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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40CDB0 it is the complementary color #BF324F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40CDB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40CDB0 shade: #45CDAB, #56DFBE, #67F1D1, #78FFE4 and #89FFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40CDB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40CDB0 shade: #40CDB0, #2FBB9D, #1EA98A, #0D9777 and #008564

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40CDB0 shade: #40CDB0, #40CD8A, #40CD64, #42CD40 and #68CD40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40CDB0 shade: #40CDB0, #40C4CD, #409ECD, #4078CD and #4052CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40CDB0 shade matches the following richer shades: #40CDB0, #2DE1BC and #19F4C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40CDB0 shade: #40CDB0, #53BAA5, #67A799, #7A938E and #8E8083

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40CDB0 shade: #40CD63, #40CD89, #40CDAF, #40C6CD and #40A1CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40CDB0 shade: #26957E, #2EB69A, #40CDB0, #61D6BE and #82DECB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40CDB0 shade: #40CDB0, #4042CD and #CD7640

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40CDB0 shade: #40CDB0, #AF40CD and #CDAF40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40CDB0 shade: #40CDB0, #4042CD, #CD405F and #CDCB40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40CDB0 shade: #40CDB0, #6840CD, #CD405F and #A5CD40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 14 / 20

HEX #40CDB0

RGB 64 205 176

HSL 167.66, 0.59%, 0.53%

LAB 74.75, -44.14, 3.58

 

Complementary color

CMYK 0 / 74 / 59 / 25

HEX #BF324F

RGB 191 50 79

HSL 347.66, 0.59%, 0.47%

LAB 44.12, 57.05, 17.13

 

CMYK 66 / 0 / 17 / 20

HEX #45CDAB

RGB 69 205 171

HSL 165, 0.58%, 0.54%

LAB 74.74, -44.62, 6.27

 

CMYK 61 / 0 / 15 / 13

HEX #56DFBE

RGB 86 223 190

HSL 165.55, 0.68%, 0.61%

LAB 81, -44.92, 5.19

 

CMYK 57 / 0 / 13 / 5

HEX #67F1D1

RGB 103 241 209

HSL 166.09, 0.83%, 0.67%

LAB 87.19, -45.08, 4.2

 

CMYK 53 / 0 / 11 / 0

HEX #78FFE4

RGB 120 255 228

HSL 168, 1%, 0.74%

LAB 92.18, -43.41, 1.63

 

CMYK 46 / 0 / 3 / 0

HEX #89FFF7

RGB 137 255 247

HSL 175.93, 1%, 0.77%

LAB 93.26, -35.29, -6.56

 

CMYK 69 / 0 / 14 / 20

HEX #40CDB0

RGB 64 205 176

HSL 167.66, 0.59%, 0.53%

LAB 74.75, -44.14, 3.58

 

CMYK 75 / 0 / 16 / 27

HEX #2FBB9D

RGB 47 187 157

HSL 167.14, 0.6%, 0.46%

LAB 68.45, -43.51, 4.75

 

CMYK 82 / 0 / 18 / 34

HEX #1EA98A

RGB 30 169 138

HSL 166.62, 0.7%, 0.39%

LAB 62.07, -42.58, 6.06

 

CMYK 91 / 0 / 21 / 41

HEX #0D9777

RGB 13 151 119

HSL 166.09, 0.84%, 0.32%

LAB 55.64, -41.22, 7.53

 

CMYK 100 / 0 / 25 / 48

HEX #008564

RGB 0 133 100

HSL 165.11, 1%, 0.26%

LAB 49.12, -39.37, 9.2

 

CMYK 69 / 0 / 14 / 20

HEX #40CDB0

RGB 64 205 176

HSL 167.66, 0.59%, 0.53%

LAB 74.75, -44.14, 3.58

 

CMYK 69 / 0 / 33 / 20

HEX #40CD8A

RGB 64 205 138

HSL 151.49, 0.59%, 0.53%

LAB 73.93, -52.82, 22.72

 

