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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #418D72 it is the complementary color #BE728D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #418D72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #418D72 shade: #468D6D, #579F80, #68B193, #79C3A6 and #8AD5B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #418D72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #418D72 shade: #418D72, #307B5F, #1F694C, #0E5739 and #004526

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #418D72 shade: #408C71, #408C5D, #408C48, #4D8C40 and #618C40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #418D72 shade: #408C71, #408C85, #407E8C, #40698C and #40558C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #418D72 shade matches the following richer shades: #408C71, #309C76, #1FAD7A and #0FBD7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #418D72 shade: #408C71, #517B6C, #616B67, #725A63 and #824A5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #418D72 shade: #408C48, #408C5C, #408C70, #408C84 and #407F8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #418D72 shade: #265343, #336F5A, #408C71, #4DA888 and #66B99B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #418D72 shade: #418D72, #404D8C and #8C5240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #418D72 shade: #418D72, #70408C and #8C7040

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #418D72 shade: #418D72, #404D8C, #8C405C and #8C7F40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #418D72 shade: #418D72, #4A408C, #8C405C and #828C40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 19 / 45

HEX #418D72

RGB 65 141 114

HSL 158.68, 0.37%, 0.4%

LAB 53.37, -30.37, 7.32

 

Complementary color

CMYK 0 / 40 / 26 / 25

HEX #BE728D

RGB 190 114 141

HSL 338.68, 0.37%, 0.6%

LAB 56.98, 33.47, -1.83

 

CMYK 50 / 0 / 23 / 45

HEX #468D6D

RGB 70 141 109

HSL 152.96, 0.34%, 0.41%

LAB 53.44, -30.27, 10.32

 

CMYK 45 / 0 / 19 / 38

HEX #579F80

RGB 87 159 128

HSL 154.17, 0.29%, 0.48%

LAB 60.23, -30.08, 9.24

 

CMYK 41 / 0 / 17 / 31

HEX #68B193

RGB 104 177 147

HSL 155.34, 0.32%, 0.55%

LAB 66.9, -29.86, 8.25

 

CMYK 38 / 0 / 15 / 24

HEX #79C3A6

RGB 121 195 166

HSL 156.49, 0.38%, 0.62%

LAB 73.45, -29.63, 7.35

 

CMYK 35 / 0 / 13 / 16

HEX #8AD5B9

RGB 138 213 185

HSL 157.6, 0.47%, 0.69%

LAB 79.89, -29.4, 6.5

 

CMYK 54 / 0 / 19 / 45

HEX #418D72

RGB 65 141 114

HSL 158.68, 0.37%, 0.4%

LAB 53.37, -30.37, 7.32

 

CMYK 61 / 0 / 23 / 52

HEX #307B5F

RGB 48 123 95

HSL 157.6, 0.44%, 0.34%

LAB 46.47, -30.38, 8.49

 

CMYK 70 / 0 / 28 / 59

HEX #1F694C

RGB 31 105 76

HSL 156.49, 0.54%, 0.27%

LAB 39.44, -30.17, 9.84

 

CMYK 84 / 0 / 34 / 66

HEX #0E5739

RGB 14 87 57

HSL 155.34, 0.72%, 0.2%

LAB 32.27, -29.51, 11.44

 

CMYK 100 / 0 / 45 / 73

HEX #004526

RGB 0 69 38

HSL 153.04, 1%, 0.14%

LAB 24.94, -28.21, 13.35

 

CMYK 54 / 0 / 19 / 45

HEX #408C71

RGB 64 140 113

HSL 158.68, 0.37%, 0.4%

LAB 52.99, -30.38, 7.34

 

CMYK 54 / 0 / 34 / 45

HEX #408C5D

RGB 64 140 93

HSL 142.89, 0.37%, 0.4%

LAB 52.55, -34.8, 18.14

 

CMYK 54 / 0 / 49 / 45

HEX #408C48

RGB 64 140 72

HSL 126.32, 0.37%, 0.4%

LAB 52.19, -38.56, 29.22

 

