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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #41135B it is the complementary color #BEECA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #41135B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #41135B shade: #461356, #572569, #68377C, #79498F and #8A5BA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #41135B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #41135B shade: #41135B, #300148, #1F0035, #0E0022 and #00000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #41135B shade: #42145D, #56145D, #5D1450, #5D143C and #5D1428

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #41135B shade: #42145D, #2F145D, #1B145D and #14145D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #41135B shade matches the following richer shades: #42145D, #450B66 and #47016F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #41135B shade: #42145D, #401D53, #3D264A, #3B2F41 and #383838

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #41135B shade: #1B145D, #2E145D, #42145D, #55145D and #5D1450

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #41135B shade: #120518, #2A0C3B, #42145D, #5B1B7F and #7322A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #41135B shade: #41135B, #5D1420 and #145D25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #41135B shade: #41135B, #5D4214 and #145D42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #41135B shade: #41135B, #5D1420, #2E5D14 and #145D50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #41135B shade: #41135B, #5D1D14, #2E5D14 and #14535D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 79 / 0 / 64

HEX #41135B

RGB 65 19 91

HSL 278.33, 0.65%, 0.22%

LAB 17.2, 35.06, -33.36

 

Complementary color

CMYK 19 / 0 / 31 / 7

HEX #BEECA4

RGB 190 236 164

HSL 98.33, 0.65%, 0.78%

LAB 88.74, -27.54, 30.22

 

CMYK 19 / 78 / 0 / 66

HEX #461356

RGB 70 19 86

HSL 285.67, 0.64%, 0.21%

LAB 17.64, 35.04, -29.25

 

CMYK 17 / 65 / 0 / 59

HEX #572569

RGB 87 37 105

HSL 284.12, 0.48%, 0.28%

LAB 24.86, 34.88, -30.1

 

CMYK 16 / 56 / 0 / 51

HEX #68377C

RGB 104 55 124

HSL 282.61, 0.39%, 0.35%

LAB 32.1, 34.19, -30.53

 

CMYK 15 / 49 / 0 / 44

HEX #79498F

RGB 121 73 143

HSL 281.14, 0.32%, 0.42%

LAB 39.26, 33.34, -30.79

 

CMYK 15 / 44 / 0 / 36

HEX #8A5BA2

RGB 138 91 162

HSL 279.72, 0.28%, 0.5%

LAB 46.3, 32.49, -30.98

 

CMYK 29 / 79 / 0 / 64

HEX #41135B

RGB 65 19 91

HSL 278.33, 0.65%, 0.22%

LAB 17.2, 35.06, -33.36

 

CMYK 33 / 99 / 0 / 72

HEX #300148

RGB 48 1 72

HSL 279.72, 0.97%, 0.14%

LAB 9.94, 34.88, -32.31

 

CMYK 42 / 100 / 0 / 79

HEX #1F0035

RGB 31 0 53

HSL 275.09, 1%, 0.1%

LAB 4.95, 26.36, -26.92

 

CMYK 59 / 100 / 0 / 87

HEX #0E0022

RGB 14 0 34

HSL 264.71, 1%, 0.07%

LAB 1.89, 11.11, -17.41

 

CMYK 100 / 100 / 0 / 94

HEX #00000F

RGB 0 0 15

HSL 240, 1%, 0.03%

LAB 0.31, 2.19, -5.96

 

CMYK 29 / 78 / 0 / 64

HEX #42145D

RGB 66 20 93

HSL 277.81, 0.65%, 0.22%

LAB 17.69, 35.32, -33.91

 

CMYK 8 / 78 / 0 / 64

HEX #56145D

RGB 86 20 93

HSL 294.25, 0.65%, 0.22%

LAB 21.09, 39.91, -28.25

 

CMYK 0 / 78 / 14 / 64

HEX #5D1450

RGB 93 20 80

HSL 310.68, 0.65%, 0.22%

LAB 21.6, 39.32, -18.65

 

CMYK 0 / 78 / 35 / 64

HEX #5D143C

RGB 93 20 60

HSL 327.12, 0.65%, 0.22%

LAB 20.65, 36.36, -6.42

 

CMYK 0 / 78 / 57 / 64

HEX #5D1428

RGB 93 20 40

HSL 343.56, 0.65%, 0.22%

LAB 19.97, 34.14, 6.63

 

CMYK 29 / 78 / 0 / 64

HEX #42145D

RGB 66 20 93

HSL 277.81, 0.65%, 0.22%

LAB 17.69, 35.32, -33.91

 

CMYK 49 / 78 / 0 / 64

HEX #2F145D

RGB 47 20 93

HSL 262.19, 0.65%, 0.22%

LAB 14.93, 31.42, -38.52

 

CMYK 71 / 78 / 0 / 64

HEX #1B145D

RGB 27 20 93

HSL 245.75, 0.65%, 0.22%

LAB 12.76, 28.19, -42.16

 

CMYK 78 / 78 / 0 / 64

HEX #14145D

RGB 20 20 93

HSL 240, 0.65%, 0.22%

LAB 12.22, 27.36, -43.07

 

CMYK 29 / 78 / 0 / 64

HEX #42145D

RGB 66 20 93

HSL 277.81, 0.65%, 0.22%

LAB 17.69, 35.32, -33.91

 

CMYK 32 / 89 / 0 / 60

HEX #450B66

RGB 69 11 102

HSL 278.24, 0.81%, 0.22%

LAB 17.75, 41.51, -39.74

 

CMYK 36 / 99 / 0 / 56

HEX #47016F

RGB 71 1 111

HSL 278.18, 0.98%, 0.22%

LAB 17.96, 46.77, -45.28

 

