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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #415F9C it is the complementary color #BEA063. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #415F9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #415F9C shade: #465F97, #5771AA, #6883BD, #7995D0 and #8AA7E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #415F9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #415F9C shade: #415F9C, #304D89, #1F3B76, #0E2963 and #001750

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #415F9C shade: #415E9B, #41469B, #54419B, #6C419B and #84419B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #415F9C shade: #415E9B, #41469B and #41419B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #415F9C shade matches the following richer shades: #415E9B, #2F58AC, #1D52BE and #0B4CD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #415F9C shade: #415E9B, #526489, #646A77, #767065 and #887754

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #415F9C shade: #418F9B, #41779B, #415F9B, #41479B and #53419B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #415F9C shade: #283B60, #354D7E, #415E9B, #4F71B5 and #6C88C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #415F9C shade: #415F9C, #8F419B and #839B41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #415F9C shade: #415F9C, #9B415F and #5F9B41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #415F9C shade: #415F9C, #8F419B, #9B7D41 and #4D9B41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #415F9C shade: #415F9C, #9B418C, #9B7D41 and #419B50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 39 / 0 / 39

HEX #415F9C

RGB 65 95 156

HSL 220.22, 0.41%, 0.43%

LAB 40.75, 8.11, -36.59

 

Complementary color

CMYK 0 / 16 / 48 / 25

HEX #BEA063

RGB 190 160 99

HSL 40.22, 0.41%, 0.57%

LAB 67.27, 3.04, 35.78

 

CMYK 54 / 37 / 0 / 41

HEX #465F97

RGB 70 95 151

HSL 221.48, 0.37%, 0.43%

LAB 40.77, 7.55, -33.55

 

CMYK 49 / 34 / 0 / 33

HEX #5771AA

RGB 87 113 170

HSL 221.2, 0.33%, 0.5%

LAB 47.93, 6.66, -33.45

 

CMYK 45 / 31 / 0 / 26

HEX #6883BD

RGB 104 131 189

HSL 220.94, 0.39%, 0.57%

LAB 54.92, 5.95, -33.4

 

CMYK 42 / 28 / 0 / 18

HEX #7995D0

RGB 121 149 208

HSL 220.69, 0.48%, 0.65%

LAB 61.75, 5.36, -33.4

 

CMYK 39 / 26 / 0 / 11

HEX #8AA7E3

RGB 138 167 227

HSL 220.45, 0.61%, 0.72%

LAB 68.45, 4.86, -33.43

 

CMYK 58 / 39 / 0 / 39

HEX #415F9C

RGB 65 95 156

HSL 220.22, 0.41%, 0.43%

LAB 40.75, 8.11, -36.59

 

CMYK 65 / 44 / 0 / 46

HEX #304D89

RGB 48 77 137

HSL 220.45, 0.48%, 0.36%

LAB 33.44, 9.51, -36.77

 

CMYK 74 / 50 / 0 / 54

HEX #1F3B76

RGB 31 59 118

HSL 220.69, 0.58%, 0.29%

LAB 25.94, 11.42, -36.98

 

CMYK 86 / 59 / 0 / 61

HEX #0E2963

RGB 14 41 99

HSL 220.94, 0.75%, 0.22%

LAB 18.28, 14.14, -37.14

 

CMYK 100 / 71 / 0 / 69

HEX #001750

RGB 0 23 80

HSL 222.75, 1%, 0.16%

LAB 10.5, 17.92, -37.12

 

CMYK 58 / 39 / 0 / 39

HEX #415E9B

RGB 65 94 155

HSL 220.67, 0.41%, 0.43%

LAB 40.4, 8.4, -36.54

 

CMYK 58 / 55 / 0 / 39

HEX #41469B

RGB 65 70 155

HSL 236.67, 0.41%, 0.43%

LAB 33.71, 24, -47.24

 

CMYK 46 / 58 / 0 / 39

HEX #54419B

RGB 84 65 155

HSL 252.67, 0.41%, 0.43%

LAB 34.05, 31.3, -46.62

 

CMYK 30 / 58 / 0 / 39

HEX #6C419B

RGB 108 65 155

HSL 268.67, 0.41%, 0.43%

LAB 36.62, 37.18, -42.35

 

CMYK 15 / 58 / 0 / 39

HEX #84419B

RGB 132 65 155

HSL 284.67, 0.41%, 0.43%

LAB 39.67, 43.53, -37.31

 

CMYK 58 / 39 / 0 / 39

HEX #415E9B

RGB 65 94 155

HSL 220.67, 0.41%, 0.43%

LAB 40.4, 8.4, -36.54

 

CMYK 58 / 55 / 0 / 39

HEX #41469B

RGB 65 70 155

HSL 236.67, 0.41%, 0.43%

LAB 33.71, 24, -47.24

 

CMYK 58 / 58 / 0 / 39

HEX #41419B

RGB 65 65 155

HSL 240, 0.41%, 0.43%

LAB 32.42, 27.25, -49.34

 

CMYK 58 / 39 / 0 / 39

HEX #415E9B

RGB 65 94 155

HSL 220.67, 0.41%, 0.43%

LAB 40.4, 8.4, -36.54

 

CMYK 73 / 49 / 0 / 33

HEX #2F58AC

RGB 47 88 172

HSL 220.32, 0.57%, 0.43%

LAB 38.83, 15.24, -49.21

 

CMYK 85 / 57 / 0 / 25

HEX #1D52BE

RGB 29 82 190

HSL 220.25, 0.74%, 0.43%

LAB 37.87, 24.23, -61.4

 

CMYK 95 / 63 / 0 / 18

HEX #0B4CD0

RGB 11 76 208

HSL 220.2, 0.9%, 0.43%

LAB 37.47, 34.26, -72.52

 

