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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #416E31 it is the complementary color #BE91CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #416E31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #416E31 shade: #466E2C, #57803F, #689252, #79A465 and #8AB678

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #416E31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #416E31 shade: #416E31, #305C1E, #1F4A0B, #0E3800 and #002600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #416E31 shade: #416D31, #516D31, #616D31, #6D6931 and #6D5931

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #416E31 shade: #416D31, #316D31, #316D42, #316D52 and #316D62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #416E31 shade matches the following richer shades: #416D31, #3B7A24, #358717 and #2F930B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #416E31 shade: #416D31, #47603E, #4D544B, #534757 and #593A64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #416E31 shade: #616D31, #516D31, #416D31, #316D31 and #316D41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #416E31 shade: #1F3417, #305124, #416D31, #528A3E and #63A64B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #416E31 shade: #416E31, #316D69 and #6D3159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #416E31 shade: #416E31, #31416D and #6D3141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #416E31 shade: #416E31, #316D69, #5D316D and #6D3135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #416E31 shade: #416E31, #315F6D, #5D316D and #6D3F31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 55 / 57

HEX #416E31

RGB 65 110 49

HSL 104.26, 0.38%, 0.31%

LAB 42, -28.06, 28.95

 

Complementary color

CMYK 8 / 30 / 0 / 19

HEX #BE91CE

RGB 190 145 206

HSL 284.26, 0.38%, 0.69%

LAB 66.25, 27.8, -24.87

 

CMYK 36 / 0 / 60 / 57

HEX #466E2C

RGB 70 110 44

HSL 96.36, 0.43%, 0.3%

LAB 42.21, -26.81, 31.88

 

CMYK 32 / 0 / 51 / 50

HEX #57803F

RGB 87 128 63

HSL 97.85, 0.34%, 0.37%

LAB 49.28, -26.8, 30.64

 

CMYK 29 / 0 / 44 / 43

HEX #689252

RGB 104 146 82

HSL 99.38, 0.28%, 0.45%

LAB 56.2, -26.69, 29.36

 

CMYK 26 / 0 / 38 / 36

HEX #79A465

RGB 121 164 101

HSL 100.95, 0.26%, 0.52%

LAB 62.97, -26.54, 28.12

 

CMYK 24 / 0 / 34 / 29

HEX #8AB678

RGB 138 182 120

HSL 102.58, 0.3%, 0.59%

LAB 69.62, -26.38, 26.95

 

CMYK 41 / 0 / 55 / 57

HEX #416E31

RGB 65 110 49

HSL 104.26, 0.38%, 0.31%

LAB 42, -28.06, 28.95

 

CMYK 48 / 0 / 67 / 64

HEX #305C1E

RGB 48 92 30

HSL 102.58, 0.51%, 0.24%

LAB 34.75, -27.98, 30.16

 

CMYK 58 / 0 / 85 / 71

HEX #1F4A0B

RGB 31 74 11

HSL 100.95, 0.74%, 0.17%

LAB 27.33, -27.47, 30.69

 

CMYK 75 / 0 / 100 / 78

HEX #0E3800

RGB 14 56 0

HSL 105, 1%, 0.11%

LAB 19.73, -25.98, 27.15

 

CMYK 100 / 0 / 100 / 85

HEX #002600

RGB 0 38 0

HSL 120, 1%, 0.07%

LAB 11.87, -22.75, 17.15

 

CMYK 40 / 0 / 55 / 57

HEX #416D31

RGB 65 109 49

HSL 104, 0.38%, 0.31%

LAB 41.66, -27.58, 28.55

 

CMYK 26 / 0 / 55 / 57

HEX #516D31

RGB 81 109 49

HSL 88, 0.38%, 0.31%

LAB 42.62, -21.34, 29.93

 

CMYK 11 / 0 / 55 / 57

HEX #616D31

RGB 97 109 49

HSL 72, 0.38%, 0.31%

LAB 43.8, -14.45, 31.61

 

