 2

HSL 96.62, 0.95%, 0.16%

LAB 29.17, -29.9, 35.75

 

CMYK 60 / 0 / 98 / 53

HEX #307802

RGB 48 120 2

HSL 96.61, 0.97%, 0.24%

LAB 44.33, -41.4, 48.3

 

CMYK 60 / 0 / 98 / 37

HEX #40A003

RGB 64 160 3

HSL 96.69, 0.96%, 0.32%

LAB 58.26, -51.7, 59.53

 

CMYK 60 / 0 / 98 / 22

HEX #51C804

RGB 81 200 4

HSL 96.43, 0.96%, 0.4%

LAB 71.6, -61.25, 70.31

 

CMYK 60 / 0 / 98 / 5

HEX #61F105

RGB 97 241 5

HSL 96.61, 0.96%, 0.48%

LAB 84.72, -71.01, 80.91

 

CMYK 60 / 0 / 98 / 36

HEX #41A203

RGB 65 162 3

HSL 96.6, 0.96%, 0.32%

LAB 58.95, -52.15, 60.1

 

CMYK 98 / 0 / 19 / 37

HEX #03A081

RGB 3 160 129

HSL 168.15, 0.96%, 0.32%

LAB 58.74, -42.83, 6.3

 

CMYK 0 / 98 / 19 / 37

HEX #A00381

RGB 160 3 129

HSL 311.85, 0.96%, 0.32%

LAB 36.22, 64.63, -26.53

 

CMYK 60 / 0 / 98 / 36

HEX #41A203

RGB 65 162 3

HSL 96.6, 0.96%, 0.32%

LAB 58.95, -52.15, 60.1

 

CMYK 98 / 59 / 0 / 37

HEX #0342A0

RGB 3 66 160

HSL 215.92, 0.96%, 0.32%

LAB 30.53, 21.54, -55.55

 

CMYK 0 / 98 / 59 / 37

HEX #A00342

RGB 160 3 66

HSL 335.92, 0.96%, 0.32%

LAB 33.84, 58.42, 10.39

 

CMYK 60 / 0 / 98 / 36

HEX #41A203

RGB 65 162 3

HSL 96.6, 0.96%, 0.32%

LAB 58.95, -52.15, 60.1

 

CMYK 98 / 0 / 19 / 37

HEX #03A081

RGB 3 160 129

HSL 168.15, 0.96%, 0.32%

LAB 58.74, -42.83, 6.3

 

CMYK 39 / 98 / 0 / 37

HEX #6103A0

RGB 97 3 160

HSL 275.92, 0.96%, 0.32%

LAB 27.14, 59.95, -60.84

 

CMYK 0 / 98 / 78 / 37

HEX #A00323

RGB 160 3 35

HSL 347.77, 0.96%, 0.32%

LAB 33.26, 56.85, 29.76

 

CMYK 60 / 0 / 98 / 36

HEX #41A203

RGB 65 162 3

HSL 96.6, 0.96%, 0.32%

LAB 58.95, -52.15, 60.1

 

CMYK 98 / 10 / 0 / 37

HEX #0390A0

RGB 3 144 160

HSL 186.11, 0.96%, 0.32%

LAB 54.56, -26.02, -17.59

 

CMYK 39 / 98 / 0 / 37

HEX #6103A0

RGB 97 3 160

HSL 275.92, 0.96%, 0.32%

LAB 27.14, 59.95, -60.84

 

CMYK 0 / 88 / 98 / 37

HEX #A01303

RGB 160 19 3

HSL 6.11, 0.96%, 0.32%

LAB 33.87, 53.71, 46.34

 

Description

Color code: HEX #41A203 | qconv.com Color code: HEX #41A203 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 162 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 162 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 98 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 98% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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