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Color name
HEX #40C613

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40C613 it is the complementary color #BF39EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40C613. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40C613 shade: #45C60E, #56D821, #67EA34, #78FC47 and #89FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40C613. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40C613 shade: #40C613, #2FB400, #1EA200, #0D9000 and #007E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40C613 shade: #41C814, #71C814, #A2C814, #C8BD14 and #C88C14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40C613 shade: #41C814, #14C817, #14C848, #14C878 and #14C8A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40C613 shade matches the following richer shades: #41C814 and #38D902

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40C613 shade: #41C814, #4AB625, #53A437, #5B9249 and #64815B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40C613 shade: #A4C814, #74C814, #44C814, #14C814 and #14C844

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40C613 shade: #297C0C, #35A210, #41C814, #4FE91C and #6CEC42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40C613 shade: #40C613, #14C8BC and #C8148C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40C613 shade: #40C613, #1444C8 and #C81444

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40C613 shade: #40C613, #14C8BC, #9814C8 and #C81420

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40C613 shade: #40C613, #149EC8, #9814C8 and #C83E14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 90 / 22

HEX #40C613

RGB 64 198 19

HSL 104.92, 0.82%, 0.43%

LAB 70.54, -64.06, 67.41

 

Complementary color

CMYK 19 / 76 / 0 / 7

HEX #BF39EC

RGB 191 57 236

HSL 284.92, 0.82%, 0.57%

LAB 51.9, 75.94, -64.31

 

CMYK 65 / 0 / 93 / 22

HEX #45C60E

RGB 69 198 14

HSL 102.07, 0.87%, 0.42%

LAB 70.65, -63.16, 68.29

 

CMYK 60 / 0 / 85 / 15

HEX #56D821

RGB 86 216 33

HSL 102.62, 0.73%, 0.49%

LAB 76.8, -64.68, 70.34

 

CMYK 56 / 0 / 78 / 8

HEX #67EA34

RGB 103 234 52

HSL 103.19, 0.81%, 0.56%

LAB 82.9, -65.76, 71.2

 

CMYK 52 / 0 / 72 / 1

HEX #78FC47

RGB 120 252 71

HSL 103.76, 0.97%, 0.63%

LAB 88.95, -66.5, 71.28

 

CMYK 46 / 0 / 65 / 0

HEX #89FF5A

RGB 137 255 90

HSL 102.91, 1%, 0.68%

LAB 90.59, -61.47, 66.2

 

CMYK 68 / 0 / 90 / 22

HEX #40C613

RGB 64 198 19

HSL 104.92, 0.82%, 0.43%

LAB 70.54, -64.06, 67.41

 

CMYK 74 / 0 / 100 / 29

HEX #2FB400

RGB 47 180 0

HSL 104.33, 1%, 0.35%

LAB 64.36, -61.97, 64.64

 

CMYK 81 / 0 / 100 / 36

HEX #1EA200

RGB 30 162 0

HSL 108.89, 1%, 0.32%

LAB 58.15, -59.01, 59.56

 

CMYK 91 / 0 / 100 / 44

HEX #0D9000

RGB 13 144 0

HSL 114.58, 1%, 0.28%

LAB 51.87, -55.42, 54.46

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 68 / 0 / 90 / 22

HEX #41C814

RGB 65 200 20

HSL 105, 0.82%, 0.43%

LAB 71.2, -64.47, 67.82

 

CMYK 44 / 0 / 90 / 22

HEX #71C814

RGB 113 200 20

HSL 89, 0.82%, 0.43%

LAB 72.81, -51.72, 69.81

 

CMYK 19 / 0 / 90 / 22

HEX #A2C814

RGB 162 200 20

HSL 72.67, 0.82%, 0.43%

LAB 75.48, -33.6, 73.1

 

CMYK 0 / 5 / 90 / 22

HEX #C8BD14

RGB 200 189 20

HSL 56.33, 0.82%, 0.43%

LAB 75.28, -12.18, 74.15

 

CMYK 0 / 30 / 90 / 22

HEX #C88C14

RGB 200 140 20

HSL 40, 0.82%, 0.43%

LAB 62.58, 13.86, 64.32

 

CMYK 68 / 0 / 90 / 22

HEX #41C814

RGB 65 200 20

HSL 105, 0.82%, 0.43%

LAB 71.2, -64.47, 67.82

 

CMYK 90 / 0 / 89 / 22

HEX #14C817

RGB 20 200 23

HSL 121, 0.82%, 0.43%

LAB 70.54, -70.27, 66.45

 

CMYK 90 / 0 / 64 / 22

HEX #14C848

RGB 20 200 72

HSL 137.33, 0.82%, 0.43%

LAB 70.82, -66.7, 51.06

 

CMYK 90 / 0 / 40 / 22

HEX #14C878

RGB 20 200 120

HSL 153.33, 0.82%, 0.43%

LAB 71.43, -59.36, 28.68

 

CMYK 90 / 0 / 16 / 22

HEX #14C8A9

RGB 20 200 169

HSL 169.67, 0.82%, 0.43%

LAB 72.44, -48.12, 3.94

 

CMYK 68 / 0 / 90 / 22

HEX #41C814

RGB 65 200 20

HSL 105, 0.82%, 0.43%

LAB 71.2, -64.47, 67.82

 

CMYK 74 / 0 / 99 / 15

HEX #38D902

RGB 56 217 2

HSL 104.93, 0.98%, 0.43%

LAB 76.36, -71.64, 74.08

 

CMYK 68 / 0 / 90 / 22

HEX #41C814

RGB 65 200 20

HSL 105, 0.82%, 0.43%

LAB 71.2, -64.47, 67.82

 

