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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #418A2E it is the complementary color #BE75D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #418A2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #418A2E shade: #468A29, #579C3C, #68AE4F, #79C062 and #8AD275

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #418A2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #418A2E shade: #418A2E, #30781B, #1F6608, #0E5400 and #004200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #418A2E shade: #418A2E, #5A8A2E, #728A2E, #8A882E and #8A702E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #418A2E shade: #418A2E, #2E8A34, #2E8A4C, #2E8A65 and #2E8A7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #418A2E shade matches the following richer shades: #418A2E, #38991F, #2FA710 and #27B601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #418A2E shade: #418A2E, #4A7B3D, #526C4C, #5B5D5A and #644E69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #418A2E shade: #738A2E, #5A8A2E, #428A2E, #2E8A32 and #2E8A4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #418A2E shade: #244C19, #326B24, #418A2E, #4FA938 and #61C248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #418A2E shade: #418A2E, #2E8A88 and #8A2E67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #418A2E shade: #418A2E, #2E428A and #8A2E42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #418A2E shade: #418A2E, #2E8A88, #762E8A and #8A2E2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #418A2E shade: #418A2E, #2E708A, #762E8A and #8A482E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 67 / 46

HEX #418A2E

RGB 65 138 46

HSL 107.61, 0.5%, 0.36%

LAB 51.26, -40.77, 41.03

 

Complementary color

CMYK 9 / 44 / 0 / 18

HEX #BE75D1

RGB 190 117 209

HSL 287.61, 0.5%, 0.64%

LAB 60.13, 43.71, -36.02

 

CMYK 49 / 0 / 70 / 46

HEX #468A29

RGB 70 138 41

HSL 102.06, 0.54%, 0.35%

LAB 51.43, -39.7, 43.43

 

CMYK 44 / 0 / 62 / 39

HEX #579C3C

RGB 87 156 60

HSL 103.13, 0.44%, 0.42%

LAB 58.16, -39.97, 42.58

 

CMYK 40 / 0 / 55 / 32

HEX #68AE4F

RGB 104 174 79

HSL 104.21, 0.38%, 0.5%

LAB 64.79, -40.04, 41.46

 

CMYK 37 / 0 / 49 / 25

HEX #79C062

RGB 121 192 98

HSL 105.32, 0.43%, 0.57%

LAB 71.31, -39.98, 40.25

 

CMYK 34 / 0 / 44 / 18

HEX #8AD275

RGB 138 210 117

HSL 106.45, 0.51%, 0.64%

LAB 77.75, -39.85, 39.03

 

CMYK 53 / 0 / 67 / 46

HEX #418A2E

RGB 65 138 46

HSL 107.61, 0.5%, 0.36%

LAB 51.26, -40.77, 41.03

 

CMYK 60 / 0 / 78 / 53

HEX #30781B

RGB 48 120 27

HSL 106.45, 0.63%, 0.29%

LAB 44.43, -40.16, 41.6

 

CMYK 70 / 0 / 92 / 60

HEX #1F6608

RGB 31 102 8

HSL 105.32, 0.85%, 0.22%

LAB 37.5, -38.87, 40.91

 

CMYK 83 / 0 / 100 / 67

HEX #0E5400

RGB 14 84 0

HSL 110, 1%, 0.16%

LAB 30.48, -36.4, 37.37

 

CMYK 100 / 0 / 100 / 74

HEX #004200

RGB 0 66 0

HSL 120, 1%, 0.13%

LAB 23.33, -32.67, 30.93

 

CMYK 53 / 0 / 67 / 46

HEX #418A2E

RGB 65 138 46

HSL 107.61, 0.5%, 0.36%

LAB 51.26, -40.77, 41.03

 

CMYK 35 / 0 / 67 / 46

HEX #5A8A2E

RGB 90 138 46

HSL 91.3, 0.5%, 0.36%

LAB 52.45, -32.27, 42.66

 

CMYK 17 / 0 / 67 / 46

HEX #728A2E

RGB 114 138 46

HSL 75.65, 0.5%, 0.36%

LAB 53.98, -22.58, 44.75

 