CMYK 45 / 0 / 54 / 45

HEX #4D8C40

RGB 77 140 64

HSL 109.74, 0.37%, 0.4%

LAB 52.62, -35.8, 34.06

 

CMYK 31 / 0 / 54 / 45

HEX #618C40

RGB 97 140 64

HSL 93.95, 0.37%, 0.4%

LAB 53.67, -28.72, 35.56

 

CMYK 54 / 0 / 19 / 45

HEX #408C71

RGB 64 140 113

HSL 158.68, 0.37%, 0.4%

LAB 52.99, -30.38, 7.34

 

CMYK 54 / 0 / 5 / 45

HEX #408C85

RGB 64 140 133

HSL 174.47, 0.37%, 0.4%

LAB 53.54, -25.23, -3.42

 

CMYK 54 / 10 / 0 / 45

HEX #407E8C

RGB 64 126 140

HSL 191.05, 0.37%, 0.4%

LAB 49.38, -15.83, -13.72

 

CMYK 54 / 25 / 0 / 45

HEX #40698C

RGB 64 105 140

HSL 207.63, 0.37%, 0.4%

LAB 42.89, -3.72, -23.66

 

CMYK 54 / 39 / 0 / 45

HEX #40558C

RGB 64 85 140

HSL 223.42, 0.37%, 0.4%

LAB 36.89, 8.81, -33.06

 

CMYK 54 / 0 / 19 / 45

HEX #408C71

RGB 64 140 113

HSL 158.68, 0.37%, 0.4%

LAB 52.99, -30.38, 7.34

 

CMYK 69 / 0 / 24 / 39

HEX #309C76

RGB 48 156 118

HSL 158.89, 0.53%, 0.4%

LAB 57.76, -39.72, 11.19

 

CMYK 82 / 0 / 29 / 32

HEX #1FAD7A

RGB 31 173 122

HSL 158.45, 0.7%, 0.4%

LAB 63, -48.04, 16.22

 

CMYK 92 / 0 / 33 / 26

HEX #0FBD7F

RGB 15 189 127

HSL 158.62, 0.85%, 0.4%

LAB 68.04, -54.21, 20.43

 

CMYK 54 / 0 / 19 / 45

HEX #408C71

RGB 64 140 113

HSL 158.68, 0.37%, 0.4%

LAB 52.99, -30.38, 7.34

 

CMYK 34 / 0 / 12 / 52

HEX #517B6C

RGB 81 123 108

HSL 158.57, 0.21%, 0.4%

LAB 48.26, -18.15, 3.57

 

CMYK 9 / 0 / 4 / 58

HEX #616B67

RGB 97 107 103

HSL 156, 0.05%, 0.4%

LAB 44.28, -4.66, 0.93

 

CMYK 0 / 21 / 13 / 55

HEX #725A63

RGB 114 90 99

HSL 337.5, 0.12%, 0.4%

LAB 40.88, 11.43, -1.42

 

CMYK 0 / 43 / 28 / 49

HEX #824A5E

RGB 130 74 94

HSL 338.57, 0.27%, 0.4%

LAB 38.64, 26.48, -1.38

 

CMYK 54 / 0 / 49 / 45

HEX #408C48

RGB 64 140 72

HSL 126.32, 0.37%, 0.4%

LAB 52.19, -38.56, 29.22

 

CMYK 54 / 0 / 34 / 45

HEX #408C5C

RGB 64 140 92

HSL 142.11, 0.37%, 0.4%

LAB 52.53, -35, 18.68

 

CMYK 54 / 0 / 20 / 45

HEX #408C70

RGB 64 140 112

HSL 157.89, 0.37%, 0.4%

LAB 52.97, -30.62, 7.88

 

CMYK 54 / 0 / 6 / 45

HEX #408C84

RGB 64 140 132

HSL 173.68, 0.37%, 0.4%

LAB 53.51, -25.5, -2.89

 

