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Color name
HEX #419E12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #419E12 it is the complementary color #BE61ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #419E12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #419E12 shade: #469E0D, #57B020, #68C233, #79D446 and #8AE659

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #419E12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #419E12 shade: #419E12, #308C00, #1F7A00, #0E6800 and #005600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #419E12 shade: #42A112, #68A112, #8FA112, #A18C12 and #A16512

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #419E12 shade: #42A112, #1BA112, #12A12F, #12A155 and #12A17C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #419E12 shade matches the following richer shades: #42A112 and #3DAF03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #419E12 shade: #42A112, #479220, #4B842F, #50753D and #55674C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #419E12 shade: #90A112, #6AA112, #44A112, #1EA112 and #12A12C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #419E12 shade: #23560A, #337C0E, #42A112, #51C616 and #62E61F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #419E12 shade: #419E12, #12A18B and #A1127D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #419E12 shade: #419E12, #1244A1 and #A11244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #419E12 shade: #419E12, #12A18B, #6F12A1 and #A11227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #419E12 shade: #419E12, #128BA1, #6F12A1 and #A12712

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 89 / 38

HEX #419E12

RGB 65 158 18

HSL 99.86, 0.8%, 0.35%

LAB 57.68, -50.3, 56.61

 

Complementary color

CMYK 20 / 59 / 0 / 7

HEX #BE61ED

RGB 190 97 237

HSL 279.86, 0.8%, 0.65%

LAB 57.67, 59.64, -55.63

 

CMYK 56 / 0 / 92 / 38

HEX #469E0D

RGB 70 158 13

HSL 96.41, 0.85%, 0.34%

LAB 57.83, -49.09, 57.76

 

CMYK 51 / 0 / 82 / 31

HEX #57B020

RGB 87 176 32

HSL 97.08, 0.69%, 0.41%

LAB 64.31, -50.17, 59.38

 

CMYK 46 / 0 / 74 / 24

HEX #68C233

RGB 104 194 51

HSL 97.76, 0.58%, 0.48%

LAB 70.71, -50.85, 59.73

 

CMYK 43 / 0 / 67 / 17

HEX #79D446

RGB 121 212 70

HSL 98.45, 0.62%, 0.55%

LAB 77.04, -51.26, 59.37

 

CMYK 40 / 0 / 61 / 10

HEX #8AE659

RGB 138 230 89

HSL 99.15, 0.74%, 0.63%

LAB 83.29, -51.49, 58.62

 

CMYK 59 / 0 / 89 / 38

HEX #419E12

RGB 65 158 18

HSL 99.86, 0.8%, 0.35%

LAB 57.68, -50.3, 56.61

 

CMYK 66 / 0 / 100 / 45

HEX #308C00

RGB 48 140 0

HSL 99.43, 1%, 0.27%

LAB 51.13, -48.72, 54.14

 

CMYK 75 / 0 / 100 / 52

HEX #1F7A00

RGB 31 122 0

HSL 104.75, 1%, 0.24%

LAB 44.53, -46.23, 48.71

 

CMYK 87 / 0 / 100 / 59

HEX #0E6800

RGB 14 104 0

HSL 111.92, 1%, 0.2%

LAB 37.83, -43.06, 43.24

 

CMYK 100 / 0 / 100 / 66

HEX #005600

RGB 0 86 0

HSL 120, 1%, 0.17%

LAB 31.01, -39.06, 37.69

 

CMYK 59 / 0 / 89 / 37

HEX #42A112

RGB 66 161 18

HSL 99.86, 0.8%, 0.35%

LAB 58.69, -51.12, 57.5

 

CMYK 35 / 0 / 89 / 37

HEX #68A112

RGB 104 161 18

HSL 83.92, 0.8%, 0.35%

LAB 60.32, -38.86, 59.53

 

CMYK 11 / 0 / 89 / 37

HEX #8FA112

RGB 143 161 18

HSL 67.55, 0.8%, 0.35%

LAB 62.82, -22.92, 62.63

 

CMYK 0 / 13 / 89 / 37

HEX #A18C12

RGB 161 140 18

HSL 51.19, 0.8%, 0.35%

LAB 58.39, -3.82, 59.69

 

CMYK 0 / 37 / 89 / 37

HEX #A16512

RGB 161 101 18

HSL 34.83, 0.8%, 0.35%

LAB 48.17, 18.11, 51.51

 

CMYK 59 / 0 / 89 / 37

HEX #42A112

RGB 66 161 18

HSL 99.86, 0.8%, 0.35%

LAB 58.69, -51.12, 57.5

 

CMYK 83 / 0 / 89 / 37

HEX #1BA112

RGB 27 161 18

HSL 116.22, 0.8%, 0.35%

LAB 57.81, -58.55, 56.4

 

CMYK 89 / 0 / 71 / 37

HEX #12A12F

RGB 18 161 47

HSL 132.17, 0.8%, 0.35%

LAB 57.87, -57.48, 47.39

 

CMYK 89 / 0 / 47 / 37

HEX #12A155

RGB 18 161 85

HSL 148.11, 0.8%, 0.35%

LAB 58.3, -52.26, 29.88

 

CMYK 89 / 0 / 23 / 37

HEX #12A17C

RGB 18 161 124

HSL 164.48, 0.8%, 0.35%

LAB 59.04, -43.79, 9.56

 

CMYK 59 / 0 / 89 / 37

HEX #42A112

RGB 66 161 18

HSL 99.86, 0.8%, 0.35%

LAB 58.69, -51.12, 57.5

 

CMYK 65 / 0 / 98 / 31

HEX #3DAF03

RGB 61 175 3

HSL 99.77, 0.97%, 0.35%

LAB 63.06, -57.57, 63.35

 