CMYK 29 / 78 / 0 / 64

HEX #42145D

RGB 66 20 93

HSL 277.81, 0.65%, 0.22%

LAB 17.69, 35.32, -33.91

 

CMYK 23 / 65 / 0 / 67

HEX #401D53

RGB 64 29 83

HSL 278.89, 0.48%, 0.22%

LAB 18.34, 27.57, -26.17

 

CMYK 18 / 49 / 0 / 71

HEX #3D264A

RGB 61 38 74

HSL 278.33, 0.32%, 0.22%

LAB 19.53, 18.64, -18.21

 

CMYK 9 / 28 / 0 / 75

HEX #3B2F41

RGB 59 47 65

HSL 280, 0.16%, 0.22%

LAB 21.37, 9.49, -9.26

 

CMYK 0 / 0 / 0 / 78

HEX #383838

RGB 56 56 56

HSL 0, 0%, 0.22%

LAB 23.52, 0, -0

 

CMYK 71 / 78 / 0 / 64

HEX #1B145D

RGB 27 20 93

HSL 245.75, 0.65%, 0.22%

LAB 12.76, 28.19, -42.16

 

CMYK 51 / 78 / 0 / 64

HEX #2E145D

RGB 46 20 93

HSL 261.37, 0.65%, 0.22%

LAB 14.8, 31.23, -38.73

 

CMYK 29 / 78 / 0 / 64

HEX #42145D

RGB 66 20 93

HSL 277.81, 0.65%, 0.22%

LAB 17.69, 35.32, -33.91

 

CMYK 9 / 78 / 0 / 64

HEX #55145D

RGB 85 20 93

HSL 293.42, 0.65%, 0.22%

LAB 20.91, 39.68, -28.55

 

CMYK 0 / 78 / 14 / 64

HEX #5D1450

RGB 93 20 80

HSL 310.68, 0.65%, 0.22%

LAB 21.6, 39.32, -18.65

 

CMYK 25 / 79 / 0 / 91

HEX #120518

RGB 18 5 24

HSL 281.05, 0.66%, 0.06%

LAB 2.74, 7.39, -8.12

 

CMYK 29 / 80 / 0 / 77

HEX #2A0C3B

RGB 42 12 59

HSL 278.3, 0.66%, 0.14%

LAB 9.57, 24.91, -23.73

 

CMYK 29 / 78 / 0 / 64

HEX #42145D

RGB 66 20 93

HSL 277.81, 0.65%, 0.22%

LAB 17.69, 35.32, -33.91

 

CMYK 28 / 79 / 0 / 50

HEX #5B1B7F

RGB 91 27 127

HSL 278.4, 0.65%, 0.3%

LAB 25.38, 45.55, -43.29

 

CMYK 29 / 79 / 0 / 37

HEX #7322A1

RGB 115 34 161

HSL 278.27, 0.65%, 0.38%

LAB 32.62, 54.97, -52.39

 

CMYK 29 / 79 / 0 / 64

HEX #41135B

RGB 65 19 91

HSL 278.33, 0.65%, 0.22%

LAB 17.2, 35.06, -33.36

 

CMYK 0 / 78 / 66 / 64

HEX #5D1420

RGB 93 20 32

HSL 350.14, 0.65%, 0.22%

LAB 19.77, 33.49, 12

 

CMYK 78 / 0 / 60 / 64

HEX #145D25

RGB 20 93 37

HSL 133.97, 0.65%, 0.22%

LAB 34.21, -35.06, 25.66

 

CMYK 29 / 79 / 0 / 64

HEX #41135B

RGB 65 19 91

HSL 278.33, 0.65%, 0.22%

LAB 17.2, 35.06, -33.36

 

CMYK 0 / 29 / 78 / 64

HEX #5D4214

RGB 93 66 20

HSL 37.81, 0.65%, 0.22%

LAB 30.09, 6.72, 31.26

 

CMYK 78 / 0 / 29 / 64

HEX #145D42

RGB 20 93 66

HSL 157.81, 0.65%, 0.22%

LAB 34.74, -29.08, 9.34

 

CMYK 29 / 79 / 0 / 64

HEX #41135B

RGB 65 19 91

HSL 278.33, 0.65%, 0.22%

LAB 17.2, 35.06, -33.36

 

CMYK 0 / 78 / 66 / 64

HEX #5D1420

RGB 93 20 32

HSL 350.14, 0.65%, 0.22%

LAB 19.77, 33.49, 12

 

CMYK 51 / 0 / 78 / 64

HEX #2E5D14

RGB 46 93 20

HSL 98.63, 0.65%, 0.22%

LAB 34.92, -30.08, 34.83

 

CMYK 78 / 0 / 14 / 64

HEX #145D50

RGB 20 93 80

HSL 169.32, 0.65%, 0.22%

LAB 35.12, -25.18, 1.19

 

CMYK 29 / 79 / 0 / 64

HEX #41135B

RGB 65 19 91

HSL 278.33, 0.65%, 0.22%

LAB 17.2, 35.06, -33.36

 

CMYK 0 / 69 / 78 / 64

HEX #5D1D14

RGB 93 29 20

HSL 7.4, 0.65%, 0.22%

LAB 21.04, 28.67, 21.67

 

CMYK 51 / 0 / 78 / 64

HEX #2E5D14

RGB 46 93 20

HSL 98.63, 0.65%, 0.22%

LAB 34.92, -30.08, 34.83

 

CMYK 78 / 11 / 0 / 64

HEX #14535D

RGB 20 83 93

HSL 188.22, 0.65%, 0.22%

LAB 32.09, -15.58, -11.48

 

Description

Color code: HEX #41135B | qconv.com Color code: HEX #41135B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 19 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 19 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 79 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 79% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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