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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #414C2ACE it is the complementary color #BEB3D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #414C2ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #414C2ACE shade: #464C25CE, #575E38CE, #68704BCE, #79825ECE and #8A9471CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #414C2ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #414C2ACE shade: #414C2ACE, #303A17CE, #1F2804CE, #0E1600CE and #000400CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #414C2ACE shade: #414C2A, #4A4C2A, #4C442A, #4C3B2A and #4C322A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #414C2ACE shade: #414C2A, #374C2A, #2E4C2A, #2A4C2E and #2A4C37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #414C2ACE shade matches the following richer shades: #414C2A, #445520, #475F17, #4B680D and #4E7204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #414C2ACE shade: #414C2A, #3D4233, #3A393D, #372F46 and #332650

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #414C2ACE shade: #4C442A, #4A4C2A, #414C2A, #384C2A and #2F4C2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #414C2ACE shade: #13160C, #2A311B, #414C2A, #576638 and #6E8147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #414C2ACE shade: #414C2A, #2A4C3B and #492A4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #414C2ACE shade: #414C2A, #2A414C and #4C2A41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #414C2ACE shade: #414C2A, #2A4C3B, #342A4C and #4C2A3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #414C2ACE shade: #414C2A, #2A4C45, #342A4C and #4C2A30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 36 / 57

HEX #414C2ACE

RGBA 65 76 42 0.81

HSLA 79.41, 0.29%, 0.23%, 0.81

LABA 30.54, -11.02, 18.76, 0.81

 

Complementary color

CMYK 9 / 13 / 0 / 13

HEX #BEB3D5CE

RGBA 190 179 213 0.81

HSLA 259.41, 0.29%, 0.77%, 0.81

LABA 74.82, 10.45, -15.71, 0.81

 

CMYK 6 / 0 / 42 / 57

HEX #464C25CE

RGBA 70 76 37 0.81

HSLA 69.23, 0.35%, 0.22%, 0.81

LABA 30.89, -9.37, 22.25, 0.81

 

CMYK 6 / 0 / 33 / 51

HEX #575E38CE

RGBA 87 94 56 0.81

HSLA 71.05, 0.25%, 0.29%, 0.81

LABA 38.41, -9.63, 20.88, 0.81

 

CMYK 6 / 0 / 27 / 45

HEX #68704BCE

RGBA 104 112 75 0.81

HSLA 72.97, 0.2%, 0.37%, 0.81

LABA 45.69, -9.79, 19.61, 0.81

 

CMYK 6 / 0 / 22 / 40

HEX #79825ECE

RGBA 121 130 94 0.81

HSLA 75, 0.16%, 0.44%, 0.81

LABA 52.77, -9.9, 18.43, 0.81

 

CMYK 5 / 0 / 19 / 34

HEX #8A9471CE

RGBA 138 148 113 0.81

HSLA 77.14, 0.14%, 0.51%, 0.81

LABA 59.69, -9.97, 17.34, 0.81

 

CMYK 12 / 0 / 36 / 57

HEX #414C2ACE

RGBA 65 76 42 0.81

HSLA 79.41, 0.29%, 0.23%, 0.81

LABA 30.54, -11.02, 18.76, 0.81

 

CMYK 14 / 0 / 49 / 63

HEX #303A17CE

RGBA 48 58 23 0.81

HSLA 77.14, 0.43%, 0.16%, 0.81

LABA 22.71, -10.86, 20.16, 0.81

 

CMYK 18 / 0 / 73 / 68

HEX #1F2804CE

RGBA 31 40 4 0.81

HSLA 75, 0.82%, 0.09%, 0.81

LABA 14.5, -10.5, 19.35, 0.81

 

CMYK 29 / 0 / 81 / 74

HEX #0E1600CE

RGBA 14 22 0 0.81

HSLA 81.82, 1%, 0.04%, 0.81

LABA 6.03, -6.81, 8.9, 0.81

 

CMYK 81 / 0 / 81 / 80

HEX #000400CE

RGBA 0 4 0 0.81

HSLA 120, 1%, 0.01%, 0.81

LABA 0.78, -1.6, 1.15, 0.81

 

CMYK 14 / 0 / 45 / 70

HEX #414C2A

RGB 65 76 42

HSL 79.41, 0.29%, 0.23%

LAB 30.54, -11.02, 18.76

 

