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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40C797 it is the complementary color #BF3868. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40C797. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40C797 shade: #45C792, #56D9A5, #67EBB8, #78FDCB and #89FFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40C797. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40C797 shade: #40C797, #2FB584, #1EA371, #0D915E and #007F4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40C797 shade: #41C898, #41C874, #41C84F, #57C841 and #7CC841

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40C797 shade: #41C898, #41C8BC, #41AFC8, #418BC8 and #4167C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40C797 shade matches the following richer shades: #41C898, #2DDC9E and #1AF0A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40C797 shade: #41C898, #55B492, #69A08D, #7D8D87 and #907981

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40C797 shade: #41C84F, #41C873, #41C897, #41C8BA and #41B1C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40C797 shade: #298E6A, #32AE82, #41C898, #61D1A9 and #81DABB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40C797 shade: #40C797, #4158C8 and #C86141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40C797 shade: #40C797, #9741C8 and #C89741

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40C797 shade: #40C797, #4158C8, #C84173 and #C8B141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40C797 shade: #40C797, #5341C8, #C84173 and #B6C841

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 24 / 22

HEX #40C797

RGB 64 199 151

HSL 158.67, 0.55%, 0.52%

LAB 72.34, -47.61, 13.61

 

Complementary color

CMYK 0 / 71 / 46 / 25

HEX #BF3868

RGB 191 56 104

HSL 338.67, 0.55%, 0.48%

LAB 45.5, 56.96, 3.59

 

CMYK 65 / 0 / 27 / 22

HEX #45C792

RGB 69 199 146

HSL 155.54, 0.54%, 0.53%

LAB 72.35, -47.88, 16.32

 

CMYK 60 / 0 / 24 / 15

HEX #56D9A5

RGB 86 217 165

HSL 156.18, 0.63%, 0.59%

LAB 78.65, -48.08, 15.08

 

CMYK 56 / 0 / 22 / 8

HEX #67EBB8

RGB 103 235 184

HSL 156.82, 0.77%, 0.66%

LAB 84.87, -48.15, 13.94

 

CMYK 53 / 0 / 20 / 1

HEX #78FDCB

RGB 120 253 203

HSL 157.44, 0.97%, 0.73%

LAB 91.03, -48.13, 12.89

 

CMYK 46 / 0 / 13 / 0

HEX #89FFDE

RGB 137 255 222

HSL 163.22, 1%, 0.77%

LAB 92.62, -41.06, 5.44

 

CMYK 68 / 0 / 24 / 22

HEX #40C797

RGB 64 199 151

HSL 158.67, 0.55%, 0.52%

LAB 72.34, -47.61, 13.61

 

CMYK 74 / 0 / 27 / 29

HEX #2FB584

RGB 47 181 132

HSL 158.06, 0.59%, 0.45%

LAB 66, -47.08, 14.96

 

CMYK 82 / 0 / 31 / 36

HEX #1EA371

RGB 30 163 113

HSL 157.44, 0.69%, 0.38%

LAB 59.58, -46.23, 16.46

 

CMYK 91 / 0 / 35 / 43

HEX #0D915E

RGB 13 145 94

HSL 156.82, 0.84%, 0.31%

LAB 53.11, -44.89, 18.15

 

CMYK 100 / 0 / 41 / 50

HEX #007F4B

RGB 0 127 75

HSL 155.43, 1%, 0.25%

LAB 46.56, -42.96, 20.05

 

CMYK 68 / 0 / 24 / 22

HEX #41C898

RGB 65 200 152

HSL 158.67, 0.55%, 0.52%

LAB 72.69, -47.63, 13.57

 

CMYK 68 / 0 / 42 / 22

HEX #41C874

RGB 65 200 116

HSL 142.67, 0.55%, 0.52%

LAB 72.02, -54.89, 31.65

 

CMYK 68 / 0 / 61 / 22

HEX #41C84F

RGB 65 200 79

HSL 126.22, 0.55%, 0.52%

LAB 71.55, -60.28, 49.01

 

