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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #418915 it is the complementary color #BE76EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #418915. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #418915 shade: #468910, #579B23, #68AD36, #79BF49 and #8AD15C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #418915. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #418915 shade: #418915, #307702, #1F6500, #0E5300 and #004100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #418915 shade: #418915, #608915, #7F8915, #897315 and #895415

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #418915 shade: #418915, #228915, #158928, #158947 and #158966

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #418915 shade matches the following richer shades: #418915 and #3E9609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #418915 shade: #418915, #447C22, #476F2F, #4A623C and #4D5649

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #418915 shade: #7F8915, #608915, #428915, #238915 and #158927

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #418915 shade: #1F410A, #306510, #418915, #52AC1B and #63D020

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #418915 shade: #418915, #158974 and #891570

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #418915 shade: #418915, #154289 and #891542

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #418915 shade: #418915, #158974, #5D1589 and #89152B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #418915 shade: #418915, #157B89, #5D1589 and #892315

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 85 / 46

HEX #418915

RGB 65 137 21

HSL 97.24, 0.73%, 0.31%

LAB 50.77, -42.22, 49.78

 

Complementary color

CMYK 19 / 50 / 0 / 8

HEX #BE76EA

RGB 190 118 234

HSL 277.24, 0.73%, 0.69%

LAB 61.52, 48.4, -47.83

 

CMYK 49 / 0 / 88 / 46

HEX #468910

RGB 70 137 16

HSL 93.22, 0.79%, 0.3%

LAB 50.96, -40.84, 51.29

 

CMYK 44 / 0 / 77 / 39

HEX #579B23

RGB 87 155 35

HSL 94, 0.63%, 0.37%

LAB 57.65, -41.62, 52.21

 

CMYK 40 / 0 / 69 / 32

HEX #68AD36

RGB 104 173 54

HSL 94.79, 0.52%, 0.45%

LAB 64.24, -42.07, 52.02

 

CMYK 37 / 0 / 62 / 25

HEX #79BF49

RGB 121 191 73

HSL 95.59, 0.48%, 0.52%

LAB 70.74, -42.3, 51.29

 

CMYK 34 / 0 / 56 / 18

HEX #8AD15C

RGB 138 209 92

HSL 96.41, 0.56%, 0.59%

LAB 77.15, -42.39, 50.3

 

CMYK 53 / 0 / 85 / 46

HEX #418915

RGB 65 137 21

HSL 97.24, 0.73%, 0.31%

LAB 50.77, -42.22, 49.78

 

CMYK 60 / 0 / 98 / 53

HEX #307702

RGB 48 119 2

HSL 96.41, 0.97%, 0.24%

LAB 43.98, -41.02, 48.02

 

CMYK 69 / 0 / 100 / 60

HEX #1F6500

RGB 31 101 0

HSL 101.58, 1%, 0.2%

LAB 37.11, -38.89, 42.81

 

CMYK 83 / 0 / 100 / 67

HEX #0E5300

RGB 14 83 0

HSL 109.88, 1%, 0.16%

LAB 30.11, -36.05, 37.07

 

CMYK 100 / 0 / 100 / 75

HEX #004100

RGB 0 65 0

HSL 120, 1%, 0.13%

LAB 22.93, -32.35, 30.53

 

CMYK 53 / 0 / 85 / 46

HEX #418915

RGB 65 137 21

HSL 97.24, 0.73%, 0.31%

LAB 50.77, -42.22, 49.78

 

CMYK 30 / 0 / 85 / 46

HEX #608915

RGB 96 137 21

HSL 81.21, 0.73%, 0.31%

LAB 52.32, -31.03, 51.76

 

CMYK 7 / 0 / 85 / 46

HEX #7F8915

RGB 127 137 21

HSL 65.17, 0.73%, 0.31%

LAB 54.51, -17.68, 54.51

 

CMYK 0 / 16 / 85 / 46

HEX #897315

RGB 137 115 21

HSL 48.62, 0.73%, 0.31%

LAB 49.05, -1, 50.18

 

CMYK 0 / 39 / 85 / 46

HEX #895415

RGB 137 84 21

HSL 32.59, 0.73%, 0.31%

LAB 40.76, 17.02, 42.95

 

CMYK 53 / 0 / 85 / 46

HEX #418915

RGB 65 137 21

HSL 97.24, 0.73%, 0.31%

LAB 50.77, -42.22, 49.78

 

CMYK 75 / 0 / 85 / 46

HEX #228915

RGB 34 137 21

HSL 113.28, 0.73%, 0.31%

LAB 49.84, -49.81, 48.59

 

CMYK 85 / 0 / 71 / 46

HEX #158928

RGB 21 137 40

HSL 129.83, 0.73%, 0.31%

LAB 49.74, -50.21, 41.67

 

CMYK 85 / 0 / 48 / 46

HEX #158947

RGB 21 137 71

HSL 145.86, 0.73%, 0.31%

LAB 50.1, -45.84, 26.9

 

CMYK 85 / 0 / 26 / 46

HEX #158966

RGB 21 137 102

HSL 161.9, 0.73%, 0.31%

LAB 50.7, -39.1, 10.29

 

CMYK 53 / 0 / 85 / 46

HEX #418915

RGB 65 137 21

HSL 97.24, 0.73%, 0.31%

LAB 50.77, -42.22, 49.78

 

CMYK 59 / 0 / 94 / 41

HEX #3E9609

RGB 62 150 9

HSL 97.45, 0.89%, 0.31%

LAB 54.92, -48.47, 55.86

 