CMYK 3 / 0 / 45 / 70

HEX #4A4C2A

RGB 74 76 42

HSL 63.53, 0.29%, 0.23%

LAB 31.33, -6.85, 19.92

 

CMYK 0 / 11 / 45 / 70

HEX #4C442A

RGB 76 68 42

HSL 45.88, 0.29%, 0.23%

LAB 29, -0.97, 16.98

 

CMYK 0 / 22 / 45 / 70

HEX #4C3B2A

RGB 76 59 42

HSL 30, 0.29%, 0.23%

LAB 26.25, 4.77, 13.38

 

CMYK 0 / 34 / 45 / 70

HEX #4C322A

RGB 76 50 42

HSL 14.12, 0.29%, 0.23%

LAB 23.62, 10.62, 9.84

 

CMYK 14 / 0 / 45 / 70

HEX #414C2A

RGB 65 76 42

HSL 79.41, 0.29%, 0.23%

LAB 30.54, -11.02, 18.76

 

CMYK 28 / 0 / 45 / 70

HEX #374C2A

RGB 55 76 42

HSL 97.06, 0.29%, 0.23%

LAB 29.78, -15.42, 17.63

 

CMYK 39 / 0 / 45 / 70

HEX #2E4C2A

RGB 46 76 42

HSL 112.94, 0.29%, 0.23%

LAB 29.2, -19.07, 16.77

 

CMYK 45 / 0 / 39 / 70

HEX #2A4C2E

RGB 42 76 46

HSL 127.06, 0.29%, 0.23%

LAB 29.05, -19.8, 14.07

 

CMYK 45 / 0 / 28 / 70

HEX #2A4C37

RGB 42 76 55

HSL 142.94, 0.29%, 0.23%

LAB 29.25, -17.88, 8.68

 

CMYK 14 / 0 / 45 / 70

HEX #414C2A

RGB 65 76 42

HSL 79.41, 0.29%, 0.23%

LAB 30.54, -11.02, 18.76

 

CMYK 20 / 0 / 62 / 67

HEX #445520

RGB 68 85 32

HSL 79.25, 0.45%, 0.23%

LAB 33.63, -16.01, 28.21

 

CMYK 25 / 0 / 76 / 63

HEX #475F17

RGB 71 95 23

HSL 80, 0.61%, 0.23%

LAB 37.09, -20.8, 36.25

 

CMYK 28 / 0 / 88 / 59

HEX #4B680D

RGB 75 104 13

HSL 79.12, 0.78%, 0.23%

LAB 40.29, -24.19, 42.84

 

CMYK 32 / 0 / 96 / 55

HEX #4E7204

RGB 78 114 4

HSL 79.64, 0.93%, 0.23%

LAB 43.75, -28.11, 47.98

 

CMYK 14 / 0 / 45 / 70

HEX #414C2A

RGB 65 76 42

HSL 79.41, 0.29%, 0.23%

LAB 30.54, -11.02, 18.76

 

CMYK 8 / 0 / 23 / 74

HEX #3D4233

RGB 61 66 51

HSL 80, 0.13%, 0.23%

LAB 27.1, -5.27, 8.45

 

CMYK 5 / 7 / 0 / 76

HEX #3A393D

RGB 58 57 61

HSL 255, 0.03%, 0.23%

LAB 24.2, 1.36, -2.33

 

CMYK 21 / 33 / 0 / 73

HEX #372F46

RGB 55 47 70

HSL 260.87, 0.2%, 0.23%

LAB 21.16, 9.25, -13.02

 

CMYK 36 / 53 / 0 / 69

HEX #332650

RGB 51 38 80

HSL 258.57, 0.36%, 0.23%

LAB 18.67, 17.02, -23.72

 

CMYK 0 / 11 / 45 / 70

HEX #4C442A

RGB 76 68 42

HSL 45.88, 0.29%, 0.23%

LAB 29, -0.97, 16.98

 

CMYK 3 / 0 / 45 / 70

HEX #4A4C2A

RGB 74 76 42

HSL 63.53, 0.29%, 0.23%

LAB 31.33, -6.85, 19.92

 

CMYK 14 / 0 / 45 / 70

HEX #414C2A

RGB 65 76 42

HSL 79.41, 0.29%, 0.23%

LAB 30.54, -11.02, 18.76

 

