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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40ECCD it is the complementary color #BF1332. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40ECCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40ECCD shade: #45ECC8, #56FEDB, #67FFEE, #78FFFF and #89FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40ECCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40ECCD shade: #40ECCD, #2FDABA, #1EC8A7, #0DB694 and #00A481

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40ECCD shade: #41ECCD, #41EC9F, #41EC71, #41EC43 and #6DEC41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40ECCD shade: #41ECCD, #41DDEC, #41AFEC, #4180EC and #4152EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40ECCD shade matches the following richer shades: #41ECCD and #30FDD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40ECCD shade: #41ECCD, #52DBC2, #63CAB8, #73B9AD and #84A9A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40ECCD shade: #41EC71, #41EC9F, #41ECCD, #41DEEC and #41B0EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40ECCD shade: #14C7A6, #1BE8C3, #41ECCD, #66F0D7 and #8CF4E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40ECCD shade: #40ECCD, #4441EC and #EC8841

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40ECCD shade: #40ECCD, #CD41EC and #ECCD41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40ECCD shade: #40ECCD, #4441EC, #EC4160 and #E9EC41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40ECCD shade: #40ECCD, #7741EC, #EC4160 and #B6EC41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 13 / 7

HEX #40ECCD

RGB 64 236 205

HSL 169.19, 0.82%, 0.59%

LAB 84.73, -49.98, 2.62

 

Complementary color

CMYK 0 / 90 / 74 / 25

HEX #BF1332

RGB 191 19 50

HSL 349.19, 0.82%, 0.41%

LAB 40.85, 63.31, 30.9

 

CMYK 71 / 0 / 15 / 7

HEX #45ECC8

RGB 69 236 200

HSL 167.07, 0.81%, 0.6%

LAB 84.7, -50.6, 5.21

 

CMYK 66 / 0 / 14 / 0

HEX #56FEDB

RGB 86 254 219

HSL 167.5, 0.99%, 0.67%

LAB 90.77, -51.1, 4.12

 

CMYK 60 / 0 / 7 / 0

HEX #67FFEE

RGB 103 255 238

HSL 173.29, 1%, 0.7%

LAB 91.94, -44.15, -3.96

 

CMYK 53 / 0 / 0 / 0

HEX #78FFFF

RGB 120 255 255

HSL 180, 1%, 0.74%

LAB 92.9, -36.79, -11.29

 

CMYK 46 / 0 / 0 / 0

HEX #89FFFF

RGB 137 255 255

HSL 180, 1%, 0.77%

LAB 93.48, -33.34, -10.37

 

CMYK 73 / 0 / 13 / 7

HEX #40ECCD

RGB 64 236 205

HSL 169.19, 0.82%, 0.59%

LAB 84.73, -49.98, 2.62

 

CMYK 78 / 0 / 15 / 15

HEX #2FDABA

RGB 47 218 186

HSL 168.77, 0.7%, 0.52%

LAB 78.63, -49.15, 3.8

 

CMYK 85 / 0 / 17 / 22

HEX #1EC8A7

RGB 30 200 167

HSL 168.35, 0.74%, 0.45%

LAB 72.48, -48.03, 5.09

 

CMYK 93 / 0 / 19 / 29

HEX #0DB694

RGB 13 182 148

HSL 167.93, 0.87%, 0.38%

LAB 66.27, -46.53, 6.52

 

CMYK 100 / 0 / 21 / 36

HEX #00A481

RGB 0 164 129

HSL 167.2, 1%, 0.32%

LAB 60.01, -44.61, 8.11

 

CMYK 72 / 0 / 13 / 7

HEX #41ECCD

RGB 65 236 205

HSL 169.12, 0.82%, 0.59%

LAB 84.75, -49.86, 2.65

 

CMYK 72 / 0 / 33 / 7

HEX #41EC9F

RGB 65 236 159

HSL 152.98, 0.82%, 0.59%

LAB 83.77, -60.29, 25.21

 

