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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40ECBA it is the complementary color #BF1345. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40ECBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40ECBA shade: #45ECB5, #56FEC8, #67FFDB, #78FFEE and #89FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40ECBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40ECBA shade: #40ECBA, #2FDAA7, #1EC894, #0DB681 and #00A46E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40ECBA shade: #41ECBA, #41EC8C, #41EC5E, #52EC41 and #80EC41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40ECBA shade: #41ECBA, #41ECE9, #41C2EC, #4193EC and #4165EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40ECBA shade matches the following richer shades: #41ECBA and #30FDC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40ECBA shade: #41ECBA, #52DBB3, #63CAAC, #73B9A5 and #84A99E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40ECBA shade: #41EC5D, #41EC8B, #41ECB9, #41ECE6 and #41C4EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40ECBA shade: #14C793, #1BE8AD, #41ECBA, #66F0C8 and #8CF4D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40ECBA shade: #40ECBA, #4152EC and #EC7441

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40ECBA shade: #40ECBA, #B941EC and #ECB941

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40ECBA shade: #40ECBA, #4152EC, #EC4174 and #ECDB41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40ECBA shade: #40ECBA, #6341EC, #EC4174 and #CAEC41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 21 / 7

HEX #40ECBA

RGB 64 236 186

HSL 162.56, 0.82%, 0.59%

LAB 84.29, -54.58, 11.94

 

Complementary color

CMYK 0 / 90 / 64 / 25

HEX #BF1345

RGB 191 19 69

HSL 342.56, 0.82%, 0.41%

LAB 41.17, 64.21, 19.46

 

CMYK 71 / 0 / 23 / 7

HEX #45ECB5

RGB 69 236 181

HSL 160.24, 0.81%, 0.6%

LAB 84.27, -55.07, 14.54

 

CMYK 66 / 0 / 21 / 0

HEX #56FEC8

RGB 86 254 200

HSL 160.71, 0.99%, 0.67%

LAB 90.34, -55.52, 13.32

 

CMYK 60 / 0 / 14 / 0

HEX #67FFDB

RGB 103 255 219

HSL 165.79, 1%, 0.7%

LAB 91.47, -48.75, 5.19

 

CMYK 53 / 0 / 7 / 0

HEX #78FFEE

RGB 120 255 238

HSL 172.44, 1%, 0.74%

LAB 92.44, -41.02, -3.17

 

CMYK 46 / 0 / 0 / 0

HEX #89FFFF

RGB 137 255 255

HSL 180, 1%, 0.77%

LAB 93.48, -33.34, -10.37

 

CMYK 73 / 0 / 21 / 7

HEX #40ECBA

RGB 64 236 186

HSL 162.56, 0.82%, 0.59%

LAB 84.29, -54.58, 11.94

 

CMYK 78 / 0 / 23 / 15

HEX #2FDAA7

RGB 47 218 167

HSL 162.11, 0.7%, 0.52%

LAB 78.19, -53.8, 13.27

 

CMYK 85 / 0 / 26 / 22

HEX #1EC894

RGB 30 200 148

HSL 161.65, 0.74%, 0.45%

LAB 72.04, -52.71, 14.72

 

CMYK 93 / 0 / 29 / 29

HEX #0DB681

RGB 13 182 129

HSL 161.18, 0.87%, 0.38%

LAB 65.85, -51.21, 16.32

 

CMYK 100 / 0 / 33 / 36

HEX #00A46E

RGB 0 164 110

HSL 160.24, 1%, 0.32%

LAB 59.6, -49.25, 18.09

 

CMYK 72 / 0 / 21 / 7

HEX #41ECBA

RGB 65 236 186

HSL 162.46, 0.82%, 0.59%

LAB 84.31, -54.45, 11.97

 

CMYK 72 / 0 / 41 / 7

HEX #41EC8C

RGB 65 236 140

HSL 146.32, 0.82%, 0.59%

LAB 83.45, -63.87, 34.42

 

