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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41935ACE it is the complementary color #BE6CA5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41935ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41935ACE shade: #469355CE, #57A568CE, #68B77BCE, #79C98ECE and #8ADBA1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41935ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41935ACE shade: #41935ACE, #308147CE, #1F6F34CE, #0E5D21CE and #004B0ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41935ACE shade: #41955B, #419544, #559541, #6B9541 and #829541

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41935ACE shade: #41955B, #419571, #419588, #418B95 and #417595

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41935ACE shade matches the following richer shades: #41955B, #30A654, #1FB84D and #0DC947

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41935ACE shade: #41955B, #538462, #647268, #75616F and #875076

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41935ACE shade: #559541, #419544, #41955A, #419571 and #419587

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41935ACE shade: #285C38, #357849, #41955B, #4EB16C and #6BBE84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41935ACE shade: #41935A, #416B95 and #95414A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41935ACE shade: #41935A, #5A4195 and #955A41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41935ACE shade: #41935A, #416B95, #95417C and #956B41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41935ACE shade: #41935A, #415295, #95417C and #958441

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 31 / 34

HEX #41935ACE

RGBA 65 147 90 0.81

HSLA 138.29, 0.39%, 0.42%, 0.81

LABA 54.79, -38.23, 22.83, 0.81

 

Complementary color

CMYK 0 / 35 / 11 / 21

HEX #BE6CA5CE

RGBA 190 108 165 0.81

HSLA 318.29, 0.39%, 0.58%, 0.81

LABA 56.48, 40.41, -16.52, 0.81

 

CMYK 42 / 0 / 34 / 34

HEX #469355CE

RGBA 70 147 85 0.81

HSLA 131.69, 0.35%, 0.43%, 0.81

LABA 54.89, -37.8, 25.73, 0.81

 

CMYK 38 / 0 / 30 / 29

HEX #57A568CE

RGBA 87 165 104 0.81

HSLA 133.08, 0.31%, 0.49%, 0.81

LABA 61.6, -37.66, 24.38, 0.81

 

CMYK 35 / 0 / 27 / 23

HEX #68B77BCE

RGBA 104 183 123 0.81

HSLA 134.43, 0.35%, 0.56%, 0.81

LABA 68.2, -37.44, 23.13, 0.81

 

CMYK 32 / 0 / 24 / 17

HEX #79C98ECE

RGBA 121 201 142 0.81

HSLA 135.75, 0.43%, 0.63%, 0.81

LABA 74.69, -37.19, 21.97, 0.81

 

CMYK 30 / 0 / 21 / 11

HEX #8ADBA1CE

RGBA 138 219 161 0.81

HSLA 137.04, 0.53%, 0.7%, 0.81

LABA 81.09, -36.93, 20.88, 0.81

 

CMYK 45 / 0 / 31 / 34

HEX #41935ACE

RGBA 65 147 90 0.81

HSLA 138.29, 0.39%, 0.42%, 0.81

LABA 54.79, -38.23, 22.83, 0.81

 

CMYK 51 / 0 / 36 / 40

HEX #308147CE

RGBA 48 129 71 0.81

HSLA 137.04, 0.46%, 0.35%, 0.81

LABA 47.99, -38.15, 24.3, 0.81

 

CMYK 58 / 0 / 43 / 46

HEX #1F6F34CE

RGBA 31 111 52 0.81

HSLA 135.75, 0.56%, 0.28%, 0.81

LABA 41.07, -37.72, 25.9, 0.81

 

CMYK 69 / 0 / 52 / 51

HEX #0E5D21CE

RGBA 14 93 33 0.81

HSLA 134.43, 0.74%, 0.21%, 0.81

LABA 34.05, -36.61, 27.55, 0.81

 

CMYK 81 / 0 / 66 / 57

HEX #004B0ECE

RGBA 0 75 14 0.81

HSLA 131.2, 1%, 0.15%, 0.81

LABA 26.92, -34.42, 28.8, 0.81

 

CMYK 56 / 0 / 39 / 42

HEX #41955B

RGB 65 149 91

HSL 138.57, 0.39%, 0.42%

LAB 55.46, -38.91, 23.16

 