CMYK 58 / 39 / 0 / 39

HEX #415E9B

RGB 65 94 155

HSL 220.67, 0.41%, 0.43%

LAB 40.4, 8.4, -36.54

 

CMYK 40 / 27 / 0 / 46

HEX #526489

RGB 82 100 137

HSL 220.36, 0.25%, 0.43%

LAB 42.33, 3.2, -22.65

 

CMYK 16 / 11 / 0 / 53

HEX #646A77

RGB 100 106 119

HSL 221.05, 0.09%, 0.43%

LAB 44.73, 0.64, -8.02

 

CMYK 0 / 5 / 14 / 54

HEX #767065

RGB 118 112 101

HSL 38.82, 0.08%, 0.43%

LAB 47.47, 0.27, 6.94

 

CMYK 0 / 13 / 38 / 47

HEX #887754

RGB 136 119 84

HSL 40.38, 0.24%, 0.43%

LAB 50.77, 1.2, 21.68

 

CMYK 58 / 8 / 0 / 39

HEX #418F9B

RGB 65 143 155

HSL 188, 0.41%, 0.43%

LAB 55.21, -20.25, -13.61

 

CMYK 58 / 23 / 0 / 39

HEX #41779B

RGB 65 119 155

HSL 204, 0.41%, 0.43%

LAB 47.86, -6.91, -24.86

 

CMYK 58 / 39 / 0 / 39

HEX #415F9B

RGB 65 95 155

HSL 220, 0.41%, 0.43%

LAB 40.69, 7.77, -36.08

 

CMYK 58 / 54 / 0 / 39

HEX #41479B

RGB 65 71 155

HSL 236, 0.41%, 0.43%

LAB 33.98, 23.35, -46.82

 

CMYK 46 / 58 / 0 / 39

HEX #53419B

RGB 83 65 155

HSL 252, 0.41%, 0.43%

LAB 33.95, 31.07, -46.78

 

CMYK 58 / 39 / 0 / 62

HEX #283B60

RGB 40 59 96

HSL 219.64, 0.41%, 0.27%

LAB 25.03, 4.72, -24.3

 

CMYK 58 / 39 / 0 / 51

HEX #354D7E

RGB 53 77 126

HSL 220.27, 0.41%, 0.35%

LAB 33.07, 6.57, -30.55

 

CMYK 58 / 39 / 0 / 39

HEX #415E9B

RGB 65 94 155

HSL 220.67, 0.41%, 0.43%

LAB 40.4, 8.4, -36.54

 

CMYK 56 / 38 / 0 / 29

HEX #4F71B5

RGB 79 113 181

HSL 220, 0.41%, 0.51%

LAB 48.02, 8.35, -39.74

 

CMYK 44 / 30 / 0 / 24

HEX #6C88C2

RGB 108 136 194

HSL 220.47, 0.41%, 0.59%

LAB 56.77, 5.51, -33.33

 

CMYK 58 / 39 / 0 / 39

HEX #415F9C

RGB 65 95 156

HSL 220.22, 0.41%, 0.43%

LAB 40.75, 8.11, -36.59

 

CMYK 8 / 58 / 0 / 39

HEX #8F419B

RGB 143 65 155

HSL 292, 0.41%, 0.43%

LAB 41.2, 46.51, -34.8

 

CMYK 15 / 0 / 58 / 39

HEX #839B41

RGB 131 155 65

HSL 76, 0.41%, 0.43%

LAB 60.47, -22.46, 43.55

 

CMYK 58 / 39 / 0 / 39

HEX #415F9C

RGB 65 95 156

HSL 220.22, 0.41%, 0.43%

LAB 40.75, 8.11, -36.59

 

CMYK 0 / 58 / 39 / 39

HEX #9B415F

RGB 155 65 95

HSL 340, 0.41%, 0.43%

LAB 40.53, 40.63, 1.21

 

CMYK 39 / 0 / 58 / 39

HEX #5F9B41

RGB 95 155 65

HSL 100, 0.41%, 0.43%

LAB 58.28, -36.3, 40.46

 

CMYK 58 / 39 / 0 / 39

HEX #415F9C

RGB 65 95 156

HSL 220.22, 0.41%, 0.43%

LAB 40.75, 8.11, -36.59

 

CMYK 8 / 58 / 0 / 39

HEX #8F419B

RGB 143 65 155

HSL 292, 0.41%, 0.43%

LAB 41.2, 46.51, -34.8

 

CMYK 0 / 19 / 58 / 39

HEX #9B7D41

RGB 155 125 65

HSL 40, 0.41%, 0.43%

LAB 54.05, 4.17, 36.65

 

CMYK 50 / 0 / 58 / 39

HEX #4D9B41

RGB 77 155 65

HSL 112, 0.41%, 0.43%

LAB 57.47, -42.11, 39.3

 

CMYK 58 / 39 / 0 / 39

HEX #415F9C

RGB 65 95 156

HSL 220.22, 0.41%, 0.43%

LAB 40.75, 8.11, -36.59

 

CMYK 0 / 58 / 10 / 39

HEX #9B418C

RGB 155 65 140

HSL 310, 0.41%, 0.43%

LAB 42.22, 47.15, -24

 

CMYK 0 / 19 / 58 / 39

HEX #9B7D41

RGB 155 125 65

HSL 40, 0.41%, 0.43%

LAB 54.05, 4.17, 36.65

 

CMYK 58 / 0 / 48 / 39

HEX #419B50

RGB 65 155 80

HSL 130, 0.41%, 0.43%

LAB 57.22, -43.31, 31.33

 

Description

Color code: HEX #415F9C | qconv.com Color code: HEX #415F9C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 95 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 95 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 39 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 39% 0% 39% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

63% - Фильмы онлайн | Умка...
Link: http://ymka.tv

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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