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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #414852 it is the complementary color #BEB7AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #414852. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #414852 shade: #46484D, #575A60, #686C73, #797E86 and #8A9099

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #414852. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #414852 shade: #414852, #30363F, #1F242C, #0E1219 and #000006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #414852 shade: #414853, #414453, #434153, #484153 and #4D4153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #414852 shade: #414853, #414453 and #414153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #414852 shade matches the following richer shades: #414853, #35465F, #29446B, #1D4277 and #114083

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #414852 shade: #414853, #4D4A47, #594D3B, #654F2F and #715123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #414852 shade: #415253, #414D53, #414853, #414453 and #434153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #414852 shade: #1D2025, #2F343C, #414853, #535D6A and #657181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #414852 shade: #414852, #4F4153 and #505341

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #414852 shade: #414852, #534148 and #485341

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #414852 shade: #414852, #4F4153, #534B41 and #455341

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #414852 shade: #414852, #534151, #534B41 and #415343

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 12 / 0 / 68

HEX #414852

RGB 65 72 82

HSL 215.29, 0.12%, 0.29%

LAB 30.32, -0.35, -6.91

 

Complementary color

CMYK 0 / 4 / 9 / 25

HEX #BEB7AD

RGB 190 183 173

HSL 35.29, 0.12%, 0.71%

LAB 74.72, 0.71, 5.95

 

CMYK 9 / 6 / 0 / 70

HEX #46484D

RGB 70 72 77

HSL 222.86, 0.05%, 0.29%

LAB 30.57, 0.33, -3.27

 

CMYK 9 / 6 / 0 / 62

HEX #575A60

RGB 87 90 96

HSL 220, 0.05%, 0.36%

LAB 38.17, 0.15, -3.86

 

CMYK 10 / 6 / 0 / 55

HEX #686C73

RGB 104 108 115

HSL 218.18, 0.05%, 0.43%

LAB 45.51, -0.01, -4.43

 

CMYK 10 / 6 / 0 / 47

HEX #797E86

RGB 121 126 134

HSL 216.92, 0.05%, 0.5%

LAB 52.63, -0.17, -4.98

 

CMYK 10 / 6 / 0 / 40

HEX #8A9099

RGB 138 144 153

HSL 216, 0.07%, 0.57%

LAB 59.57, -0.31, -5.52

 

CMYK 21 / 12 / 0 / 68

HEX #414852

RGB 65 72 82

HSL 215.29, 0.12%, 0.29%

LAB 30.32, -0.35, -6.91

 

CMYK 24 / 14 / 0 / 75

HEX #30363F

RGB 48 54 63

HSL 216, 0.14%, 0.22%

LAB 22.39, -0.17, -6.47

 

CMYK 30 / 18 / 0 / 83

HEX #1F242C

RGB 31 36 44

HSL 216.92, 0.17%, 0.15%

LAB 14.03, 0.04, -6.04

 

CMYK 44 / 28 / 0 / 90

HEX #0E1219

RGB 14 18 25

HSL 218.18, 0.28%, 0.08%

LAB 5.39, 0.26, -5.08

 

CMYK 100 / 100 / 0 / 98

HEX #000006

RGB 0 0 6

HSL 240, 1%, 0.01%

LAB 0.12, 0.83, -2.27

 

CMYK 22 / 13 / 0 / 67

HEX #414853

RGB 65 72 83

HSL 216.67, 0.12%, 0.29%

LAB 30.36, -0.09, -7.5

 

CMYK 22 / 18 / 0 / 67

HEX #414453

RGB 65 68 83

HSL 230, 0.12%, 0.29%

LAB 29.11, 2.49, -9.38

 

CMYK 19 / 22 / 0 / 67

HEX #434153

RGB 67 65 83

HSL 246.67, 0.12%, 0.29%

LAB 28.38, 5.19, -10.48

 

