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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40EF00 it is the complementary color #BF10FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40EF00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40EF00 shade: #45EF00, #56FF0E, #67FF21, #78FF34 and #89FF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40EF00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40EF00 shade: #40EF00, #2FDD00, #1ECB00, #0DB900 and #00A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40EF00 shade: #40EF00, #80EF00, #C1EF00, #EFDD00 and #EF9C00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40EF00 shade: #40EF00, #00EF00, #00EF41, #00EF81 and #00EFC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40EF00 shade matches the following richer shades: #40EF00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40EF00 shade: #40EF00, #49DC13, #52C826, #5BB53A and #64A24D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40EF00 shade: #C3EF00, #83EF00, #43EF00, #03EF00 and #00EF3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40EF00 shade: #2A9D00, #35C600, #40EF00, #57FF19 and #75FF43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40EF00 shade: #40EF00, #00EFDB and #EF00A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40EF00 shade: #40EF00, #0043EF and #EF0043

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40EF00 shade: #40EF00, #00EFDB, #AB00EF and #EF0013

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40EF00 shade: #40EF00, #00BBEF, #AB00EF and #EF3300

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 100 / 6

HEX #40EF00

RGB 64 239 0

HSL 103.93, 1%, 0.47%

LAB 83.35, -76.88, 79.9

 

Complementary color

CMYK 25 / 94 / 0 / 0

HEX #BF10FF

RGB 191 16 255

HSL 283.93, 1%, 0.53%

LAB 50.3, 88.07, -77.55

 

CMYK 71 / 0 / 100 / 6

HEX #45EF00

RGB 69 239 0

HSL 102.68, 1%, 0.47%

LAB 83.44, -76.07, 80.02

 

CMYK 66 / 0 / 95 / 0

HEX #56FF0E

RGB 86 255 14

HSL 102.07, 1%, 0.53%

LAB 88.7, -77.61, 83.27

 

CMYK 60 / 0 / 87 / 0

HEX #67FF21

RGB 103 255 33

HSL 101.08, 1%, 0.56%

LAB 89.16, -73.59, 81.28

 

CMYK 53 / 0 / 80 / 0

HEX #78FF34

RGB 120 255 52

HSL 99.9, 1%, 0.6%

LAB 89.75, -68.65, 77.79

 

CMYK 46 / 0 / 72 / 0

HEX #89FF47

RGB 137 255 71

HSL 98.48, 1%, 0.64%

LAB 90.46, -62.88, 72.99

 

CMYK 73 / 0 / 100 / 6

HEX #40EF00

RGB 64 239 0

HSL 103.93, 1%, 0.47%

LAB 83.35, -76.88, 79.9

 

CMYK 79 / 0 / 100 / 13

HEX #2FDD00

RGB 47 221 0

HSL 107.24, 1%, 0.43%

LAB 77.47, -74.09, 75.1

 

CMYK 85 / 0 / 100 / 20

HEX #1ECB00

RGB 30 203 0

HSL 111.13, 1%, 0.4%

LAB 71.55, -70.87, 70.28

 

CMYK 93 / 0 / 100 / 27

HEX #0DB900

RGB 13 185 0

HSL 115.78, 1%, 0.36%

LAB 65.58, -67.11, 65.44

 

CMYK 100 / 0 / 100 / 35

HEX #00A700

RGB 0 167 0

HSL 120, 1%, 0.33%

LAB 59.56, -62.77, 60.59

 

CMYK 73 / 0 / 100 / 6

HEX #40EF00

RGB 64 239 0

HSL 103.93, 1%, 0.47%

LAB 83.35, -76.88, 79.9

 

CMYK 46 / 0 / 100 / 6

HEX #80EF00

RGB 128 239 0

HSL 87.87, 1%, 0.47%

LAB 85.16, -62.07, 82.11

 

CMYK 19 / 0 / 100 / 6

HEX #C1EF00

RGB 193 239 0

HSL 71.55, 1%, 0.47%

LAB 88.48, -39.17, 86.1

 

CMYK 0 / 8 / 100 / 6

HEX #EFDD00

RGB 239 221 0

HSL 55.48, 1%, 0.47%

LAB 87.03, -11.73, 86.55

 

CMYK 0 / 35 / 100 / 6

HEX #EF9C00

RGB 239 156 0

HSL 39.16, 1%, 0.47%

LAB 70.96, 21.92, 75.43

 

CMYK 73 / 0 / 100 / 6

HEX #40EF00

RGB 64 239 0

HSL 103.93, 1%, 0.47%

LAB 83.35, -76.88, 79.9

 

CMYK 100 / 0 / 100 / 6

HEX #00EF00

RGB 0 239 0

HSL 120, 1%, 0.47%

LAB 82.77, -82.06, 79.2

 

CMYK 100 / 0 / 73 / 6

HEX #00EF41

RGB 0 239 65

HSL 136.32, 1%, 0.47%

LAB 82.97, -79.43, 66.64

 

CMYK 100 / 0 / 46 / 6

HEX #00EF81

RGB 0 239 129

HSL 152.38, 1%, 0.47%

LAB 83.61, -71.55, 39.95

 

CMYK 100 / 0 / 19 / 6

HEX #00EFC2

RGB 0 239 194

HSL 168.7, 1%, 0.47%

LAB 84.81, -57.94, 8.42

 

CMYK 73 / 0 / 100 / 6

HEX #40EF00

RGB 64 239 0

HSL 103.93, 1%, 0.47%

LAB 83.35, -76.88, 79.9

 

