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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40F1D2 it is the complementary color #BF0E2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40F1D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40F1D2 shade: #45F1CD, #56FFE0, #67FFF3, #78FFFF and #89FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40F1D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40F1D2 shade: #40F1D2, #2FDFBF, #1ECDAC, #0DBB99 and #00A986

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40F1D2 shade: #41F1D2, #41F1A3, #41F173, #41F144 and #6EF141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40F1D2 shade: #41F1D2, #41E0F1, #41B1F1, #4182F1 and #4152F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40F1D2 shade matches the following richer shades: #41F1D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40F1D2 shade: #41F1D2, #52E0C7, #62D0BD, #73BFB2 and #83AFA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40F1D2 shade: #41F173, #41F1A2, #41F1D1, #41E2F1 and #41B3F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40F1D2 shade: #10D0AE, #1BEEC9, #41F1D2, #68F4DB and #8EF6E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40F1D2 shade: #40F1D2, #4441F1 and #F18A41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40F1D2 shade: #40F1D2, #D141F1 and #F1D141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40F1D2 shade: #40F1D2, #4441F1, #F14161 and #EEF141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40F1D2 shade: #40F1D2, #7941F1, #F14161 and #B9F141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 13 / 5

HEX #40F1D2

RGB 64 241 210

HSL 169.49, 0.86%, 0.6%

LAB 86.33, -50.81, 2.32

 

Complementary color

CMYK 0 / 93 / 76 / 25

HEX #BF0E2D

RGB 191 14 45

HSL 349.49, 0.86%, 0.4%

LAB 40.54, 63.83, 33.58

 

CMYK 71 / 0 / 15 / 5

HEX #45F1CD

RGB 69 241 205

HSL 167.44, 0.86%, 0.61%

LAB 86.3, -51.44, 4.9

 

CMYK 66 / 0 / 12 / 0

HEX #56FFE0

RGB 86 255 224

HSL 168.99, 1%, 0.67%

LAB 91.18, -50.3, 2.13

 

CMYK 60 / 0 / 5 / 0

HEX #67FFF3

RGB 103 255 243

HSL 175.26, 1%, 0.7%

LAB 92.08, -42.89, -6.35

 

CMYK 53 / 0 / 0 / 0

HEX #78FFFF

RGB 120 255 255

HSL 180, 1%, 0.74%

LAB 92.9, -36.79, -11.29

 

CMYK 46 / 0 / 0 / 0

HEX #89FFFF

RGB 137 255 255

HSL 180, 1%, 0.77%

LAB 93.48, -33.34, -10.37

 

CMYK 73 / 0 / 13 / 5

HEX #40F1D2

RGB 64 241 210

HSL 169.49, 0.86%, 0.6%

LAB 86.33, -50.81, 2.32

 

CMYK 79 / 0 / 14 / 13

HEX #2FDFBF

RGB 47 223 191

HSL 169.09, 0.73%, 0.53%

LAB 80.26, -49.95, 3.49

 

CMYK 85 / 0 / 16 / 20

HEX #1ECDAC

RGB 30 205 172

HSL 168.69, 0.74%, 0.46%

LAB 74.14, -48.8, 4.78

 

CMYK 93 / 0 / 18 / 27

HEX #0DBB99

RGB 13 187 153

HSL 168.28, 0.87%, 0.39%

LAB 67.97, -47.28, 6.21

 

CMYK 100 / 0 / 21 / 34

HEX #00A986

RGB 0 169 134

HSL 167.57, 1%, 0.33%

LAB 61.74, -45.36, 7.78

 

CMYK 73 / 0 / 13 / 5

HEX #41F1D2

RGB 65 241 210

HSL 169.43, 0.86%, 0.6%

LAB 86.35, -50.69, 2.35

 

CMYK 73 / 0 / 32 / 5

HEX #41F1A3

RGB 65 241 163

HSL 153.41, 0.86%, 0.6%

LAB 85.34, -61.36, 25.31

 

CMYK 73 / 0 / 52 / 5

HEX #41F173

RGB 65 241 115

HSL 137.05, 0.86%, 0.6%

LAB 84.62, -69.53, 48.02

 

CMYK 73 / 0 / 72 / 5

HEX #41F144

RGB 65 241 68

HSL 121.02, 0.86%, 0.6%

LAB 84.2, -74.62, 67.04

 

CMYK 54 / 0 / 73 / 5

HEX #6EF141

RGB 110 241 65

HSL 104.66, 0.86%, 0.6%

LAB 85.31, -65.62, 69.54

 

CMYK 73 / 0 / 13 / 5

HEX #41F1D2

RGB 65 241 210

HSL 169.43, 0.86%, 0.6%

LAB 86.35, -50.69, 2.35

 

CMYK 73 / 7 / 0 / 5

HEX #41E0F1

RGB 65 224 241

HSL 185.8, 0.86%, 0.6%

LAB 82.26, -34.68, -20.06

 

CMYK 73 / 27 / 0 / 5

HEX #41B1F1

RGB 65 177 241

HSL 201.82, 0.86%, 0.6%

LAB 68.69, -10.89, -40.94

 

CMYK 73 / 46 / 0 / 5

HEX #4182F1

RGB 65 130 241

HSL 217.84, 0.86%, 0.6%

LAB 55.52, 16.45, -61.82

 

CMYK 73 / 66 / 0 / 5

HEX #4152F1

RGB 65 82 241

HSL 234.2, 0.86%, 0.6%

LAB 43.52, 46.07, -81.33

 

CMYK 73 / 0 / 13 / 5

HEX #41F1D2

RGB 65 241 210

HSL 169.43, 0.86%, 0.6%

LAB 86.35, -50.69, 2.35

 

