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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #419471 it is the complementary color #BE6B8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #419471. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #419471 shade: #46946C, #57A67F, #68B892, #79CAA5 and #8ADCB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #419471. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #419471 shade: #419471, #30825E, #1F704B, #0E5E38 and #004C25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #419471 shade: #419572, #41955B, #419545, #559541 and #6B9541

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #419471 shade: #419572, #419588, #418B95, #417595 and #415E95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #419471 shade matches the following richer shades: #419572, #30A674, #1FB877 and #0DC97A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #419471 shade: #419572, #53846F, #64726C, #756169 and #875067

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #419471 shade: #419544, #41955A, #419571, #419587 and #418D95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #419471 shade: #285C46, #35785C, #419572, #4EB188 and #6BBE9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #419471 shade: #419471, #415595 and #954F41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #419471 shade: #419471, #714195 and #957141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #419471 shade: #419471, #415595, #954166 and #958141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #419471 shade: #419471, #474195, #954166 and #8F9541

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 24 / 42

HEX #419471

RGB 65 148 113

HSL 154.7, 0.39%, 0.42%

LAB 55.58, -33.9, 11.01

 

Complementary color

CMYK 0 / 44 / 25 / 25

HEX #BE6B8E

RGB 190 107 142

HSL 334.7, 0.39%, 0.58%

LAB 55.5, 37.38, -4.6

 

CMYK 53 / 0 / 27 / 42

HEX #46946C

RGB 70 148 108

HSL 149.23, 0.36%, 0.43%

LAB 55.65, -33.78, 13.97

 

CMYK 48 / 0 / 23 / 35

HEX #57A67F

RGB 87 166 127

HSL 150.38, 0.31%, 0.5%

LAB 62.36, -33.61, 12.8

 

CMYK 43 / 0 / 21 / 28

HEX #68B892

RGB 104 184 146

HSL 151.5, 0.36%, 0.56%

LAB 68.97, -33.4, 11.74

 

CMYK 40 / 0 / 18 / 21

HEX #79CAA5

RGB 121 202 165

HSL 152.59, 0.43%, 0.63%

LAB 75.47, -33.16, 10.77

 

CMYK 37 / 0 / 16 / 14

HEX #8ADCB8

RGB 138 220 184

HSL 153.66, 0.54%, 0.7%

LAB 81.87, -32.93, 9.86

 

CMYK 56 / 0 / 24 / 42

HEX #419471

RGB 65 148 113

HSL 154.7, 0.39%, 0.42%

LAB 55.58, -33.9, 11.01

 

CMYK 63 / 0 / 28 / 49

HEX #30825E

RGB 48 130 94

HSL 153.66, 0.46%, 0.35%

LAB 48.76, -33.86, 12.28

 

CMYK 72 / 0 / 33 / 56

HEX #1F704B

RGB 31 112 75

HSL 152.59, 0.57%, 0.28%

LAB 41.83, -33.56, 13.74

 

CMYK 85 / 0 / 40 / 63

HEX #0E5E38

RGB 14 94 56

HSL 151.5, 0.74%, 0.21%

LAB 34.77, -32.78, 15.43

 

CMYK 100 / 0 / 51 / 70

HEX #004C25

RGB 0 76 37

HSL 149.21, 1%, 0.15%

LAB 27.58, -31.27, 17.4

 

CMYK 56 / 0 / 23 / 42

HEX #419572

RGB 65 149 114

HSL 155, 0.39%, 0.42%

LAB 55.92, -34.13, 10.92

 

CMYK 56 / 0 / 39 / 42

HEX #41955B

RGB 65 149 91

HSL 138.57, 0.39%, 0.42%

LAB 55.46, -38.91, 23.16

 

CMYK 56 / 0 / 54 / 42

HEX #419545

RGB 65 149 69

HSL 122.86, 0.39%, 0.42%

LAB 55.12, -42.49, 34.42

 

