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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41A031 it is the complementary color #BE5FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41A031. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41A031 shade: #46A02C, #57B23F, #68C452, #79D665 and #8AE878

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41A031. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41A031 shade: #41A031, #308E1E, #1F7C0B, #0E6A00 and #005800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41A031 shade: #41A031, #5FA031, #7DA031, #9BA031 and #A08731

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41A031 shade: #41A031, #31A03F, #31A05D, #31A07B and #31A099

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41A031 shade matches the following richer shades: #41A031, #35B120 and #29C20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41A031 shade: #41A031, #4D8F42, #597E53, #656D64 and #715C75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41A031 shade: #7DA031, #5FA031, #42A031, #31A03E and #31A05C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41A031 shade: #27611E, #348027, #41A031, #4EC03B and #69CC58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41A031 shade: #41A031, #319AA0 and #A0316E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41A031 shade: #41A031, #3142A0 and #A03142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41A031 shade: #41A031, #319AA0, #8F31A0 and #A03731

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41A031 shade: #41A031, #3179A0, #8F31A0 and #A05831

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 69 / 37

HEX #41A031

RGB 65 160 49

HSL 111.35, 0.53%, 0.41%

LAB 58.5, -49.08, 47.52

 

Complementary color

CMYK 8 / 54 / 0 / 19

HEX #BE5FCE

RGB 190 95 206

HSL 291.35, 0.53%, 0.59%

LAB 55.67, 54.39, -41.32

 

CMYK 56 / 0 / 73 / 37

HEX #46A02C

RGB 70 160 44

HSL 106.55, 0.57%, 0.4%

LAB 58.63, -48.19, 49.7

 

CMYK 51 / 0 / 65 / 30

HEX #57B23F

RGB 87 178 63

HSL 107.48, 0.48%, 0.47%

LAB 65.14, -48.69, 49.02

 

CMYK 47 / 0 / 58 / 23

HEX #68C452

RGB 104 196 82

HSL 108.42, 0.49%, 0.55%

LAB 71.58, -48.92, 48.01

 

CMYK 43 / 0 / 53 / 16

HEX #79D665

RGB 121 214 101

HSL 109.38, 0.58%, 0.62%

LAB 77.93, -48.97, 46.85

 

CMYK 41 / 0 / 48 / 9

HEX #8AE878

RGB 138 232 120

HSL 110.36, 0.71%, 0.69%

LAB 84.21, -48.92, 45.65

 

CMYK 59 / 0 / 69 / 37

HEX #41A031

RGB 65 160 49

HSL 111.35, 0.53%, 0.41%

LAB 58.5, -49.08, 47.52

 

CMYK 66 / 0 / 79 / 44

HEX #308E1E

RGB 48 142 30

HSL 110.36, 0.65%, 0.34%

LAB 51.91, -48.14, 47.87

 

CMYK 75 / 0 / 91 / 51

HEX #1F7C0B

RGB 31 124 11

HSL 109.38, 0.84%, 0.26%

LAB 45.26, -46.48, 46.97

 

CMYK 87 / 0 / 100 / 58

HEX #0E6A00

RGB 14 106 0

HSL 112.08, 1%, 0.21%

LAB 38.55, -43.7, 43.81

 

CMYK 100 / 0 / 100 / 65

HEX #005800

RGB 0 88 0

HSL 120, 1%, 0.17%

LAB 31.76, -39.68, 38.3

 

CMYK 59 / 0 / 69 / 37

HEX #41A031

RGB 65 160 49

HSL 111.35, 0.53%, 0.41%

LAB 58.5, -49.08, 47.52

 

CMYK 41 / 0 / 69 / 37

HEX #5FA031

RGB 95 160 49

HSL 95.14, 0.53%, 0.41%

LAB 59.7, -40.01, 49.16

 

CMYK 22 / 0 / 69 / 37

HEX #7DA031

RGB 125 160 49

HSL 78.92, 0.53%, 0.41%

LAB 61.41, -28.64, 51.47

 

