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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #419646 it is the complementary color #BE69B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #419646. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #419646 shade: #469641, #57A854, #68BA67, #79CC7A and #8ADE8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #419646. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #419646 shade: #419646, #308433, #1F7220, #0E600D and #004E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #419646 shade: #409645, #529640, #699640, #819640 and #969440

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #419646 shade: #409645, #40965C, #409674, #40968B and #408A96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #419646 shade matches the following richer shades: #409645, #2FA736, #1EB927 and #0CCA17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #419646 shade: #409645, #528555, #637364, #746273 and #865182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #419646 shade: #6A9640, #539640, #409645, #40965B and #409672

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #419646 shade: #285C2B, #347938, #409645, #4DB353 and #6ABF6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #419646 shade: #419646, #408196 and #96405E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #419646 shade: #419646, #454096 and #964540

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #419646 shade: #419646, #408196, #964092 and #965640

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #419646 shade: #419646, #406796, #964092 and #966F40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 53 / 41

HEX #419646

RGB 65 150 70

HSL 123.53, 0.4%, 0.42%

LAB 55.46, -42.76, 34.32

 

Complementary color

CMYK 0 / 45 / 3 / 25

HEX #BE69B9

RGB 190 105 185

HSL 303.53, 0.4%, 0.58%

LAB 56.64, 45.44, -27.81

 

CMYK 53 / 0 / 57 / 41

HEX #469641

RGB 70 150 65

HSL 116.47, 0.4%, 0.42%

LAB 55.58, -42.07, 37.01

 

CMYK 48 / 0 / 50 / 34

HEX #57A854

RGB 87 168 84

HSL 117.86, 0.33%, 0.49%

LAB 62.23, -42.13, 35.7

 

CMYK 44 / 0 / 45 / 27

HEX #68BA67

RGB 104 186 103

HSL 119.28, 0.38%, 0.57%

LAB 68.78, -42.04, 34.39

 

CMYK 41 / 0 / 40 / 20

HEX #79CC7A

RGB 121 204 122

HSL 120.72, 0.45%, 0.64%

LAB 75.24, -41.87, 33.12

 

CMYK 38 / 0 / 36 / 13

HEX #8ADE8D

RGB 138 222 141

HSL 122.14, 0.56%, 0.71%

LAB 81.6, -41.66, 31.91

 

CMYK 57 / 0 / 53 / 41

HEX #419646

RGB 65 150 70

HSL 123.53, 0.4%, 0.42%

LAB 55.46, -42.76, 34.32

 

CMYK 64 / 0 / 61 / 48

HEX #308433

RGB 48 132 51

HSL 122.14, 0.47%, 0.35%

LAB 48.72, -42.4, 35.68

 

CMYK 73 / 0 / 72 / 55

HEX #1F7220

RGB 31 114 32

HSL 120.72, 0.57%, 0.28%

LAB 41.89, -41.53, 36.8

 

CMYK 85 / 0 / 86 / 62

HEX #0E600D

RGB 14 96 13

HSL 119.28, 0.76%, 0.21%

LAB 34.98, -39.71, 37.09

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 57 / 0 / 54 / 41

HEX #409645

RGB 64 150 69

HSL 123.49, 0.4%, 0.42%

LAB 55.41, -43.16, 34.76

 

CMYK 45 / 0 / 57 / 41

HEX #529640

RGB 82 150 64

HSL 107.44, 0.4%, 0.42%

LAB 56.06, -38.56, 38.2

 

CMYK 30 / 0 / 57 / 41

HEX #699640

RGB 105 150 64

HSL 91.4, 0.4%, 0.42%

LAB 57.26, -30.46, 39.89

 

CMYK 14 / 0 / 57 / 41

HEX #819640

RGB 129 150 64

HSL 74.65, 0.4%, 0.42%

LAB 58.84, -20.85, 42.12

 

CMYK 0 / 1 / 57 / 41

HEX #969440

RGB 150 148 64

HSL 58.6, 0.4%, 0.42%

LAB 59.92, -10.8, 43.8

 

CMYK 57 / 0 / 54 / 41

HEX #409645

RGB 64 150 69

HSL 123.49, 0.4%, 0.42%

LAB 55.41, -43.16, 34.76

 

CMYK 57 / 0 / 39 / 41

HEX #40965C

RGB 64 150 92

HSL 139.53, 0.4%, 0.42%

LAB 55.76, -39.4, 23.01

 

CMYK 57 / 0 / 23 / 41

HEX #409674

RGB 64 150 116

HSL 156.28, 0.4%, 0.42%

LAB 56.25, -34.36, 10.25

 

CMYK 57 / 0 / 7 / 41

HEX #40968B

RGB 64 150 139

HSL 172.33, 0.4%, 0.42%

LAB 56.85, -28.57, -2

 

CMYK 57 / 8 / 0 / 41

HEX #408A96

RGB 64 138 150

HSL 188.37, 0.4%, 0.42%

LAB 53.46, -19.3, -13.38

 

CMYK 57 / 0 / 54 / 41

HEX #409645

RGB 64 150 69

HSL 123.49, 0.4%, 0.42%

LAB 55.41, -43.16, 34.76

 

CMYK 72 / 0 / 68 / 35

HEX #2FA736

RGB 47 167 54

HSL 123.5, 0.56%, 0.42%

LAB 60.35, -54.98, 47.28

 

CMYK 84 / 0 / 79 / 27

HEX #1EB927

RGB 30 185 39

HSL 123.48, 0.72%, 0.42%

LAB 65.84, -64.31, 58.27

 

CMYK 94 / 0 / 89 / 21

HEX #0CCA17

RGB 12 202 23

HSL 123.47, 0.89%, 0.42%

LAB 71.13, -71.27, 66.95

 