CMYK 13 / 22 / 0 / 67

HEX #484153

RGB 72 65 83

HSL 263.33, 0.12%, 0.29%

LAB 28.86, 7.1, -9.71

 

CMYK 7 / 22 / 0 / 67

HEX #4D4153

RGB 77 65 83

HSL 280, 0.12%, 0.29%

LAB 29.37, 9.04, -8.88

 

CMYK 22 / 13 / 0 / 67

HEX #414853

RGB 65 72 83

HSL 216.67, 0.12%, 0.29%

LAB 30.36, -0.09, -7.5

 

CMYK 22 / 18 / 0 / 67

HEX #414453

RGB 65 68 83

HSL 230, 0.12%, 0.29%

LAB 29.11, 2.49, -9.38

 

CMYK 22 / 22 / 0 / 67

HEX #414153

RGB 65 65 83

HSL 240, 0.12%, 0.29%

LAB 28.19, 4.44, -10.78

 

CMYK 22 / 13 / 0 / 67

HEX #414853

RGB 65 72 83

HSL 216.67, 0.12%, 0.29%

LAB 30.36, -0.09, -7.5

 

CMYK 44 / 26 / 0 / 63

HEX #35465F

RGB 53 70 95

HSL 215.71, 0.28%, 0.29%

LAB 29.32, 0.64, -16.88

 

CMYK 62 / 36 / 0 / 58

HEX #29446B

RGB 41 68 107

HSL 215.45, 0.45%, 0.29%

LAB 28.56, 2.91, -25.79

 

CMYK 76 / 45 / 0 / 53

HEX #1D4277

RGB 29 66 119

HSL 215.33, 0.61%, 0.29%

LAB 28.09, 6.65, -34.18

 

CMYK 87 / 51 / 0 / 49

HEX #114083

RGB 17 64 131

HSL 215.26, 0.77%, 0.29%

LAB 27.91, 11.58, -41.99

 

CMYK 22 / 13 / 0 / 67

HEX #414853

RGB 65 72 83

HSL 216.67, 0.12%, 0.29%

LAB 30.36, -0.09, -7.5

 

CMYK 0 / 4 / 8 / 70

HEX #4D4A47

RGB 77 74 71

HSL 30, 0.04%, 0.29%

LAB 31.65, 0.62, 2.23

 

CMYK 0 / 13 / 34 / 65

HEX #594D3B

RGB 89 77 59

HSL 36, 0.2%, 0.29%

LAB 33.45, 1.91, 12.54

 

CMYK 0 / 22 / 53 / 60

HEX #654F2F

RGB 101 79 47

HSL 35.56, 0.36%, 0.29%

LAB 35.13, 4.74, 22.31

 

CMYK 0 / 28 / 69 / 56

HEX #715123

RGB 113 81 35

HSL 35.38, 0.53%, 0.29%

LAB 36.96, 8.2, 31.6

 

CMYK 22 / 1 / 0 / 67

HEX #415253

RGB 65 82 83

HSL 183.33, 0.12%, 0.29%

LAB 33.53, -6.33, -2.78

 

CMYK 22 / 7 / 0 / 67

HEX #414D53

RGB 65 77 83

HSL 200, 0.12%, 0.29%

LAB 31.93, -3.25, -5.14

 

CMYK 22 / 13 / 0 / 67

HEX #414853

RGB 65 72 83

HSL 216.67, 0.12%, 0.29%

LAB 30.36, -0.09, -7.5

 

CMYK 22 / 18 / 0 / 67

HEX #414453

RGB 65 68 83

HSL 230, 0.12%, 0.29%

LAB 29.11, 2.49, -9.38

 

CMYK 19 / 22 / 0 / 67

HEX #434153

RGB 67 65 83

HSL 246.67, 0.12%, 0.29%

LAB 28.38, 5.19, -10.48

 

CMYK 22 / 14 / 0 / 85

HEX #1D2025

RGB 29 32 37

HSL 217.5, 0.12%, 0.13%

LAB 12.14, 0, -3.85

 