CMYK 73 / 0 / 13 / 5

HEX #41F1D2

RGB 65 241 210

HSL 169.43, 0.86%, 0.6%

LAB 86.35, -50.69, 2.35

 

CMYK 63 / 0 / 11 / 12

HEX #52E0C7

RGB 82 224 199

HSL 169.44, 0.7%, 0.6%

LAB 81.42, -43.83, 1.01

 

CMYK 53 / 0 / 9 / 18

HEX #62D0BD

RGB 98 208 189

HSL 169.64, 0.54%, 0.6%

LAB 76.91, -36.12, -0.17

 

CMYK 40 / 0 / 7 / 25

HEX #73BFB2

RGB 115 191 178

HSL 169.74, 0.37%, 0.6%

LAB 72.31, -26.62, -0.86

 

CMYK 25 / 0 / 5 / 31

HEX #83AFA7

RGB 131 175 167

HSL 169.09, 0.22%, 0.6%

LAB 68.22, -16.41, -0.7

 

CMYK 73 / 0 / 52 / 5

HEX #41F173

RGB 65 241 115

HSL 137.05, 0.86%, 0.6%

LAB 84.62, -69.53, 48.02

 

CMYK 73 / 0 / 33 / 5

HEX #41F1A2

RGB 65 241 162

HSL 153.07, 0.86%, 0.6%

LAB 85.32, -61.56, 25.8

 

CMYK 73 / 0 / 13 / 5

HEX #41F1D1

RGB 65 241 209

HSL 169.09, 0.86%, 0.6%

LAB 86.32, -50.94, 2.83

 

CMYK 73 / 6 / 0 / 5

HEX #41E2F1

RGB 65 226 241

HSL 185.11, 0.86%, 0.6%

LAB 82.84, -35.62, -19.19

 

CMYK 73 / 26 / 0 / 5

HEX #41B3F1

RGB 65 179 241

HSL 201.14, 0.86%, 0.6%

LAB 69.27, -11.97, -40.05

 

CMYK 92 / 0 / 16 / 18

HEX #10D0AE

RGB 16 208 174

HSL 169.38, 0.86%, 0.44%

LAB 75, -50.27, 4.94

 

CMYK 89 / 0 / 16 / 7

HEX #1BEEC9

RGB 27 238 201

HSL 169.48, 0.86%, 0.52%

LAB 84.79, -54.91, 4.75

 

CMYK 73 / 0 / 13 / 5

HEX #41F1D2

RGB 65 241 210

HSL 169.43, 0.86%, 0.6%

LAB 86.35, -50.69, 2.35

 

CMYK 57 / 0 / 10 / 4

HEX #68F4DB

RGB 104 244 219

HSL 169.29, 0.86%, 0.68%

LAB 88.33, -43.82, 0.64

 

CMYK 42 / 0 / 7 / 4

HEX #8EF6E4

RGB 142 246 228

HSL 169.62, 0.85%, 0.76%

LAB 90.44, -34.43, -0.81

 

CMYK 73 / 0 / 13 / 5

HEX #40F1D2

RGB 64 241 210

HSL 169.49, 0.86%, 0.6%

LAB 86.33, -50.81, 2.32

 

CMYK 72 / 73 / 0 / 5

HEX #4441F1

RGB 68 65 241

HSL 241.02, 0.86%, 0.6%

LAB 40.18, 55.98, -86.82

 

CMYK 0 / 43 / 73 / 5

HEX #F18A41

RGB 241 138 65

HSL 24.89, 0.86%, 0.6%

LAB 67.47, 33.68, 54.43

 

CMYK 73 / 0 / 13 / 5

HEX #40F1D2

RGB 64 241 210

HSL 169.49, 0.86%, 0.6%

LAB 86.33, -50.81, 2.32

 

CMYK 13 / 73 / 0 / 5

HEX #D141F1

RGB 209 65 241

HSL 289.09, 0.86%, 0.6%

LAB 55.77, 77.61, -60.75

 

CMYK 0 / 13 / 73 / 5

HEX #F1D141

RGB 241 209 65

HSL 49.09, 0.86%, 0.6%

LAB 84.32, -3.43, 71.25

 

CMYK 73 / 0 / 13 / 5

HEX #40F1D2

RGB 64 241 210

HSL 169.49, 0.86%, 0.6%

LAB 86.33, -50.81, 2.32

 

CMYK 72 / 73 / 0 / 5

HEX #4441F1

RGB 68 65 241

HSL 241.02, 0.86%, 0.6%

LAB 40.18, 55.98, -86.82

 

CMYK 0 / 73 / 60 / 5

HEX #F14161

RGB 241 65 97

HSL 349.09, 0.86%, 0.6%

LAB 55.43, 67.83, 22.95

 

CMYK 1 / 0 / 73 / 5

HEX #EEF141

RGB 238 241 65

HSL 61.02, 0.86%, 0.6%

LAB 92.34, -20.52, 78.76

 

CMYK 73 / 0 / 13 / 5

HEX #40F1D2

RGB 64 241 210

HSL 169.49, 0.86%, 0.6%

LAB 86.33, -50.81, 2.32

 

CMYK 50 / 73 / 0 / 5

HEX #7941F1

RGB 121 65 241

HSL 259.09, 0.86%, 0.6%

LAB 44.51, 62.29, -79.54

 

CMYK 0 / 73 / 60 / 5

HEX #F14161

RGB 241 65 97

HSL 349.09, 0.86%, 0.6%

LAB 55.43, 67.83, 22.95

 

CMYK 23 / 0 / 73 / 5

HEX #B9F141

RGB 185 241 65

HSL 79.09, 0.86%, 0.6%

LAB 88.74, -41.42, 74.07

 

Description

Color code: HEX #40F1D2 | qconv.com Color code: HEX #40F1D2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 241 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 241 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 13 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 13% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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