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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #419558 it is the complementary color #BE6AA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #419558. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #419558 shade: #469553, #57A766, #68B979, #79CB8C and #8ADD9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #419558. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #419558 shade: #419558, #308345, #1F7132, #0E5F1F and #004D0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #419558 shade: #419558, #419542, #589541, #6E9541 and #859541

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #419558 shade: #419558, #41956F, #419585, #418E95 and #417795

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #419558 shade matches the following richer shades: #419558, #30A650, #1FB849 and #0DC941

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #419558 shade: #419558, #538460, #647268, #756170 and #875078

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #419558 shade: #589541, #419541, #419558, #41956E and #419584

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #419558 shade: #285C36, #357847, #419558, #4EB169 and #6BBE82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #419558 shade: #419558, #416E95 and #95414C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #419558 shade: #419558, #584195 and #955841

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #419558 shade: #419558, #416E95, #95417F and #956841

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #419558 shade: #419558, #415595, #95417F and #958141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 41 / 42

HEX #419558

RGB 65 149 88

HSL 136.43, 0.39%, 0.42%

LAB 55.4, -39.45, 24.73

 

Complementary color

CMYK 0 / 44 / 12 / 25

HEX #BE6AA7

RGB 190 106 167

HSL 316.43, 0.39%, 0.58%

LAB 56.13, 41.79, -18.2

 

CMYK 53 / 0 / 44 / 42

HEX #469553

RGB 70 149 83

HSL 129.87, 0.36%, 0.43%

LAB 55.5, -39, 27.6

 

CMYK 48 / 0 / 39 / 35

HEX #57A766

RGB 87 167 102

HSL 131.25, 0.31%, 0.5%

LAB 62.19, -38.89, 26.23

 

CMYK 44 / 0 / 35 / 27

HEX #68B979

RGB 104 185 121

HSL 132.59, 0.37%, 0.57%

LAB 68.77, -38.69, 24.96

 

CMYK 40 / 0 / 31 / 20

HEX #79CB8C

RGB 121 203 140

HSL 133.9, 0.44%, 0.64%

LAB 75.25, -38.45, 23.78

 

CMYK 38 / 0 / 28 / 13

HEX #8ADD9F

RGB 138 221 159

HSL 135.18, 0.55%, 0.7%

LAB 81.63, -38.19, 22.67

 

CMYK 56 / 0 / 41 / 42

HEX #419558

RGB 65 149 88

HSL 136.43, 0.39%, 0.42%

LAB 55.4, -39.45, 24.73

 

CMYK 63 / 0 / 47 / 49

HEX #308345

RGB 48 131 69

HSL 135.18, 0.46%, 0.35%

LAB 48.62, -39.33, 26.22

 

CMYK 73 / 0 / 56 / 56

HEX #1F7132

RGB 31 113 50

HSL 133.9, 0.57%, 0.28%

LAB 41.74, -38.83, 27.8

 

CMYK 85 / 0 / 67 / 63

HEX #0E5F1F

RGB 14 95 31

HSL 132.59, 0.74%, 0.21%

LAB 34.76, -37.62, 29.37

 

CMYK 100 / 0 / 84 / 70

HEX #004D0C

RGB 0 77 12

HSL 129.35, 1%, 0.15%

LAB 27.67, -35.28, 30.36

 

CMYK 56 / 0 / 41 / 42

HEX #419558

RGB 65 149 88

HSL 136.43, 0.39%, 0.42%

LAB 55.4, -39.45, 24.73

 

CMYK 56 / 0 / 56 / 42

HEX #419542

RGB 65 149 66

HSL 120.71, 0.39%, 0.42%

LAB 55.08, -42.9, 35.88

 

CMYK 41 / 0 / 56 / 42

HEX #589541

RGB 88 149 65

HSL 103.57, 0.39%, 0.42%

LAB 56.04, -36.02, 37.75

 