CMYK 43 / 0 / 56 / 42

HEX #559541

RGB 85 149 65

HSL 105.71, 0.39%, 0.42%

LAB 55.89, -37.03, 37.54

 

CMYK 28 / 0 / 56 / 42

HEX #6B9541

RGB 107 149 65

HSL 90, 0.39%, 0.42%

LAB 57.08, -29.11, 39.23

 

CMYK 56 / 0 / 23 / 42

HEX #419572

RGB 65 149 114

HSL 155, 0.39%, 0.42%

LAB 55.92, -34.13, 10.92

 

CMYK 56 / 0 / 9 / 42

HEX #419588

RGB 65 149 136

HSL 170.71, 0.39%, 0.42%

LAB 56.48, -28.67, -0.81

 

CMYK 56 / 7 / 0 / 42

HEX #418B95

RGB 65 139 149

HSL 187.14, 0.39%, 0.42%

LAB 53.77, -19.92, -12.33

 

CMYK 56 / 21 / 0 / 42

HEX #417595

RGB 65 117 149

HSL 202.86, 0.39%, 0.42%

LAB 47, -7.69, -22.66

 

CMYK 56 / 37 / 0 / 42

HEX #415E95

RGB 65 94 149

HSL 219.29, 0.39%, 0.42%

LAB 40.08, 6.34, -33.46

 

CMYK 56 / 0 / 23 / 42

HEX #419572

RGB 65 149 114

HSL 155, 0.39%, 0.42%

LAB 55.92, -34.13, 10.92

 

CMYK 71 / 0 / 30 / 35

HEX #30A674

RGB 48 166 116

HSL 154.58, 0.55%, 0.42%

LAB 60.92, -44.4, 16.7

 

CMYK 83 / 0 / 35 / 28

HEX #1FB877

RGB 31 184 119

HSL 154.51, 0.71%, 0.42%

LAB 66.45, -52.93, 22.57

 

CMYK 94 / 0 / 39 / 21

HEX #0DC97A

RGB 13 201 122

HSL 154.79, 0.88%, 0.42%

LAB 71.73, -59.67, 28.04

 

CMYK 56 / 0 / 23 / 42

HEX #419572

RGB 65 149 114

HSL 155, 0.39%, 0.42%

LAB 55.92, -34.13, 10.92

 

CMYK 37 / 0 / 16 / 48

HEX #53846F

RGB 83 132 111

HSL 154.29, 0.23%, 0.42%

LAB 51.25, -21.58, 6.14

 

CMYK 12 / 0 / 5 / 55

HEX #64726C

RGB 100 114 108

HSL 154.29, 0.07%, 0.42%

LAB 46.75, -6.53, 1.54

 

CMYK 0 / 17 / 10 / 54

HEX #756169

RGB 117 97 105

HSL 336, 0.09%, 0.42%

LAB 43.29, 9.51, -1.52

 

CMYK 0 / 41 / 24 / 47

HEX #875067

RGB 135 80 103

HSL 334.91, 0.26%, 0.42%

LAB 41, 26.33, -3.41

 

CMYK 56 / 0 / 54 / 42

HEX #419544

RGB 65 149 68

HSL 122.14, 0.39%, 0.42%

LAB 55.11, -42.63, 34.91

 

CMYK 56 / 0 / 40 / 42

HEX #41955A

RGB 65 149 90

HSL 137.86, 0.39%, 0.42%

LAB 55.44, -39.09, 23.68

 

CMYK 56 / 0 / 24 / 42

HEX #419571

RGB 65 149 113

HSL 154.29, 0.39%, 0.42%

LAB 55.9, -34.36, 11.46

 

CMYK 56 / 0 / 9 / 42

HEX #419587

RGB 65 149 135

HSL 170, 0.39%, 0.42%

LAB 56.45, -28.94, -0.28

 