CMYK 0 / 1 / 67 / 46

HEX #8A882E

RGB 138 136 46

HSL 58.7, 0.5%, 0.36%

LAB 55.29, -10.98, 46.71

 

CMYK 0 / 19 / 67 / 46

HEX #8A702E

RGB 138 112 46

HSL 43.04, 0.5%, 0.36%

LAB 48.5, 2.42, 39.49

 

CMYK 53 / 0 / 67 / 46

HEX #418A2E

RGB 65 138 46

HSL 107.61, 0.5%, 0.36%

LAB 51.26, -40.77, 41.03

 

CMYK 67 / 0 / 62 / 46

HEX #2E8A34

RGB 46 138 52

HSL 123.91, 0.5%, 0.36%

LAB 50.69, -45.04, 37.45

 

CMYK 67 / 0 / 45 / 46

HEX #2E8A4C

RGB 46 138 76

HSL 139.57, 0.5%, 0.36%

LAB 51.01, -41.41, 25.45

 

CMYK 67 / 0 / 27 / 46

HEX #2E8A65

RGB 46 138 101

HSL 155.87, 0.5%, 0.36%

LAB 51.49, -36.22, 12.05

 

CMYK 67 / 0 / 9 / 46

HEX #2E8A7E

RGB 46 138 126

HSL 172.17, 0.5%, 0.36%

LAB 52.13, -29.74, -1.49

 

CMYK 53 / 0 / 67 / 46

HEX #418A2E

RGB 65 138 46

HSL 107.61, 0.5%, 0.36%

LAB 51.26, -40.77, 41.03

 

CMYK 63 / 0 / 80 / 40

HEX #38991F

RGB 56 153 31

HSL 107.7, 0.66%, 0.36%

LAB 55.81, -50.14, 51.36

 

CMYK 72 / 0 / 90 / 35

HEX #2FA710

RGB 47 167 16

HSL 107.68, 0.83%, 0.36%

LAB 60.14, -57.48, 58.93

 

CMYK 79 / 0 / 99 / 29

HEX #27B601

RGB 39 182 1

HSL 107.4, 0.99%, 0.36%

LAB 64.87, -63.77, 64.87

 

CMYK 53 / 0 / 67 / 46

HEX #418A2E

RGB 65 138 46

HSL 107.61, 0.5%, 0.36%

LAB 51.26, -40.77, 41.03

 

CMYK 40 / 0 / 50 / 52

HEX #4A7B3D

RGB 74 123 61

HSL 107.42, 0.34%, 0.36%

LAB 46.92, -29.41, 28.64

 

CMYK 24 / 0 / 30 / 58

HEX #526C4C

RGB 82 108 76

HSL 108.75, 0.17%, 0.36%

LAB 42.82, -16.36, 14.89

 

CMYK 2 / 0 / 3 / 64

HEX #5B5D5A

RGB 91 93 90

HSL 100, 0.02%, 0.36%

LAB 39.23, -1.42, 1.44

 

CMYK 5 / 26 / 0 / 59

HEX #644E69

RGB 100 78 105

HSL 288.89, 0.15%, 0.36%

LAB 36.32, 14.6, -12.11

 

CMYK 17 / 0 / 67 / 46

HEX #738A2E

RGB 115 138 46

HSL 75, 0.5%, 0.36%

LAB 54.05, -22.15, 44.84

 

CMYK 35 / 0 / 67 / 46

HEX #5A8A2E

RGB 90 138 46

HSL 91.3, 0.5%, 0.36%

LAB 52.45, -32.27, 42.66

 

CMYK 52 / 0 / 67 / 46

HEX #428A2E

RGB 66 138 46

HSL 106.96, 0.5%, 0.36%

LAB 51.3, -40.47, 41.09

 

CMYK 67 / 0 / 64 / 46

HEX #2E8A32

RGB 46 138 50

HSL 122.61, 0.5%, 0.36%

LAB 50.67, -45.28, 38.37

 

