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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41306F it is the complementary color #BECF90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41306F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41306F shade: #46306A, #57427D, #685490, #7966A3 and #8A78B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41306F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41306F shade: #41306F, #301E5C, #1F0C49, #0E0036 and #000023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41306F shade: #402F6F, #522F6F, #632F6F, #6F2F6A and #6F2F59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41306F shade: #402F6F and #2F2F6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41306F shade matches the following richer shades: #402F6F, #3B237B, #351688 and #2F0995

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41306F shade: #402F6F, #463C62, #4C4955, #525648 and #58633C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41306F shade: #2F406F, #2F2F6F, #402F6F, #512F6F and #622F6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41306F shade: #1F1735, #302352, #402F6F, #513C8C and #6248A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41306F shade: #41306F, #6F2F51 and #386F2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41306F shade: #41306F, #6F402F and #2F6F40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41306F shade: #41306F, #6F2F51, #5E6F2F and #2F6F4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41306F shade: #41306F, #6F2F3E, #5E6F2F and #2F6F60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 57 / 0 / 56

HEX #41306F

RGB 65 48 111

HSL 256.19, 0.4%, 0.31%

LAB 24.91, 23.93, -34.04

 

Complementary color

CMYK 8 / 0 / 30 / 19

HEX #BECF90

RGB 190 207 144

HSL 76.19, 0.4%, 0.69%

LAB 80.51, -16.21, 29.47

 

CMYK 34 / 55 / 0 / 58

HEX #46306A

RGB 70 48 106

HSL 262.76, 0.38%, 0.3%

LAB 25.13, 23.83, -30.44

 

CMYK 30 / 47 / 0 / 51

HEX #57427D

RGB 87 66 125

HSL 261.36, 0.31%, 0.37%

LAB 32.71, 22.75, -30.32

 

CMYK 28 / 42 / 0 / 44

HEX #685490

RGB 104 84 144

HSL 260, 0.26%, 0.45%

LAB 40.08, 21.8, -30.25

 

CMYK 26 / 37 / 0 / 36

HEX #7966A3

RGB 121 102 163

HSL 258.69, 0.25%, 0.52%

LAB 47.25, 20.98, -30.22

 

CMYK 24 / 34 / 0 / 29

HEX #8A78B6

RGB 138 120 182

HSL 257.42, 0.3%, 0.59%

LAB 54.25, 20.26, -30.23

 

CMYK 41 / 57 / 0 / 56

HEX #41306F

RGB 65 48 111

HSL 256.19, 0.4%, 0.31%

LAB 24.91, 23.93, -34.04

 

CMYK 48 / 67 / 0 / 64

HEX #301E5C

RGB 48 30 92

HSL 257.42, 0.51%, 0.24%

LAB 17.13, 25.35, -34.26

 

CMYK 58 / 84 / 0 / 71

HEX #1F0C49

RGB 31 12 73

HSL 258.69, 0.72%, 0.17%

LAB 9.28, 26.7, -34.19

 

CMYK 74 / 100 / 0 / 79

HEX #0E0036

RGB 14 0 54

HSL 255.56, 1%, 0.11%

LAB 3.25, 20.69, -30.49

 

CMYK 100 / 100 / 0 / 86

HEX #000023

RGB 0 0 35

HSL 240, 1%, 0.07%

LAB 1.1, 7.7, -19.49

 

CMYK 42 / 58 / 0 / 56

HEX #402F6F

RGB 64 47 111

HSL 255.94, 0.41%, 0.31%

LAB 24.55, 24.32, -34.63

 

CMYK 26 / 58 / 0 / 56

HEX #522F6F

RGB 82 47 111

HSL 272.81, 0.41%, 0.31%

LAB 26.66, 29.28, -31.12

 

CMYK 11 / 58 / 0 / 56

HEX #632F6F

RGB 99 47 111

HSL 288.75, 0.41%, 0.31%

LAB 28.99, 34.25, -27.29

 

CMYK 0 / 58 / 5 / 56

HEX #6F2F6A

RGB 111 47 106

HSL 304.69, 0.41%, 0.31%

LAB 30.53, 36.85, -21.55

 

CMYK 0 / 58 / 20 / 56

HEX #6F2F59

RGB 111 47 89

HSL 320.63, 0.41%, 0.31%

LAB 29.75, 33.83, -11.78

 

CMYK 42 / 58 / 0 / 56

HEX #402F6F

RGB 64 47 111

HSL 255.94, 0.41%, 0.31%

LAB 24.55, 24.32, -34.63

 

CMYK 58 / 58 / 0 / 56

HEX #2F2F6F

RGB 47 47 111

HSL 240, 0.41%, 0.31%

LAB 22.95, 20.19, -37.28

 

CMYK 42 / 58 / 0 / 56

HEX #402F6F

RGB 64 47 111

HSL 255.94, 0.41%, 0.31%

LAB 24.55, 24.32, -34.63

 

CMYK 52 / 72 / 0 / 52

HEX #3B237B

RGB 59 35 123

HSL 256.36, 0.56%, 0.31%

LAB 22.17, 34.35, -46.17

 

CMYK 61 / 84 / 0 / 47

HEX #351688

RGB 53 22 136

HSL 256.32, 0.72%, 0.31%

LAB 20.47, 44.05, -57.2

 

CMYK 68 / 94 / 0 / 42

HEX #2F0995

RGB 47 9 149

HSL 256.29, 0.89%, 0.31%

LAB 19.92, 51.66, -66.23

 

CMYK 42 / 58 / 0 / 56

HEX #402F6F

RGB 64 47 111

HSL 255.94, 0.41%, 0.31%

LAB 24.55, 24.32, -34.63

 

