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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #416992 it is the complementary color #BE966D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #416992. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #416992 shade: #46698D, #577BA0, #688DB3, #799FC6 and #8AB1D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #416992. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #416992 shade: #416992, #30577F, #1F456C, #0E3359 and #002146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #416992 shade: #416890, #415390, #444190, #5A4190 and #6F4190

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #416992 shade: #416890, #415390 and #414190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #416992 shade matches the following richer shades: #416890, #3068A1, #1F68B2 and #0E67C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #416992 shade: #416890, #52687F, #63686E, #74695E and #84694D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #416992 shade: #41908E, #417E90, #416990, #415390 and #434190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #416992 shade: #273F57, #345474, #416890, #4E7DAD and #6891BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #416992 shade: #416992, #784190 and #889041

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #416992 shade: #416992, #904169 and #699041

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #416992 shade: #416992, #784190, #906941 and #599041

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #416992 shade: #416992, #904190, #906941 and #419041

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 28 / 0 / 43

HEX #416992

RGB 65 105 146

HSL 210.37, 0.38%, 0.41%

LAB 43.22, -1.51, -26.74

 

Complementary color

CMYK 0 / 21 / 43 / 25

HEX #BE966D

RGB 190 150 109

HSL 30.37, 0.38%, 0.59%

LAB 64.85, 9.54, 27.32

 

CMYK 50 / 26 / 0 / 45

HEX #46698D

RGB 70 105 141

HSL 210.42, 0.34%, 0.41%

LAB 43.25, -1.92, -23.67

 

CMYK 46 / 23 / 0 / 37

HEX #577BA0

RGB 87 123 160

HSL 210.41, 0.3%, 0.48%

LAB 50.37, -2.4, -23.81

 

CMYK 42 / 21 / 0 / 30

HEX #688DB3

RGB 104 141 179

HSL 210.4, 0.33%, 0.55%

LAB 57.32, -2.77, -23.98

 

CMYK 39 / 20 / 0 / 22

HEX #799FC6

RGB 121 159 198

HSL 210.39, 0.4%, 0.63%

LAB 64.11, -3.08, -24.17

 

CMYK 36 / 18 / 0 / 15

HEX #8AB1D9

RGB 138 177 217

HSL 210.38, 0.51%, 0.7%

LAB 70.77, -3.34, -24.38

 

CMYK 55 / 28 / 0 / 43

HEX #416992

RGB 65 105 146

HSL 210.37, 0.38%, 0.41%

LAB 43.22, -1.51, -26.74

 

CMYK 62 / 31 / 0 / 50

HEX #30577F

RGB 48 87 127

HSL 210.38, 0.45%, 0.34%

LAB 35.94, -0.65, -26.67

 

CMYK 71 / 36 / 0 / 58

HEX #1F456C

RGB 31 69 108

HSL 210.39, 0.55%, 0.27%

LAB 28.46, 0.58, -26.61

 

CMYK 84 / 43 / 0 / 65

HEX #0E3359

RGB 14 51 89

HSL 210.4, 0.73%, 0.2%

LAB 20.76, 2.47, -26.55

 

CMYK 100 / 53 / 0 / 73

HEX #002146

RGB 0 33 70

HSL 211.71, 1%, 0.14%

LAB 12.8, 5.32, -26.47

 

CMYK 55 / 28 / 0 / 44

HEX #416890

RGB 65 104 144

HSL 210.38, 0.38%, 0.41%

LAB 42.82, -1.56, -26.16

 

CMYK 55 / 42 / 0 / 44

HEX #415390

RGB 65 83 144

HSL 226.33, 0.38%, 0.41%

LAB 36.6, 11.71, -35.95

 

CMYK 53 / 55 / 0 / 44

HEX #444190

RGB 68 65 144

HSL 242.28, 0.38%, 0.41%

LAB 31.86, 24.18, -43.52

 

CMYK 38 / 55 / 0 / 44

HEX #5A4190

RGB 90 65 144

HSL 258.99, 0.38%, 0.41%

LAB 33.92, 29.54, -40.11

 

CMYK 23 / 55 / 0 / 44

HEX #6F4190

RGB 111 65 144

HSL 274.94, 0.38%, 0.41%

LAB 36.32, 35.24, -36.14

 

CMYK 55 / 28 / 0 / 44

HEX #416890

RGB 65 104 144

HSL 210.38, 0.38%, 0.41%

LAB 42.82, -1.56, -26.16

 

CMYK 55 / 42 / 0 / 44

HEX #415390

RGB 65 83 144

HSL 226.33, 0.38%, 0.41%

LAB 36.6, 11.71, -35.95

 

CMYK 55 / 55 / 0 / 44

HEX #414190

RGB 65 65 144

HSL 240, 0.38%, 0.41%

LAB 31.62, 23.52, -43.92

 

CMYK 55 / 28 / 0 / 44

HEX #416890

RGB 65 104 144

HSL 210.38, 0.38%, 0.41%

LAB 42.82, -1.56, -26.16

 

CMYK 70 / 35 / 0 / 37

HEX #3068A1

RGB 48 104 161

HSL 210.27, 0.54%, 0.41%

LAB 42.92, 1.01, -36.18

 

CMYK 83 / 42 / 0 / 30

HEX #1F68B2

RGB 31 104 178

HSL 210.2, 0.7%, 0.41%

LAB 43.37, 5.3, -45.49

 

CMYK 93 / 47 / 0 / 24

HEX #0E67C3

RGB 14 103 195

HSL 210.5, 0.87%, 0.41%

LAB 43.85, 11.52, -54.63

 