CMYK 56 / 0 / 54 / 42

HEX #419544

RGB 65 149 68

HSL 122.14, 0.39%, 0.42%

LAB 55.11, -42.63, 34.91

 

CMYK 43 / 0 / 56 / 42

HEX #559541

RGB 85 149 65

HSL 105.71, 0.39%, 0.42%

LAB 55.89, -37.03, 37.54

 

CMYK 28 / 0 / 56 / 42

HEX #6B9541

RGB 107 149 65

HSL 90, 0.39%, 0.42%

LAB 57.08, -29.11, 39.23

 

CMYK 13 / 0 / 56 / 42

HEX #829541

RGB 130 149 65

HSL 73.57, 0.39%, 0.42%

LAB 58.62, -19.82, 41.42

 

CMYK 56 / 0 / 39 / 42

HEX #41955B

RGB 65 149 91

HSL 138.57, 0.39%, 0.42%

LAB 55.46, -38.91, 23.16

 

CMYK 56 / 0 / 24 / 42

HEX #419571

RGB 65 149 113

HSL 154.29, 0.39%, 0.42%

LAB 55.9, -34.36, 11.46

 

CMYK 56 / 0 / 9 / 42

HEX #419588

RGB 65 149 136

HSL 170.71, 0.39%, 0.42%

LAB 56.48, -28.67, -0.81

 

CMYK 56 / 7 / 0 / 42

HEX #418B95

RGB 65 139 149

HSL 187.14, 0.39%, 0.42%

LAB 53.77, -19.92, -12.33

 

CMYK 56 / 21 / 0 / 42

HEX #417595

RGB 65 117 149

HSL 202.86, 0.39%, 0.42%

LAB 47, -7.69, -22.66

 

CMYK 56 / 0 / 39 / 42

HEX #41955B

RGB 65 149 91

HSL 138.57, 0.39%, 0.42%

LAB 55.46, -38.91, 23.16

 

CMYK 71 / 0 / 49 / 35

HEX #30A654

RGB 48 166 84

HSL 138.31, 0.55%, 0.42%

LAB 60.37, -50.53, 33.12

 

CMYK 83 / 0 / 58 / 28

HEX #1FB84D

RGB 31 184 77

HSL 138.04, 0.71%, 0.42%

LAB 65.83, -60.14, 43.13

 

CMYK 94 / 0 / 65 / 21

HEX #0DC947

RGB 13 201 71

HSL 138.51, 0.88%, 0.42%

LAB 71.09, -67.5, 51.77

 

CMYK 56 / 0 / 39 / 42

HEX #41955B

RGB 65 149 91

HSL 138.57, 0.39%, 0.42%

LAB 55.46, -38.91, 23.16

 

CMYK 37 / 0 / 26 / 48

HEX #538462

RGB 83 132 98

HSL 138.37, 0.23%, 0.42%

LAB 50.95, -24.36, 13.23

 

CMYK 12 / 0 / 9 / 55

HEX #647268

RGB 100 114 104

HSL 137.14, 0.07%, 0.42%

LAB 46.64, -7.37, 3.77

 

CMYK 0 / 17 / 5 / 54

HEX #75616F

RGB 117 97 111

HSL 318, 0.09%, 0.42%

LAB 43.48, 10.68, -4.89

 

CMYK 0 / 41 / 13 / 47

HEX #875076

RGB 135 80 118

HSL 318.55, 0.26%, 0.42%

LAB 41.53, 28.87, -11.88

 

CMYK 43 / 0 / 56 / 42

HEX #559541

RGB 85 149 65

HSL 105.71, 0.39%, 0.42%

LAB 55.89, -37.03, 37.54

 

CMYK 56 / 0 / 54 / 42

HEX #419544

RGB 65 149 68

HSL 122.14, 0.39%, 0.42%

LAB 55.11, -42.63, 34.91

 

CMYK 56 / 0 / 40 / 42

HEX #41955A

RGB 65 149 90

HSL 137.86, 0.39%, 0.42%

LAB 55.44, -39.09, 23.68

 

