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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41397E it is the complementary color #BEC681. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41397E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #41397E: #463979, #574B8C, #685D9F, #796FB2 and #8A81C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41397E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #41397E: #41397E, #30276B, #1F1558, #0E0345 and #000032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 55 / 0 / 51

HEX #41397E

RGB 65 57 126

HSL 246.96, 0.38%, 0.36%

LAB 28.26, 22.79, -38.16

 

Complementary color

CMYK 4 / 0 / 35 / 22

HEX #BEC681

RGB 190 198 129

HSL 66.96, 0.38%, 0.64%

LAB 77.83, -13.61, 33.7

 

CMYK 42 / 53 / 0 / 53

HEX #463979

RGB 70 57 121

HSL 252.19, 0.36%, 0.35%

LAB 28.4, 22.49, -34.77

 

CMYK 38 / 46 / 0 / 45

HEX #574B8C

RGB 87 75 140

HSL 251.08, 0.3%, 0.42%

LAB 35.89, 21.32, -34.53

 

CMYK 35 / 42 / 0 / 38

HEX #685D9F

RGB 104 93 159

HSL 250, 0.26%, 0.49%

LAB 43.17, 20.33, -34.36

 

CMYK 32 / 38 / 0 / 30

HEX #796FB2

RGB 121 111 178

HSL 248.96, 0.3%, 0.57%

LAB 50.27, 19.49, -34.25

 

CMYK 30 / 35 / 0 / 23

HEX #8A81C5

RGB 138 129 197

HSL 247.94, 0.37%, 0.64%

LAB 57.21, 18.76, -34.19

 

CMYK 48 / 55 / 0 / 51

HEX #41397E

RGB 65 57 126

HSL 246.96, 0.38%, 0.36%

LAB 28.26, 22.79, -38.16

 

CMYK 55 / 64 / 0 / 58

HEX #30276B

RGB 48 39 107

HSL 247.94, 0.47%, 0.29%

LAB 20.6, 24.43, -38.5

 

CMYK 65 / 76 / 0 / 65

HEX #1F1558

RGB 31 21 88

HSL 248.96, 0.61%, 0.21%

LAB 12.81, 26.36, -38.69

 

CMYK 80 / 96 / 0 / 73

HEX #0E0345

RGB 14 3 69

HSL 250, 0.92%, 0.14%

LAB 5.31, 27.34, -37.97

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 48 / 55 / 0 / 51

HEX #41397E

RGB 65 57 126

HSL 246.96, 0.38%, 0.36%

LAB 28.26, 22.79, -38.16

 

CMYK 40 / 56 / 0 / 51

HEX #4B387E

RGB 75 56 126

HSL 256.29, 0.38%, 0.36%

LAB 28.98, 25.98, -36.96

 

CMYK 31 / 56 / 0 / 51

HEX #57387E

RGB 87 56 126

HSL 266.57, 0.38%, 0.36%

LAB 30.31, 29.23, -34.77

 

CMYK 22 / 56 / 0 / 51

HEX #62387E

RGB 98 56 126

HSL 276, 0.38%, 0.36%

LAB 31.65, 32.35, -32.54

 

CMYK 13 / 56 / 0 / 51

HEX #6E387E

RGB 110 56 126

HSL 286.29, 0.38%, 0.36%

LAB 33.24, 35.84, -29.92

 

CMYK 48 / 55 / 0 / 51

HEX #41397E

RGB 65 57 126

HSL 246.96, 0.38%, 0.36%

LAB 28.26, 22.79, -38.16

 

CMYK 49 / 55 / 0 / 31

HEX #5B50B1

RGB 91 80 177

HSL 246.8, 0.38%, 0.5%

LAB 39.81, 30.36, -50.45

 

CMYK 48 / 55 / 0 / 11

HEX #7667E4

RGB 118 103 228

HSL 247.2, 0.7%, 0.65%

LAB 50.87, 37.71, -61.9

 

CMYK 50 / 54 / 0 / 91

HEX #0C0B18

RGB 12 11 24

HSL 244.62, 0.37%, 0.07%

LAB 3.46, 2.94, -7.12

 

CMYK 48 / 55 / 0 / 71

HEX #27224B

RGB 39 34 75

HSL 247.32, 0.38%, 0.21%

LAB 15.92, 14.58, -24.77

 

CMYK 48 / 55 / 0 / 51

HEX #41397E

RGB 65 57 126

HSL 246.96, 0.38%, 0.36%

LAB 28.26, 22.79, -38.16

 

CMYK 0 / 56 / 17 / 51

HEX #7E3869

RGB 126 56 105

HSL 318, 0.38%, 0.36%

LAB 34.57, 36.77, -14.48

 

CMYK 39 / 0 / 56 / 51

HEX #4D7E38

RGB 77 126 56

HSL 102, 0.38%, 0.36%

LAB 47.99, -30.42, 32.61

 

CMYK 48 / 55 / 0 / 51

HEX #41397E

RGB 65 57 126

HSL 246.96, 0.38%, 0.36%

LAB 28.26, 22.79, -38.16

 

CMYK 0 / 50 / 56 / 51

HEX #7E3F38

RGB 126 63 56

HSL 6, 0.38%, 0.36%

LAB 34.55, 26.47, 16.73

 

CMYK 56 / 0 / 50 / 51

HEX #387E3F

RGB 56 126 63

HSL 126, 0.38%, 0.36%

LAB 47.13, -36.17, 27.65

 

CMYK 48 / 55 / 0 / 51

HEX #41397E

RGB 65 57 126

HSL 246.96, 0.38%, 0.36%

LAB 28.26, 22.79, -38.16

 

CMYK 0 / 56 / 17 / 51

HEX #7E3869

RGB 126 56 105

HSL 318, 0.38%, 0.36%

LAB 34.57, 36.77, -14.48

 

CMYK 6 / 0 / 56 / 51

HEX #777E38

RGB 119 126 56

HSL 66, 0.38%, 0.36%

LAB 50.84, -13.27, 36.67

 

CMYK 56 / 0 / 39 / 51

HEX #387E4D

RGB 56 126 77

HSL 138, 0.38%, 0.36%

LAB 47.36, -33.73, 20.18

 

CMYK 48 / 55 / 0 / 51

HEX #41397E

RGB 65 57 126

HSL 246.96, 0.38%, 0.36%

LAB 28.26, 22.79, -38.16

 

CMYK 0 / 56 / 33 / 51

HEX #7E3854

RGB 126 56 84

HSL 336, 0.38%, 0.36%

LAB 33.78, 33.57, -2.25

 

CMYK 6 / 0 / 56 / 51

HEX #777E38

RGB 119 126 56

HSL 66, 0.38%, 0.36%

LAB 50.84, -13.27, 36.67

 

CMYK 56 / 0 / 22 / 51

HEX #387E62

RGB 56 126 98

HSL 156, 0.38%, 0.36%

LAB 47.81, -29.21, 8.66

 

Description

Color code: HEX #41397E | qconv.com Color code: HEX #41397E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 57 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 57 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 55 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 55% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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