CMYK 57 / 0 / 54 / 41

HEX #409645

RGB 64 150 69

HSL 123.49, 0.4%, 0.42%

LAB 55.41, -43.16, 34.76

 

CMYK 38 / 0 / 36 / 48

HEX #528555

RGB 82 133 85

HSL 123.53, 0.24%, 0.42%

LAB 50.95, -27.65, 20.64

 

CMYK 14 / 0 / 13 / 55

HEX #637364

RGB 99 115 100

HSL 123.75, 0.07%, 0.42%

LAB 46.76, -9.13, 6.31

 

CMYK 0 / 16 / 1 / 55

HEX #746273

RGB 116 98 115

HSL 303.33, 0.08%, 0.42%

LAB 43.78, 10.5, -6.88

 

CMYK 0 / 40 / 3 / 47

HEX #865182

RGB 134 81 130

HSL 304.53, 0.25%, 0.42%

LAB 42.1, 30.19, -18.35

 

CMYK 29 / 0 / 57 / 41

HEX #6A9640

RGB 106 150 64

HSL 90.7, 0.4%, 0.42%

LAB 57.32, -30.08, 39.98

 

CMYK 45 / 0 / 57 / 41

HEX #539640

RGB 83 150 64

HSL 106.74, 0.4%, 0.42%

LAB 56.11, -38.24, 38.27

 

CMYK 57 / 0 / 54 / 41

HEX #409645

RGB 64 150 69

HSL 123.49, 0.4%, 0.42%

LAB 55.41, -43.16, 34.76

 

CMYK 57 / 0 / 39 / 41

HEX #40965B

RGB 64 150 91

HSL 138.84, 0.4%, 0.42%

LAB 55.74, -39.59, 23.53

 

CMYK 57 / 0 / 24 / 41

HEX #409672

RGB 64 150 114

HSL 154.88, 0.4%, 0.42%

LAB 56.21, -34.82, 11.32

 

CMYK 57 / 0 / 53 / 64

HEX #285C2B

RGB 40 92 43

HSL 123.46, 0.39%, 0.26%

LAB 34.56, -28.87, 22.9

 

CMYK 57 / 0 / 54 / 53

HEX #347938

RGB 52 121 56

HSL 123.48, 0.4%, 0.34%

LAB 45.21, -36.2, 28.98

 

CMYK 57 / 0 / 54 / 41

HEX #409645

RGB 64 150 69

HSL 123.49, 0.4%, 0.42%

LAB 55.41, -43.16, 34.76

 

CMYK 57 / 0 / 54 / 30

HEX #4DB353

RGB 77 179 83

HSL 123.53, 0.4%, 0.5%

LAB 65.31, -49.46, 39.88

 

CMYK 45 / 0 / 42 / 25

HEX #6ABF6F

RGB 106 191 111

HSL 123.53, 0.4%, 0.58%

LAB 70.51, -42.4, 32.51

 

CMYK 57 / 0 / 53 / 41

HEX #419646

RGB 65 150 70

HSL 123.53, 0.4%, 0.42%

LAB 55.46, -42.76, 34.32

 

CMYK 57 / 14 / 0 / 41

HEX #408196

RGB 64 129 150

HSL 194.65, 0.4%, 0.42%

LAB 50.68, -14.41, -17.6

 

CMYK 0 / 57 / 37 / 41

HEX #96405E

RGB 150 64 94

HSL 339.07, 0.4%, 0.42%

LAB 39.51, 39.26, 0.25

 

CMYK 57 / 0 / 53 / 41

HEX #419646

RGB 65 150 70

HSL 123.53, 0.4%, 0.42%

LAB 55.46, -42.76, 34.32

 

CMYK 54 / 57 / 0 / 41

HEX #454096

RGB 69 64 150

HSL 243.49, 0.4%, 0.42%

LAB 32.11, 27.03, -46.78

 

CMYK 0 / 54 / 57 / 41

HEX #964540

RGB 150 69 64

HSL 3.49, 0.4%, 0.42%

LAB 39.77, 33.57, 19.32

 

CMYK 57 / 0 / 53 / 41

HEX #419646

RGB 65 150 70

HSL 123.53, 0.4%, 0.42%

LAB 55.46, -42.76, 34.32

 

CMYK 57 / 14 / 0 / 41

HEX #408196

RGB 64 129 150

HSL 194.65, 0.4%, 0.42%

LAB 50.68, -14.41, -17.6

 

CMYK 0 / 57 / 3 / 41

HEX #964092

RGB 150 64 146

HSL 302.79, 0.4%, 0.42%

LAB 41.57, 47.24, -28.7

 

CMYK 0 / 43 / 57 / 41

HEX #965640

RGB 150 86 64

HSL 15.35, 0.4%, 0.42%

LAB 43.52, 24.22, 24.17

 

CMYK 57 / 0 / 53 / 41

HEX #419646

RGB 65 150 70

HSL 123.53, 0.4%, 0.42%

LAB 55.46, -42.76, 34.32

 

CMYK 57 / 31 / 0 / 41

HEX #406796

RGB 64 103 150

HSL 212.79, 0.4%, 0.42%

LAB 42.75, 0.82, -29.86

 

CMYK 0 / 57 / 3 / 41

HEX #964092

RGB 150 64 146

HSL 302.79, 0.4%, 0.42%

LAB 41.57, 47.24, -28.7

 

CMYK 0 / 26 / 57 / 41

HEX #966F40

RGB 150 111 64

HSL 32.79, 0.4%, 0.42%

LAB 49.77, 9.84, 31.93

 

Description

Color code: HEX #419646 | qconv.com Color code: HEX #419646 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 150 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 150 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 53 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 53% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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