CMYK 22 / 13 / 0 / 76

HEX #2F343C

RGB 47 52 60

HSL 216.92, 0.12%, 0.21%

LAB 21.53, -0.05, -5.74

 

CMYK 22 / 13 / 0 / 67

HEX #414853

RGB 65 72 83

HSL 216.67, 0.12%, 0.29%

LAB 30.36, -0.09, -7.5

 

CMYK 22 / 12 / 0 / 58

HEX #535D6A

RGB 83 93 106

HSL 213.91, 0.12%, 0.37%

LAB 39.08, -0.74, -8.71

 

CMYK 22 / 12 / 0 / 49

HEX #657181

RGB 101 113 129

HSL 214.29, 0.12%, 0.45%

LAB 47.19, -0.75, -10.32

 

CMYK 21 / 12 / 0 / 68

HEX #414852

RGB 65 72 82

HSL 215.29, 0.12%, 0.29%

LAB 30.32, -0.35, -6.91

 

CMYK 5 / 22 / 0 / 67

HEX #4F4153

RGB 79 65 83

HSL 286.67, 0.12%, 0.29%

LAB 29.58, 9.83, -8.54

 

CMYK 4 / 0 / 22 / 67

HEX #505341

RGB 80 83 65

HSL 70, 0.12%, 0.29%

LAB 34.55, -4.8, 10.16

 

CMYK 21 / 12 / 0 / 68

HEX #414852

RGB 65 72 82

HSL 215.29, 0.12%, 0.29%

LAB 30.32, -0.35, -6.91

 

CMYK 0 / 22 / 13 / 67

HEX #534148

RGB 83 65 72

HSL 336.67, 0.12%, 0.29%

LAB 29.63, 9.11, -1.28

 

CMYK 13 / 0 / 22 / 67

HEX #485341

RGB 72 83 65

HSL 96.67, 0.12%, 0.29%

LAB 33.87, -8.21, 9.12

 

CMYK 21 / 12 / 0 / 68

HEX #414852

RGB 65 72 82

HSL 215.29, 0.12%, 0.29%

LAB 30.32, -0.35, -6.91

 

CMYK 5 / 22 / 0 / 67

HEX #4F4153

RGB 79 65 83

HSL 286.67, 0.12%, 0.29%

LAB 29.58, 9.83, -8.54

 

CMYK 0 / 10 / 22 / 67

HEX #534B41

RGB 83 75 65

HSL 33.33, 0.12%, 0.29%

LAB 32.38, 1.44, 7.17

 

CMYK 17 / 0 / 22 / 67

HEX #455341

RGB 69 83 65

HSL 106.67, 0.12%, 0.29%

LAB 33.63, -9.45, 8.75

 

CMYK 21 / 12 / 0 / 68

HEX #414852

RGB 65 72 82

HSL 215.29, 0.12%, 0.29%

LAB 30.32, -0.35, -6.91

 

CMYK 0 / 22 / 2 / 67

HEX #534151

RGB 83 65 81

HSL 306.67, 0.12%, 0.29%

LAB 29.95, 10.97, -6.65

 

CMYK 0 / 10 / 22 / 67

HEX #534B41

RGB 83 75 65

HSL 33.33, 0.12%, 0.29%

LAB 32.38, 1.44, 7.17

 

CMYK 22 / 0 / 19 / 67

HEX #415343

RGB 65 83 67

HSL 126.67, 0.12%, 0.29%

LAB 33.38, -10.66, 7.11

 

Description

Color code: HEX #414852 | qconv.com Color code: HEX #414852 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 72 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 72 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 12 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 12% 0% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

61% - Home
Link: http://www.mssc.ch

57% - El Ave Fenix: Notici...
Link: http://elavefenix.net

37% - お金の話をしよう
Link: http://tokugawax.jp

14% - MÜPRO International ...
Link: http://www.muepro.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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