CMYK 73 / 0 / 100 / 6

HEX #40EF00

RGB 64 239 0

HSL 103.93, 1%, 0.47%

LAB 83.35, -76.88, 79.9

 

CMYK 67 / 0 / 91 / 14

HEX #49DC13

RGB 73 220 19

HSL 103.88, 0.84%, 0.47%

LAB 77.67, -69.24, 73.49

 

CMYK 59 / 0 / 81 / 22

HEX #52C826

RGB 82 200 38

HSL 103.7, 0.68%, 0.47%

LAB 71.72, -59.96, 64.48

 

CMYK 50 / 0 / 68 / 29

HEX #5BB53A

RGB 91 181 58

HSL 103.9, 0.51%, 0.47%

LAB 66.2, -49.16, 52.3

 

CMYK 38 / 0 / 52 / 36

HEX #64A24D

RGB 100 162 77

HSL 103.76, 0.36%, 0.47%

LAB 60.86, -36.31, 37.68

 

CMYK 18 / 0 / 100 / 6

HEX #C3EF00

RGB 195 239 0

HSL 71.05, 1%, 0.47%

LAB 88.61, -38.39, 86.25

 

CMYK 45 / 0 / 100 / 6

HEX #83EF00

RGB 131 239 0

HSL 87.11, 1%, 0.47%

LAB 85.28, -61.15, 82.25

 

CMYK 72 / 0 / 100 / 6

HEX #43EF00

RGB 67 239 0

HSL 103.18, 1%, 0.47%

LAB 83.4, -76.4, 79.97

 

CMYK 99 / 0 / 100 / 6

HEX #03EF00

RGB 3 239 0

HSL 119.25, 1%, 0.47%

LAB 82.78, -81.96, 79.21

 

CMYK 100 / 0 / 75 / 6

HEX #00EF3B

RGB 0 239 59

HSL 134.81, 1%, 0.47%

LAB 82.94, -79.88, 68.58

 

CMYK 73 / 0 / 100 / 38

HEX #2A9D00

RGB 42 157 0

HSL 103.95, 1%, 0.31%

LAB 56.69, -55.62, 58.49

 

CMYK 73 / 0 / 100 / 22

HEX #35C600

RGB 53 198 0

HSL 103.94, 1%, 0.39%

LAB 70.28, -66.47, 69.4

 

CMYK 73 / 0 / 100 / 6

HEX #40EF00

RGB 64 239 0

HSL 103.93, 1%, 0.47%

LAB 83.35, -76.88, 79.9

 

CMYK 66 / 0 / 90 / 0

HEX #57FF19

RGB 87 255 25

HSL 103.83, 1%, 0.55%

LAB 88.74, -77.19, 82.04

 

CMYK 54 / 0 / 74 / 0

HEX #75FF43

RGB 117 255 67

HSL 104.04, 1%, 0.63%

LAB 89.72, -68.59, 73.34

 

CMYK 73 / 0 / 100 / 6

HEX #40EF00

RGB 64 239 0

HSL 103.93, 1%, 0.47%

LAB 83.35, -76.88, 79.9

 

CMYK 100 / 0 / 8 / 6

HEX #00EFDB

RGB 0 239 219

HSL 174.98, 1%, 0.47%

LAB 85.43, -51.42, -3.79

 

CMYK 0 / 100 / 32 / 6

HEX #EF00A3

RGB 239 0 163

HSL 319.08, 1%, 0.47%

LAB 52.94, 84.29, -20.04

 

CMYK 73 / 0 / 100 / 6

HEX #40EF00

RGB 64 239 0

HSL 103.93, 1%, 0.47%

LAB 83.35, -76.88, 79.9

 

CMYK 100 / 72 / 0 / 6

HEX #0043EF

RGB 0 67 239

HSL 223.18, 1%, 0.47%

LAB 38.28, 50.95, -88.9

 

CMYK 0 / 100 / 72 / 6

HEX #EF0043

RGB 239 0 67

HSL 343.18, 1%, 0.47%

LAB 50.4, 77.59, 34.36

 

CMYK 73 / 0 / 100 / 6

HEX #40EF00

RGB 64 239 0

HSL 103.93, 1%, 0.47%

LAB 83.35, -76.88, 79.9

 

CMYK 100 / 0 / 8 / 6

HEX #00EFDB

RGB 0 239 219

HSL 174.98, 1%, 0.47%

LAB 85.43, -51.42, -3.79

 

CMYK 28 / 100 / 0 / 6

HEX #AB00EF

RGB 171 0 239

HSL 282.93, 1%, 0.47%

LAB 45.48, 84.17, -76.57

 

CMYK 0 / 100 / 92 / 6

HEX #EF0013

RGB 239 0 19

HSL 355.23, 1%, 0.47%

LAB 49.98, 76.43, 58.59

 

CMYK 73 / 0 / 100 / 6

HEX #40EF00

RGB 64 239 0

HSL 103.93, 1%, 0.47%

LAB 83.35, -76.88, 79.9

 

CMYK 100 / 22 / 0 / 6

HEX #00BBEF

RGB 0 187 239

HSL 193.05, 1%, 0.47%

LAB 70.71, -21.11, -36.77

 

CMYK 28 / 100 / 0 / 6

HEX #AB00EF

RGB 171 0 239

HSL 282.93, 1%, 0.47%

LAB 45.48, 84.17, -76.57

 

CMYK 0 / 79 / 100 / 6

HEX #EF3300

RGB 239 51 0

HSL 12.8, 1%, 0.47%

LAB 52.64, 68.5, 65.05

 

Description

Color code: HEX #40EF00 | qconv.com Color code: HEX #40EF00 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 239 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 239 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 100 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 100% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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