CMYK 26 / 0 / 56 / 42

HEX #6E9541

RGB 110 149 65

HSL 87.86, 0.39%, 0.42%

LAB 57.26, -27.95, 39.49

 

CMYK 11 / 0 / 56 / 42

HEX #859541

RGB 133 149 65

HSL 71.43, 0.39%, 0.42%

LAB 58.85, -18.56, 41.73

 

CMYK 56 / 0 / 41 / 42

HEX #419558

RGB 65 149 88

HSL 136.43, 0.39%, 0.42%

LAB 55.4, -39.45, 24.73

 

CMYK 56 / 0 / 26 / 42

HEX #41956F

RGB 65 149 111

HSL 152.86, 0.39%, 0.42%

LAB 55.85, -34.81, 12.53

 

CMYK 56 / 0 / 11 / 42

HEX #419585

RGB 65 149 133

HSL 168.57, 0.39%, 0.42%

LAB 56.4, -29.46, 0.78

 

CMYK 56 / 5 / 0 / 42

HEX #418E95

RGB 65 142 149

HSL 185, 0.39%, 0.42%

LAB 54.7, -21.5, -10.93

 

CMYK 56 / 20 / 0 / 42

HEX #417795

RGB 65 119 149

HSL 201.43, 0.39%, 0.42%

LAB 47.61, -8.85, -21.72

 

CMYK 56 / 0 / 41 / 42

HEX #419558

RGB 65 149 88

HSL 136.43, 0.39%, 0.42%

LAB 55.4, -39.45, 24.73

 

CMYK 71 / 0 / 52 / 35

HEX #30A650

RGB 48 166 80

HSL 136.27, 0.55%, 0.42%

LAB 60.32, -51.16, 35.09

 

CMYK 83 / 0 / 60 / 28

HEX #1FB849

RGB 31 184 73

HSL 136.47, 0.71%, 0.42%

LAB 65.79, -60.66, 44.93

 

CMYK 94 / 0 / 68 / 21

HEX #0DC941

RGB 13 201 65

HSL 136.6, 0.88%, 0.42%

LAB 71.04, -68.13, 54.19

 

CMYK 56 / 0 / 41 / 42

HEX #419558

RGB 65 149 88

HSL 136.43, 0.39%, 0.42%

LAB 55.4, -39.45, 24.73

 

CMYK 37 / 0 / 27 / 48

HEX #538460

RGB 83 132 96

HSL 135.92, 0.23%, 0.42%

LAB 50.9, -24.76, 14.32

 

CMYK 12 / 0 / 9 / 55

HEX #647268

RGB 100 114 104

HSL 137.14, 0.07%, 0.42%

LAB 46.64, -7.37, 3.77

 

CMYK 0 / 17 / 4 / 54

HEX #756170

RGB 117 97 112

HSL 315, 0.09%, 0.42%

LAB 43.51, 10.88, -5.45

 

CMYK 0 / 41 / 11 / 47

HEX #875078

RGB 135 80 120

HSL 316.36, 0.26%, 0.42%

LAB 41.6, 29.23, -12.99

 

CMYK 41 / 0 / 56 / 42

HEX #589541

RGB 88 149 65

HSL 103.57, 0.39%, 0.42%

LAB 56.04, -36.02, 37.75

 

CMYK 56 / 0 / 56 / 42

HEX #419541

RGB 65 149 65

HSL 120, 0.39%, 0.42%

LAB 55.07, -43.04, 36.37

 

CMYK 56 / 0 / 41 / 42

HEX #419558

RGB 65 149 88

HSL 136.43, 0.39%, 0.42%

LAB 55.4, -39.45, 24.73

 

CMYK 56 / 0 / 26 / 42

HEX #41956E

RGB 65 149 110

HSL 152.14, 0.39%, 0.42%

LAB 55.83, -35.03, 13.06

 

