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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41961D it is the complementary color #BE69E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41961D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41961D shade: #469618, #57A82B, #68BA3E, #79CC51 and #8ADE64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41961D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41961D shade: #41961D, #30840A, #1F7200, #0E6000 and #004E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41961D shade: #41961D, #61961D, #82961D, #96891D and #96681D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41961D shade: #41961D, #20961D, #1D963A, #1D965B and #1D967B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41961D shade matches the following richer shades: #41961D and #3BA40E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41961D shade: #41961D, #47872B, #4C7939, #526B48 and #585C56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41961D shade: #82961D, #61961D, #41961D, #21961D and #1D9639

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41961D shade: #23510F, #327316, #41961D, #50B923 and #60D72E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41961D shade: #41961D, #1D968A and #961D72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41961D shade: #41961D, #1D4196 and #961D41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41961D shade: #41961D, #1D968A, #721D96 and #961D29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41961D shade: #41961D, #1D7E96, #721D96 and #96351D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 81 / 41

HEX #41961D

RGB 65 150 29

HSL 102.15, 0.68%, 0.35%

LAB 55.1, -46.82, 51.42

 

Complementary color

CMYK 16 / 54 / 0 / 11

HEX #BE69E2

RGB 190 105 226

HSL 282.15, 0.68%, 0.65%

LAB 58.55, 53.41, -48.07

 

CMYK 53 / 0 / 84 / 41

HEX #469618

RGB 70 150 24

HSL 98.1, 0.72%, 0.34%

LAB 55.26, -45.65, 53.09

 

CMYK 48 / 0 / 74 / 34

HEX #57A82B

RGB 87 168 43

HSL 98.88, 0.59%, 0.41%

LAB 61.83, -46.4, 53.51

 

CMYK 44 / 0 / 67 / 27

HEX #68BA3E

RGB 104 186 62

HSL 99.68, 0.5%, 0.49%

LAB 68.32, -46.82, 53.09

 

CMYK 41 / 0 / 60 / 20

HEX #79CC51

RGB 121 204 81

HSL 100.49, 0.55%, 0.56%

LAB 74.73, -47.03, 52.25

 

CMYK 38 / 0 / 55 / 13

HEX #8ADE64

RGB 138 222 100

HSL 101.31, 0.65%, 0.63%

LAB 81.05, -47.09, 51.21

 

CMYK 57 / 0 / 81 / 41

HEX #41961D

RGB 65 150 29

HSL 102.15, 0.68%, 0.35%

LAB 55.1, -46.82, 51.42

 

CMYK 64 / 0 / 92 / 48

HEX #30840A

RGB 48 132 10

HSL 101.31, 0.86%, 0.28%

LAB 48.45, -45.57, 50.08

 

CMYK 73 / 0 / 100 / 55

HEX #1F7200

RGB 31 114 0

HSL 103.68, 1%, 0.22%

LAB 41.73, -43.5, 46.48

 

CMYK 85 / 0 / 100 / 62

HEX #0E6000

RGB 14 96 0

HSL 111.25, 1%, 0.19%

LAB 34.92, -40.45, 40.91

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 57 / 0 / 81 / 41

HEX #41961D

RGB 65 150 29

HSL 102.15, 0.68%, 0.35%

LAB 55.1, -46.82, 51.42

 

CMYK 35 / 0 / 81 / 41

HEX #61961D

RGB 97 150 29

HSL 86.28, 0.68%, 0.35%

LAB 56.53, -36.21, 53.27

 

CMYK 13 / 0 / 81 / 41

HEX #82961D

RGB 130 150 29

HSL 69.92, 0.68%, 0.35%

LAB 58.65, -22.71, 55.98

 

CMYK 0 / 9 / 81 / 41

HEX #96891D

RGB 150 137 29

HSL 53.55, 0.68%, 0.35%

LAB 56.55, -6.91, 54.74

 

CMYK 0 / 31 / 81 / 41

HEX #96681D

RGB 150 104 29

HSL 37.19, 0.68%, 0.35%

LAB 47.59, 11.7, 46.62

 

CMYK 57 / 0 / 81 / 41

HEX #41961D

RGB 65 150 29

HSL 102.15, 0.68%, 0.35%

LAB 55.1, -46.82, 51.42

 

CMYK 79 / 0 / 81 / 41

HEX #20961D

RGB 32 150 29

HSL 118.51, 0.68%, 0.35%

LAB 54.25, -53.9, 50.31

 

CMYK 81 / 0 / 61 / 41

HEX #1D963A

RGB 29 150 58

HSL 134.38, 0.68%, 0.35%

LAB 54.43, -51.51, 38.79

 

CMYK 81 / 0 / 39 / 41

HEX #1D965B

RGB 29 150 91

HSL 150.74, 0.68%, 0.35%

LAB 54.9, -46, 22.25

 

CMYK 81 / 0 / 18 / 41

HEX #1D967B

RGB 29 150 123

HSL 166.61, 0.68%, 0.35%

LAB 55.59, -38.44, 5.21

 

CMYK 57 / 0 / 81 / 41

HEX #41961D

RGB 65 150 29

HSL 102.15, 0.68%, 0.35%

LAB 55.1, -46.82, 51.42

 

CMYK 64 / 0 / 91 / 36

HEX #3BA40E

RGB 59 164 14

HSL 102, 0.84%, 0.35%

LAB 59.45, -54.05, 58.81

 

CMYK 57 / 0 / 81 / 41

HEX #41961D

RGB 65 150 29

HSL 102.15, 0.68%, 0.35%

LAB 55.1, -46.82, 51.42

 