CMYK 3 / 0 / 69 / 37

HEX #9BA031

RGB 155 160 49

HSL 62.7, 0.53%, 0.41%

LAB 63.62, -15.95, 54.41

 

CMYK 0 / 16 / 69 / 37

HEX #A08731

RGB 160 135 49

HSL 46.49, 0.53%, 0.41%

LAB 57.1, -0.3, 47.92

 

CMYK 59 / 0 / 69 / 37

HEX #41A031

RGB 65 160 49

HSL 111.35, 0.53%, 0.41%

LAB 58.5, -49.08, 47.52

 

CMYK 69 / 0 / 61 / 37

HEX #31A03F

RGB 49 160 63

HSL 127.57, 0.53%, 0.41%

LAB 58.18, -51.15, 40.86

 

CMYK 69 / 0 / 42 / 37

HEX #31A05D

RGB 49 160 93

HSL 143.78, 0.53%, 0.41%

LAB 58.59, -46.5, 26.11

 

CMYK 69 / 0 / 23 / 37

HEX #31A07B

RGB 49 160 123

HSL 160, 0.53%, 0.41%

LAB 59.18, -40.09, 10.38

 

CMYK 69 / 0 / 4 / 37

HEX #31A099

RGB 49 160 153

HSL 176.22, 0.53%, 0.41%

LAB 59.97, -32.14, -5.39

 

CMYK 59 / 0 / 69 / 37

HEX #41A031

RGB 65 160 49

HSL 111.35, 0.53%, 0.41%

LAB 58.5, -49.08, 47.52

 

CMYK 70 / 0 / 82 / 31

HEX #35B120

RGB 53 177 32

HSL 111.31, 0.69%, 0.41%

LAB 63.59, -58.9, 58.34

 

CMYK 79 / 0 / 92 / 24

HEX #29C20F

RGB 41 194 15

HSL 111.28, 0.86%, 0.41%

LAB 68.82, -66.75, 66.39

 

CMYK 59 / 0 / 69 / 37

HEX #41A031

RGB 65 160 49

HSL 111.35, 0.53%, 0.41%

LAB 58.5, -49.08, 47.52

 

CMYK 46 / 0 / 54 / 44

HEX #4D8F42

RGB 77 143 66

HSL 111.43, 0.37%, 0.41%

LAB 53.62, -36.86, 34.23

 

CMYK 29 / 0 / 34 / 51

HEX #597E53

RGB 89 126 83

HSL 111.63, 0.21%, 0.41%

LAB 49.09, -22.03, 19.36

 

CMYK 7 / 0 / 8 / 57

HEX #656D64

RGB 101 109 100

HSL 113.33, 0.04%, 0.41%

LAB 45.11, -4.92, 3.98

 

CMYK 3 / 21 / 0 / 54

HEX #715C75

RGB 113 92 117

HSL 290.4, 0.12%, 0.41%

LAB 41.92, 13.44, -10.91

 

CMYK 22 / 0 / 69 / 37

HEX #7DA031

RGB 125 160 49

HSL 78.92, 0.53%, 0.41%

LAB 61.41, -28.64, 51.47

 

CMYK 41 / 0 / 69 / 37

HEX #5FA031

RGB 95 160 49

HSL 95.14, 0.53%, 0.41%

LAB 59.7, -40.01, 49.16

 

CMYK 59 / 0 / 69 / 37

HEX #42A031

RGB 66 160 49

HSL 110.81, 0.53%, 0.41%

LAB 58.53, -48.83, 47.57

 

CMYK 69 / 0 / 61 / 37

HEX #31A03E

RGB 49 160 62

HSL 127.03, 0.53%, 0.41%

LAB 58.17, -51.28, 41.32

 

CMYK 69 / 0 / 43 / 37

HEX #31A05C

RGB 49 160 92

HSL 143.24, 0.53%, 0.41%

LAB 58.57, -46.69, 26.62

 

