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Color name
HEX #414DBF

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #414DBF it is the complementary color #BEB240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #414DBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #414DBF shade: #464DBA, #575FCD, #6871E0, #7983F3 and #8A95FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #414DBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #414DBF shade: #414DBF, #303BAC, #1F2999, #0E1786 and #000573

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #414DBF shade: #404CBF, #5640BF, #7840BF, #9B40BF and #BD40BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #414DBF shade: #404CBF and #4040BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #414DBF shade matches the following richer shades: #404CBF, #2B3BD4, #162AE9 and #021AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #414DBF shade: #404CBF, #545DAB, #696D96, #7E7E81 and #928F6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #414DBF shade: #4091BF, #406FBF, #404DBF, #5540BF and #7740BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #414DBF shade: #2B3381, #3540A0, #404CBF, #5F69CA and #7E86D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #414DBF shade: #414DBF, #BF40B3 and #80BF40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #414DBF shade: #414DBF, #BF404D and #4DBF40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #414DBF shade: #414DBF, #BF40B3, #BFB340 and #40BF4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #414DBF shade: #414DBF, #BF408C, #BFB340 and #40BF73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 60 / 0 / 25

HEX #414DBF

RGB 65 77 191

HSL 234.29, 0.5%, 0.5%

LAB 38.19, 31.98, -61.39

 

Complementary color

CMYK 0 / 6 / 66 / 25

HEX #BEB240

RGB 190 178 64

HSL 54.29, 0.5%, 0.5%

LAB 71.66, -9.25, 57.51

 

CMYK 62 / 59 / 0 / 27

HEX #464DBA

RGB 70 77 186

HSL 236.38, 0.46%, 0.5%

LAB 38.12, 31.05, -58.56

 

CMYK 58 / 54 / 0 / 20

HEX #575FCD

RGB 87 95 205

HSL 235.93, 0.54%, 0.57%

LAB 45.11, 29.18, -58.22

 

CMYK 54 / 50 / 0 / 12

HEX #6871E0

RGB 104 113 224

HSL 235.5, 0.66%, 0.64%

LAB 51.99, 27.59, -57.89

 

CMYK 50 / 46 / 0 / 5

HEX #7983F3

RGB 121 131 243

HSL 235.08, 0.84%, 0.71%

LAB 58.76, 26.24, -57.59

 

CMYK 46 / 42 / 0 / 0

HEX #8A95FF

RGB 138 149 255

HSL 234.36, 1%, 0.77%

LAB 65.06, 23.05, -54.08

 

CMYK 66 / 60 / 0 / 25

HEX #414DBF

RGB 65 77 191

HSL 234.29, 0.5%, 0.5%

LAB 38.19, 31.98, -61.39

 

CMYK 72 / 66 / 0 / 33

HEX #303BAC

RGB 48 59 172

HSL 234.68, 0.56%, 0.43%

LAB 31.2, 34.4, -61.62

 

CMYK 80 / 73 / 0 / 40

HEX #1F2999

RGB 31 41 153

HSL 235.08, 0.66%, 0.36%

LAB 24.25, 37.17, -61.57

 

CMYK 90 / 83 / 0 / 47

HEX #0E1786

RGB 14 23 134

HSL 235.5, 0.81%, 0.29%

LAB 17.59, 39.92, -60.8

 

CMYK 100 / 96 / 0 / 55

HEX #000573

RGB 0 5 115

HSL 237.39, 1%, 0.23%

LAB 11.6, 41.64, -58.65

 

CMYK 66 / 60 / 0 / 25

HEX #404CBF

RGB 64 76 191

HSL 234.33, 0.5%, 0.5%

LAB 37.88, 32.47, -61.9

 

CMYK 55 / 66 / 0 / 25

HEX #5640BF

RGB 86 64 191

HSL 250.39, 0.5%, 0.5%

LAB 36.76, 43.25, -63.66

 

CMYK 37 / 66 / 0 / 25

HEX #7840BF

RGB 120 64 191

HSL 266.46, 0.5%, 0.5%

LAB 40.28, 49.67, -57.77

 

CMYK 19 / 66 / 0 / 25

HEX #9B40BF

RGB 155 64 191

HSL 282.99, 0.5%, 0.5%

LAB 44.8, 57.25, -50.26

 

CMYK 1 / 66 / 0 / 25

HEX #BD40BF

RGB 189 64 191

HSL 299.06, 0.5%, 0.5%

LAB 49.79, 65.05, -42

 

CMYK 66 / 60 / 0 / 25

HEX #404CBF

RGB 64 76 191

HSL 234.33, 0.5%, 0.5%

LAB 37.88, 32.47, -61.9

 

CMYK 66 / 66 / 0 / 25

HEX #4040BF

RGB 64 64 191

HSL 240, 0.5%, 0.5%

LAB 35.04, 39.92, -66.54

 

CMYK 66 / 60 / 0 / 25

HEX #404CBF

RGB 64 76 191

HSL 234.33, 0.5%, 0.5%

LAB 37.88, 32.47, -61.9

 

CMYK 80 / 72 / 0 / 17

HEX #2B3BD4

RGB 43 59 212

HSL 234.32, 0.66%, 0.5%

LAB 34.79, 47.89, -79.21

 

CMYK 91 / 82 / 0 / 9

HEX #162AE9

RGB 22 42 233

HSL 234.31, 0.83%, 0.5%

LAB 33.37, 62.5, -93.63

 

CMYK 99 / 90 / 0 / 1

HEX #021AFD

RGB 2 26 253

HSL 234.26, 0.98%, 0.5%

LAB 33.65, 73.76, -104.48

 