CMYK 53 / 0 / 85 / 46

HEX #418915

RGB 65 137 21

HSL 97.24, 0.73%, 0.31%

LAB 50.77, -42.22, 49.78

 

CMYK 45 / 0 / 73 / 51

HEX #447C22

RGB 68 124 34

HSL 97.33, 0.57%, 0.31%

LAB 46.66, -34.98, 41.35

 

CMYK 36 / 0 / 58 / 56

HEX #476F2F

RGB 71 111 47

HSL 97.5, 0.41%, 0.31%

LAB 42.63, -26.57, 30.84

 

CMYK 24 / 0 / 39 / 62

HEX #4A623C

RGB 74 98 60

HSL 97.89, 0.24%, 0.31%

LAB 38.76, -16.83, 18.8

 

CMYK 10 / 0 / 15 / 66

HEX #4D5649

RGB 77 86 73

HSL 101.54, 0.08%, 0.31%

LAB 35.43, -6.35, 6.38

 

CMYK 7 / 0 / 85 / 46

HEX #7F8915

RGB 127 137 21

HSL 65.17, 0.73%, 0.31%

LAB 54.51, -17.68, 54.51

 

CMYK 30 / 0 / 85 / 46

HEX #608915

RGB 96 137 21

HSL 81.21, 0.73%, 0.31%

LAB 52.32, -31.03, 51.76

 

CMYK 52 / 0 / 85 / 46

HEX #428915

RGB 66 137 21

HSL 96.72, 0.73%, 0.31%

LAB 50.81, -41.91, 49.83

 

CMYK 74 / 0 / 85 / 46

HEX #238915

RGB 35 137 21

HSL 112.76, 0.73%, 0.31%

LAB 49.86, -49.63, 48.62

 

CMYK 85 / 0 / 72 / 46

HEX #158927

RGB 21 137 39

HSL 129.31, 0.73%, 0.31%

LAB 49.73, -50.31, 42.08

 

CMYK 52 / 0 / 85 / 75

HEX #1F410A

RGB 31 65 10

HSL 97.09, 0.73%, 0.15%

LAB 23.98, -23.43, 27.83

 

CMYK 52 / 0 / 84 / 60

HEX #306510

RGB 48 101 16

HSL 97.41, 0.73%, 0.23%

LAB 37.79, -33.16, 39.11

 

CMYK 53 / 0 / 85 / 46

HEX #418915

RGB 65 137 21

HSL 97.24, 0.73%, 0.31%

LAB 50.77, -42.22, 49.78

 

CMYK 52 / 0 / 84 / 33

HEX #52AC1B

RGB 82 172 27

HSL 97.24, 0.73%, 0.39%

LAB 62.83, -50.36, 59.29

 

CMYK 52 / 0 / 85 / 18

HEX #63D020

RGB 99 208 32

HSL 97.16, 0.73%, 0.47%

LAB 74.74, -58.59, 68.91

 

CMYK 53 / 0 / 85 / 46

HEX #418915

RGB 65 137 21

HSL 97.24, 0.73%, 0.31%

LAB 50.77, -42.22, 49.78

 

CMYK 85 / 0 / 15 / 46

HEX #158974

RGB 21 137 116

HSL 169.14, 0.73%, 0.31%

LAB 51.05, -35.37, 2.68

 

CMYK 0 / 85 / 18 / 46

HEX #891570

RGB 137 21 112

HSL 312.93, 0.73%, 0.31%

LAB 31.86, 54.63, -22.96

 

CMYK 53 / 0 / 85 / 46

HEX #418915

RGB 65 137 21

HSL 97.24, 0.73%, 0.31%

LAB 50.77, -42.22, 49.78

 

CMYK 85 / 52 / 0 / 46

HEX #154289

RGB 21 66 137

HSL 216.72, 0.73%, 0.31%

LAB 29.06, 13.06, -43.86

 

CMYK 0 / 85 / 52 / 46

HEX #891542

RGB 137 21 66

HSL 336.72, 0.73%, 0.31%

LAB 30.03, 49.38, 4.32

 

CMYK 53 / 0 / 85 / 46

HEX #418915

RGB 65 137 21

HSL 97.24, 0.73%, 0.31%

LAB 50.77, -42.22, 49.78

 

CMYK 85 / 0 / 15 / 46

HEX #158974

RGB 21 137 116

HSL 169.14, 0.73%, 0.31%

LAB 51.05, -35.37, 2.68

 

CMYK 32 / 85 / 0 / 46

HEX #5D1589

RGB 93 21 137

HSL 277.24, 0.73%, 0.31%

LAB 25.77, 50.33, -48.92

 

CMYK 0 / 85 / 69 / 46

HEX #89152B

RGB 137 21 43

HSL 348.62, 0.73%, 0.31%

LAB 29.49, 47.76, 18.91

 

CMYK 53 / 0 / 85 / 46

HEX #418915

RGB 65 137 21

HSL 97.24, 0.73%, 0.31%

LAB 50.77, -42.22, 49.78

 

CMYK 85 / 10 / 0 / 46

HEX #157B89

RGB 21 123 137

HSL 187.24, 0.73%, 0.31%

LAB 47.15, -22, -15.45

 

CMYK 32 / 85 / 0 / 46

HEX #5D1589

RGB 93 21 137

HSL 277.24, 0.73%, 0.31%

LAB 25.77, 50.33, -48.92

 

CMYK 0 / 74 / 85 / 46

HEX #892315

RGB 137 35 21

HSL 7.24, 0.73%, 0.31%

LAB 30.82, 42.25, 33.91

 

Description

Color code: HEX #418915 | qconv.com Color code: HEX #418915 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 137 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 137 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 85 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 85% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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