CMYK 29 / 39 / 0 / 62

HEX #463C62

RGB 70 60 98

HSL 255.79, 0.24%, 0.31%

LAB 27.89, 13.67, -20.92

 

CMYK 11 / 14 / 0 / 67

HEX #4C4955

RGB 76 73 85

HSL 255, 0.08%, 0.31%

LAB 31.71, 3.96, -6.66

 

CMYK 5 / 0 / 16 / 66

HEX #525648

RGB 82 86 72

HSL 77.14, 0.09%, 0.31%

LAB 35.82, -4.47, 7.62

 

CMYK 11 / 0 / 39 / 61

HEX #58633C

RGB 88 99 60

HSL 76.92, 0.25%, 0.31%

LAB 40.12, -11.49, 20.78

 

CMYK 58 / 42 / 0 / 56

HEX #2F406F

RGB 47 64 111

HSL 224.06, 0.41%, 0.31%

LAB 27.9, 8.49, -29.36

 

CMYK 58 / 58 / 0 / 56

HEX #2F2F6F

RGB 47 47 111

HSL 240, 0.41%, 0.31%

LAB 22.95, 20.19, -37.28

 

CMYK 42 / 58 / 0 / 56

HEX #402F6F

RGB 64 47 111

HSL 255.94, 0.41%, 0.31%

LAB 24.55, 24.32, -34.63

 

CMYK 27 / 58 / 0 / 56

HEX #512F6F

RGB 81 47 111

HSL 271.88, 0.41%, 0.31%

LAB 26.53, 28.99, -31.33

 

CMYK 12 / 58 / 0 / 56

HEX #622F6F

RGB 98 47 111

HSL 287.81, 0.41%, 0.31%

LAB 28.84, 33.95, -27.52

 

CMYK 42 / 57 / 0 / 79

HEX #1F1735

RGB 31 23 53

HSL 256, 0.39%, 0.15%

LAB 10.27, 12.59, -18.38

 

CMYK 41 / 57 / 0 / 68

HEX #302352

RGB 48 35 82

HSL 256.6, 0.4%, 0.23%

LAB 17.64, 18.81, -26.72

 

CMYK 42 / 58 / 0 / 56

HEX #402F6F

RGB 64 47 111

HSL 255.94, 0.41%, 0.31%

LAB 24.55, 24.32, -34.63

 

CMYK 42 / 57 / 0 / 45

HEX #513C8C

RGB 81 60 140

HSL 255.75, 0.4%, 0.39%

LAB 31.52, 29.18, -41.55

 

CMYK 42 / 57 / 0 / 34

HEX #6248A8

RGB 98 72 168

HSL 256.25, 0.4%, 0.47%

LAB 37.95, 34.16, -48.08

 

CMYK 41 / 57 / 0 / 56

HEX #41306F

RGB 65 48 111

HSL 256.19, 0.4%, 0.31%

LAB 24.91, 23.93, -34.04

 

CMYK 0 / 58 / 27 / 56

HEX #6F2F51

RGB 111 47 81

HSL 328.13, 0.41%, 0.31%

LAB 29.43, 32.56, -7.04

 

CMYK 50 / 0 / 58 / 56

HEX #386F2F

RGB 56 111 47

HSL 111.56, 0.41%, 0.31%

LAB 41.87, -31.89, 29.75

 

CMYK 41 / 57 / 0 / 56

HEX #41306F

RGB 65 48 111

HSL 256.19, 0.4%, 0.31%

LAB 24.91, 23.93, -34.04

 

CMYK 0 / 42 / 58 / 56

HEX #6F402F

RGB 111 64 47

HSL 15.94, 0.41%, 0.31%

LAB 32.37, 18.56, 19.09

 

CMYK 58 / 0 / 42 / 56

HEX #2F6F40

RGB 47 111 64

HSL 135.94, 0.41%, 0.31%

LAB 41.76, -31.84, 20.14

 

CMYK 41 / 57 / 0 / 56

HEX #41306F

RGB 65 48 111

HSL 256.19, 0.4%, 0.31%

LAB 24.91, 23.93, -34.04

 

CMYK 0 / 58 / 27 / 56

HEX #6F2F51

RGB 111 47 81

HSL 328.13, 0.41%, 0.31%

LAB 29.43, 32.56, -7.04

 

CMYK 15 / 0 / 58 / 56

HEX #5E6F2F

RGB 94 111 47

HSL 75.94, 0.41%, 0.31%

LAB 44.17, -17.06, 33.02

 

CMYK 58 / 0 / 31 / 56

HEX #2F6F4D

RGB 47 111 77

HSL 148.13, 0.41%, 0.31%

LAB 42.01, -29.16, 12.89

 

CMYK 41 / 57 / 0 / 56

HEX #41306F

RGB 65 48 111

HSL 256.19, 0.4%, 0.31%

LAB 24.91, 23.93, -34.04

 

CMYK 0 / 58 / 44 / 56

HEX #6F2F3E

RGB 111 47 62

HSL 345.94, 0.41%, 0.31%

LAB 28.8, 29.98, 4.57

 

CMYK 15 / 0 / 58 / 56

HEX #5E6F2F

RGB 94 111 47

HSL 75.94, 0.41%, 0.31%

LAB 44.17, -17.06, 33.02

 

CMYK 58 / 0 / 14 / 56

HEX #2F6F60

RGB 47 111 96

HSL 165.94, 0.41%, 0.31%

LAB 42.49, -24.47, 2.19

 

Description

Color code: HEX #41306F | qconv.com Color code: HEX #41306F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 48 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 48 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 57 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 57% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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