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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #416A30 it is the complementary color #BE95CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #416A30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #416A30 shade: #466A2B, #577C3E, #688E51, #79A064 and #8AB277

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #416A30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #416A30 shade: #416A30, #30581D, #1F460A, #0E3400 and #002200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #416A30 shade: #406A2F, #506A2F, #606A2F, #6A642F and #6A542F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #416A30 shade: #406A2F, #316A2F, #2F6A3E, #2F6A4D and #2F6A5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #416A30 shade matches the following richer shades: #406A2F, #3B7623, #368217 and #318F0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #416A30 shade: #406A2F, #465D3C, #4B5148, #504455 and #553861

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #416A30 shade: #606A2F, #506A2F, #416A2F, #316A2F and #2F6A3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #416A30 shade: #1E3116, #2F4D23, #406A2F, #52863C and #63A349

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #416A30 shade: #416A30, #2F6A64 and #6A2F58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #416A30 shade: #416A30, #2F416A and #6A2F41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #416A30 shade: #416A30, #2F6A64, #582F6A and #6A2F35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #416A30 shade: #416A30, #2F5E6A, #582F6A and #6A3B2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 55 / 58

HEX #416A30

RGB 65 106 48

HSL 102.41, 0.38%, 0.3%

LAB 40.65, -26.26, 27.86

 

Complementary color

CMYK 8 / 28 / 0 / 19

HEX #BE95CF

RGB 190 149 207

HSL 282.41, 0.38%, 0.7%

LAB 67.24, 25.78, -23.92

 

CMYK 34 / 0 / 59 / 58

HEX #466A2B

RGB 70 106 43

HSL 94.29, 0.42%, 0.29%

LAB 40.87, -24.96, 30.84

 

CMYK 30 / 0 / 50 / 51

HEX #577C3E

RGB 87 124 62

HSL 95.81, 0.33%, 0.36%

LAB 47.99, -24.95, 29.59

 

CMYK 27 / 0 / 43 / 44

HEX #688E51

RGB 104 142 81

HSL 97.38, 0.27%, 0.44%

LAB 54.95, -24.85, 28.31

 

CMYK 24 / 0 / 38 / 37

HEX #79A064

RGB 121 160 100

HSL 99, 0.24%, 0.51%

LAB 61.76, -24.71, 27.08

 

CMYK 22 / 0 / 33 / 30

HEX #8AB277

RGB 138 178 119

HSL 100.68, 0.28%, 0.58%

LAB 68.44, -24.57, 25.91

 

CMYK 39 / 0 / 55 / 58

HEX #416A30

RGB 65 106 48

HSL 102.41, 0.38%, 0.3%

LAB 40.65, -26.26, 27.86

 

CMYK 45 / 0 / 67 / 65

HEX #30581D

RGB 48 88 29

HSL 100.68, 0.5%, 0.23%

LAB 33.34, -26.21, 29.09

 

CMYK 56 / 0 / 86 / 73

HEX #1F460A

RGB 31 70 10

HSL 99, 0.75%, 0.16%

LAB 25.84, -25.75, 29.64

 

CMYK 73 / 0 / 100 / 80

HEX #0E3400

RGB 14 52 0

HSL 103.85, 1%, 0.1%

LAB 18.14, -24.33, 25.3

 

CMYK 100 / 0 / 100 / 87

HEX #002200

RGB 0 34 0

HSL 120, 1%, 0.07%

LAB 10.14, -20.27, 14.75

 

CMYK 40 / 0 / 56 / 58

HEX #406A2F

RGB 64 106 47

HSL 102.71, 0.39%, 0.3%

LAB 40.58, -26.76, 28.3

 

CMYK 25 / 0 / 56 / 58

HEX #506A2F

RGB 80 106 47

HSL 86.44, 0.39%, 0.3%

LAB 41.56, -20.42, 29.72

 

CMYK 9 / 0 / 56 / 58

HEX #606A2F

RGB 96 106 47

HSL 70.17, 0.39%, 0.3%

LAB 42.76, -13.45, 31.43

 