CMYK 55 / 28 / 0 / 44

HEX #416890

RGB 65 104 144

HSL 210.38, 0.38%, 0.41%

LAB 42.82, -1.56, -26.16

 

CMYK 35 / 18 / 0 / 50

HEX #52687F

RGB 82 104 127

HSL 210.67, 0.22%, 0.41%

LAB 43.1, -2.12, -15.43

 

CMYK 10 / 5 / 0 / 57

HEX #63686E

RGB 99 104 110

HSL 212.73, 0.05%, 0.41%

LAB 43.77, -0.6, -4.03

 

CMYK 0 / 9 / 19 / 55

HEX #74695E

RGB 116 105 94

HSL 30, 0.1%, 0.41%

LAB 45.12, 2.34, 7.75

 

CMYK 0 / 20 / 42 / 48

HEX #84694D

RGB 132 105 77

HSL 30.55, 0.26%, 0.41%

LAB 46.37, 6.7, 19.83

 

CMYK 55 / 0 / 1 / 44

HEX #41908E

RGB 65 144 142

HSL 178.48, 0.38%, 0.41%

LAB 55.1, -24.54, -6.3

 

CMYK 55 / 13 / 0 / 44

HEX #417E90

RGB 65 126 144

HSL 193.67, 0.38%, 0.41%

LAB 49.57, -14.38, -15.78

 

CMYK 55 / 27 / 0 / 44

HEX #416990

RGB 65 105 144

HSL 209.62, 0.38%, 0.41%

LAB 43.12, -2.17, -25.69

 

CMYK 55 / 42 / 0 / 44

HEX #415390

RGB 65 83 144

HSL 226.33, 0.38%, 0.41%

LAB 36.6, 11.71, -35.95

 

CMYK 53 / 55 / 0 / 44

HEX #434190

RGB 67 65 144

HSL 241.52, 0.38%, 0.41%

LAB 31.78, 23.96, -43.66

 

CMYK 55 / 28 / 0 / 66

HEX #273F57

RGB 39 63 87

HSL 210, 0.38%, 0.25%

LAB 25.79, -1.48, -17.25

 

CMYK 55 / 28 / 0 / 55

HEX #345474

RGB 52 84 116

HSL 210, 0.38%, 0.33%

LAB 34.66, -1.67, -21.85

 

CMYK 55 / 28 / 0 / 44

HEX #416890

RGB 65 104 144

HSL 210.38, 0.38%, 0.41%

LAB 42.82, -1.56, -26.16

 

CMYK 55 / 28 / 0 / 32

HEX #4E7DAD

RGB 78 125 173

HSL 210.32, 0.38%, 0.49%

LAB 51.04, -1.74, -30.36

 

CMYK 44 / 22 / 0 / 27

HEX #6891BB

RGB 104 145 187

HSL 210.36, 0.38%, 0.57%

LAB 58.77, -2.77, -26.28

 

CMYK 55 / 28 / 0 / 43

HEX #416992

RGB 65 105 146

HSL 210.37, 0.38%, 0.41%

LAB 43.22, -1.51, -26.74

 

CMYK 17 / 55 / 0 / 44

HEX #784190

RGB 120 65 144

HSL 281.77, 0.38%, 0.41%

LAB 37.46, 37.78, -34.25

 

CMYK 6 / 0 / 55 / 44

HEX #889041

RGB 136 144 65

HSL 66.08, 0.38%, 0.41%

LAB 57.62, -14.67, 40.38

 

CMYK 55 / 28 / 0 / 43

HEX #416992

RGB 65 105 146

HSL 210.37, 0.38%, 0.41%

LAB 43.22, -1.51, -26.74

 

CMYK 0 / 55 / 27 / 44

HEX #904169

RGB 144 65 105

HSL 329.62, 0.38%, 0.41%

LAB 39.12, 38.15, -7.32

 

CMYK 27 / 0 / 55 / 44

HEX #699041

RGB 105 144 65

HSL 89.62, 0.38%, 0.41%

LAB 55.41, -27.47, 37.24

 

CMYK 55 / 28 / 0 / 43

HEX #416992

RGB 65 105 146

HSL 210.37, 0.38%, 0.41%

LAB 43.22, -1.51, -26.74

 

CMYK 17 / 55 / 0 / 44

HEX #784190

RGB 120 65 144

HSL 281.77, 0.38%, 0.41%

LAB 37.46, 37.78, -34.25

 

CMYK 0 / 27 / 55 / 44

HEX #906941

RGB 144 105 65

HSL 30.38, 0.38%, 0.41%

LAB 47.51, 10.72, 28.46

 

CMYK 38 / 0 / 55 / 44

HEX #599041

RGB 89 144 65

HSL 101.77, 0.38%, 0.41%

LAB 54.5, -33.41, 35.94

 

CMYK 55 / 28 / 0 / 43

HEX #416992

RGB 65 105 146

HSL 210.37, 0.38%, 0.41%

LAB 43.22, -1.51, -26.74

 

CMYK 0 / 55 / 0 / 44

HEX #904190

RGB 144 65 144

HSL 300, 0.38%, 0.41%

LAB 40.77, 44.67, -28.81

 

CMYK 0 / 27 / 55 / 44

HEX #906941

RGB 144 105 65

HSL 30.38, 0.38%, 0.41%

LAB 47.51, 10.72, 28.46

 

CMYK 55 / 0 / 55 / 44

HEX #419041

RGB 65 144 65

HSL 120, 0.38%, 0.41%

LAB 53.44, -40.99, 34.41

 

Description

Color code: HEX #416992 | qconv.com Color code: HEX #416992 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 105 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 105 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 28 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 28% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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