CMYK 67 / 0 / 46 / 46

HEX #2E8A4B

RGB 46 138 75

HSL 138.91, 0.5%, 0.36%

LAB 51, -41.59, 25.97

 

CMYK 53 / 0 / 67 / 70

HEX #244C19

RGB 36 76 25

HSL 107.06, 0.5%, 0.2%

LAB 28.42, -25.31, 25.45

 

CMYK 53 / 0 / 66 / 58

HEX #326B24

RGB 50 107 36

HSL 108.17, 0.5%, 0.28%

LAB 40.12, -33.38, 33.21

 

CMYK 53 / 0 / 67 / 46

HEX #418A2E

RGB 65 138 46

HSL 107.61, 0.5%, 0.36%

LAB 51.26, -40.77, 41.03

 

CMYK 53 / 0 / 67 / 34

HEX #4FA938

RGB 79 169 56

HSL 107.79, 0.5%, 0.44%

LAB 61.93, -48.11, 48.43

 

CMYK 50 / 0 / 63 / 24

HEX #61C248

RGB 97 194 72

HSL 107.7, 0.5%, 0.52%

LAB 70.59, -51.21, 51.26

 

CMYK 53 / 0 / 67 / 46

HEX #418A2E

RGB 65 138 46

HSL 107.61, 0.5%, 0.36%

LAB 51.26, -40.77, 41.03

 

CMYK 67 / 0 / 1 / 46

HEX #2E8A88

RGB 46 138 136

HSL 178.7, 0.5%, 0.36%

LAB 52.44, -26.85, -6.85

 

CMYK 0 / 67 / 25 / 46

HEX #8A2E67

RGB 138 46 103

HSL 322.83, 0.5%, 0.36%

LAB 34.67, 45.05, -12.87

 

CMYK 53 / 0 / 67 / 46

HEX #418A2E

RGB 65 138 46

HSL 107.61, 0.5%, 0.36%

LAB 51.26, -40.77, 41.03

 

CMYK 67 / 52 / 0 / 46

HEX #2E428A

RGB 46 66 138

HSL 226.96, 0.5%, 0.36%

LAB 30.19, 16.91, -42.61

 

CMYK 0 / 67 / 52 / 46

HEX #8A2E42

RGB 138 46 66

HSL 346.96, 0.5%, 0.36%

LAB 33.46, 40.69, 9.19

 

CMYK 53 / 0 / 67 / 46

HEX #418A2E

RGB 65 138 46

HSL 107.61, 0.5%, 0.36%

LAB 51.26, -40.77, 41.03

 

CMYK 67 / 0 / 1 / 46

HEX #2E8A88

RGB 46 138 136

HSL 178.7, 0.5%, 0.36%

LAB 52.44, -26.85, -6.85

 

CMYK 14 / 67 / 0 / 46

HEX #762E8A

RGB 118 46 138

HSL 286.96, 0.5%, 0.36%

LAB 33.22, 45.68, -37.33

 

CMYK 0 / 67 / 66 / 46

HEX #8A2E2F

RGB 138 46 47

HSL 359.35, 0.5%, 0.36%

LAB 33.05, 39.19, 20.88

 

CMYK 53 / 0 / 67 / 46

HEX #418A2E

RGB 65 138 46

HSL 107.61, 0.5%, 0.36%

LAB 51.26, -40.77, 41.03

 

CMYK 67 / 19 / 0 / 46

HEX #2E708A

RGB 46 112 138

HSL 196.96, 0.5%, 0.36%

LAB 44.24, -12.29, -20.44

 

CMYK 14 / 67 / 0 / 46

HEX #762E8A

RGB 118 46 138

HSL 286.96, 0.5%, 0.36%

LAB 33.22, 45.68, -37.33

 

CMYK 0 / 48 / 67 / 46

HEX #8A482E

RGB 138 72 46

HSL 16.96, 0.5%, 0.36%

LAB 38.26, 25.64, 27.85

 

Description

Color code: HEX #418A2E | qconv.com Color code: HEX #418A2E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 138 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 138 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 67 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 67% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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