CMYK 0 / 6 / 56 / 58

HEX #6A642F

RGB 106 100 47

HSL 53.9, 0.39%, 0.3%

LAB 41.82, -5.46, 30.55

 

CMYK 0 / 21 / 56 / 58

HEX #6A542F

RGB 106 84 47

HSL 37.63, 0.39%, 0.3%

LAB 37.13, 4.05, 24.92

 

CMYK 40 / 0 / 56 / 58

HEX #406A2F

RGB 64 106 47

HSL 102.71, 0.39%, 0.3%

LAB 40.58, -26.76, 28.3

 

CMYK 54 / 0 / 56 / 58

HEX #316A2F

RGB 49 106 47

HSL 117.97, 0.39%, 0.3%

LAB 39.86, -31.85, 27.27

 

CMYK 56 / 0 / 42 / 58

HEX #2F6A3E

RGB 47 106 62

HSL 135.25, 0.39%, 0.3%

LAB 40.02, -29.93, 19.01

 

CMYK 56 / 0 / 27 / 58

HEX #2F6A4D

RGB 47 106 77

HSL 150.51, 0.39%, 0.3%

LAB 40.33, -26.75, 10.55

 

CMYK 56 / 0 / 12 / 58

HEX #2F6A5D

RGB 47 106 93

HSL 166.78, 0.39%, 0.3%

LAB 40.74, -22.72, 1.47

 

CMYK 40 / 0 / 56 / 58

HEX #406A2F

RGB 64 106 47

HSL 102.71, 0.39%, 0.3%

LAB 40.58, -26.76, 28.3

 

CMYK 50 / 0 / 70 / 54

HEX #3B7623

RGB 59 118 35

HSL 102.65, 0.54%, 0.3%

LAB 44.24, -35.33, 38.27

 

CMYK 58 / 0 / 82 / 49

HEX #368217

RGB 54 130 23

HSL 102.62, 0.7%, 0.3%

LAB 48.02, -42.63, 46.51

 

CMYK 66 / 0 / 93 / 44

HEX #318F0A

RGB 49 143 10

HSL 102.41, 0.87%, 0.3%

LAB 52.2, -49.23, 53.26

 

CMYK 40 / 0 / 56 / 58

HEX #406A2F

RGB 64 106 47

HSL 102.71, 0.39%, 0.3%

LAB 40.58, -26.76, 28.3

 

CMYK 25 / 0 / 35 / 64

HEX #465D3C

RGB 70 93 60

HSL 101.82, 0.22%, 0.3%

LAB 36.85, -15.7, 16.22

 

CMYK 7 / 0 / 11 / 68

HEX #4B5148

RGB 75 81 72

HSL 100, 0.06%, 0.3%

LAB 33.67, -4.36, 4.47

 

CMYK 6 / 20 / 0 / 67

HEX #504455

RGB 80 68 85

HSL 282.35, 0.11%, 0.3%

LAB 30.63, 8.74, -8.24

 

CMYK 12 / 42 / 0 / 62

HEX #553861

RGB 85 56 97

HSL 282.44, 0.27%, 0.3%

LAB 28.44, 21.16, -19.29

 

CMYK 9 / 0 / 56 / 58

HEX #606A2F

RGB 96 106 47

HSL 70.17, 0.39%, 0.3%

LAB 42.76, -13.45, 31.43

 

CMYK 25 / 0 / 56 / 58

HEX #506A2F

RGB 80 106 47

HSL 86.44, 0.39%, 0.3%

LAB 41.56, -20.42, 29.72

 

CMYK 39 / 0 / 56 / 58

HEX #416A2F

RGB 65 106 47

HSL 101.69, 0.39%, 0.3%

LAB 40.63, -26.39, 28.38

 

CMYK 54 / 0 / 56 / 58

HEX #316A2F

RGB 49 106 47

HSL 117.97, 0.39%, 0.3%

LAB 39.86, -31.85, 27.27

 

