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Color name
HEX #40C53A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40C53A it is the complementary color #BF3AC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40C53A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40C53A shade: #45C535, #56D748, #67E95B, #78FB6E and #89FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40C53A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40C53A shade: #40C53A, #2FB327, #1EA114, #0D8F01 and #007D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40C53A shade: #3FC639, #65C639, #8BC639, #B1C639 and #C6B539

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40C53A shade: #3FC639, #39C659, #39C67F, #39C6A5 and #39C1C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40C53A shade matches the following richer shades: #3FC639, #2DDA25 and #1AEF10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40C53A shade: #3FC639, #52B14E, #659C63, #788877 and #8B738C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40C53A shade: #8BC639, #66C639, #40C639, #39C658 and #39C67D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40C53A shade: #2B8627, #35A630, #3FC639, #5ECF59 and #7DD879

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40C53A shade: #40C53A, #39B1C6 and #C63978

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40C53A shade: #40C53A, #3940C6 and #C63940

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40C53A shade: #40C53A, #39B1C6, #BF39C6 and #C64E39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40C53A shade: #40C53A, #3987C6, #BF39C6 and #C67839

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 71 / 23

HEX #40C53A

RGB 64 197 58

HSL 117.41, 0.55%, 0.5%

LAB 70.41, -61.56, 56.46

 

Complementary color

CMYK 3 / 71 / 0 / 23

HEX #BF3AC5

RGB 191 58 197

HSL 297.41, 0.55%, 0.5%

LAB 49.66, 68.69, -45.67

 

CMYK 65 / 0 / 73 / 23

HEX #45C535

RGB 69 197 53

HSL 113.33, 0.58%, 0.49%

LAB 70.49, -60.95, 58.43

 

CMYK 60 / 0 / 67 / 16

HEX #56D748

RGB 86 215 72

HSL 114.13, 0.64%, 0.56%

LAB 76.71, -61.81, 57.85

 

CMYK 56 / 0 / 61 / 9

HEX #67E95B

RGB 103 233 91

HSL 114.93, 0.76%, 0.64%

LAB 82.87, -62.33, 56.93

 

CMYK 52 / 0 / 56 / 2

HEX #78FB6E

RGB 120 251 110

HSL 115.74, 0.95%, 0.71%

LAB 88.98, -62.62, 55.84

 

CMYK 46 / 0 / 49 / 0

HEX #89FF81

RGB 137 255 129

HSL 116.19, 1%, 0.75%

LAB 90.97, -57.36, 49.73

 

CMYK 68 / 0 / 71 / 23

HEX #40C53A

RGB 64 197 58

HSL 117.41, 0.55%, 0.5%

LAB 70.41, -61.56, 56.46

 

CMYK 74 / 0 / 78 / 30

HEX #2FB327

RGB 47 179 39

HSL 116.57, 0.64%, 0.43%

LAB 64.15, -60.18, 56.74

 

CMYK 81 / 0 / 88 / 37

HEX #1EA114

RGB 30 161 20

HSL 115.74, 0.78%, 0.35%

LAB 57.86, -58.1, 56.02

 

CMYK 91 / 0 / 99 / 44

HEX #0D8F01

RGB 13 143 1

HSL 114.93, 0.99%, 0.28%

LAB 51.53, -55.1, 54.01

 

CMYK 100 / 0 / 100 / 51

HEX #007D00

RGB 0 125 0

HSL 120, 1%, 0.25%

LAB 45.18, -50.82, 49.05

 

CMYK 68 / 0 / 71 / 22

HEX #3FC639

RGB 63 198 57

HSL 117.45, 0.55%, 0.5%

LAB 70.69, -62.17, 57.13

 

CMYK 49 / 0 / 71 / 22

HEX #65C639

RGB 101 198 57

HSL 101.28, 0.55%, 0.5%

LAB 71.86, -52.89, 58.7

 

