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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #416ADE it is the complementary color #BE9521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #416ADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #416ADE shade: #466AD9, #577CEC, #688EFF, #79A0FF and #8AB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #416ADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #416ADE shade: #416ADE, #3058CB, #1F46B8, #0E34A5 and #002292

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #416ADE shade: #4069DD, #4240DD, #6C40DD, #9640DD and #C140DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #416ADE shade: #4069DD and #4040DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #416ADE shade matches the following richer shades: #4069DD and #2E61EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #416ADE shade: #4069DD, #5272CB, #657BB9, #7783A7 and #898C95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #416ADE shade: #40BEDD, #4094DD, #406ADD, #4040DD and #6A40DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #416ADE shade: #1E44AD, #2551D0, #4069DD, #6385E4 and #86A0EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #416ADE shade: #416ADE, #D340DD and #A9DD40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #416ADE shade: #416ADE, #DD406A and #6ADD40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #416ADE shade: #416ADE, #D340DD, #DDB340 and #4BDD40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #416ADE shade: #416ADE, #DD40B9, #DDB340 and #40DD65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 52 / 0 / 13

HEX #416ADE

RGB 65 106 222

HSL 224.33, 0.7%, 0.56%

LAB 47.89, 24.57, -63.49

 

Complementary color

CMYK 0 / 22 / 83 / 25

HEX #BE9521

RGB 190 149 33

HSL 44.33, 0.7%, 0.44%

LAB 63.8, 4.81, 61.38

 

CMYK 68 / 51 / 0 / 15

HEX #466AD9

RGB 70 106 217

HSL 225.31, 0.66%, 0.56%

LAB 47.78, 23.5, -60.82

 

CMYK 63 / 47 / 0 / 7

HEX #577CEC

RGB 87 124 236

HSL 225.1, 0.8%, 0.63%

LAB 54.55, 21.63, -60.55

 

CMYK 59 / 44 / 0 / 0

HEX #688EFF

RGB 104 142 255

HSL 224.9, 1%, 0.7%

LAB 61.23, 20.07, -60.3

 

CMYK 53 / 37 / 0 / 0

HEX #79A0FF

RGB 121 160 255

HSL 222.54, 1%, 0.74%

LAB 66.84, 12.88, -51.32

 

CMYK 46 / 30 / 0 / 0

HEX #8AB2FF

RGB 138 178 255

HSL 219.49, 1%, 0.77%

LAB 72.54, 6.48, -42.3

 

CMYK 71 / 52 / 0 / 13

HEX #416ADE

RGB 65 106 222

HSL 224.33, 0.7%, 0.56%

LAB 47.89, 24.57, -63.49

 

CMYK 76 / 57 / 0 / 20

HEX #3058CB

RGB 48 88 203

HSL 224.52, 0.62%, 0.49%

LAB 41.09, 27.03, -63.68

 

CMYK 83 / 62 / 0 / 28

HEX #1F46B8

RGB 31 70 184

HSL 224.71, 0.71%, 0.42%

LAB 34.26, 30.01, -63.76

 

CMYK 92 / 68 / 0 / 35

HEX #0E34A5

RGB 14 52 165

HSL 224.9, 0.84%, 0.35%

LAB 27.48, 33.53, -63.56

 

CMYK 100 / 77 / 0 / 43

HEX #002292

RGB 0 34 146

HSL 226.03, 1%, 0.29%

LAB 20.9, 37.34, -62.82

 

CMYK 71 / 52 / 0 / 13

HEX #4069DD

RGB 64 105 221

HSL 224.33, 0.7%, 0.56%

LAB 47.51, 24.71, -63.53

 

CMYK 70 / 71 / 0 / 13

HEX #4240DD

RGB 66 64 221

HSL 240.76, 0.7%, 0.56%

LAB 37.92, 50.01, -79.18

 

CMYK 51 / 71 / 0 / 13

HEX #6C40DD

RGB 108 64 221

HSL 256.82, 0.7%, 0.56%

LAB 41.34, 55.46, -73.45

 

CMYK 32 / 71 / 0 / 13

HEX #9640DD

RGB 150 64 221

HSL 272.87, 0.7%, 0.56%

LAB 46.14, 62.71, -65.42

 

CMYK 13 / 71 / 0 / 13

HEX #C140DD

RGB 193 64 221

HSL 289.3, 0.7%, 0.56%

LAB 52.09, 71.18, -55.52

 

CMYK 71 / 52 / 0 / 13

HEX #4069DD

RGB 64 105 221

HSL 224.33, 0.7%, 0.56%

LAB 47.51, 24.71, -63.53

 

CMYK 71 / 71 / 0 / 13

HEX #4040DD

RGB 64 64 221

HSL 240, 0.7%, 0.56%

LAB 37.8, 49.8, -79.39

 

CMYK 71 / 52 / 0 / 13

HEX #4069DD

RGB 64 105 221

HSL 224.33, 0.7%, 0.56%

LAB 47.51, 24.71, -63.53

 

CMYK 81 / 59 / 0 / 6

HEX #2E61EF

RGB 46 97 239

HSL 224.15, 0.86%, 0.56%

LAB 46.13, 34.4, -75.97

 

CMYK 71 / 52 / 0 / 13

HEX #4069DD

RGB 64 105 221

HSL 224.33, 0.7%, 0.56%

LAB 47.51, 24.71, -63.53

 

CMYK 60 / 44 / 0 / 20

HEX #5272CB

RGB 82 114 203

HSL 224.13, 0.54%, 0.56%

LAB 49.67, 15.72, -49.77

 

