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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41241900 it is the complementary color #BEDBE600. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41241900. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41241900 shade: #46241400, #57362700, #68483A00, #795A4D00 and #8A6C6000

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41241900. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41241900 shade: #41241900, #30120600, #1F000000, #0E000000 and #00000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41241900 shade: #42251A and #421A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41241900 shade: #42251A, #42301A, #423B1A, #3F421A and #34421A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41241900 shade matches the following richer shades: #42251A, #4A2112, #511E0B and #581B03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41241900 shade: #42251A, #3B2821, #332B29, #2C2F30 and #243237

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41241900 shade: #421A24, #421A1A, #42241A, #422F1A and #423A1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41241900 shade: #070403, #24140E, #42251A, #603525 and #7E4631

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41241900 shade: #412419, #2F421A and #1A1F42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41241900 shade: #412419, #1A4224 and #241A42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41241900 shade: #412419, #2F421A, #1A3742 and #2D1A42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41241900 shade: #412419, #23421A, #1A3742 and #391A42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #41241900

RGBA 65 36 25 0

HSLA 16.5, 0.44%, 0.18%, 0

LABA 17.72, 12.44, 13.18, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #BEDBE600

RGBA 190 219 230 0

HSLA 196.5, 0.44%, 0.82%, 0

LABA 85.67, -7.29, -8.61, 0

 

CMYK 0 / 0 / 0 / 0

HEX #46241400

RGBA 70 36 20 0

HSLA 19.2, 0.56%, 0.18%, 0

LABA 18.43, 14.44, 17.57, 0

 

CMYK 0 / 0 / 0 / 0

HEX #57362700

RGBA 87 54 39 0

HSLA 18.75, 0.38%, 0.25%, 0

LABA 26.19, 12.89, 15.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #68483A00

RGBA 104 72 58 0

HSLA 18.26, 0.28%, 0.32%, 0

LABA 33.74, 11.72, 13.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #795A4D00

RGBA 121 90 77 0

HSLA 17.73, 0.22%, 0.39%, 0

LABA 41.08, 10.8, 12.46, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8A6C6000

RGBA 138 108 96 0

HSLA 17.14, 0.18%, 0.46%, 0

LABA 48.23, 10.06, 11.26, 0

 

CMYK 0 / 0 / 0 / 0

HEX #41241900

RGBA 65 36 25 0

HSLA 16.5, 0.44%, 0.18%, 0

LABA 17.72, 12.44, 13.18, 0

 

CMYK 0 / 0 / 0 / 0

HEX #30120600

RGBA 48 18 6 0

HSLA 17.14, 0.78%, 0.11%, 0

LABA 9.59, 14.2, 12.22, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1F000000

RGBA 31 0 0 0

HSLA 0, 1%, 0.06%, 0

LABA 2.63, 11.81, 4.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0E000000

RGBA 14 0 0 0

HSLA 0, 1%, 0.03%, 0

LABA 0.84, 3.78, 1.33, 0

 

CMYK 0 / 0 / 0 / 100

HEX #00000000

RGBA 0 0 0 0

HSLA 0, 0%, 0%, 0

LABA 0, 0, 0, 0

 

CMYK 0 / 44 / 61 / 74

HEX #42251A

RGB 66 37 26

HSL 16.5, 0.43%, 0.18%

LAB 18.17, 12.38, 13.11

 

CMYK 0 / 61 / 61 / 74

HEX #421A1A

RGB 66 26 26

HSL 0, 0.43%, 0.18%

LAB 15.34, 19.39, 9.4

 

CMYK 0 / 44 / 61 / 74

HEX #42251A

RGB 66 37 26

HSL 16.5, 0.43%, 0.18%

LAB 18.17, 12.38, 13.11

 

CMYK 0 / 27 / 61 / 74

HEX #42301A

RGB 66 48 26

HSL 33, 0.43%, 0.18%

LAB 21.38, 5.06, 17.16

 

CMYK 0 / 11 / 61 / 74

HEX #423B1A

RGB 66 59 26

HSL 49.5, 0.43%, 0.18%

LAB 24.83, -2.11, 21.32

 

CMYK 5 / 0 / 61 / 74

HEX #3F421A

RGB 63 66 26

HSL 64.5, 0.43%, 0.18%

LAB 26.81, -7.99, 23.56

 

CMYK 21 / 0 / 61 / 74

HEX #34421A

RGB 52 66 26

HSL 81, 0.43%, 0.18%

LAB 25.87, -13.31, 22.22

 

CMYK 0 / 44 / 61 / 74

HEX #42251A

RGB 66 37 26

HSL 16.5, 0.43%, 0.18%

LAB 18.17, 12.38, 13.11

 

CMYK 0 / 55 / 76 / 71

HEX #4A2112

RGB 74 33 18

HSL 16.07, 0.61%, 0.18%

LAB 18.31, 18.1, 18.86

 

CMYK 0 / 63 / 86 / 68

HEX #511E0B

RGB 81 30 11

HSL 16.29, 0.76%, 0.18%

LAB 18.81, 22.68, 23.39

 

CMYK 0 / 69 / 97 / 65

HEX #581B03

RGB 88 27 3

HSL 16.94, 0.93%, 0.18%

LAB 19.5, 26.98, 27.81

 

CMYK 0 / 44 / 61 / 74

HEX #42251A

RGB 66 37 26

HSL 16.5, 0.43%, 0.18%

LAB 18.17, 12.38, 13.11

 