CMYK 59 / 0 / 89 / 37

HEX #42A112

RGB 66 161 18

HSL 99.86, 0.8%, 0.35%

LAB 58.69, -51.12, 57.5

 

CMYK 51 / 0 / 78 / 43

HEX #479220

RGB 71 146 32

HSL 99.47, 0.64%, 0.35%

LAB 54.03, -43.32, 49.5

 

CMYK 43 / 0 / 64 / 48

HEX #4B842F

RGB 75 132 47

HSL 100.24, 0.47%, 0.35%

LAB 49.74, -34.89, 39.02

 

CMYK 32 / 0 / 48 / 54

HEX #50753D

RGB 80 117 61

HSL 99.64, 0.31%, 0.35%

LAB 45.31, -24.27, 26.71

 

CMYK 17 / 0 / 26 / 60

HEX #55674C

RGB 85 103 76

HSL 100, 0.15%, 0.35%

LAB 41.46, -12.41, 13.05

 

CMYK 11 / 0 / 89 / 37

HEX #90A112

RGB 144 161 18

HSL 67.13, 0.8%, 0.35%

LAB 62.9, -22.49, 62.72

 

CMYK 34 / 0 / 89 / 37

HEX #6AA112

RGB 106 161 18

HSL 83.08, 0.8%, 0.35%

LAB 60.42, -38.1, 59.67

 

CMYK 58 / 0 / 89 / 37

HEX #44A112

RGB 68 161 18

HSL 99.02, 0.8%, 0.35%

LAB 58.75, -50.59, 57.58

 

CMYK 81 / 0 / 89 / 37

HEX #1EA112

RGB 30 161 18

HSL 114.97, 0.8%, 0.35%

LAB 57.86, -58.18, 56.45

 

CMYK 89 / 0 / 73 / 37

HEX #12A12C

RGB 18 161 44

HSL 130.91, 0.8%, 0.35%

LAB 57.85, -57.76, 48.54

 

CMYK 59 / 0 / 88 / 66

HEX #23560A

RGB 35 86 10

HSL 100.26, 0.79%, 0.19%

LAB 31.89, -31.4, 35.37

 

CMYK 59 / 0 / 89 / 51

HEX #337C0E

RGB 51 124 14

HSL 99.82, 0.8%, 0.27%

LAB 45.84, -41.63, 47

 

CMYK 59 / 0 / 89 / 37

HEX #42A112

RGB 66 161 18

HSL 99.86, 0.8%, 0.35%

LAB 58.69, -51.12, 57.5

 

CMYK 59 / 0 / 89 / 22

HEX #51C616

RGB 81 198 22

HSL 99.89, 0.8%, 0.43%

LAB 71.01, -60.17, 67.47

 

CMYK 57 / 0 / 87 / 10

HEX #62E61F

RGB 98 230 31

HSL 99.8, 0.8%, 0.51%

LAB 81.45, -66.57, 74.95

 

CMYK 59 / 0 / 89 / 38

HEX #419E12

RGB 65 158 18

HSL 99.86, 0.8%, 0.35%

LAB 57.68, -50.3, 56.61

 

CMYK 89 / 0 / 14 / 37

HEX #12A18B

RGB 18 161 139

HSL 170.77, 0.8%, 0.35%

LAB 59.42, -39.8, 1.65

 

CMYK 0 / 89 / 22 / 37

HEX #A1127D

RGB 161 18 125

HSL 315.1, 0.8%, 0.35%

LAB 36.91, 62.3, -22.94

 

CMYK 59 / 0 / 89 / 38

HEX #419E12

RGB 65 158 18

HSL 99.86, 0.8%, 0.35%

LAB 57.68, -50.3, 56.61

 

CMYK 89 / 58 / 0 / 37

HEX #1244A1

RGB 18 68 161

HSL 219.02, 0.8%, 0.35%

LAB 31.43, 21.32, -54.67

 

CMYK 0 / 89 / 58 / 37

HEX #A11244

RGB 161 18 68

HSL 339.02, 0.8%, 0.35%

LAB 34.86, 56.62, 10.52

 

CMYK 59 / 0 / 89 / 38

HEX #419E12

RGB 65 158 18

HSL 99.86, 0.8%, 0.35%

LAB 57.68, -50.3, 56.61

 

CMYK 89 / 0 / 14 / 37

HEX #12A18B

RGB 18 161 139

HSL 170.77, 0.8%, 0.35%

LAB 59.42, -39.8, 1.65

 

CMYK 31 / 89 / 0 / 37

HEX #6F12A1

RGB 111 18 161

HSL 279.02, 0.8%, 0.35%

LAB 30.36, 59.11, -56.09

 

CMYK 0 / 89 / 76 / 37

HEX #A11227

RGB 161 18 39

HSL 351.19, 0.8%, 0.35%

LAB 34.31, 55.04, 28.5

 

CMYK 59 / 0 / 89 / 38

HEX #419E12

RGB 65 158 18

HSL 99.86, 0.8%, 0.35%

LAB 57.68, -50.3, 56.61

 

CMYK 89 / 14 / 0 / 37

HEX #128BA1

RGB 18 139 161

HSL 189.23, 0.8%, 0.35%

LAB 53.13, -22.39, -20.33

 

CMYK 31 / 89 / 0 / 37

HEX #6F12A1

RGB 111 18 161

HSL 279.02, 0.8%, 0.35%

LAB 30.36, 59.11, -56.09

 

CMYK 0 / 76 / 89 / 37

HEX #A12712

RGB 161 39 18

HSL 8.81, 0.8%, 0.35%

LAB 36.12, 48.7, 41.87

 

Description

Color code: HEX #419E12 | qconv.com Color code: HEX #419E12 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 158 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 158 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 89 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 89% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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