CMYK 69 / 0 / 51 / 20

HEX #40CD64

RGB 64 205 100

HSL 135.32, 0.59%, 0.53%

LAB 73.33, -59.46, 41.31

 

CMYK 68 / 0 / 69 / 20

HEX #42CD40

RGB 66 205 64

HSL 119.15, 0.59%, 0.53%

LAB 73.02, -63.32, 56.91

 

CMYK 49 / 0 / 69 / 20

HEX #68CD40

RGB 104 205 64

HSL 102.98, 0.59%, 0.53%

LAB 74.17, -54.16, 58.48

 

CMYK 69 / 0 / 14 / 20

HEX #40CDB0

RGB 64 205 176

HSL 167.66, 0.59%, 0.53%

LAB 74.75, -44.14, 3.58

 

CMYK 69 / 4 / 0 / 20

HEX #40C4CD

RGB 64 196 205

HSL 183.83, 0.59%, 0.53%

LAB 72.88, -32.12, -14.91

 

CMYK 69 / 23 / 0 / 20

HEX #409ECD

RGB 64 158 205

HSL 200, 0.59%, 0.53%

LAB 61.61, -12.64, -32.14

 

CMYK 69 / 41 / 0 / 20

HEX #4078CD

RGB 64 120 205

HSL 216.17, 0.59%, 0.53%

LAB 50.61, 9.56, -49.46

 

CMYK 69 / 60 / 0 / 20

HEX #4052CD

RGB 64 82 205

HSL 232.34, 0.59%, 0.53%

LAB 40.46, 33.57, -65.82

 

CMYK 69 / 0 / 14 / 20

HEX #40CDB0

RGB 64 205 176

HSL 167.66, 0.59%, 0.53%

LAB 74.75, -44.14, 3.58

 

CMYK 80 / 0 / 16 / 12

HEX #2DE1BC

RGB 45 225 188

HSL 167.67, 0.75%, 0.53%

LAB 80.76, -51.71, 5.8

 

CMYK 90 / 0 / 18 / 4

HEX #19F4C7

RGB 25 244 199

HSL 167.67, 0.91%, 0.53%

LAB 86.52, -57.88, 8.28

 

CMYK 69 / 0 / 14 / 20

HEX #40CDB0

RGB 64 205 176

HSL 167.66, 0.59%, 0.53%

LAB 74.75, -44.14, 3.58

 

CMYK 55 / 0 / 11 / 27

HEX #53BAA5

RGB 83 186 165

HSL 167.77, 0.43%, 0.53%

LAB 69.24, -35.03, 1.62

 

CMYK 38 / 0 / 8 / 35

HEX #67A799

RGB 103 167 153

HSL 166.88, 0.27%, 0.53%

LAB 64.02, -23.85, 0.76

 

CMYK 17 / 0 / 3 / 42

HEX #7A938E

RGB 122 147 142

HSL 168, 0.1%, 0.53%

LAB 58.94, -9.88, -0.31

 

CMYK 0 / 10 / 8 / 44

HEX #8E8083

RGB 142 128 131

HSL 347.14, 0.06%, 0.53%

LAB 54.89, 5.87, 0.31

 

CMYK 69 / 0 / 52 / 20

HEX #40CD63

RGB 64 205 99

HSL 134.89, 0.59%, 0.53%

LAB 73.32, -59.6, 41.78

 

CMYK 69 / 0 / 33 / 20

HEX #40CD89

RGB 64 205 137

HSL 151.06, 0.59%, 0.53%

LAB 73.91, -53.02, 23.22

 

CMYK 69 / 0 / 15 / 20

HEX #40CDAF

RGB 64 205 175

HSL 167.23, 0.59%, 0.53%

LAB 74.73, -44.39, 4.08

 

CMYK 69 / 3 / 0 / 20

HEX #40C6CD

RGB 64 198 205

HSL 182.98, 0.59%, 0.53%

LAB 73.47, -33.07, -14.02

 