CMYK 56 / 0 / 42 / 58

HEX #2F6A3D

RGB 47 106 61

HSL 134.24, 0.39%, 0.3%

LAB 40, -30.11, 19.57

 

CMYK 39 / 0 / 55 / 81

HEX #1E3116

RGB 30 49 22

HSL 102.22, 0.38%, 0.14%

LAB 18.06, -14.05, 14.79

 

CMYK 39 / 0 / 55 / 70

HEX #2F4D23

RGB 47 77 35

HSL 102.86, 0.38%, 0.22%

LAB 29.5, -20.33, 21.32

 

CMYK 40 / 0 / 56 / 58

HEX #406A2F

RGB 64 106 47

HSL 102.71, 0.39%, 0.3%

LAB 40.58, -26.76, 28.3

 

CMYK 39 / 0 / 55 / 47

HEX #52863C

RGB 82 134 60

HSL 102.16, 0.38%, 0.38%

LAB 50.89, -31.88, 34.07

 

CMYK 39 / 0 / 55 / 36

HEX #63A349

RGB 99 163 73

HSL 102.67, 0.38%, 0.46%

LAB 61.07, -37.58, 39.9

 

CMYK 39 / 0 / 55 / 58

HEX #416A30

RGB 65 106 48

HSL 102.41, 0.38%, 0.3%

LAB 40.65, -26.26, 27.86

 

CMYK 56 / 0 / 6 / 58

HEX #2F6A64

RGB 47 106 100

HSL 173.9, 0.39%, 0.3%

LAB 40.95, -20.77, -2.48

 

CMYK 0 / 56 / 17 / 58

HEX #6A2F58

RGB 106 47 88

HSL 318.31, 0.39%, 0.3%

LAB 28.91, 31.96, -12.49

 

CMYK 39 / 0 / 55 / 58

HEX #416A30

RGB 65 106 48

HSL 102.41, 0.38%, 0.3%

LAB 40.65, -26.26, 27.86

 

CMYK 56 / 39 / 0 / 58

HEX #2F416A

RGB 47 65 106

HSL 221.69, 0.39%, 0.3%

LAB 27.91, 6.01, -26.15

 

CMYK 0 / 56 / 39 / 58

HEX #6A2F41

RGB 106 47 65

HSL 341.69, 0.39%, 0.3%

LAB 28.06, 28.44, 1.4

 

CMYK 39 / 0 / 55 / 58

HEX #416A30

RGB 65 106 48

HSL 102.41, 0.38%, 0.3%

LAB 40.65, -26.26, 27.86

 

CMYK 56 / 0 / 6 / 58

HEX #2F6A64

RGB 47 106 100

HSL 173.9, 0.39%, 0.3%

LAB 40.95, -20.77, -2.48

 

CMYK 17 / 56 / 0 / 58

HEX #582F6A

RGB 88 47 106

HSL 281.69, 0.39%, 0.3%

LAB 27.15, 29.8, -27.08

 

CMYK 0 / 56 / 50 / 58

HEX #6A2F35

RGB 106 47 53

HSL 353.9, 0.39%, 0.3%

LAB 27.72, 26.98, 8.89

 

CMYK 39 / 0 / 55 / 58

HEX #416A30

RGB 65 106 48

HSL 102.41, 0.38%, 0.3%

LAB 40.65, -26.26, 27.86

 

CMYK 56 / 11 / 0 / 58

HEX #2F5E6A

RGB 47 94 106

HSL 192.2, 0.39%, 0.3%

LAB 37.21, -12.28, -11.76

 

CMYK 17 / 56 / 0 / 58

HEX #582F6A

RGB 88 47 106

HSL 281.69, 0.39%, 0.3%

LAB 27.15, 29.8, -27.08

 

CMYK 0 / 44 / 56 / 58

HEX #6A3B2F

RGB 106 59 47

HSL 12.2, 0.39%, 0.3%

LAB 30.39, 19.34, 16.39

 

Description

Color code: HEX #416A30 | qconv.com Color code: HEX #416A30 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 106 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 106 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 55 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 55% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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