CMYK 57 / 0 / 68 / 22

HEX #57C841

RGB 87 200 65

HSL 110.22, 0.55%, 0.52%

LAB 72.04, -56.83, 55.65

 

CMYK 38 / 0 / 68 / 22

HEX #7CC841

RGB 124 200 65

HSL 93.78, 0.55%, 0.52%

LAB 73.53, -45.77, 57.68

 

CMYK 68 / 0 / 24 / 22

HEX #41C898

RGB 65 200 152

HSL 158.67, 0.55%, 0.52%

LAB 72.69, -47.63, 13.57

 

CMYK 68 / 0 / 6 / 22

HEX #41C8BC

RGB 65 200 188

HSL 174.67, 0.55%, 0.52%

LAB 73.59, -38.63, -4.61

 

CMYK 68 / 13 / 0 / 22

HEX #41AFC8

RGB 65 175 200

HSL 191.11, 0.55%, 0.52%

LAB 66.48, -23.1, -21.85

 

CMYK 68 / 31 / 0 / 22

HEX #418BC8

RGB 65 139 200

HSL 207.11, 0.55%, 0.52%

LAB 55.85, -3.44, -38.33

 

CMYK 68 / 49 / 0 / 22

HEX #4167C8

RGB 65 103 200

HSL 223.11, 0.55%, 0.52%

LAB 45.63, 18.58, -54.57

 

CMYK 68 / 0 / 24 / 22

HEX #41C898

RGB 65 200 152

HSL 158.67, 0.55%, 0.52%

LAB 72.69, -47.63, 13.57

 

CMYK 80 / 0 / 28 / 14

HEX #2DDC9E

RGB 45 220 158

HSL 158.74, 0.71%, 0.52%

LAB 78.59, -56.82, 18.56

 

CMYK 89 / 0 / 32 / 6

HEX #1AF0A4

RGB 26 240 164

HSL 158.69, 0.88%, 0.52%

LAB 84.6, -64.34, 23.71

 

CMYK 68 / 0 / 24 / 22

HEX #41C898

RGB 65 200 152

HSL 158.67, 0.55%, 0.52%

LAB 72.69, -47.63, 13.57

 

CMYK 53 / 0 / 19 / 29

HEX #55B492

RGB 85 180 146

HSL 158.53, 0.39%, 0.52%

LAB 67.01, -36.37, 8.87

 

CMYK 34 / 0 / 12 / 37

HEX #69A08D

RGB 105 160 141

HSL 159.27, 0.22%, 0.52%

LAB 61.71, -22.47, 4.16

 

CMYK 11 / 0 / 4 / 45

HEX #7D8D87

RGB 125 141 135

HSL 157.5, 0.07%, 0.52%

LAB 57.23, -7.01, 1.23

 

CMYK 0 / 16 / 10 / 44

HEX #907981

RGB 144 121 129

HSL 339.13, 0.09%, 0.52%

LAB 53.16, 10.31, -1.05

 

CMYK 68 / 0 / 61 / 22

HEX #41C84F

RGB 65 200 79

HSL 126.22, 0.55%, 0.52%

LAB 71.55, -60.28, 49.01

 

CMYK 68 / 0 / 43 / 22

HEX #41C873

RGB 65 200 115

HSL 142.22, 0.55%, 0.52%

LAB 72.01, -55.06, 32.14

 

CMYK 68 / 0 / 25 / 22

HEX #41C897

RGB 65 200 151

HSL 158.22, 0.55%, 0.52%

LAB 72.67, -47.86, 14.07

 

CMYK 68 / 0 / 7 / 22

HEX #41C8BA

RGB 65 200 186

HSL 173.78, 0.55%, 0.52%

LAB 73.53, -39.17, -3.61

 

CMYK 68 / 12 / 0 / 22

HEX #41B1C8

RGB 65 177 200

HSL 190.22, 0.55%, 0.52%

LAB 67.08, -24.12, -20.95

 