CMYK 0 / 4 / 55 / 57

HEX #6D6931

RGB 109 105 49

HSL 56, 0.38%, 0.31%

LAB 43.62, -6.76, 31.66

 

CMYK 0 / 18 / 55 / 57

HEX #6D5931

RGB 109 89 49

HSL 40, 0.38%, 0.31%

LAB 38.93, 2.64, 26.05

 

CMYK 40 / 0 / 55 / 57

HEX #416D31

RGB 65 109 49

HSL 104, 0.38%, 0.31%

LAB 41.66, -27.58, 28.55

 

CMYK 55 / 0 / 55 / 57

HEX #316D31

RGB 49 109 49

HSL 120, 0.38%, 0.31%

LAB 40.92, -32.89, 27.47

 

CMYK 55 / 0 / 39 / 57

HEX #316D42

RGB 49 109 66

HSL 137, 0.38%, 0.31%

LAB 41.19, -29.99, 18.25

 

CMYK 55 / 0 / 25 / 57

HEX #316D52

RGB 49 109 82

HSL 153, 0.38%, 0.31%

LAB 41.53, -26.52, 9.25

 

CMYK 55 / 0 / 10 / 57

HEX #316D62

RGB 49 109 98

HSL 169, 0.38%, 0.31%

LAB 41.96, -22.43, 0.22

 

CMYK 40 / 0 / 55 / 57

HEX #416D31

RGB 65 109 49

HSL 104, 0.38%, 0.31%

LAB 41.66, -27.58, 28.55

 

CMYK 52 / 0 / 70 / 52

HEX #3B7A24

RGB 59 122 36

HSL 103.95, 0.54%, 0.31%

LAB 45.6, -36.94, 39.28

 

CMYK 61 / 0 / 83 / 47

HEX #358717

RGB 53 135 23

HSL 103.93, 0.71%, 0.31%

LAB 49.67, -44.8, 48.04

 

CMYK 68 / 0 / 93 / 42

HEX #2F930B

RGB 47 147 11

HSL 104.12, 0.86%, 0.31%

LAB 53.49, -51.03, 54.16

 

CMYK 40 / 0 / 55 / 57

HEX #416D31

RGB 65 109 49

HSL 104, 0.38%, 0.31%

LAB 41.66, -27.58, 28.55

 

CMYK 26 / 0 / 35 / 62

HEX #47603E

RGB 71 96 62

HSL 104.12, 0.22%, 0.31%

LAB 37.94, -16.6, 16.49

 

CMYK 8 / 0 / 11 / 67

HEX #4D544B

RGB 77 84 75

HSL 106.67, 0.06%, 0.31%

LAB 34.86, -4.74, 4.31

 

CMYK 5 / 18 / 0 / 66

HEX #534757

RGB 83 71 87

HSL 285, 0.1%, 0.31%

LAB 31.88, 8.45, -7.61

 

CMYK 11 / 42 / 0 / 61

HEX #593A64

RGB 89 58 100

HSL 284.29, 0.27%, 0.31%

LAB 29.59, 22.01, -19.4

 

CMYK 11 / 0 / 55 / 57

HEX #616D31

RGB 97 109 49

HSL 72, 0.38%, 0.31%

LAB 43.8, -14.45, 31.61

 

CMYK 26 / 0 / 55 / 57

HEX #516D31

RGB 81 109 49

HSL 88, 0.38%, 0.31%

LAB 42.62, -21.34, 29.93

 

CMYK 40 / 0 / 55 / 57

HEX #416D31

RGB 65 109 49

HSL 104, 0.38%, 0.31%

LAB 41.66, -27.58, 28.55

 

CMYK 55 / 0 / 55 / 57

HEX #316D31

RGB 49 109 49

HSL 120, 0.38%, 0.31%

LAB 40.92, -32.89, 27.47

 