CMYK 72 / 0 / 60 / 7

HEX #41EC5E

RGB 65 236 94

HSL 130.18, 0.82%, 0.59%

LAB 82.87, -70.56, 55.4

 

CMYK 65 / 0 / 72 / 7

HEX #52EC41

RGB 82 236 65

HSL 114.04, 0.82%, 0.59%

LAB 83, -70.31, 66.97

 

CMYK 46 / 0 / 72 / 7

HEX #80EC41

RGB 128 236 65

HSL 97.89, 0.82%, 0.59%

LAB 84.46, -58.8, 68.92

 

CMYK 72 / 0 / 21 / 7

HEX #41ECBA

RGB 65 236 186

HSL 162.46, 0.82%, 0.59%

LAB 84.31, -54.45, 11.97

 

CMYK 72 / 0 / 1 / 7

HEX #41ECE9

RGB 65 236 233

HSL 178.95, 0.82%, 0.59%

LAB 85.5, -42.45, -10.97

 

CMYK 72 / 18 / 0 / 7

HEX #41C2EC

RGB 65 194 236

HSL 194.74, 0.82%, 0.59%

LAB 73.39, -21.51, -30.94

 

CMYK 72 / 38 / 0 / 7

HEX #4193EC

RGB 65 147 236

HSL 211.23, 0.82%, 0.59%

LAB 59.93, 4.42, -52.01

 

CMYK 72 / 57 / 0 / 7

HEX #4165EC

RGB 65 101 236

HSL 227.37, 0.82%, 0.59%

LAB 47.61, 32.7, -71.84

 

CMYK 72 / 0 / 21 / 7

HEX #41ECBA

RGB 65 236 186

HSL 162.46, 0.82%, 0.59%

LAB 84.31, -54.45, 11.97

 

CMYK 81 / 0 / 24 / 1

HEX #30FDC1

RGB 48 253 193

HSL 162.44, 0.98%, 0.59%

LAB 89.27, -61.26, 15.32

 

CMYK 72 / 0 / 21 / 7

HEX #41ECBA

RGB 65 236 186

HSL 162.46, 0.82%, 0.59%

LAB 84.31, -54.45, 11.97

 

CMYK 63 / 0 / 18 / 14

HEX #52DBB3

RGB 82 219 179

HSL 162.48, 0.66%, 0.59%

LAB 79.45, -46.51, 8.79

 

CMYK 51 / 0 / 15 / 21

HEX #63CAAC

RGB 99 202 172

HSL 162.52, 0.49%, 0.59%

LAB 74.74, -37.21, 5.85

 

CMYK 38 / 0 / 11 / 27

HEX #73B9A5

RGB 115 185 165

HSL 162.86, 0.33%, 0.59%

LAB 70.22, -26.68, 3.2

 

CMYK 22 / 0 / 7 / 34

HEX #84A99E

RGB 132 169 158

HSL 162.16, 0.18%, 0.59%

LAB 66.33, -14.9, 1.54

 

CMYK 72 / 0 / 61 / 7

HEX #41EC5D

RGB 65 236 93

HSL 129.82, 0.82%, 0.59%

LAB 82.86, -70.67, 55.82

 

CMYK 72 / 0 / 41 / 7

HEX #41EC8B

RGB 65 236 139

HSL 145.96, 0.82%, 0.59%

LAB 83.43, -64.04, 34.9

 

CMYK 72 / 0 / 22 / 7

HEX #41ECB9

RGB 65 236 185

HSL 162.11, 0.82%, 0.59%

LAB 84.29, -54.68, 12.46

 

CMYK 72 / 0 / 3 / 7

HEX #41ECE6

RGB 65 236 230

HSL 177.89, 0.82%, 0.59%

LAB 85.42, -43.28, -9.52

 

CMYK 72 / 17 / 0 / 7

HEX #41C4EC

RGB 65 196 236

HSL 194.04, 0.82%, 0.59%

LAB 73.97, -22.53, -30.04

 