CMYK 30 / 0 / 71 / 22

HEX #8BC639

RGB 139 198 57

HSL 85.11, 0.55%, 0.5%

LAB 73.66, -40.15, 61.1

 

CMYK 11 / 0 / 71 / 22

HEX #B1C639

RGB 177 198 57

HSL 68.94, 0.55%, 0.5%

LAB 76.09, -25.18, 64.32

 

CMYK 0 / 9 / 71 / 22

HEX #C6B539

RGB 198 181 57

HSL 52.77, 0.55%, 0.5%

LAB 73.12, -7.74, 61.98

 

CMYK 68 / 0 / 71 / 22

HEX #3FC639

RGB 63 198 57

HSL 117.45, 0.55%, 0.5%

LAB 70.69, -62.17, 57.13

 

CMYK 71 / 0 / 55 / 22

HEX #39C659

RGB 57 198 89

HSL 133.62, 0.55%, 0.5%

LAB 70.86, -59.74, 43.55

 

CMYK 71 / 0 / 36 / 22

HEX #39C67F

RGB 57 198 127

HSL 149.79, 0.55%, 0.5%

LAB 71.41, -53.4, 25.09

 

CMYK 71 / 0 / 17 / 22

HEX #39C6A5

RGB 57 198 165

HSL 165.96, 0.55%, 0.5%

LAB 72.21, -44.89, 5.84

 

CMYK 71 / 3 / 0 / 22

HEX #39C1C6

RGB 57 193 198

HSL 182.13, 0.55%, 0.5%

LAB 71.61, -33.66, -13.01

 

CMYK 68 / 0 / 71 / 22

HEX #3FC639

RGB 63 198 57

HSL 117.45, 0.55%, 0.5%

LAB 70.69, -62.17, 57.13

 

CMYK 79 / 0 / 83 / 15

HEX #2DDA25

RGB 45 218 37

HSL 117.35, 0.71%, 0.5%

LAB 76.58, -72.45, 68.89

 

CMYK 89 / 0 / 93 / 6

HEX #1AEF10

RGB 26 239 16

HSL 117.31, 0.87%, 0.5%

LAB 82.91, -80.73, 77.95

 

CMYK 68 / 0 / 71 / 22

HEX #3FC639

RGB 63 198 57

HSL 117.45, 0.55%, 0.5%

LAB 70.69, -62.17, 57.13

 

CMYK 54 / 0 / 56 / 31

HEX #52B14E

RGB 82 177 78

HSL 117.58, 0.39%, 0.5%

LAB 64.79, -48.02, 41.72

 

CMYK 35 / 0 / 37 / 39

HEX #659C63

RGB 101 156 99

HSL 117.89, 0.22%, 0.5%

LAB 59.38, -30, 24.27

 

CMYK 12 / 0 / 13 / 47

HEX #788877

RGB 120 136 119

HSL 116.47, 0.07%, 0.5%

LAB 55, -9.25, 7.18

 

CMYK 1 / 18 / 0 / 45

HEX #8B738C

RGB 139 115 140

HSL 297.6, 0.1%, 0.5%

LAB 51.43, 14.05, -10.11

 

CMYK 30 / 0 / 71 / 22

HEX #8BC639

RGB 139 198 57

HSL 85.11, 0.55%, 0.5%

LAB 73.66, -40.15, 61.1

 

CMYK 48 / 0 / 71 / 22

HEX #66C639

RGB 102 198 57

HSL 100.85, 0.55%, 0.5%

LAB 71.9, -52.59, 58.75

 

CMYK 68 / 0 / 71 / 22

HEX #40C639

RGB 64 198 57

HSL 117.02, 0.55%, 0.5%

LAB 70.71, -61.98, 57.16

 

CMYK 71 / 0 / 56 / 22

HEX #39C658

RGB 57 198 88

HSL 133.19, 0.55%, 0.5%

LAB 70.85, -59.88, 44

 

CMYK 71 / 0 / 37 / 22

HEX #39C67D

RGB 57 198 125

HSL 148.94, 0.55%, 0.5%

LAB 71.38, -53.8, 26.09

 