CMYK 60 / 0 / 69 / 62

HEX #27611E

RGB 39 97 30

HSL 111.94, 0.53%, 0.25%

LAB 36.13, -33.12, 31.57

 

CMYK 59 / 0 / 70 / 50

HEX #348027

RGB 52 128 39

HSL 111.24, 0.53%, 0.33%

LAB 47.38, -41.16, 39.79

 

CMYK 59 / 0 / 69 / 37

HEX #41A031

RGB 65 160 49

HSL 111.35, 0.53%, 0.41%

LAB 58.5, -49.08, 47.52

 

CMYK 59 / 0 / 69 / 25

HEX #4EC03B

RGB 78 192 59

HSL 111.43, 0.53%, 0.49%

LAB 69.21, -56.69, 54.94

 

CMYK 49 / 0 / 57 / 20

HEX #69CC58

RGB 105 204 88

HSL 111.21, 0.53%, 0.57%

LAB 74.12, -51.15, 48.23

 

CMYK 59 / 0 / 69 / 37

HEX #41A031

RGB 65 160 49

HSL 111.35, 0.53%, 0.41%

LAB 58.5, -49.08, 47.52

 

CMYK 69 / 4 / 0 / 37

HEX #319AA0

RGB 49 154 160

HSL 183.24, 0.53%, 0.41%

LAB 58.32, -27.15, -11.83

 

CMYK 0 / 69 / 31 / 37

HEX #A0316E

RGB 160 49 110

HSL 327.03, 0.53%, 0.41%

LAB 39.23, 51.21, -10.01

 

CMYK 59 / 0 / 69 / 37

HEX #41A031

RGB 65 160 49

HSL 111.35, 0.53%, 0.41%

LAB 58.5, -49.08, 47.52

 

CMYK 69 / 59 / 0 / 37

HEX #3142A0

RGB 49 66 160

HSL 230.81, 0.53%, 0.41%

LAB 32.01, 25.61, -53.08

 

CMYK 0 / 69 / 59 / 37

HEX #A03142

RGB 160 49 66

HSL 350.81, 0.53%, 0.41%

LAB 37.96, 46.8, 15.99

 

CMYK 59 / 0 / 69 / 37

HEX #41A031

RGB 65 160 49

HSL 111.35, 0.53%, 0.41%

LAB 58.5, -49.08, 47.52

 

CMYK 69 / 4 / 0 / 37

HEX #319AA0

RGB 49 154 160

HSL 183.24, 0.53%, 0.41%

LAB 58.32, -27.15, -11.83

 

CMYK 11 / 69 / 0 / 37

HEX #8F31A0

RGB 143 49 160

HSL 290.81, 0.53%, 0.41%

LAB 38.85, 54.74, -41.52

 

CMYK 0 / 66 / 69 / 37

HEX #A03731

RGB 160 55 49

HSL 3.24, 0.53%, 0.41%

LAB 38.6, 43.12, 27.36

 

CMYK 59 / 0 / 69 / 37

HEX #41A031

RGB 65 160 49

HSL 111.35, 0.53%, 0.41%

LAB 58.5, -49.08, 47.52

 

CMYK 69 / 24 / 0 / 37

HEX #3179A0

RGB 49 121 160

HSL 201.08, 0.53%, 0.41%

LAB 48.09, -9.4, -27.48

 

CMYK 11 / 69 / 0 / 37

HEX #8F31A0

RGB 143 49 160

HSL 290.81, 0.53%, 0.41%

LAB 38.85, 54.74, -41.52

 

CMYK 0 / 45 / 69 / 37

HEX #A05831

RGB 160 88 49

HSL 21.08, 0.53%, 0.41%

LAB 45.19, 26.25, 35.03

 

Description

Color code: HEX #41A031 | qconv.com Color code: HEX #41A031 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 160 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 160 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 69 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 69% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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