CMYK 59 / 0 / 80 / 29

HEX #4AB625

RGB 74 182 37

HSL 104.69, 0.66%, 0.43%

LAB 65.78, -55.69, 59.14

 

CMYK 49 / 0 / 66 / 36

HEX #53A437

RGB 83 164 55

HSL 104.59, 0.5%, 0.43%

LAB 60.49, -45.06, 47.33

 

CMYK 38 / 0 / 50 / 43

HEX #5B9249

RGB 91 146 73

HSL 105.21, 0.33%, 0.43%

LAB 55.34, -32.61, 32.89

 

CMYK 22 / 0 / 29 / 49

HEX #64815B

RGB 100 129 91

HSL 105.79, 0.17%, 0.43%

LAB 50.88, -18.11, 17.32

 

CMYK 18 / 0 / 90 / 22

HEX #A4C814

RGB 164 200 20

HSL 72, 0.82%, 0.43%

LAB 75.61, -32.79, 73.26

 

CMYK 42 / 0 / 90 / 22

HEX #74C814

RGB 116 200 20

HSL 88, 0.82%, 0.43%

LAB 72.94, -50.73, 69.97

 

CMYK 66 / 0 / 90 / 22

HEX #44C814

RGB 68 200 20

HSL 104, 0.82%, 0.43%

LAB 71.27, -63.86, 67.91

 

CMYK 90 / 0 / 90 / 22

HEX #14C814

RGB 20 200 20

HSL 120, 0.82%, 0.43%

LAB 70.53, -70.37, 66.98

 

CMYK 90 / 0 / 66 / 22

HEX #14C844

RGB 20 200 68

HSL 136, 0.82%, 0.43%

LAB 70.78, -67.14, 52.7

 

CMYK 67 / 0 / 90 / 51

HEX #297C0C

RGB 41 124 12

HSL 104.46, 0.82%, 0.27%

LAB 45.52, -44.32, 47.06

 

CMYK 67 / 0 / 90 / 36

HEX #35A210

RGB 53 162 16

HSL 104.79, 0.82%, 0.35%

LAB 58.63, -54.65, 57.7

 

CMYK 68 / 0 / 90 / 22

HEX #41C814

RGB 65 200 20

HSL 105, 0.82%, 0.43%

LAB 71.2, -64.47, 67.82

 

CMYK 66 / 0 / 88 / 9

HEX #4FE91C

RGB 79 233 28

HSL 105.07, 0.82%, 0.51%

LAB 81.85, -71.87, 75.65

 

CMYK 54 / 0 / 72 / 7

HEX #6CEC42

RGB 108 236 66

HSL 105.18, 0.82%, 0.59%

LAB 83.74, -64.31, 67.62

 

CMYK 68 / 0 / 90 / 22

HEX #40C613

RGB 64 198 19

HSL 104.92, 0.82%, 0.43%

LAB 70.54, -64.06, 67.41

 

CMYK 90 / 0 / 6 / 22

HEX #14C8BC

RGB 20 200 188

HSL 176, 0.82%, 0.43%

LAB 72.95, -42.9, -5.63

 

CMYK 0 / 90 / 30 / 22

HEX #C8148C

RGB 200 20 140

HSL 320, 0.82%, 0.43%

LAB 45.18, 72.12, -18.79

 

CMYK 68 / 0 / 90 / 22

HEX #40C613

RGB 64 198 19

HSL 104.92, 0.82%, 0.43%

LAB 70.54, -64.06, 67.41

 

CMYK 90 / 66 / 0 / 22

HEX #1444C8

RGB 20 68 200

HSL 224, 0.82%, 0.43%

LAB 34.91, 36.72, -72.09

 

CMYK 0 / 90 / 66 / 22

HEX #C81444

RGB 200 20 68

HSL 344, 0.82%, 0.43%

LAB 43.06, 66.28, 22.9

 

CMYK 68 / 0 / 90 / 22

HEX #40C613

RGB 64 198 19

HSL 104.92, 0.82%, 0.43%

LAB 70.54, -64.06, 67.41

 

CMYK 90 / 0 / 6 / 22

HEX #14C8BC

RGB 20 200 188

HSL 176, 0.82%, 0.43%

LAB 72.95, -42.9, -5.63

 

CMYK 24 / 90 / 0 / 22

HEX #9814C8

RGB 152 20 200

HSL 284, 0.82%, 0.43%

LAB 40.16, 72.32, -63.02

 

CMYK 0 / 90 / 84 / 22

HEX #C81420

RGB 200 20 32

HSL 356, 0.82%, 0.43%

LAB 42.59, 64.94, 43.64

 

CMYK 68 / 0 / 90 / 22

HEX #40C613

RGB 64 198 19

HSL 104.92, 0.82%, 0.43%

LAB 70.54, -64.06, 67.41

 

CMYK 90 / 21 / 0 / 22

HEX #149EC8

RGB 20 158 200

HSL 194, 0.82%, 0.43%

LAB 60.58, -18.78, -31.01

 

CMYK 24 / 90 / 0 / 22

HEX #9814C8

RGB 152 20 200

HSL 284, 0.82%, 0.43%

LAB 40.16, 72.32, -63.02

 

CMYK 0 / 69 / 90 / 22

HEX #C83E14

RGB 200 62 20

HSL 14, 0.82%, 0.43%

LAB 46.68, 53.02, 52.35

 

Description

Color code: HEX #40C613 | qconv.com Color code: HEX #40C613 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 198 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 198 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 90 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 90% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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