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Color name
HEX #418AF43F

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #418AF43F it is the complementary color #BE750B3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #418AF43F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #418AF43F shade: #468AEF3F, #579CFF3F, #68AEFF3F, #79C0FF3F and #8AD2FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #418AF43F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #418AF43F shade: #418AF43F, #3078E13F, #1F66CE3F, #0E54BB3F and #0042A83F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #418AF43F shade: #438BF4, #435BF4, #5A43F4, #8A43F4 and #BA43F4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #418AF43F shade: #438BF4, #435BF4 and #4343F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #418AF43F shade matches the following richer shades: #438BF4

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #418AF43F shade: #438BF4, #538EE4, #6391D4, #7394C4 and #8397B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #418AF43F shade: #43EBF4, #43BCF4, #438DF4, #435EF4 and #5843F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #418AF43F shade: #0D60D8, #1C73F2, #438BF4, #6AA3F6 and #91BBF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #418AF43F shade: #418AF4, #CE43F4 and #D4F443

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #418AF43F shade: #418AF4, #F4438D and #8DF443

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #418AF43F shade: #418AF4, #CE43F4, #F4AA43 and #69F443

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #418AF43F shade: #418AF4, #F443E5, #F4AA43 and #43F452

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 11 / 0 / 1

RGBA 65 138 244 0.25

HSLA 215.53, 0.89%, 0.61%, 0.25

LABA 57.88, 12.65, -59.71, 0.25

Complementary color

CMYK 0 / 10 / 24 / 6

RGBA 190 117 11 0.25

HSLA 35.53, 0.89%, 0.39%, 0.25

LABA 55.78, 21.93, 60.58, 0.25

Lighter colors

CMYK 18 / 11 / 0 / 2

RGBA 70 138 239 0.25

HSLA 215.86, 0.84%, 0.61%, 0.25

LABA 57.76, 11.53, -57.12, 0.25

CMYK 16 / 10 / 0 / 0

RGBA 87 156 255 0.25

HSLA 215.36, 1%, 0.67%, 0.25

LABA 64.18, 8.88, -55.64, 0.25

CMYK 15 / 8 / 0 / 0

RGBA 104 174 255 0.25

HSLA 212.19, 1%, 0.7%, 0.25

LABA 69.78, 1.48, -46.75, 0.25

CMYK 13 / 6 / 0 / 0

RGBA 121 192 255 0.25

HSLA 208.21, 1%, 0.74%, 0.25

LABA 75.44, -5.07, -37.85, 0.25

CMYK 11 / 4 / 0 / 0

RGBA 138 210 255 0.25

HSLA 203.08, 1%, 0.77%, 0.25

LABA 81.14, -10.86, -29, 0.25

Darker colors

CMYK 18 / 11 / 0 / 1

RGBA 65 138 244 0.25

HSLA 215.53, 0.89%, 0.61%, 0.25

LABA 57.88, 12.65, -59.71, 0.25

CMYK 20 / 12 / 0 / 3

RGBA 48 120 225 0.25

HSLA 215.59, 0.75%, 0.54%, 0.25

LABA 51.26, 14.84, -59.76, 0.25

CMYK 21 / 13 / 0 / 5

RGBA 31 102 206 0.25

HSLA 215.66, 0.74%, 0.46%, 0.25

LABA 44.59, 17.52, -59.75, 0.25

CMYK 23 / 14 / 0 / 7

RGBA 14 84 187 0.25

HSLA 215.72, 0.86%, 0.39%, 0.25

LABA 37.88, 20.8, -59.63, 0.25

CMYK 25 / 15 / 0 / 9

RGBA 0 66 168 0.25

HSLA 216.43, 1%, 0.33%, 0.25

LABA 31.17, 24.72, -59.32, 0.25

Warmer colors

CMYK 73 / 43 / 0 / 4

HSL 215.59, 0.89%, 0.61%

LAB 58.22, 12.3, -59.16

CMYK 73 / 63 / 0 / 4

HSL 231.86, 0.89%, 0.61%

LAB 45.92, 41.89, -79.08

