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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40C5BC it is the complementary color #BF3A43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40C5BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40C5BC shade: #45C5B7, #56D7CA, #67E9DD, #78FBF0 and #89FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40C5BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40C5BC shade: #40C5BC, #2FB3A9, #1EA196, #0D8F83 and #007D70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40C5BC shade: #40C4BB, #40C498, #40C474, #40C450 and #53C440

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40C5BC shade: #40C4BB, #40AAC4, #4086C4, #4062C4 and #4040C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40C5BC shade matches the following richer shades: #40C4BB, #2CD8CD and #17EDDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40C5BC shade: #40C4BB, #54B0AA, #689C98, #7C8887 and #917375

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40C5BC shade: #40C473, #40C496, #40C4B9, #40ACC4 and #4089C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40C5BC shade: #2A8881, #33A7A0, #40C4BB, #5FCEC6 and #7FD8D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40C5BC shade: #40C5BC, #4F40C4 and #C48440

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40C5BC shade: #40C5BC, #B940C4 and #C4B940

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40C5BC shade: #40C5BC, #4F40C4, #C4404B and #B5C440

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40C5BC shade: #40C5BC, #7740C4, #C4404B and #8DC440

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 5 / 23

HEX #40C5BC

RGB 64 197 188

HSL 175.94, 0.53%, 0.51%

LAB 72.66, -37.41, -5.98

 

Complementary color

CMYK 0 / 70 / 65 / 25

HEX #BF3A43

RGB 191 58 67

HSL 355.94, 0.53%, 0.49%

LAB 44.95, 53.36, 25.57

 

CMYK 65 / 0 / 7 / 23

HEX #45C5B7

RGB 69 197 183

HSL 173.44, 0.52%, 0.52%

LAB 72.64, -38.01, -3.28

 

CMYK 60 / 0 / 6 / 16

HEX #56D7CA

RGB 86 215 202

HSL 173.95, 0.62%, 0.59%

LAB 78.95, -38.37, -4.19

 

CMYK 56 / 0 / 5 / 9

HEX #67E9DD

RGB 103 233 221

HSL 174.46, 0.75%, 0.66%

LAB 85.19, -38.59, -5.02

 

CMYK 52 / 0 / 4 / 2

HEX #78FBF0

RGB 120 251 240

HSL 174.96, 0.94%, 0.73%

LAB 91.36, -38.73, -5.8

 

CMYK 46 / 0 / 0 / 0

HEX #89FFFF

RGB 137 255 255

HSL 180, 1%, 0.77%

LAB 93.48, -33.34, -10.37

 

CMYK 68 / 0 / 5 / 23

HEX #40C5BC

RGB 64 197 188

HSL 175.94, 0.53%, 0.51%

LAB 72.66, -37.41, -5.98

 

CMYK 74 / 0 / 6 / 30

HEX #2FB3A9

RGB 47 179 169

HSL 175.45, 0.58%, 0.44%

LAB 66.3, -36.72, -5

 

CMYK 81 / 0 / 7 / 37

HEX #1EA196

RGB 30 161 150

HSL 174.96, 0.69%, 0.37%

LAB 59.86, -35.73, -3.91

 

CMYK 91 / 0 / 8 / 44

HEX #0D8F83

RGB 13 143 131

HSL 174.46, 0.83%, 0.31%

LAB 53.35, -34.33, -2.66

 

CMYK 100 / 0 / 10 / 51

HEX #007D70

RGB 0 125 112

HSL 173.76, 1%, 0.25%

LAB 46.76, -32.46, -1.24

 

CMYK 67 / 0 / 5 / 23

HEX #40C4BB

RGB 64 196 187

HSL 175.91, 0.53%, 0.51%

LAB 72.33, -37.23, -5.92

 

CMYK 67 / 0 / 22 / 23

HEX #40C498

RGB 64 196 152

HSL 160, 0.53%, 0.51%

LAB 71.44, -46.13, 11.8

 