CMYK 56 / 5 / 0 / 42

HEX #418D95

RGB 65 141 149

HSL 185.71, 0.39%, 0.42%

LAB 54.39, -20.98, -11.39

 

CMYK 57 / 0 / 24 / 64

HEX #285C46

RGB 40 92 70

HSL 154.62, 0.39%, 0.26%

LAB 35.1, -23.31, 7.46

 

CMYK 56 / 0 / 23 / 53

HEX #35785C

RGB 53 120 92

HSL 154.93, 0.39%, 0.34%

LAB 45.58, -28.49, 9.03

 

CMYK 56 / 0 / 23 / 42

HEX #419572

RGB 65 149 114

HSL 155, 0.39%, 0.42%

LAB 55.92, -34.13, 10.92

 

CMYK 56 / 0 / 23 / 31

HEX #4EB188

RGB 78 177 136

HSL 155.15, 0.39%, 0.5%

LAB 65.63, -38.87, 12.37

 

CMYK 44 / 0 / 18 / 25

HEX #6BBE9B

RGB 107 190 155

HSL 154.7, 0.39%, 0.58%

LAB 71.09, -33.48, 9.87

 

CMYK 56 / 0 / 24 / 42

HEX #419471

RGB 65 148 113

HSL 154.7, 0.39%, 0.42%

LAB 55.58, -33.9, 11.01

 

CMYK 56 / 43 / 0 / 42

HEX #415595

RGB 65 85 149

HSL 225.71, 0.39%, 0.42%

LAB 37.46, 12.12, -37.6

 

CMYK 0 / 47 / 56 / 42

HEX #954F41

RGB 149 79 65

HSL 10, 0.39%, 0.42%

LAB 41.79, 27.82, 21.32

 

CMYK 56 / 0 / 24 / 42

HEX #419471

RGB 65 148 113

HSL 154.7, 0.39%, 0.42%

LAB 55.58, -33.9, 11.01

 

CMYK 24 / 56 / 0 / 42

HEX #714195

RGB 113 65 149

HSL 274.29, 0.39%, 0.42%

LAB 36.86, 37.01, -38.3

 

CMYK 0 / 24 / 56 / 42

HEX #957141

RGB 149 113 65

HSL 34.29, 0.39%, 0.42%

LAB 50.19, 8.33, 31.88

 

CMYK 56 / 0 / 24 / 42

HEX #419471

RGB 65 148 113

HSL 154.7, 0.39%, 0.42%

LAB 55.58, -33.9, 11.01

 

CMYK 56 / 43 / 0 / 42

HEX #415595

RGB 65 85 149

HSL 225.71, 0.39%, 0.42%

LAB 37.46, 12.12, -37.6

 

CMYK 0 / 56 / 32 / 42

HEX #954166

RGB 149 65 102

HSL 333.57, 0.39%, 0.42%

LAB 39.8, 39.44, -4.35

 

CMYK 0 / 13 / 56 / 42

HEX #958141

RGB 149 129 65

HSL 45.71, 0.39%, 0.42%

LAB 54.52, -0.76, 37.06

 

CMYK 56 / 0 / 24 / 42

HEX #419471

RGB 65 148 113

HSL 154.7, 0.39%, 0.42%

LAB 55.58, -33.9, 11.01

 

CMYK 52 / 56 / 0 / 42

HEX #474195

RGB 71 65 149

HSL 244.29, 0.39%, 0.42%

LAB 32.46, 26.49, -45.6

 

CMYK 0 / 56 / 32 / 42

HEX #954166

RGB 149 65 102

HSL 333.57, 0.39%, 0.42%

LAB 39.8, 39.44, -4.35

 

CMYK 4 / 0 / 56 / 42

HEX #8F9541

RGB 143 149 65

HSL 64.29, 0.39%, 0.42%

LAB 59.63, -14.29, 42.84

 

Description

Color code: HEX #419471 | qconv.com Color code: HEX #419471 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 148 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 148 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 24 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 24% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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