CMYK 26 / 0 / 45 / 70

HEX #384C2A

RGB 56 76 42

HSL 95.29, 0.29%, 0.23%

LAB 29.85, -15, 17.74

 

CMYK 38 / 0 / 45 / 70

HEX #2F4C2A

RGB 47 76 42

HSL 111.18, 0.29%, 0.23%

LAB 29.26, -18.68, 16.85

 

CMYK 14 / 0 / 45 / 91

HEX #13160C

RGB 19 22 12

HSL 78, 0.29%, 0.07%

LAB 6.67, -3.29, 4.96

 

CMYK 14 / 0 / 45 / 81

HEX #2A311B

RGB 42 49 27

HSL 79.09, 0.29%, 0.15%

LAB 19.09, -7.66, 13.07

 

CMYK 14 / 0 / 45 / 70

HEX #414C2A

RGB 65 76 42

HSL 79.41, 0.29%, 0.23%

LAB 30.54, -11.02, 18.76

 

CMYK 15 / 0 / 45 / 60

HEX #576638

RGB 87 102 56

HSL 79.57, 0.29%, 0.31%

LAB 40.92, -14.16, 24.09

 

CMYK 15 / 0 / 45 / 49

HEX #6E8147

RGB 110 129 71

HSL 79.66, 0.29%, 0.39%

LAB 51.23, -17.11, 29.1

 

CMYK 14 / 0 / 45 / 70

HEX #414C2A

RGB 65 76 42

HSL 79.41, 0.29%, 0.23%

LAB 30.54, -11.02, 18.76

 

CMYK 45 / 0 / 22 / 70

HEX #2A4C3B

RGB 42 76 59

HSL 150, 0.29%, 0.23%

LAB 29.35, -16.93, 6.28

 

CMYK 4 / 45 / 0 / 70

HEX #492A4C

RGB 73 42 76

HSL 294.71, 0.29%, 0.23%

LAB 22.28, 20.83, -15.15

 

CMYK 14 / 0 / 45 / 70

HEX #414C2A

RGB 65 76 42

HSL 79.41, 0.29%, 0.23%

LAB 30.54, -11.02, 18.76

 

CMYK 45 / 14 / 0 / 70

HEX #2A414C

RGB 42 65 76

HSL 199.41, 0.29%, 0.23%

LAB 26.14, -5.58, -9.49

 

CMYK 0 / 45 / 14 / 70

HEX #4C2A41

RGB 76 42 65

HSL 319.41, 0.29%, 0.23%

LAB 22.21, 19.63, -7.78

 

CMYK 14 / 0 / 45 / 70

HEX #414C2A

RGB 65 76 42

HSL 79.41, 0.29%, 0.23%

LAB 30.54, -11.02, 18.76

 

CMYK 45 / 0 / 22 / 70

HEX #2A4C3B

RGB 42 76 59

HSL 150, 0.29%, 0.23%

LAB 29.35, -16.93, 6.28

 

CMYK 32 / 45 / 0 / 70

HEX #342A4C

RGB 52 42 76

HSL 257.65, 0.29%, 0.23%

LAB 19.67, 13.36, -19.42

 

CMYK 0 / 45 / 24 / 70

HEX #4C2A3A

RGB 76 42 58

HSL 331.76, 0.29%, 0.23%

LAB 21.94, 18.32, -3.42

 

CMYK 14 / 0 / 45 / 70

HEX #414C2A

RGB 65 76 42

HSL 79.41, 0.29%, 0.23%

LAB 30.54, -11.02, 18.76

 

CMYK 45 / 0 / 9 / 70

HEX #2A4C45

RGB 42 76 69

HSL 167.65, 0.29%, 0.23%

LAB 29.64, -14.34, 0.27

 

CMYK 32 / 45 / 0 / 70

HEX #342A4C

RGB 52 42 76

HSL 257.65, 0.29%, 0.23%

LAB 19.67, 13.36, -19.42

 

CMYK 0 / 45 / 37 / 70

HEX #4C2A30

RGB 76 42 48

HSL 349.41, 0.29%, 0.23%

LAB 21.6, 16.67, 2.95

 

Description

Color code: HEX #414C2ACE | qconv.com Color code: HEX #414C2ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 76 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 76 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 36 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 36% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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