CMYK 67 / 0 / 41 / 23

HEX #40C474

RGB 64 196 116

HSL 143.64, 0.53%, 0.51%

LAB 70.75, -53.55, 29.98

 

CMYK 67 / 0 / 59 / 23

HEX #40C450

RGB 64 196 80

HSL 127.27, 0.53%, 0.51%

LAB 70.28, -58.96, 47.09

 

CMYK 58 / 0 / 67 / 23

HEX #53C440

RGB 83 196 64

HSL 111.36, 0.53%, 0.51%

LAB 70.66, -56.47, 54.54

 

CMYK 67 / 0 / 5 / 23

HEX #40C4BB

RGB 64 196 187

HSL 175.91, 0.53%, 0.51%

LAB 72.33, -37.23, -5.92

 

CMYK 67 / 13 / 0 / 23

HEX #40AAC4

RGB 64 170 196

HSL 191.82, 0.53%, 0.51%

LAB 64.82, -21.93, -22.18

 

CMYK 67 / 32 / 0 / 23

HEX #4086C4

RGB 64 134 196

HSL 208.18, 0.53%, 0.51%

LAB 54.16, -2.06, -38.71

 

CMYK 67 / 50 / 0 / 23

HEX #4062C4

RGB 64 98 196

HSL 224.55, 0.53%, 0.51%

LAB 43.96, 20.17, -54.95

 

CMYK 67 / 67 / 0 / 23

HEX #4040C4

RGB 64 64 196

HSL 240, 0.53%, 0.51%

LAB 35.48, 41.59, -68.74

 

CMYK 67 / 0 / 5 / 23

HEX #40C4BB

RGB 64 196 187

HSL 175.91, 0.53%, 0.51%

LAB 72.33, -37.23, -5.92

 

CMYK 80 / 0 / 5 / 15

HEX #2CD8CD

RGB 44 216 205

HSL 176.16, 0.69%, 0.51%

LAB 78.49, -43.49, -6.56

 

CMYK 90 / 0 / 6 / 7

HEX #17EDDE

RGB 23 237 222

HSL 175.79, 0.86%, 0.51%

LAB 85.01, -49.11, -5.97

 

CMYK 67 / 0 / 5 / 23

HEX #40C4BB

RGB 64 196 187

HSL 175.91, 0.53%, 0.51%

LAB 72.33, -37.23, -5.92

 

CMYK 52 / 0 / 3 / 31

HEX #54B0AA

RGB 84 176 170

HSL 176.09, 0.37%, 0.51%

LAB 66.4, -28.77, -5.3

 

CMYK 33 / 0 / 3 / 39

HEX #689C98

RGB 104 156 152

HSL 175.38, 0.21%, 0.51%

LAB 60.77, -18.14, -3.42

 

CMYK 9 / 0 / 1 / 47

HEX #7C8887

RGB 124 136 135

HSL 175, 0.05%, 0.51%

LAB 55.73, -4.57, -0.97

 

CMYK 0 / 21 / 19 / 43

HEX #917375

RGB 145 115 117

HSL 356, 0.12%, 0.51%

LAB 51.34, 12.09, 3.38

 

CMYK 67 / 0 / 41 / 23

HEX #40C473

RGB 64 196 115

HSL 143.18, 0.53%, 0.51%

LAB 70.74, -53.73, 30.48

 

CMYK 67 / 0 / 23 / 23

HEX #40C496

RGB 64 196 150

HSL 159.09, 0.53%, 0.51%

LAB 71.4, -46.59, 12.82

 

CMYK 67 / 0 / 6 / 23

HEX #40C4B9

RGB 64 196 185

HSL 175, 0.53%, 0.51%

LAB 72.28, -37.78, -4.92

 

CMYK 67 / 12 / 0 / 23

HEX #40ACC4

RGB 64 172 196

HSL 190.91, 0.53%, 0.51%

LAB 65.42, -22.96, -21.26

 

