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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #417715 it is the complementary color #BE88EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #417715. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #417715 shade: #467710, #578923, #689B36, #79AD49 and #8ABF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #417715. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #417715 shade: #417715, #306502, #1F5300, #0E4100 and #002F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #417715 shade: #407515, #5A7515, #747515, #755C15 and #754215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #417715 shade: #407515, #267515, #15751D, #157537 and #157551

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #417715 shade matches the following richer shades: #407515 and #3F800A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #417715 shade: #407515, #416A20, #425F2B, #435436 and #444841

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #417715 shade: #737515, #5A7515, #407515, #267515 and #15751D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #417715 shade: #1A2F08, #2D520E, #407515, #53981B and #66BB21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #417715 shade: #417715, #15755D and #751567

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #417715 shade: #417715, #154075 and #751540

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #417715 shade: #417715, #15755D, #4A1575 and #75152D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #417715 shade: #417715, #157075, #4A1575 and #751915

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 82 / 53

HEX #417715

RGB 65 119 21

HSL 93.06, 0.7%, 0.27%

LAB 44.76, -34.75, 44.26

 

Complementary color

CMYK 19 / 42 / 0 / 8

HEX #BE88EA

RGB 190 136 234

HSL 273.06, 0.7%, 0.73%

LAB 65.35, 38.72, -41.8

 

CMYK 41 / 0 / 87 / 53

HEX #467710

RGB 70 119 16

HSL 88.54, 0.76%, 0.26%

LAB 44.99, -33.17, 46.05

 

CMYK 36 / 0 / 74 / 46

HEX #578923

RGB 87 137 35

HSL 89.41, 0.59%, 0.34%

LAB 51.88, -33.8, 46.56

 

CMYK 33 / 0 / 65 / 39

HEX #689B36

RGB 104 155 54

HSL 90.3, 0.48%, 0.41%

LAB 58.65, -34.13, 46.07

 

CMYK 30 / 0 / 58 / 32

HEX #79AD49

RGB 121 173 73

HSL 91.2, 0.41%, 0.48%

LAB 65.3, -34.29, 45.14

 

CMYK 28 / 0 / 52 / 25

HEX #8ABF5C

RGB 138 191 92

HSL 92.12, 0.44%, 0.55%

LAB 71.85, -34.33, 44.04

 

CMYK 45 / 0 / 82 / 53

HEX #417715

RGB 65 119 21

HSL 93.06, 0.7%, 0.27%

LAB 44.76, -34.75, 44.26

 

CMYK 52 / 0 / 98 / 60

HEX #306502

RGB 48 101 2

HSL 92.12, 0.96%, 0.2%

LAB 37.73, -33.83, 42.99

 

CMYK 63 / 0 / 100 / 67

HEX #1F5300

RGB 31 83 0

HSL 97.59, 1%, 0.16%

LAB 30.59, -31.99, 37.65

 

CMYK 78 / 0 / 100 / 75

HEX #0E4100

RGB 14 65 0

HSL 107.08, 1%, 0.13%

LAB 23.25, -29.52, 30.95

 

CMYK 100 / 0 / 100 / 82

HEX #002F00

RGB 0 47 0

HSL 120, 1%, 0.09%

LAB 15.66, -26.3, 22.15

 

CMYK 45 / 0 / 82 / 54

HEX #407515

RGB 64 117 21

HSL 93.13, 0.7%, 0.27%

LAB 44.04, -34.23, 43.57

 

CMYK 23 / 0 / 82 / 54

HEX #5A7515

RGB 90 117 21

HSL 76.88, 0.7%, 0.27%

LAB 45.57, -23.85, 45.54

 

CMYK 1 / 0 / 82 / 54

HEX #747515

RGB 116 117 21

HSL 60.63, 0.7%, 0.27%

LAB 47.61, -12.03, 48.14

 

CMYK 0 / 21 / 82 / 54

HEX #755C15

RGB 117 92 21

HSL 44.38, 0.7%, 0.27%

LAB 40.39, 2.77, 41.69

 

CMYK 0 / 44 / 82 / 54

HEX #754215

RGB 117 66 21

HSL 28.13, 0.7%, 0.27%

LAB 33.42, 18.37, 35.16

 

CMYK 45 / 0 / 82 / 54

HEX #407515

RGB 64 117 21

HSL 93.13, 0.7%, 0.27%

LAB 44.04, -34.23, 43.57

 

CMYK 68 / 0 / 82 / 54

HEX #267515

RGB 38 117 21

HSL 109.38, 0.7%, 0.27%

LAB 43.05, -42.01, 42.28

 

CMYK 82 / 0 / 75 / 54

HEX #15751D

RGB 21 117 29

HSL 125, 0.7%, 0.27%

LAB 42.72, -44.6, 38.87

 

CMYK 82 / 0 / 53 / 54

HEX #157537

RGB 21 117 55

HSL 141.25, 0.7%, 0.27%

LAB 43, -41.19, 26.62

 

CMYK 82 / 0 / 31 / 54

HEX #157551

RGB 21 117 81

HSL 157.5, 0.7%, 0.27%

LAB 43.47, -35.81, 12.44

 

CMYK 45 / 0 / 82 / 54

HEX #407515

RGB 64 117 21

HSL 93.13, 0.7%, 0.27%

LAB 44.04, -34.23, 43.57

 

CMYK 51 / 0 / 92 / 50

HEX #3F800A

RGB 63 128 10

HSL 93.05, 0.86%, 0.27%

LAB 47.65, -39.69, 49.61

 