CMYK 56 / 0 / 24 / 42

HEX #419571

RGB 65 149 113

HSL 154.29, 0.39%, 0.42%

LAB 55.9, -34.36, 11.46

 

CMYK 56 / 0 / 9 / 42

HEX #419587

RGB 65 149 135

HSL 170, 0.39%, 0.42%

LAB 56.45, -28.94, -0.28

 

CMYK 57 / 0 / 39 / 64

HEX #285C38

RGB 40 92 56

HSL 138.46, 0.39%, 0.26%

LAB 34.78, -26.49, 15.58

 

CMYK 56 / 0 / 39 / 53

HEX #357849

RGB 53 120 73

HSL 137.91, 0.39%, 0.34%

LAB 45.18, -32.59, 19.54

 

CMYK 56 / 0 / 39 / 42

HEX #41955B

RGB 65 149 91

HSL 138.57, 0.39%, 0.42%

LAB 55.46, -38.91, 23.16

 

CMYK 56 / 0 / 39 / 31

HEX #4EB16C

RGB 78 177 108

HSL 138.18, 0.39%, 0.5%

LAB 65.08, -44.49, 26.79

 

CMYK 44 / 0 / 31 / 25

HEX #6BBE84

RGB 107 190 132

HSL 138.07, 0.39%, 0.58%

LAB 70.61, -38.09, 21.61

 

CMYK 56 / 0 / 39 / 42

HEX #41935A

RGB 65 147 90

HSL 138.29, 0.39%, 0.42%

LAB 54.79, -38.23, 22.83

 

CMYK 56 / 28 / 0 / 42

HEX #416B95

RGB 65 107 149

HSL 210, 0.39%, 0.42%

LAB 43.96, -1.74, -27.37

 

CMYK 0 / 56 / 50 / 42

HEX #95414A

RGB 149 65 74

HSL 353.57, 0.39%, 0.42%

LAB 39.01, 36.18, 12.07

 

CMYK 56 / 0 / 39 / 42

HEX #41935A

RGB 65 147 90

HSL 138.29, 0.39%, 0.42%

LAB 54.79, -38.23, 22.83

 

CMYK 40 / 56 / 0 / 42

HEX #5A4195

RGB 90 65 149

HSL 257.86, 0.39%, 0.42%

LAB 34.24, 30.97, -42.64

 

CMYK 0 / 40 / 56 / 42

HEX #955A41

RGB 149 90 65

HSL 17.86, 0.39%, 0.42%

LAB 44.35, 21.6, 24.62

 

CMYK 56 / 0 / 39 / 42

HEX #41935A

RGB 65 147 90

HSL 138.29, 0.39%, 0.42%

LAB 54.79, -38.23, 22.83

 

CMYK 56 / 28 / 0 / 42

HEX #416B95

RGB 65 107 149

HSL 210, 0.39%, 0.42%

LAB 43.96, -1.74, -27.37

 

CMYK 0 / 56 / 17 / 42

HEX #95417C

RGB 149 65 124

HSL 317.86, 0.39%, 0.42%

LAB 40.61, 42.69, -16.77

 

CMYK 0 / 28 / 56 / 42

HEX #956B41

RGB 149 107 65

HSL 30, 0.39%, 0.42%

LAB 48.62, 11.79, 29.95

 

CMYK 56 / 0 / 39 / 42

HEX #41935A

RGB 65 147 90

HSL 138.29, 0.39%, 0.42%

LAB 54.79, -38.23, 22.83

 

CMYK 56 / 45 / 0 / 42

HEX #415295

RGB 65 82 149

HSL 227.86, 0.39%, 0.42%

LAB 36.61, 14.08, -38.96

 

CMYK 0 / 56 / 17 / 42

HEX #95417C

RGB 149 65 124

HSL 317.86, 0.39%, 0.42%

LAB 40.61, 42.69, -16.77

 

CMYK 0 / 11 / 56 / 42

HEX #958441

RGB 149 132 65

HSL 47.86, 0.39%, 0.42%

LAB 55.35, -2.43, 38.03

 

Description

Color code: HEX #41935ACE | qconv.com Color code: HEX #41935ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 147 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 147 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 31 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 31% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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