CMYK 69 / 21 / 0 / 20

HEX #40A1CD

RGB 64 161 205

HSL 198.72, 0.59%, 0.53%

LAB 62.5, -14.28, -30.76

 

CMYK 74 / 0 / 15 / 42

HEX #26957E

RGB 38 149 126

HSL 167.57, 0.59%, 0.37%

LAB 55.5, -36.1, 3.38

 

CMYK 75 / 0 / 15 / 29

HEX #2EB69A

RGB 46 182 154

HSL 167.65, 0.6%, 0.45%

LAB 66.8, -42.25, 4.03

 

CMYK 69 / 0 / 14 / 20

HEX #40CDB0

RGB 64 205 176

HSL 167.66, 0.59%, 0.53%

LAB 74.75, -44.14, 3.58

 

CMYK 55 / 0 / 11 / 16

HEX #61D6BE

RGB 97 214 190

HSL 167.69, 0.59%, 0.61%

LAB 78.67, -38.83, 1.85

 

CMYK 41 / 0 / 9 / 13

HEX #82DECB

RGB 130 222 203

HSL 167.61, 0.58%, 0.69%

LAB 82.54, -31.87, 0.72

 

CMYK 69 / 0 / 14 / 20

HEX #40CDB0

RGB 64 205 176

HSL 167.66, 0.59%, 0.53%

LAB 74.75, -44.14, 3.58

 

CMYK 69 / 68 / 0 / 20

HEX #4042CD

RGB 64 66 205

HSL 239.15, 0.59%, 0.53%

LAB 36.73, 43.4, -71.93

 

CMYK 0 / 42 / 69 / 20

HEX #CD7640

RGB 205 118 64

HSL 22.98, 0.59%, 0.53%

LAB 58.33, 29.55, 43.65

 

CMYK 69 / 0 / 14 / 20

HEX #40CDB0

RGB 64 205 176

HSL 167.66, 0.59%, 0.53%

LAB 74.75, -44.14, 3.58

 

CMYK 15 / 69 / 0 / 20

HEX #AF40CD

RGB 175 64 205

HSL 287.23, 0.59%, 0.53%

LAB 48.5, 64.43, -52.28

 

CMYK 0 / 15 / 69 / 20

HEX #CDAF40

RGB 205 175 64

HSL 47.23, 0.59%, 0.53%

LAB 72.23, -1.21, 58.53

 

CMYK 69 / 0 / 14 / 20

HEX #40CDB0

RGB 64 205 176

HSL 167.66, 0.59%, 0.53%

LAB 74.75, -44.14, 3.58

 

CMYK 69 / 68 / 0 / 20

HEX #4042CD

RGB 64 66 205

HSL 239.15, 0.59%, 0.53%

LAB 36.73, 43.4, -71.93

 

CMYK 0 / 69 / 54 / 20

HEX #CD405F

RGB 205 64 95

HSL 346.81, 0.59%, 0.53%

LAB 48.85, 57.38, 14.18

 

CMYK 0 / 1 / 69 / 20

HEX #CDCB40

RGB 205 203 64

HSL 59.15, 0.59%, 0.53%

LAB 79.65, -15.61, 66

 

CMYK 69 / 0 / 14 / 20

HEX #40CDB0

RGB 64 205 176

HSL 167.66, 0.59%, 0.53%

LAB 74.75, -44.14, 3.58

 

CMYK 49 / 69 / 0 / 20

HEX #6840CD

RGB 104 64 205

HSL 257.02, 0.59%, 0.53%

LAB 39.61, 50.39, -67.09

 

CMYK 0 / 69 / 54 / 20

HEX #CD405F

RGB 205 64 95

HSL 346.81, 0.59%, 0.53%

LAB 48.85, 57.38, 14.18

 

CMYK 20 / 0 / 69 / 20

HEX #A5CD40

RGB 165 205 64

HSL 77.02, 0.59%, 0.53%

LAB 77.3, -32.93, 62.69

 

Description

Color code: HEX #40CDB0 | qconv.com Color code: HEX #40CDB0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 205 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 205 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 14 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 14% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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