CMYK 55 / 0 / 40 / 57

HEX #316D41

RGB 49 109 65

HSL 136, 0.38%, 0.31%

LAB 41.17, -30.18, 18.81

 

CMYK 40 / 0 / 56 / 80

HEX #1F3417

RGB 31 52 23

HSL 103.45, 0.39%, 0.15%

LAB 19.26, -15.17, 15.68

 

CMYK 41 / 0 / 56 / 68

HEX #305124

RGB 48 81 36

HSL 104, 0.38%, 0.23%

LAB 30.97, -21.87, 22.56

 

CMYK 40 / 0 / 55 / 57

HEX #416D31

RGB 65 109 49

HSL 104, 0.38%, 0.31%

LAB 41.66, -27.58, 28.55

 

CMYK 41 / 0 / 55 / 46

HEX #528A3E

RGB 82 138 62

HSL 104.21, 0.38%, 0.39%

LAB 52.2, -33.47, 34.62

 

CMYK 40 / 0 / 55 / 35

HEX #63A64B

RGB 99 166 75

HSL 104.18, 0.38%, 0.47%

LAB 62.03, -38.67, 40.06

 

CMYK 41 / 0 / 55 / 57

HEX #416E31

RGB 65 110 49

HSL 104.26, 0.38%, 0.31%

LAB 42, -28.06, 28.95

 

CMYK 55 / 0 / 4 / 57

HEX #316D69

RGB 49 109 105

HSL 176, 0.38%, 0.31%

LAB 42.17, -20.45, -3.71

 

CMYK 0 / 55 / 18 / 57

HEX #6D3159

RGB 109 49 89

HSL 320, 0.38%, 0.31%

LAB 29.84, 32.08, -11.68

 

CMYK 41 / 0 / 55 / 57

HEX #416E31

RGB 65 110 49

HSL 104.26, 0.38%, 0.31%

LAB 42, -28.06, 28.95

 

CMYK 55 / 40 / 0 / 57

HEX #31416D

RGB 49 65 109

HSL 224, 0.38%, 0.31%

LAB 28.21, 7.59, -27.58

 

CMYK 0 / 55 / 40 / 57

HEX #6D3141

RGB 109 49 65

HSL 344, 0.38%, 0.31%

LAB 28.98, 28.48, 2.79

 

CMYK 41 / 0 / 55 / 57

HEX #416E31

RGB 65 110 49

HSL 104.26, 0.38%, 0.31%

LAB 42, -28.06, 28.95

 

CMYK 55 / 0 / 4 / 57

HEX #316D69

RGB 49 109 105

HSL 176, 0.38%, 0.31%

LAB 42.17, -20.45, -3.71

 

CMYK 15 / 55 / 0 / 57

HEX #5D316D

RGB 93 49 109

HSL 284, 0.38%, 0.31%

LAB 28.45, 30.86, -26.91

 

CMYK 0 / 55 / 51 / 57

HEX #6D3135

RGB 109 49 53

HSL 356, 0.38%, 0.31%

LAB 28.66, 27.08, 10.26

 

CMYK 41 / 0 / 55 / 57

HEX #416E31

RGB 65 110 49

HSL 104.26, 0.38%, 0.31%

LAB 42, -28.06, 28.95

 

CMYK 55 / 13 / 0 / 57

HEX #315F6D

RGB 49 95 109

HSL 194, 0.38%, 0.31%

LAB 37.74, -11.42, -12.8

 

CMYK 15 / 55 / 0 / 57

HEX #5D316D

RGB 93 49 109

HSL 284, 0.38%, 0.31%

LAB 28.45, 30.86, -26.91

 

CMYK 0 / 42 / 55 / 57

HEX #6D3F31

RGB 109 63 49

HSL 14, 0.38%, 0.31%

LAB 31.87, 18.47, 17.14

 

Description

Color code: HEX #416E31 | qconv.com Color code: HEX #416E31 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 110 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 110 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 55 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 55% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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