CMYK 45 / 0 / 82 / 54

HEX #407515

RGB 64 117 21

HSL 93.13, 0.7%, 0.27%

LAB 44.04, -34.23, 43.57

 

CMYK 39 / 0 / 70 / 58

HEX #416A20

RGB 65 106 32

HSL 93.24, 0.54%, 0.27%

LAB 40.47, -28.04, 35.69

 

CMYK 31 / 0 / 55 / 63

HEX #425F2B

RGB 66 95 43

HSL 93.46, 0.38%, 0.27%

LAB 36.96, -20.97, 26.15

 

CMYK 20 / 0 / 36 / 67

HEX #435436

RGB 67 84 54

HSL 94, 0.22%, 0.27%

LAB 33.56, -12.89, 15.44

 

CMYK 6 / 0 / 10 / 72

HEX #444841

RGB 68 72 65

HSL 94.29, 0.05%, 0.27%

LAB 30.02, -3.18, 3.63

 

CMYK 2 / 0 / 82 / 54

HEX #737515

RGB 115 117 21

HSL 61.25, 0.7%, 0.27%

LAB 47.52, -12.5, 48.03

 

CMYK 23 / 0 / 82 / 54

HEX #5A7515

RGB 90 117 21

HSL 76.88, 0.7%, 0.27%

LAB 45.57, -23.85, 45.54

 

CMYK 45 / 0 / 82 / 54

HEX #407515

RGB 64 117 21

HSL 93.13, 0.7%, 0.27%

LAB 44.04, -34.23, 43.57

 

CMYK 68 / 0 / 82 / 54

HEX #267515

RGB 38 117 21

HSL 109.38, 0.7%, 0.27%

LAB 43.05, -42.01, 42.28

 

CMYK 82 / 0 / 75 / 54

HEX #15751D

RGB 21 117 29

HSL 125, 0.7%, 0.27%

LAB 42.72, -44.6, 38.87

 

CMYK 45 / 0 / 83 / 82

HEX #1A2F08

RGB 26 47 8

HSL 92.31, 0.71%, 0.11%

LAB 16.85, -16.54, 20.61

 

CMYK 45 / 0 / 83 / 68

HEX #2D520E

RGB 45 82 14

HSL 92.65, 0.71%, 0.19%

LAB 30.94, -25.84, 33.26

 

CMYK 45 / 0 / 82 / 54

HEX #407515

RGB 64 117 21

HSL 93.13, 0.7%, 0.27%

LAB 44.04, -34.23, 43.57

 

CMYK 45 / 0 / 82 / 40

HEX #53981B

RGB 83 152 27

HSL 93.12, 0.7%, 0.35%

LAB 56.46, -42.17, 53.55

 

CMYK 45 / 0 / 82 / 27

HEX #66BB21

RGB 102 187 33

HSL 93.12, 0.7%, 0.43%

LAB 68.37, -49.73, 63.03

 

CMYK 45 / 0 / 82 / 53

HEX #417715

RGB 65 119 21

HSL 93.06, 0.7%, 0.27%

LAB 44.76, -34.75, 44.26

 

CMYK 82 / 0 / 21 / 54

HEX #15755D

RGB 21 117 93

HSL 165, 0.7%, 0.27%

LAB 43.76, -32.71, 5.73

 

CMYK 0 / 82 / 12 / 54

HEX #751567

RGB 117 21 103

HSL 308.75, 0.7%, 0.27%

LAB 27.57, 48.67, -24.18

 

CMYK 45 / 0 / 82 / 53

HEX #417715

RGB 65 119 21

HSL 93.06, 0.7%, 0.27%

LAB 44.76, -34.75, 44.26

 

CMYK 82 / 45 / 0 / 54

HEX #154075

RGB 21 64 117

HSL 213.13, 0.7%, 0.27%

LAB 27.05, 6.11, -34.59

 

CMYK 0 / 82 / 45 / 54

HEX #751540

RGB 117 21 64

HSL 333.13, 0.7%, 0.27%

LAB 25.83, 43.56, -0.93

 

CMYK 45 / 0 / 82 / 53

HEX #417715

RGB 65 119 21

HSL 93.06, 0.7%, 0.27%

LAB 44.76, -34.75, 44.26

 

CMYK 82 / 0 / 21 / 54

HEX #15755D

RGB 21 117 93

HSL 165, 0.7%, 0.27%

LAB 43.76, -32.71, 5.73

 

CMYK 37 / 82 / 0 / 54

HEX #4A1575

RGB 74 21 117

HSL 273.13, 0.7%, 0.27%

LAB 21.12, 42.39, -43.97

 

CMYK 0 / 82 / 62 / 54

HEX #75152D

RGB 117 21 45

HSL 345, 0.7%, 0.27%

LAB 25.28, 41.89, 11.27

 

CMYK 45 / 0 / 82 / 53

HEX #417715

RGB 65 119 21

HSL 93.06, 0.7%, 0.27%

LAB 44.76, -34.75, 44.26

 

CMYK 82 / 4 / 0 / 54

HEX #157075

RGB 21 112 117

HSL 183.13, 0.7%, 0.27%

LAB 42.81, -22.98, -10.08

 

CMYK 37 / 82 / 0 / 54

HEX #4A1575

RGB 74 21 117

HSL 273.13, 0.7%, 0.27%

LAB 21.12, 42.39, -43.97

 

CMYK 0 / 79 / 82 / 54

HEX #751915

RGB 117 25 21

HSL 2.5, 0.7%, 0.27%

LAB 25.36, 39.2, 27.14

 

Description

Color code: HEX #417715 | qconv.com Color code: HEX #417715 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 119 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 119 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 82 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 82% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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