CMYK 71 / 0 / 25 / 44

HEX #298E6A

RGB 41 142 106

HSL 158.61, 0.55%, 0.36%

LAB 52.79, -37.67, 10.99

 

CMYK 71 / 0 / 25 / 32

HEX #32AE82

RGB 50 174 130

HSL 158.71, 0.55%, 0.44%

LAB 63.8, -44.23, 13

 

CMYK 68 / 0 / 24 / 22

HEX #41C898

RGB 65 200 152

HSL 158.67, 0.55%, 0.52%

LAB 72.69, -47.63, 13.57

 

CMYK 54 / 0 / 19 / 18

HEX #61D1A9

RGB 97 209 169

HSL 158.57, 0.55%, 0.6%

LAB 76.68, -41.48, 10.23

 

CMYK 41 / 0 / 14 / 15

HEX #81DABB

RGB 129 218 187

HSL 159.1, 0.55%, 0.68%

LAB 80.96, -33.81, 6.92

 

CMYK 68 / 0 / 24 / 22

HEX #40C797

RGB 64 199 151

HSL 158.67, 0.55%, 0.52%

LAB 72.34, -47.61, 13.61

 

CMYK 68 / 56 / 0 / 22

HEX #4158C8

RGB 65 88 200

HSL 229.78, 0.55%, 0.52%

LAB 41.65, 28.14, -61.01

 

CMYK 0 / 52 / 68 / 22

HEX #C86141

RGB 200 97 65

HSL 14.22, 0.55%, 0.52%

LAB 53.18, 38.61, 37.06

 

CMYK 68 / 0 / 24 / 22

HEX #40C797

RGB 64 199 151

HSL 158.67, 0.55%, 0.52%

LAB 72.34, -47.61, 13.61

 

CMYK 25 / 68 / 0 / 22

HEX #9741C8

RGB 151 65 200

HSL 278.22, 0.55%, 0.52%

LAB 44.98, 57.83, -55.22

 

CMYK 0 / 25 / 68 / 22

HEX #C89741

RGB 200 151 65

HSL 38.22, 0.55%, 0.52%

LAB 65.59, 9.55, 50.95

 

CMYK 68 / 0 / 24 / 22

HEX #40C797

RGB 64 199 151

HSL 158.67, 0.55%, 0.52%

LAB 72.34, -47.61, 13.61

 

CMYK 68 / 56 / 0 / 22

HEX #4158C8

RGB 65 88 200

HSL 229.78, 0.55%, 0.52%

LAB 41.65, 28.14, -61.01

 

CMYK 0 / 68 / 43 / 22

HEX #C84173

RGB 200 65 115

HSL 337.78, 0.55%, 0.52%

LAB 48.63, 57.26, 1.59

 

CMYK 0 / 12 / 68 / 22

HEX #C8B141

RGB 200 177 65

HSL 49.78, 0.55%, 0.52%

LAB 72.3, -4.36, 58.03

 

CMYK 68 / 0 / 24 / 22

HEX #40C797

RGB 64 199 151

HSL 158.67, 0.55%, 0.52%

LAB 72.34, -47.61, 13.61

 

CMYK 59 / 68 / 0 / 22

HEX #5341C8

RGB 83 65 200

HSL 248, 0.55%, 0.52%

LAB 37.46, 44.96, -67.77

 

CMYK 0 / 68 / 43 / 22

HEX #C84173

RGB 200 65 115

HSL 337.78, 0.55%, 0.52%

LAB 48.63, 57.26, 1.59

 

CMYK 9 / 0 / 68 / 22

HEX #B6C841

RGB 182 200 65

HSL 68, 0.55%, 0.52%

LAB 77.06, -23.65, 62.45

 

Description

Color code: HEX #40C797 | qconv.com Color code: HEX #40C797 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 199 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 199 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 24 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 24% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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