CMYK 54 / 9 / 0 / 45

HEX #407F8C

RGB 64 127 140

HSL 190.26, 0.37%, 0.4%

LAB 49.69, -16.38, -13.24

 

CMYK 54 / 0 / 19 / 67

HEX #265343

RGB 38 83 67

HSL 158.67, 0.37%, 0.24%

LAB 31.82, -19.94, 4.66

 

CMYK 54 / 0 / 19 / 56

HEX #336F5A

RGB 51 111 90

HSL 159, 0.37%, 0.32%

LAB 42.48, -25.05, 5.8

 

CMYK 54 / 0 / 19 / 45

HEX #408C71

RGB 64 140 113

HSL 158.68, 0.37%, 0.4%

LAB 52.99, -30.38, 7.34

 

CMYK 54 / 0 / 19 / 34

HEX #4DA888

RGB 77 168 136

HSL 158.9, 0.37%, 0.48%

LAB 62.81, -35.02, 8.38

 

CMYK 45 / 0 / 16 / 27

HEX #66B99B

RGB 102 185 155

HSL 158.31, 0.37%, 0.56%

LAB 69.39, -32.45, 7.42

 

CMYK 54 / 0 / 19 / 45

HEX #418D72

RGB 65 141 114

HSL 158.68, 0.37%, 0.4%

LAB 53.37, -30.37, 7.32

 

CMYK 54 / 45 / 0 / 45

HEX #404D8C

RGB 64 77 140

HSL 229.74, 0.37%, 0.4%

LAB 34.58, 14.03, -36.73

 

CMYK 0 / 41 / 54 / 45

HEX #8C5240

RGB 140 82 64

HSL 14.21, 0.37%, 0.4%

LAB 41.18, 22.25, 20.89

 

CMYK 54 / 0 / 19 / 45

HEX #418D72

RGB 65 141 114

HSL 158.68, 0.37%, 0.4%

LAB 53.37, -30.37, 7.32

 

CMYK 20 / 54 / 0 / 45

HEX #70408C

RGB 112 64 140

HSL 277.89, 0.37%, 0.4%

LAB 35.99, 35.14, -34.2

 

CMYK 0 / 20 / 54 / 45

HEX #8C7040

RGB 140 112 64

HSL 37.89, 0.37%, 0.4%

LAB 48.93, 4.78, 30.65

 

CMYK 54 / 0 / 19 / 45

HEX #418D72

RGB 65 141 114

HSL 158.68, 0.37%, 0.4%

LAB 53.37, -30.37, 7.32

 

CMYK 54 / 45 / 0 / 45

HEX #404D8C

RGB 64 77 140

HSL 229.74, 0.37%, 0.4%

LAB 34.58, 14.03, -36.73

 

CMYK 0 / 54 / 34 / 45

HEX #8C405C

RGB 140 64 92

HSL 337.89, 0.37%, 0.4%

LAB 37.87, 35.46, -1.08

 

CMYK 0 / 9 / 54 / 45

HEX #8C7F40

RGB 140 127 64

HSL 49.74, 0.37%, 0.4%

LAB 53.09, -3.75, 35.66

 

CMYK 54 / 0 / 19 / 45

HEX #418D72

RGB 65 141 114

HSL 158.68, 0.37%, 0.4%

LAB 53.37, -30.37, 7.32

 

CMYK 47 / 54 / 0 / 45

HEX #4A408C

RGB 74 64 140

HSL 247.89, 0.37%, 0.4%

LAB 31.84, 24.93, -41.06

 

CMYK 0 / 54 / 34 / 45

HEX #8C405C

RGB 140 64 92

HSL 337.89, 0.37%, 0.4%

LAB 37.87, 35.46, -1.08

 

CMYK 7 / 0 / 54 / 45

HEX #828C40

RGB 130 140 64

HSL 67.89, 0.37%, 0.4%

LAB 55.96, -15.23, 38.83

 

Description

Color code: HEX #418D72 | qconv.com Color code: HEX #418D72 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 141 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 141 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 19 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 19% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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