CMYK 63 / 73 / 0 / 4

HSL 247.8, 0.89%, 0.61%

LAB 42.34, 58.09, -84.9

CMYK 43 / 73 / 0 / 4

HSL 264.07, 0.89%, 0.61%

LAB 46.91, 64.75, -77.23

CMYK 24 / 73 / 0 / 4

HSL 280.34, 0.89%, 0.61%

LAB 52.93, 73.1, -67.17

Colder colors

CMYK 73 / 43 / 0 / 4

HSL 215.59, 0.89%, 0.61%

LAB 58.22, 12.3, -59.16

CMYK 73 / 63 / 0 / 4

HSL 231.86, 0.89%, 0.61%

LAB 45.92, 41.89, -79.08

CMYK 73 / 73 / 0 / 4

HSL 240, 0.89%, 0.61%

LAB 40.8, 55.77, -87.49

Richer colors

CMYK 73 / 43 / 0 / 4

HSL 215.59, 0.89%, 0.61%

LAB 58.22, 12.3, -59.16

Paler colors

CMYK 73 / 43 / 0 / 4

HSL 215.59, 0.89%, 0.61%

LAB 58.22, 12.3, -59.16

CMYK 64 / 38 / 0 / 11

HSL 215.59, 0.73%, 0.61%

LAB 58.78, 7.36, -49.36

CMYK 53 / 32 / 0 / 17

HSL 215.58, 0.57%, 0.61%

LAB 59.58, 3.55, -39.12

CMYK 41 / 24 / 0 / 23

RGB 115 148 196

HSL 215.56, 0.41%, 0.61%

LAB 60.61, 0.96, -28.46

CMYK 27 / 16 / 0 / 29

RGB 131 151 180

HSL 215.51, 0.25%, 0.61%

LAB 61.87, -0.35, -17.43

Analogue colors

CMYK 73 / 4 / 0 / 4

HSL 183.05, 0.89%, 0.61%

LAB 85.58, -38.68, -16.65

CMYK 73 / 23 / 0 / 4

HSL 198.98, 0.89%, 0.61%

LAB 72.02, -15.55, -37.38

CMYK 73 / 42 / 0 / 4

HSL 214.92, 0.89%, 0.61%

LAB 58.77, 11.1, -58.28

CMYK 73 / 61 / 0 / 4

HSL 230.85, 0.89%, 0.61%

LAB 46.62, 40.07, -77.93

CMYK 64 / 73 / 0 / 4

HSL 247.12, 0.89%, 0.61%

LAB 42.19, 57.86, -85.16

Monochromatic colors

CMYK 94 / 56 / 0 / 15

HSL 215.47, 0.89%, 0.45%

LAB 43.37, 24.37, -67.47

CMYK 88 / 52 / 0 / 5

HSL 215.61, 0.89%, 0.53%

LAB 50.59, 22.89, -70.39

CMYK 73 / 43 / 0 / 4

HSL 215.59, 0.89%, 0.61%

LAB 58.22, 12.3, -59.16

CMYK 57 / 34 / 0 / 4

RGB 106 163 246

HSL 215.57, 0.89%, 0.69%

LAB 66.45, 5.27, -47.08

CMYK 42 / 25 / 0 / 2

RGB 145 187 249

HSL 215.77, 0.9%, 0.77%

LAB 75.08, 1.54, -35.09

Partial complementary colors

CMYK 73 / 43 / 0 / 4

HSL 215.53, 0.89%, 0.61%

LAB 57.88, 12.65, -59.71

CMYK 16 / 73 / 0 / 4

HSL 287.12, 0.89%, 0.61%

LAB 55.75, 76.89, -62.48

CMYK 13 / 0 / 73 / 4

HSL 70.85, 0.89%, 0.61%

LAB 91.28, -32.28, 76.46

Triadic colors

CMYK 73 / 43 / 0 / 4

HSL 215.53, 0.89%, 0.61%

LAB 57.88, 12.65, -59.71

CMYK 0 / 73 / 42 / 4

HSL 334.92, 0.89%, 0.61%

LAB 57.24, 71.46, -0.5

CMYK 42 / 0 / 73 / 4

HSL 94.92, 0.89%, 0.61%

LAB 87.37, -57.76, 71.32

Rectangular (tetradic) colors

CMYK 73 / 43 / 0 / 4

HSL 215.53, 0.89%, 0.61%

LAB 57.88, 12.65, -59.71

CMYK 16 / 73 / 0 / 4

HSL 287.12, 0.89%, 0.61%

LAB 55.75, 76.89, -62.48

CMYK 0 / 30 / 73 / 4

HSL 34.92, 0.89%, 0.61%

LAB 75.07, 18.22, 61.47

CMYK 57 / 0 / 73 / 4

HSL 107.12, 0.89%, 0.61%

LAB 86.06, -67.77, 69.57

Square colors

CMYK 73 / 43 / 0 / 4

HSL 215.53, 0.89%, 0.61%

LAB 57.88, 12.65, -59.71

CMYK 0 / 73 / 6 / 4

HSL 305.08, 0.89%, 0.61%

LAB 60.7, 82.13, -45.86

CMYK 0 / 30 / 73 / 4

HSL 34.92, 0.89%, 0.61%

LAB 75.07, 18.22, 61.47

CMYK 73 / 0 / 66 / 4

HSL 125.08, 0.89%, 0.61%

LAB 85.25, -74.04, 62.98

Description

Color code: HEX #418AF43F | qconv.com

Color code: HEX #418AF43F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 138 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 11 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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