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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41977D it is the complementary color #BE6882. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41977D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41977D shade: #469778, #57A98B, #68BB9E, #79CDB1 and #8ADFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41977D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41977D shade: #41977D, #30856A, #1F7357, #0E6144 and #004F31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41977D shade: #40967C, #409665, #40964E, #4A9640 and #619640

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41977D shade: #40967C, #409693, #408296, #406B96 and #405396

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41977D shade matches the following richer shades: #40967C, #2FA783, #1EB98A and #0CCA91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41977D shade: #40967C, #528575, #63736E, #746267 and #865161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41977D shade: #40964D, #409664, #40967B, #409692 and #408396

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41977D shade: #285C4C, #347964, #40967C, #4DB394 and #6ABFA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41977D shade: #41977D, #404A96 and #965940

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41977D shade: #41977D, #7B4096 and #967B40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41977D shade: #41977D, #404A96, #96405B and #968C40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41977D shade: #41977D, #504096, #96405B and #869640

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 17 / 41

HEX #41977D

RGB 65 151 125

HSL 161.86, 0.4%, 0.42%

LAB 56.82, -32.45, 5.95

 

Complementary color

CMYK 0 / 45 / 32 / 25

HEX #BE6882

RGB 190 104 130

HSL 341.86, 0.4%, 0.58%

LAB 54.51, 37.32, 0.99

 

CMYK 54 / 0 / 21 / 41

HEX #469778

RGB 70 151 120

HSL 157.04, 0.37%, 0.43%

LAB 56.87, -32.49, 8.89

 

CMYK 49 / 0 / 18 / 34

HEX #57A98B

RGB 87 169 139

HSL 158.05, 0.32%, 0.5%

LAB 63.56, -32.37, 7.83

 

CMYK 44 / 0 / 16 / 27

HEX #68BB9E

RGB 104 187 158

HSL 159.04, 0.38%, 0.57%

LAB 70.14, -32.2, 6.86

 

CMYK 41 / 0 / 14 / 20

HEX #79CDB1

RGB 121 205 177

HSL 160, 0.46%, 0.64%

LAB 76.62, -32.01, 5.97

 

CMYK 38 / 0 / 12 / 13

HEX #8ADFC4

RGB 138 223 196

HSL 160.94, 0.57%, 0.71%

LAB 83, -31.81, 5.14

 

CMYK 57 / 0 / 17 / 41

HEX #41977D

RGB 65 151 125

HSL 161.86, 0.4%, 0.42%

LAB 56.82, -32.45, 5.95

 

CMYK 64 / 0 / 20 / 48

HEX #30856A

RGB 48 133 106

HSL 160.94, 0.47%, 0.35%

LAB 50.03, -32.34, 7.1

 

CMYK 73 / 0 / 24 / 55

HEX #1F7357

RGB 31 115 87

HSL 160, 0.58%, 0.29%

LAB 43.12, -31.99, 8.43

 

CMYK 86 / 0 / 30 / 62

HEX #0E6144

RGB 14 97 68

HSL 159.04, 0.75%, 0.22%

LAB 36.1, -31.18, 9.98

 

CMYK 100 / 0 / 38 / 69

HEX #004F31

RGB 0 79 49

HSL 157.22, 1%, 0.15%

LAB 28.94, -29.76, 11.83

 

CMYK 57 / 0 / 17 / 41

HEX #40967C

RGB 64 150 124

HSL 161.86, 0.4%, 0.42%

LAB 56.44, -32.44, 5.98

 

CMYK 57 / 0 / 33 / 41

HEX #409665

RGB 64 150 101

HSL 145.81, 0.4%, 0.42%

LAB 55.93, -37.64, 18.25

 

CMYK 57 / 0 / 48 / 41

HEX #40964E

RGB 64 150 78

HSL 129.77, 0.4%, 0.42%

LAB 55.54, -41.82, 30.26

 