CMYK 66 / 60 / 0 / 25

HEX #404CBF

RGB 64 76 191

HSL 234.33, 0.5%, 0.5%

LAB 37.88, 32.47, -61.9

 

CMYK 51 / 46 / 0 / 33

HEX #545DAB

RGB 84 93 171

HSL 233.79, 0.34%, 0.5%

LAB 42.24, 18.71, -43.05

 

CMYK 30 / 27 / 0 / 41

HEX #696D96

RGB 105 109 150

HSL 234.67, 0.18%, 0.5%

LAB 47.16, 8.35, -22.79

 

CMYK 2 / 2 / 0 / 49

HEX #7E7E81

RGB 126 126 129

HSL 240, 0.01%, 0.5%

LAB 52.89, 0.61, -1.63

 

CMYK 0 / 2 / 25 / 43

HEX #928F6D

RGB 146 143 109

HSL 55.14, 0.15%, 0.5%

LAB 58.84, -4.67, 18.54

 

CMYK 66 / 24 / 0 / 25

HEX #4091BF

RGB 64 145 191

HSL 201.73, 0.5%, 0.5%

LAB 57.18, -10.08, -31.16

 

CMYK 66 / 42 / 0 / 25

HEX #406FBF

RGB 64 111 191

HSL 217.8, 0.5%, 0.5%

LAB 47.26, 10.15, -46.77

 

CMYK 66 / 60 / 0 / 25

HEX #404DBF

RGB 64 77 191

HSL 233.86, 0.5%, 0.5%

LAB 38.13, 31.83, -61.49

 

CMYK 55 / 66 / 0 / 25

HEX #5540BF

RGB 85 64 191

HSL 249.92, 0.5%, 0.5%

LAB 36.67, 43.09, -63.81

 

CMYK 38 / 66 / 0 / 25

HEX #7740BF

RGB 119 64 191

HSL 265.98, 0.5%, 0.5%

LAB 40.16, 49.47, -57.97

 

CMYK 67 / 60 / 0 / 49

HEX #2B3381

RGB 43 51 129

HSL 234.42, 0.5%, 0.34%

LAB 25.16, 23.25, -45.15

 

CMYK 67 / 60 / 0 / 37

HEX #3540A0

RGB 53 64 160

HSL 233.83, 0.5%, 0.42%

LAB 31.72, 27.54, -53.53

 

CMYK 66 / 60 / 0 / 25

HEX #404CBF

RGB 64 76 191

HSL 234.33, 0.5%, 0.5%

LAB 37.88, 32.47, -61.9

 

CMYK 53 / 48 / 0 / 21

HEX #5F69CA

RGB 95 105 202

HSL 234.39, 0.5%, 0.58%

LAB 48.01, 23.62, -51.81

 

CMYK 41 / 37 / 0 / 17

HEX #7E86D4

RGB 126 134 212

HSL 234.42, 0.5%, 0.66%

LAB 58.26, 16.56, -41.07

 

CMYK 66 / 60 / 0 / 25

HEX #414DBF

RGB 65 77 191

HSL 234.29, 0.5%, 0.5%

LAB 38.19, 31.98, -61.39

 

CMYK 0 / 66 / 6 / 25

HEX #BF40B3

RGB 191 64 179

HSL 305.67, 0.5%, 0.5%

LAB 49.49, 63.55, -35.46

 

CMYK 33 / 0 / 66 / 25

HEX #80BF40

RGB 128 191 64

HSL 89.76, 0.5%, 0.5%

LAB 71.02, -40.6, 55.5

 

CMYK 66 / 60 / 0 / 25

HEX #414DBF

RGB 65 77 191

HSL 234.29, 0.5%, 0.5%

LAB 38.19, 31.98, -61.39

 

CMYK 0 / 66 / 60 / 25

HEX #BF404D

RGB 191 64 77

HSL 353.86, 0.5%, 0.5%

LAB 46.01, 51.59, 20.88

 

CMYK 60 / 0 / 66 / 25

HEX #4DBF40

RGB 77 191 64

HSL 113.86, 0.5%, 0.5%

LAB 68.9, -56.12, 52.6

 

CMYK 66 / 60 / 0 / 25

HEX #414DBF

RGB 65 77 191

HSL 234.29, 0.5%, 0.5%

LAB 38.19, 31.98, -61.39

 

CMYK 0 / 66 / 6 / 25

HEX #BF40B3

RGB 191 64 179

HSL 305.67, 0.5%, 0.5%

LAB 49.49, 63.55, -35.46

 

CMYK 0 / 6 / 66 / 25

HEX #BFB340

RGB 191 179 64

HSL 54.33, 0.5%, 0.5%

LAB 72.02, -9.34, 57.9

 

CMYK 66 / 0 / 60 / 25

HEX #40BF4D

RGB 64 191 77

HSL 126.14, 0.5%, 0.5%

LAB 68.67, -57.57, 46.59

 

CMYK 66 / 60 / 0 / 25

HEX #414DBF

RGB 65 77 191

HSL 234.29, 0.5%, 0.5%

LAB 38.19, 31.98, -61.39

 

CMYK 0 / 66 / 27 / 25

HEX #BF408C

RGB 191 64 140

HSL 324.09, 0.5%, 0.5%

LAB 47.8, 57.91, -14.94

 

CMYK 0 / 6 / 66 / 25

HEX #BFB340

RGB 191 179 64

HSL 54.33, 0.5%, 0.5%

LAB 72.02, -9.34, 57.9

 

CMYK 66 / 0 / 40 / 25

HEX #40BF73

RGB 64 191 115

HSL 144.09, 0.5%, 0.5%

LAB 69.18, -51.81, 28.43

 

Description

Color code: HEX #414DBF | qconv.com Color code: HEX #414DBF | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 77 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 77 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 60 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 60% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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