CMYK 47 / 0 / 68 / 47

HEX #47872B

RGB 71 135 43

HSL 101.74, 0.52%, 0.35%

LAB 50.5, -37.93, 41.61

 

CMYK 37 / 0 / 53 / 53

HEX #4C7939

RGB 76 121 57

HSL 102.19, 0.36%, 0.35%

LAB 46.32, -28.28, 30.06

 

CMYK 23 / 0 / 33 / 58

HEX #526B48

RGB 82 107 72

HSL 102.86, 0.2%, 0.35%

LAB 42.43, -16.52, 16.71

 

CMYK 4 / 0 / 7 / 64

HEX #585C56

RGB 88 92 86

HSL 100, 0.03%, 0.35%

LAB 38.55, -2.84, 2.9

HEX #585C56

CMYK 13 / 0 / 81 / 41

HEX #82961D

RGB 130 150 29

HSL 69.92, 0.68%, 0.35%

LAB 58.65, -22.71, 55.98

 

CMYK 35 / 0 / 81 / 41

HEX #61961D

RGB 97 150 29

HSL 86.28, 0.68%, 0.35%

LAB 56.53, -36.21, 53.27

 

CMYK 57 / 0 / 81 / 41

HEX #41961D

RGB 65 150 29

HSL 102.15, 0.68%, 0.35%

LAB 55.1, -46.82, 51.42

 

CMYK 78 / 0 / 81 / 41

HEX #21961D

RGB 33 150 29

HSL 118.02, 0.68%, 0.35%

LAB 54.26, -53.75, 50.33

 

CMYK 81 / 0 / 62 / 41

HEX #1D9639

RGB 29 150 57

HSL 133.88, 0.68%, 0.35%

LAB 54.42, -51.64, 39.25

 

CMYK 57 / 0 / 81 / 68

HEX #23510F

RGB 35 81 15

HSL 101.82, 0.69%, 0.19%

LAB 30.1, -28.92, 31.89

 

CMYK 57 / 0 / 81 / 55

HEX #327316

RGB 50 115 22

HSL 101.94, 0.68%, 0.27%

LAB 42.76, -37.95, 41.8

 

CMYK 57 / 0 / 81 / 41

HEX #41961D

RGB 65 150 29

HSL 102.15, 0.68%, 0.35%

LAB 55.1, -46.82, 51.42

 

CMYK 57 / 0 / 81 / 27

HEX #50B923

RGB 80 185 35

HSL 102, 0.68%, 0.43%

LAB 66.92, -55.33, 60.85

 

CMYK 55 / 0 / 79 / 16

HEX #60D72E

RGB 96 215 46

HSL 102.25, 0.68%, 0.51%

LAB 76.85, -61.24, 67.16

 

CMYK 57 / 0 / 81 / 41

HEX #41961D

RGB 65 150 29

HSL 102.15, 0.68%, 0.35%

LAB 55.1, -46.82, 51.42

 

CMYK 81 / 0 / 8 / 41

HEX #1D968A

RGB 29 150 138

HSL 174.05, 0.68%, 0.35%

LAB 56, -34.25, -2.77

 

CMYK 0 / 81 / 24 / 41

HEX #961D72

RGB 150 29 114

HSL 317.85, 0.68%, 0.35%

LAB 35.16, 55.88, -18.92

 

CMYK 57 / 0 / 81 / 41

HEX #41961D

RGB 65 150 29

HSL 102.15, 0.68%, 0.35%

LAB 55.1, -46.82, 51.42

 

CMYK 81 / 57 / 0 / 41

HEX #1D4196

RGB 29 65 150

HSL 222.15, 0.68%, 0.35%

LAB 30.02, 19.86, -50.28

 

CMYK 0 / 81 / 57 / 41

HEX #961D41

RGB 150 29 65

HSL 342.15, 0.68%, 0.35%

LAB 33.44, 50.75, 10.17

 

CMYK 57 / 0 / 81 / 41

HEX #41961D

RGB 65 150 29

HSL 102.15, 0.68%, 0.35%

LAB 55.1, -46.82, 51.42

 

CMYK 81 / 0 / 8 / 41

HEX #1D968A

RGB 29 150 138

HSL 174.05, 0.68%, 0.35%

LAB 56, -34.25, -2.77

 

CMYK 24 / 81 / 0 / 41

HEX #721D96

RGB 114 29 150

HSL 282.15, 0.68%, 0.35%

LAB 31.02, 54.19, -48.3

 

CMYK 0 / 81 / 73 / 41

HEX #961D29

RGB 150 29 41

HSL 354.05, 0.68%, 0.35%

LAB 32.97, 49.27, 25.1

 

CMYK 57 / 0 / 81 / 41

HEX #41961D

RGB 65 150 29

HSL 102.15, 0.68%, 0.35%

LAB 55.1, -46.82, 51.42

 

CMYK 81 / 16 / 0 / 41

HEX #1D7E96

RGB 29 126 150

HSL 191.9, 0.68%, 0.35%

LAB 48.74, -18.36, -20.65

 

CMYK 24 / 81 / 0 / 41

HEX #721D96

RGB 114 29 150

HSL 282.15, 0.68%, 0.35%

LAB 31.02, 54.19, -48.3

 

CMYK 0 / 65 / 81 / 41

HEX #96351D

RGB 150 53 29

HSL 11.9, 0.68%, 0.35%

LAB 36.21, 39.46, 35.71

 

Description

Color code: HEX #41961D | qconv.com Color code: HEX #41961D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 150 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 150 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 81 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 81% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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