CMYK 45 / 34 / 0 / 27

HEX #657BB9

RGB 101 123 185

HSL 224.29, 0.38%, 0.56%

LAB 52.33, 8.75, -35.17

 

CMYK 29 / 22 / 0 / 35

HEX #7783A7

RGB 119 131 167

HSL 225, 0.21%, 0.56%

LAB 55.02, 4.11, -20.55

 

CMYK 8 / 6 / 0 / 42

HEX #898C95

RGB 137 140 149

HSL 225, 0.05%, 0.56%

LAB 58.27, 0.75, -5.17

 

CMYK 71 / 14 / 0 / 13

HEX #40BEDD

RGB 64 190 221

HSL 191.85, 0.7%, 0.56%

LAB 71.65, -24.33, -25.48

 

CMYK 71 / 33 / 0 / 13

HEX #4094DD

RGB 64 148 221

HSL 207.9, 0.7%, 0.56%

LAB 59.43, -1.56, -44.48

 

CMYK 71 / 52 / 0 / 13

HEX #406ADD

RGB 64 106 221

HSL 223.95, 0.7%, 0.56%

LAB 47.78, 24.08, -63.1

 

CMYK 71 / 71 / 0 / 13

HEX #4040DD

RGB 64 64 221

HSL 240, 0.7%, 0.56%

LAB 37.8, 49.8, -79.39

 

CMYK 52 / 71 / 0 / 13

HEX #6A40DD

RGB 106 64 221

HSL 256.05, 0.7%, 0.56%

LAB 41.14, 55.16, -73.78

 

CMYK 83 / 61 / 0 / 32

HEX #1E44AD

RGB 30 68 173

HSL 224.06, 0.7%, 0.4%

LAB 32.76, 27.01, -59.69

 

CMYK 82 / 61 / 0 / 18

HEX #2551D0

RGB 37 81 208

HSL 224.56, 0.7%, 0.48%

LAB 39.3, 32.4, -69.51

 

CMYK 71 / 52 / 0 / 13

HEX #4069DD

RGB 64 105 221

HSL 224.33, 0.7%, 0.56%

LAB 47.51, 24.71, -63.53

 

CMYK 57 / 42 / 0 / 11

HEX #6385E4

RGB 99 133 228

HSL 224.19, 0.7%, 0.64%

LAB 57.1, 15.74, -51.97

 

CMYK 43 / 32 / 0 / 8

HEX #86A0EA

RGB 134 160 234

HSL 224.4, 0.7%, 0.72%

LAB 66.63, 9.73, -40.12

 

CMYK 71 / 52 / 0 / 13

HEX #416ADE

RGB 65 106 222

HSL 224.33, 0.7%, 0.56%

LAB 47.89, 24.57, -63.49

 

CMYK 5 / 71 / 0 / 13

HEX #D340DD

RGB 211 64 221

HSL 296.18, 0.7%, 0.56%

LAB 54.8, 74.91, -51.03

 

CMYK 24 / 0 / 71 / 13

HEX #A9DD40

RGB 169 221 64

HSL 79.87, 0.7%, 0.56%

LAB 82.12, -38.66, 67.61

 

CMYK 71 / 52 / 0 / 13

HEX #416ADE

RGB 65 106 222

HSL 224.33, 0.7%, 0.56%

LAB 47.89, 24.57, -63.49

 

CMYK 0 / 71 / 52 / 13

HEX #DD406A

RGB 221 64 106

HSL 343.95, 0.7%, 0.56%

LAB 51.93, 63.03, 12.23

 

CMYK 52 / 0 / 71 / 13

HEX #6ADD40

RGB 106 221 64

HSL 103.95, 0.7%, 0.56%

LAB 79.13, -59.58, 63.62

 

CMYK 71 / 52 / 0 / 13

HEX #416ADE

RGB 65 106 222

HSL 224.33, 0.7%, 0.56%

LAB 47.89, 24.57, -63.49

 

CMYK 5 / 71 / 0 / 13

HEX #D340DD

RGB 211 64 221

HSL 296.18, 0.7%, 0.56%

LAB 54.8, 74.91, -51.03

 

CMYK 0 / 19 / 71 / 13

HEX #DDB340

RGB 221 179 64

HSL 43.95, 0.7%, 0.56%

LAB 74.81, 3.57, 61.65

 

CMYK 66 / 0 / 71 / 13

HEX #4BDD40

RGB 75 221 64

HSL 115.8, 0.7%, 0.56%

LAB 78.22, -66.87, 62.4

 

CMYK 71 / 52 / 0 / 13

HEX #416ADE

RGB 65 106 222

HSL 224.33, 0.7%, 0.56%

LAB 47.89, 24.57, -63.49

 

CMYK 0 / 71 / 16 / 13

HEX #DD40B9

RGB 221 64 185

HSL 313.76, 0.7%, 0.56%

LAB 54.6, 71.67, -30.62

 

CMYK 0 / 19 / 71 / 13

HEX #DDB340

RGB 221 179 64

HSL 43.95, 0.7%, 0.56%

LAB 74.81, 3.57, 61.65

 

CMYK 71 / 0 / 54 / 13

HEX #40DD65

RGB 64 221 101

HSL 134.14, 0.7%, 0.56%

LAB 78.31, -64.88, 46.89

 

Description

Color code: HEX #416ADE | qconv.com Color code: HEX #416ADE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 106 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 106 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 52 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 52% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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