CMYK 67 / 30 / 0 / 23

HEX #4089C4

RGB 64 137 196

HSL 206.82, 0.53%, 0.51%

LAB 55.04, -3.81, -37.33

 

CMYK 69 / 0 / 5 / 47

HEX #2A8881

RGB 42 136 129

HSL 175.53, 0.53%, 0.35%

LAB 51.48, -28.57, -4.21

 

CMYK 69 / 0 / 4 / 35

HEX #33A7A0

RGB 51 167 160

HSL 176.38, 0.53%, 0.43%

LAB 62.41, -33.17, -5.73

 

CMYK 67 / 0 / 5 / 23

HEX #40C4BB

RGB 64 196 187

HSL 175.91, 0.53%, 0.51%

LAB 72.33, -37.23, -5.92

 

CMYK 54 / 0 / 4 / 19

HEX #5FCEC6

RGB 95 206 198

HSL 175.68, 0.53%, 0.59%

LAB 76.47, -33.54, -5.67

 

CMYK 41 / 0 / 3 / 15

HEX #7FD8D2

RGB 127 216 210

HSL 175.96, 0.53%, 0.67%

LAB 80.89, -28.11, -5.44

 

CMYK 68 / 0 / 5 / 23

HEX #40C5BC

RGB 64 197 188

HSL 175.94, 0.53%, 0.51%

LAB 72.66, -37.41, -5.98

 

CMYK 60 / 67 / 0 / 23

HEX #4F40C4

RGB 79 64 196

HSL 246.82, 0.53%, 0.51%

LAB 36.58, 43.68, -66.89

 

CMYK 0 / 33 / 67 / 23

HEX #C48440

RGB 196 132 64

HSL 30.91, 0.53%, 0.51%

LAB 60.43, 18.16, 45.68

 

CMYK 68 / 0 / 5 / 23

HEX #40C5BC

RGB 64 197 188

HSL 175.94, 0.53%, 0.51%

LAB 72.66, -37.41, -5.98

 

CMYK 6 / 67 / 0 / 23

HEX #B940C4

RGB 185 64 196

HSL 295, 0.53%, 0.51%

LAB 49.46, 64.99, -45.47

 

CMYK 0 / 6 / 67 / 23

HEX #C4B940

RGB 196 185 64

HSL 55, 0.53%, 0.51%

LAB 74.06, -10.3, 60.14

 

CMYK 68 / 0 / 5 / 23

HEX #40C5BC

RGB 64 197 188

HSL 175.94, 0.53%, 0.51%

LAB 72.66, -37.41, -5.98

 

CMYK 60 / 67 / 0 / 23

HEX #4F40C4

RGB 79 64 196

HSL 246.82, 0.53%, 0.51%

LAB 36.58, 43.68, -66.89

 

CMYK 0 / 67 / 62 / 23

HEX #C4404B

RGB 196 64 75

HSL 355, 0.53%, 0.51%

LAB 46.86, 53.09, 23.35

 

CMYK 8 / 0 / 67 / 23

HEX #B5C440

RGB 181 196 64

HSL 66.82, 0.53%, 0.51%

LAB 75.87, -22.16, 61.59

 

CMYK 68 / 0 / 5 / 23

HEX #40C5BC

RGB 64 197 188

HSL 175.94, 0.53%, 0.51%

LAB 72.66, -37.41, -5.98

 

CMYK 39 / 67 / 0 / 23

HEX #7740C4

RGB 119 64 196

HSL 265, 0.53%, 0.51%

LAB 40.53, 50.75, -60.29

 

CMYK 0 / 67 / 62 / 23

HEX #C4404B

RGB 196 64 75

HSL 355, 0.53%, 0.51%

LAB 46.86, 53.09, 23.35

 

CMYK 28 / 0 / 67 / 23

HEX #8DC440

RGB 141 196 64

HSL 85, 0.53%, 0.51%

LAB 73.23, -38.04, 58.04

 

Description

Color code: HEX #40C5BC | qconv.com Color code: HEX #40C5BC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 197 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 197 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 5 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 5% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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