CMYK 72 / 0 / 52 / 7

HEX #41EC71

RGB 65 236 113

HSL 136.84, 0.82%, 0.59%

LAB 83.08, -68.14, 47.07

 

CMYK 72 / 0 / 72 / 7

HEX #41EC43

RGB 65 236 67

HSL 120.7, 0.82%, 0.59%

LAB 82.66, -73.16, 65.82

 

CMYK 54 / 0 / 72 / 7

HEX #6DEC41

RGB 109 236 65

HSL 104.56, 0.82%, 0.59%

LAB 83.77, -64.12, 68

 

CMYK 72 / 0 / 13 / 7

HEX #41ECCD

RGB 65 236 205

HSL 169.12, 0.82%, 0.59%

LAB 84.75, -49.86, 2.65

 

CMYK 72 / 6 / 0 / 7

HEX #41DDEC

RGB 65 221 236

HSL 185.26, 0.82%, 0.59%

LAB 81.23, -34.74, -18.97

 

CMYK 72 / 26 / 0 / 7

HEX #41AFEC

RGB 65 175 236

HSL 201.4, 0.82%, 0.59%

LAB 67.9, -11.47, -39.45

 

CMYK 72 / 46 / 0 / 7

HEX #4180EC

RGB 65 128 236

HSL 217.89, 0.82%, 0.59%

LAB 54.68, 15.89, -60.4

 

CMYK 72 / 65 / 0 / 7

HEX #4152EC

RGB 65 82 236

HSL 234.04, 0.82%, 0.59%

LAB 43.08, 44.38, -79.23

 

CMYK 72 / 0 / 13 / 7

HEX #41ECCD

RGB 65 236 205

HSL 169.12, 0.82%, 0.59%

LAB 84.75, -49.86, 2.65

 

CMYK 81 / 0 / 15 / 1

HEX #30FDD8

RGB 48 253 216

HSL 169.17, 0.98%, 0.59%

LAB 89.78, -55.76, 4.17

 

CMYK 72 / 0 / 13 / 7

HEX #41ECCD

RGB 65 236 205

HSL 169.12, 0.82%, 0.59%

LAB 84.75, -49.86, 2.65

 

CMYK 63 / 0 / 11 / 14

HEX #52DBC2

RGB 82 219 194

HSL 169.05, 0.66%, 0.59%

LAB 79.81, -42.88, 1.33

 

CMYK 51 / 0 / 9 / 21

HEX #63CAB8

RGB 99 202 184

HSL 169.51, 0.49%, 0.59%

LAB 75.05, -34.35, -0.19

 

CMYK 38 / 0 / 6 / 27

HEX #73B9AD

RGB 115 185 173

HSL 169.71, 0.33%, 0.59%

LAB 70.43, -24.83, -0.88

 

CMYK 22 / 0 / 4 / 34

HEX #84A9A2

RGB 132 169 162

HSL 168.65, 0.18%, 0.59%

LAB 66.44, -14.04, -0.53

 

CMYK 72 / 0 / 52 / 7

HEX #41EC71

RGB 65 236 113

HSL 136.84, 0.82%, 0.59%

LAB 83.08, -68.14, 47.07

 

CMYK 72 / 0 / 33 / 7

HEX #41EC9F

RGB 65 236 159

HSL 152.98, 0.82%, 0.59%

LAB 83.77, -60.29, 25.21

 

CMYK 72 / 0 / 13 / 7

HEX #41ECCD

RGB 65 236 205

HSL 169.12, 0.82%, 0.59%

LAB 84.75, -49.86, 2.65

 

CMYK 72 / 6 / 0 / 7

HEX #41DEEC

RGB 65 222 236

HSL 184.91, 0.82%, 0.59%

LAB 81.52, -35.21, -18.53

 

CMYK 72 / 25 / 0 / 7

HEX #41B0EC

RGB 65 176 236

HSL 201.05, 0.82%, 0.59%

LAB 68.19, -12.02, -39

 