CMYK 56 / 0 / 11 / 42

HEX #419584

RGB 65 149 132

HSL 167.86, 0.39%, 0.42%

LAB 56.37, -29.73, 1.31

 

CMYK 57 / 0 / 41 / 64

HEX #285C36

RGB 40 92 54

HSL 136.15, 0.39%, 0.26%

LAB 34.75, -26.89, 16.73

 

CMYK 56 / 0 / 41 / 53

HEX #357847

RGB 53 120 71

HSL 136.12, 0.39%, 0.34%

LAB 45.14, -32.97, 20.63

 

CMYK 56 / 0 / 41 / 42

HEX #419558

RGB 65 149 88

HSL 136.43, 0.39%, 0.42%

LAB 55.4, -39.45, 24.73

 

CMYK 56 / 0 / 41 / 31

HEX #4EB169

RGB 78 177 105

HSL 136.36, 0.39%, 0.5%

LAB 65.03, -45.02, 28.31

 

CMYK 44 / 0 / 32 / 25

HEX #6BBE82

RGB 107 190 130

HSL 136.63, 0.39%, 0.58%

LAB 70.57, -38.46, 22.62

 

CMYK 56 / 0 / 41 / 42

HEX #419558

RGB 65 149 88

HSL 136.43, 0.39%, 0.42%

LAB 55.4, -39.45, 24.73

 

CMYK 56 / 26 / 0 / 42

HEX #416E95

RGB 65 110 149

HSL 207.86, 0.39%, 0.42%

LAB 44.87, -3.55, -25.96

 

CMYK 0 / 56 / 49 / 42

HEX #95414C

RGB 149 65 76

HSL 352.14, 0.39%, 0.42%

LAB 39.06, 36.38, 10.88

 

CMYK 56 / 0 / 41 / 42

HEX #419558

RGB 65 149 88

HSL 136.43, 0.39%, 0.42%

LAB 55.4, -39.45, 24.73

 

CMYK 41 / 56 / 0 / 42

HEX #584195

RGB 88 65 149

HSL 256.43, 0.39%, 0.42%

LAB 34.04, 30.47, -42.98

 

CMYK 0 / 41 / 56 / 42

HEX #955841

RGB 149 88 65

HSL 16.43, 0.39%, 0.42%

LAB 43.87, 22.74, 24.01

 

CMYK 56 / 0 / 41 / 42

HEX #419558

RGB 65 149 88

HSL 136.43, 0.39%, 0.42%

LAB 55.4, -39.45, 24.73

 

CMYK 56 / 26 / 0 / 42

HEX #416E95

RGB 65 110 149

HSL 207.86, 0.39%, 0.42%

LAB 44.87, -3.55, -25.96

 

CMYK 0 / 56 / 15 / 42

HEX #95417F

RGB 149 65 127

HSL 315.71, 0.39%, 0.42%

LAB 40.74, 43.18, -18.42

 

CMYK 0 / 30 / 56 / 42

HEX #956841

RGB 149 104 65

HSL 27.86, 0.39%, 0.42%

LAB 47.84, 13.52, 29

 

CMYK 56 / 0 / 41 / 42

HEX #419558

RGB 65 149 88

HSL 136.43, 0.39%, 0.42%

LAB 55.4, -39.45, 24.73

 

CMYK 56 / 43 / 0 / 42

HEX #415595

RGB 65 85 149

HSL 225.71, 0.39%, 0.42%

LAB 37.46, 12.12, -37.6

 

CMYK 0 / 56 / 15 / 42

HEX #95417F

RGB 149 65 127

HSL 315.71, 0.39%, 0.42%

LAB 40.74, 43.18, -18.42

 

CMYK 0 / 13 / 56 / 42

HEX #958141

RGB 149 129 65

HSL 45.71, 0.39%, 0.42%

LAB 54.52, -0.76, 37.06

 

Description

Color code: HEX #419558 | qconv.com Color code: HEX #419558 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 149 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 149 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 41 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 41% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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