CMYK 90 / 0 / 26 / 22

HEX #14C793

RGB 20 199 147

HSL 162.57, 0.82%, 0.43%

LAB 71.62, -53.21, 14.66

 

CMYK 88 / 0 / 25 / 9

HEX #1BE8AD

RGB 27 232 173

HSL 162.73, 0.82%, 0.51%

LAB 82.36, -59.37, 15.95

 

CMYK 72 / 0 / 21 / 7

HEX #41ECBA

RGB 65 236 186

HSL 162.46, 0.82%, 0.59%

LAB 84.31, -54.45, 11.97

 

CMYK 58 / 0 / 17 / 6

HEX #66F0C8

RGB 102 240 200

HSL 162.61, 0.82%, 0.67%

LAB 86.66, -46.93, 8.13

 

CMYK 43 / 0 / 13 / 4

HEX #8CF4D5

RGB 140 244 213

HSL 162.12, 0.83%, 0.75%

LAB 89.43, -37.34, 5.51

 

CMYK 73 / 0 / 21 / 7

HEX #40ECBA

RGB 64 236 186

HSL 162.56, 0.82%, 0.59%

LAB 84.29, -54.58, 11.94

 

CMYK 72 / 65 / 0 / 7

HEX #4152EC

RGB 65 82 236

HSL 234.04, 0.82%, 0.59%

LAB 43.08, 44.38, -79.23

 

CMYK 0 / 51 / 72 / 7

HEX #EC7441

RGB 236 116 65

HSL 17.89, 0.82%, 0.59%

LAB 62.26, 42.89, 48.7

 

CMYK 73 / 0 / 21 / 7

HEX #40ECBA

RGB 64 236 186

HSL 162.56, 0.82%, 0.59%

LAB 84.29, -54.58, 11.94

 

CMYK 22 / 72 / 0 / 7

HEX #B941EC

RGB 185 65 236

HSL 282.11, 0.82%, 0.59%

LAB 52.01, 72.07, -64.18

 

CMYK 0 / 22 / 72 / 7

HEX #ECB941

RGB 236 185 65

HSL 42.11, 0.82%, 0.59%

LAB 77.82, 6.86, 64.75

 

CMYK 73 / 0 / 21 / 7

HEX #40ECBA

RGB 64 236 186

HSL 162.56, 0.82%, 0.59%

LAB 84.29, -54.58, 11.94

 

CMYK 72 / 65 / 0 / 7

HEX #4152EC

RGB 65 82 236

HSL 234.04, 0.82%, 0.59%

LAB 43.08, 44.38, -79.23

 

CMYK 0 / 72 / 51 / 7

HEX #EC4174

RGB 236 65 116

HSL 342.11, 0.82%, 0.59%

LAB 54.94, 67.76, 10.85

 

CMYK 0 / 7 / 72 / 7

HEX #ECDB41

RGB 236 219 65

HSL 54.04, 0.82%, 0.59%

LAB 86.44, -10.57, 73.13

 

CMYK 73 / 0 / 21 / 7

HEX #40ECBA

RGB 64 236 186

HSL 162.56, 0.82%, 0.59%

LAB 84.29, -54.58, 11.94

 

CMYK 58 / 72 / 0 / 7

HEX #6341EC

RGB 99 65 236

HSL 251.93, 0.82%, 0.59%

LAB 41.98, 57.88, -80.95

 

CMYK 0 / 72 / 51 / 7

HEX #EC4174

RGB 236 65 116

HSL 342.11, 0.82%, 0.59%

LAB 54.94, 67.76, 10.85

 

CMYK 14 / 0 / 72 / 7

HEX #CAEC41

RGB 202 236 65

HSL 71.93, 0.82%, 0.59%

LAB 88.41, -32.63, 74.13

 

Description

Color code: HEX #40ECBA | qconv.com Color code: HEX #40ECBA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 236 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 236 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 21 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 21% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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