CMYK 90 / 0 / 17 / 22

HEX #14C7A6

RGB 20 199 166

HSL 168.94, 0.82%, 0.43%

LAB 72.06, -48.49, 5.02

 

CMYK 88 / 0 / 16 / 9

HEX #1BE8C3

RGB 27 232 195

HSL 169.17, 0.82%, 0.51%

LAB 82.85, -54.04, 5.1

 

CMYK 72 / 0 / 13 / 7

HEX #41ECCD

RGB 65 236 205

HSL 169.12, 0.82%, 0.59%

LAB 84.75, -49.86, 2.65

 

CMYK 58 / 0 / 10 / 6

HEX #66F0D7

RGB 102 240 215

HSL 169.13, 0.82%, 0.67%

LAB 87.02, -43.4, 0.81

 

CMYK 43 / 0 / 8 / 4

HEX #8CF4E1

RGB 140 244 225

HSL 169.04, 0.83%, 0.75%

LAB 89.73, -34.67, -0.31

 

CMYK 73 / 0 / 13 / 7

HEX #40ECCD

RGB 64 236 205

HSL 169.19, 0.82%, 0.59%

LAB 84.73, -49.98, 2.62

 

CMYK 71 / 72 / 0 / 7

HEX #4441EC

RGB 68 65 236

HSL 241.05, 0.82%, 0.59%

LAB 39.69, 54.42, -84.8

 

CMYK 0 / 42 / 72 / 7

HEX #EC8841

RGB 236 136 65

HSL 24.91, 0.82%, 0.59%

LAB 66.38, 32.71, 53.09

 

CMYK 73 / 0 / 13 / 7

HEX #40ECCD

RGB 64 236 205

HSL 169.19, 0.82%, 0.59%

LAB 84.73, -49.98, 2.62

 

CMYK 13 / 72 / 0 / 7

HEX #CD41EC

RGB 205 65 236

HSL 289.12, 0.82%, 0.59%

LAB 54.88, 75.94, -59.41

 

CMYK 0 / 13 / 72 / 7

HEX #ECCD41

RGB 236 205 65

HSL 49.12, 0.82%, 0.59%

LAB 82.85, -3.49, 69.67

 

CMYK 73 / 0 / 13 / 7

HEX #40ECCD

RGB 64 236 205

HSL 169.19, 0.82%, 0.59%

LAB 84.73, -49.98, 2.62

 

CMYK 71 / 72 / 0 / 7

HEX #4441EC

RGB 68 65 236

HSL 241.05, 0.82%, 0.59%

LAB 39.69, 54.42, -84.8

 

CMYK 0 / 72 / 59 / 7

HEX #EC4160

RGB 236 65 96

HSL 349.12, 0.82%, 0.59%

LAB 54.51, 66.33, 22.17

 

CMYK 1 / 0 / 72 / 7

HEX #E9EC41

RGB 233 236 65

HSL 61.05, 0.82%, 0.59%

LAB 90.64, -20.15, 77.03

 

CMYK 73 / 0 / 13 / 7

HEX #40ECCD

RGB 64 236 205

HSL 169.19, 0.82%, 0.59%

LAB 84.73, -49.98, 2.62

 

CMYK 50 / 72 / 0 / 7

HEX #7741EC

RGB 119 65 236

HSL 258.95, 0.82%, 0.59%

LAB 43.88, 60.68, -77.76

 

CMYK 0 / 72 / 59 / 7

HEX #EC4160

RGB 236 65 96

HSL 349.12, 0.82%, 0.59%

LAB 54.51, 66.33, 22.17

 

CMYK 23 / 0 / 72 / 7

HEX #B6EC41

RGB 182 236 65

HSL 78.95, 0.82%, 0.59%

LAB 87.15, -40.35, 72.47

 

Description

Color code: HEX #40ECCD | qconv.com Color code: HEX #40ECCD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 236 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 236 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 13 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 13% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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