CMYK 51 / 0 / 57 / 41

HEX #4A9640

RGB 74 150 64

HSL 113.02, 0.4%, 0.42%

LAB 55.72, -41.04, 37.72

 

CMYK 35 / 0 / 57 / 41

HEX #619640

RGB 97 150 64

HSL 96.98, 0.4%, 0.42%

LAB 56.81, -33.43, 39.26

 

CMYK 57 / 0 / 17 / 41

HEX #40967C

RGB 64 150 124

HSL 161.86, 0.4%, 0.42%

LAB 56.44, -32.44, 5.98

 

CMYK 57 / 0 / 2 / 41

HEX #409693

RGB 64 150 147

HSL 177.91, 0.4%, 0.42%

LAB 57.08, -26.37, -6.22

 

CMYK 57 / 13 / 0 / 41

HEX #408296

RGB 64 130 150

HSL 193.95, 0.4%, 0.42%

LAB 50.99, -14.97, -17.13

 

CMYK 57 / 29 / 0 / 41

HEX #406B96

RGB 64 107 150

HSL 210, 0.4%, 0.42%

LAB 43.96, -1.63, -27.97

 

CMYK 57 / 45 / 0 / 41

HEX #405396

RGB 64 83 150

HSL 226.74, 0.4%, 0.42%

LAB 36.89, 13.55, -39.12

 

CMYK 57 / 0 / 17 / 41

HEX #40967C

RGB 64 150 124

HSL 161.86, 0.4%, 0.42%

LAB 56.44, -32.44, 5.98

 

CMYK 72 / 0 / 22 / 35

HEX #2FA783

RGB 47 167 131

HSL 162, 0.56%, 0.42%

LAB 61.55, -41.47, 9.26

 

CMYK 84 / 0 / 25 / 27

HEX #1EB98A

RGB 30 185 138

HSL 161.81, 0.72%, 0.42%

LAB 67.13, -49.16, 13.24

 

CMYK 94 / 0 / 28 / 21

HEX #0CCA91

RGB 12 202 145

HSL 162, 0.89%, 0.42%

LAB 72.47, -55.18, 16.9

 

CMYK 57 / 0 / 17 / 41

HEX #40967C

RGB 64 150 124

HSL 161.86, 0.4%, 0.42%

LAB 56.44, -32.44, 5.98

 

CMYK 38 / 0 / 12 / 48

HEX #528575

RGB 82 133 117

HSL 161.18, 0.24%, 0.42%

LAB 51.67, -21.02, 3.24

 

CMYK 14 / 0 / 4 / 55

HEX #63736E

RGB 99 115 110

HSL 161.25, 0.07%, 0.42%

LAB 47.03, -7.04, 0.75

 

CMYK 0 / 16 / 11 / 55

HEX #746267

RGB 116 98 103

HSL 343.33, 0.08%, 0.42%

LAB 43.4, 8.14, -0.15

 

CMYK 0 / 40 / 28 / 47

HEX #865161

RGB 134 81 97

HSL 341.89, 0.25%, 0.42%

LAB 40.92, 24.43, 0.16

 

CMYK 57 / 0 / 49 / 41

HEX #40964D

RGB 64 150 77

HSL 129.07, 0.4%, 0.42%

LAB 55.52, -41.98, 30.77

 

CMYK 57 / 0 / 33 / 41

HEX #409664

RGB 64 150 100

HSL 145.12, 0.4%, 0.42%

LAB 55.91, -37.84, 18.78

 

CMYK 57 / 0 / 18 / 41

HEX #40967B

RGB 64 150 123

HSL 161.16, 0.4%, 0.42%

LAB 56.42, -32.69, 6.51

 

CMYK 57 / 0 / 3 / 41

HEX #409692

RGB 64 150 146

HSL 177.21, 0.4%, 0.42%

LAB 57.05, -26.65, -5.7

 