CMYK 0 / 32 / 44 / 77

HEX #3B2821

RGB 59 40 33

HSL 16.15, 0.28%, 0.18%

LAB 18.18, 7.79, 8.14

 

CMYK 0 / 16 / 20 / 80

HEX #332B29

RGB 51 43 41

HSL 12, 0.11%, 0.18%

LAB 18.33, 3.25, 2.65

 

CMYK 8 / 2 / 0 / 81

HEX #2C2F30

RGB 44 47 48

HSL 195, 0.04%, 0.18%

LAB 19.15, -1.07, -1.1

 

CMYK 35 / 9 / 0 / 78

HEX #243237

RGB 36 50 55

HSL 195.79, 0.21%, 0.18%

LAB 19.77, -4.35, -5.07

 

CMYK 0 / 61 / 45 / 74

HEX #421A24

RGB 66 26 36

HSL 345, 0.43%, 0.18%

LAB 15.61, 20.59, 2.59

 

CMYK 0 / 61 / 61 / 74

HEX #421A1A

RGB 66 26 26

HSL 0, 0.43%, 0.18%

LAB 15.34, 19.39, 9.4

 

CMYK 0 / 45 / 61 / 74

HEX #42241A

RGB 66 36 26

HSL 15, 0.43%, 0.18%

LAB 17.89, 13.04, 12.76

 

CMYK 0 / 29 / 61 / 74

HEX #422F1A

RGB 66 47 26

HSL 31.5, 0.43%, 0.18%

LAB 21.08, 5.72, 16.79

 

CMYK 0 / 12 / 61 / 74

HEX #423A1A

RGB 66 58 26

HSL 48, 0.43%, 0.18%

LAB 24.51, -1.48, 20.95

 

CMYK 0 / 43 / 57 / 97

HEX #070403

RGB 7 4 3

HSL 15, 0.4%, 0.02%

LAB 1.25, 0.65, 0.65

 

CMYK 0 / 44 / 61 / 86

HEX #24140E

RGB 36 20 14

HSL 16.36, 0.44%, 0.1%

LAB 8.19, 7.33, 6.47

 

CMYK 0 / 44 / 61 / 74

HEX #42251A

RGB 66 37 26

HSL 16.5, 0.43%, 0.18%

LAB 18.17, 12.38, 13.11

 

CMYK 0 / 45 / 61 / 62

HEX #603525

RGB 96 53 37

HSL 16.27, 0.44%, 0.26%

LAB 27.2, 17.52, 18.35

 

CMYK 0 / 44 / 61 / 51

HEX #7E4631

RGB 126 70 49

HSL 16.36, 0.44%, 0.34%

LAB 36.06, 21.83, 22.98

 

CMYK 0 / 45 / 62 / 75

HEX #412419

RGB 65 36 25

HSL 16.5, 0.44%, 0.18%

LAB 17.72, 12.44, 13.18

 

CMYK 29 / 0 / 61 / 74

HEX #2F421A

RGB 47 66 26

HSL 88.5, 0.43%, 0.18%

LAB 25.49, -15.6, 21.68

 

CMYK 61 / 53 / 0 / 74

HEX #1A1F42

RGB 26 31 66

HSL 232.5, 0.43%, 0.18%

LAB 13.19, 9.88, -22.98

 

CMYK 0 / 45 / 62 / 75

HEX #412419

RGB 65 36 25

HSL 16.5, 0.44%, 0.18%

LAB 17.72, 12.44, 13.18

 

CMYK 61 / 0 / 45 / 74

HEX #1A4224

RGB 26 66 36

HSL 135, 0.43%, 0.18%

LAB 24.46, -21.98, 14.1

 

CMYK 45 / 61 / 0 / 74

HEX #241A42

RGB 36 26 66

HSL 255, 0.43%, 0.18%

LAB 12.65, 16.35, -23.78

 

CMYK 0 / 45 / 62 / 75

HEX #412419

RGB 65 36 25

HSL 16.5, 0.44%, 0.18%

LAB 17.72, 12.44, 13.18

 

CMYK 29 / 0 / 61 / 74

HEX #2F421A

RGB 47 66 26

HSL 88.5, 0.43%, 0.18%

LAB 25.49, -15.6, 21.68

 

CMYK 61 / 17 / 0 / 74

HEX #1A3742

RGB 26 55 66

HSL 196.5, 0.43%, 0.18%

LAB 21.38, -7.14, -10.17

 

CMYK 32 / 61 / 0 / 74

HEX #2D1A42

RGB 45 26 66

HSL 268.5, 0.43%, 0.18%

LAB 13.77, 19.08, -21.94

 

CMYK 0 / 45 / 62 / 75

HEX #412419

RGB 65 36 25

HSL 16.5, 0.44%, 0.18%

LAB 17.72, 12.44, 13.18

 

CMYK 47 / 0 / 61 / 74

HEX #23421A

RGB 35 66 26

HSL 106.5, 0.43%, 0.18%

LAB 24.73, -20.62, 20.59

 

CMYK 61 / 17 / 0 / 74

HEX #1A3742

RGB 26 55 66

HSL 196.5, 0.43%, 0.18%

LAB 21.38, -7.14, -10.17

 

CMYK 14 / 61 / 0 / 74

HEX #391A42

RGB 57 26 66

HSL 286.5, 0.43%, 0.18%

LAB 15.5, 22.95, -19.09

 

Description

Color code: HEX #41241900 | qconv.com Color code: HEX #41241900 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 36 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 36 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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