CMYK 68 / 0 / 71 / 47

HEX #2B8627

RGB 43 134 39

HSL 117.47, 0.55%, 0.34%

LAB 49.14, -45.63, 41.58

 

CMYK 68 / 0 / 71 / 35

HEX #35A630

RGB 53 166 48

HSL 117.46, 0.55%, 0.42%

LAB 60.11, -54.07, 49.52

 

CMYK 68 / 0 / 71 / 22

HEX #3FC639

RGB 63 198 57

HSL 117.45, 0.55%, 0.5%

LAB 70.69, -62.17, 57.13

 

CMYK 55 / 0 / 57 / 19

HEX #5ECF59

RGB 94 207 89

HSL 117.46, 0.55%, 0.58%

LAB 74.65, -55.17, 48.29

 

CMYK 42 / 0 / 44 / 15

HEX #7DD879

RGB 125 216 121

HSL 117.47, 0.55%, 0.66%

LAB 78.96, -45.98, 38.45

 

CMYK 68 / 0 / 71 / 23

HEX #40C53A

RGB 64 197 58

HSL 117.41, 0.55%, 0.5%

LAB 70.41, -61.56, 56.46

 

CMYK 71 / 11 / 0 / 22

HEX #39B1C6

RGB 57 177 198

HSL 188.94, 0.55%, 0.5%

LAB 66.82, -25.86, -20.26

 

CMYK 0 / 71 / 39 / 22

HEX #C63978

RGB 198 57 120

HSL 333.19, 0.55%, 0.5%

LAB 47.35, 60.19, -3.37

 

CMYK 68 / 0 / 71 / 23

HEX #40C53A

RGB 64 197 58

HSL 117.41, 0.55%, 0.5%

LAB 70.41, -61.56, 56.46

 

CMYK 71 / 68 / 0 / 22

HEX #3940C6

RGB 57 64 198

HSL 237.02, 0.55%, 0.5%

LAB 35.23, 41.43, -70.34

 

CMYK 0 / 71 / 68 / 22

HEX #C63940

RGB 198 57 64

HSL 357.02, 0.55%, 0.5%

LAB 46.05, 55.79, 29.01

 

CMYK 68 / 0 / 71 / 23

HEX #40C53A

RGB 64 197 58

HSL 117.41, 0.55%, 0.5%

LAB 70.41, -61.56, 56.46

 

CMYK 71 / 11 / 0 / 22

HEX #39B1C6

RGB 57 177 198

HSL 188.94, 0.55%, 0.5%

LAB 66.82, -25.86, -20.26

 

CMYK 4 / 71 / 0 / 22

HEX #BF39C6

RGB 191 57 198

HSL 297.02, 0.55%, 0.5%

LAB 49.59, 69.2, -46.35

 

CMYK 0 / 61 / 71 / 22

HEX #C64E39

RGB 198 78 57

HSL 8.94, 0.55%, 0.5%

LAB 49.19, 46.68, 36.77

 

CMYK 68 / 0 / 71 / 23

HEX #40C53A

RGB 64 197 58

HSL 117.41, 0.55%, 0.5%

LAB 70.41, -61.56, 56.46

 

CMYK 71 / 32 / 0 / 22

HEX #3987C6

RGB 57 135 198

HSL 206.81, 0.55%, 0.5%

LAB 54.32, -3.02, -39.61

 

CMYK 4 / 71 / 0 / 22

HEX #BF39C6

RGB 191 57 198

HSL 297.02, 0.55%, 0.5%

LAB 49.59, 69.2, -46.35

 

CMYK 0 / 39 / 71 / 22

HEX #C67839

RGB 198 120 57

HSL 26.81, 0.55%, 0.5%

LAB 57.78, 25.19, 46.27

 

Description

Color code: HEX #40C53A | qconv.com Color code: HEX #40C53A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 197 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 197 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 71 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 71% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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