CMYK 57 / 13 / 0 / 41

HEX #408396

RGB 64 131 150

HSL 193.26, 0.4%, 0.42%

LAB 51.3, -15.52, -16.66

 

CMYK 57 / 0 / 17 / 64

HEX #285C4C

RGB 40 92 76

HSL 161.54, 0.39%, 0.26%

LAB 35.26, -21.77, 3.96

 

CMYK 57 / 0 / 17 / 53

HEX #347964

RGB 52 121 100

HSL 161.74, 0.4%, 0.34%

LAB 46.08, -27.25, 4.99

 

CMYK 57 / 0 / 17 / 41

HEX #40967C

RGB 64 150 124

HSL 161.86, 0.4%, 0.42%

LAB 56.44, -32.44, 5.98

 

CMYK 57 / 0 / 17 / 30

HEX #4DB394

RGB 77 179 148

HSL 161.76, 0.4%, 0.5%

LAB 66.49, -37.22, 6.98

 

CMYK 45 / 0 / 14 / 25

HEX #6ABFA5

RGB 106 191 165

HSL 161.65, 0.4%, 0.58%

LAB 71.58, -31.99, 5.13

 

CMYK 57 / 0 / 17 / 41

HEX #41977D

RGB 65 151 125

HSL 161.86, 0.4%, 0.42%

LAB 56.82, -32.45, 5.95

 

CMYK 57 / 51 / 0 / 41

HEX #404A96

RGB 64 74 150

HSL 233.02, 0.4%, 0.42%

LAB 34.37, 19.45, -43.15

 

CMYK 0 / 41 / 57 / 41

HEX #965940

RGB 150 89 64

HSL 17.44, 0.4%, 0.42%

LAB 44.23, 22.51, 25.08

 

CMYK 57 / 0 / 17 / 41

HEX #41977D

RGB 65 151 125

HSL 161.86, 0.4%, 0.42%

LAB 56.82, -32.45, 5.95

 

CMYK 18 / 57 / 0 / 41

HEX #7B4096

RGB 123 64 150

HSL 281.16, 0.4%, 0.42%

LAB 37.99, 40.52, -37.04

 

CMYK 0 / 18 / 57 / 41

HEX #967B40

RGB 150 123 64

HSL 41.16, 0.4%, 0.42%

LAB 52.97, 2.98, 35.77

 

CMYK 57 / 0 / 17 / 41

HEX #41977D

RGB 65 151 125

HSL 161.86, 0.4%, 0.42%

LAB 56.82, -32.45, 5.95

 

CMYK 57 / 51 / 0 / 41

HEX #404A96

RGB 64 74 150

HSL 233.02, 0.4%, 0.42%

LAB 34.37, 19.45, -43.15

 

CMYK 0 / 57 / 39 / 41

HEX #96405B

RGB 150 64 91

HSL 341.16, 0.4%, 0.42%

LAB 39.42, 38.9, 2

 

CMYK 0 / 7 / 57 / 41

HEX #968C40

RGB 150 140 64

HSL 53.02, 0.4%, 0.42%

LAB 57.67, -6.48, 41.24

 

CMYK 57 / 0 / 17 / 41

HEX #41977D

RGB 65 151 125

HSL 161.86, 0.4%, 0.42%

LAB 56.82, -32.45, 5.95

 

CMYK 47 / 57 / 0 / 41

HEX #504096

RGB 80 64 150

HSL 251.16, 0.4%, 0.42%

LAB 33.08, 29.47, -45.17

 

CMYK 0 / 57 / 39 / 41

HEX #96405B

RGB 150 64 91

HSL 341.16, 0.4%, 0.42%

LAB 39.42, 38.9, 2

 

CMYK 11 / 0 / 57 / 41

HEX #869640

RGB 134 150 64

HSL 71.16, 0.4%, 0.42%

LAB 59.21, -18.74, 42.65

 

Description

Color code: HEX #41977D | qconv.com Color code: HEX #41977D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 151 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 151 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 17 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 17% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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