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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40C189 it is the complementary color #BF3E76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40C189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40C189 shade: #45C184, #56D397, #67E5AA, #78F7BD and #89FFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40C189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40C189 shade: #40C189, #2FAF76, #1E9D63, #0D8B50 and #00793D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40C189 shade: #3EC188, #3EC165, #3EC142, #5EC13E and #81C13E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40C189 shade: #3EC188, #3EC1AB, #3EB3C1, #3E90C1 and #3E6DC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40C189 shade matches the following richer shades: #3EC188, #2AD58B, #15EA8D and #01FE90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40C189 shade: #3EC188, #53AC85, #689783, #7C8380 and #916E7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40C189 shade: #3EC141, #3EC163, #3EC186, #3EC1A9 and #3EB6C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40C189 shade: #2A825C, #34A172, #3EC188, #5ECB9B and #7DD5AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40C189 shade: #40C189, #3E5FC1 and #C1523E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40C189 shade: #40C189, #863EC1 and #C1863E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40C189 shade: #40C189, #3E5FC1, #C13E79 and #C1A03E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40C189 shade: #40C189, #453EC1, #C13E79 and #BAC13E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 29 / 24

HEX #40C189

RGB 64 193 137

HSL 153.95, 0.51%, 0.5%

LAB 70.2, -48.24, 18.14

 

Complementary color

CMYK 0 / 68 / 38 / 25

HEX #BF3E76

RGB 191 62 118

HSL 333.95, 0.51%, 0.5%

LAB 46.75, 56.08, -3.18

 

CMYK 64 / 0 / 32 / 24

HEX #45C184

RGB 69 193 132

HSL 150.48, 0.5%, 0.51%

LAB 70.23, -48.39, 20.87

 

CMYK 59 / 0 / 28 / 17

HEX #56D397

RGB 86 211 151

HSL 151.2, 0.59%, 0.58%

LAB 76.56, -48.54, 19.57

 

CMYK 55 / 0 / 26 / 10

HEX #67E5AA

RGB 103 229 170

HSL 151.9, 0.71%, 0.65%

LAB 82.82, -48.56, 18.37

 

CMYK 51 / 0 / 23 / 3

HEX #78F7BD

RGB 120 247 189

HSL 152.6, 0.89%, 0.72%

LAB 89.01, -48.49, 17.25

 

CMYK 46 / 0 / 18 / 0

HEX #89FFD0

RGB 137 255 208

HSL 156.1, 1%, 0.77%

LAB 92.31, -44.05, 12.21

 

CMYK 67 / 0 / 29 / 24

HEX #40C189

RGB 64 193 137

HSL 153.95, 0.51%, 0.5%

LAB 70.2, -48.24, 18.14

 

CMYK 73 / 0 / 33 / 31

HEX #2FAF76

RGB 47 175 118

HSL 153.28, 0.58%, 0.44%

LAB 63.81, -47.76, 19.57

 

CMYK 81 / 0 / 37 / 38

HEX #1E9D63

RGB 30 157 99

HSL 152.6, 0.68%, 0.37%

LAB 57.36, -46.93, 21.15

 

CMYK 91 / 0 / 42 / 45

HEX #0D8B50

RGB 13 139 80

HSL 151.9, 0.83%, 0.3%

LAB 50.84, -45.57, 22.92

 

CMYK 100 / 0 / 50 / 53

HEX #00793D

RGB 0 121 61

HSL 150.25, 1%, 0.24%

LAB 44.25, -43.54, 24.86

 

CMYK 68 / 0 / 30 / 24

HEX #3EC188

RGB 62 193 136

HSL 153.89, 0.51%, 0.5%

LAB 70.14, -48.79, 18.58

 

CMYK 68 / 0 / 48 / 24

HEX #3EC165

RGB 62 193 101

HSL 137.86, 0.51%, 0.5%

LAB 69.54, -55.32, 36.08

 

CMYK 68 / 0 / 66 / 24

HEX #3EC142

RGB 62 193 66

HSL 121.83, 0.51%, 0.5%

LAB 69.15, -59.86, 51.93

 

CMYK 51 / 0 / 68 / 24

HEX #5EC13E

RGB 94 193 62

HSL 105.34, 0.51%, 0.5%

LAB 70.08, -52.6, 54.85

 

CMYK 33 / 0 / 68 / 24

HEX #81C13E

RGB 129 193 62

HSL 89.31, 0.51%, 0.5%

LAB 71.66, -41.27, 56.99

 

CMYK 68 / 0 / 30 / 24

HEX #3EC188

RGB 62 193 136

HSL 153.89, 0.51%, 0.5%

LAB 70.14, -48.79, 18.58

 

CMYK 68 / 0 / 11 / 24

HEX #3EC1AB

RGB 62 193 171

HSL 169.92, 0.51%, 0.5%

LAB 70.94, -40.46, 0.75

 

CMYK 68 / 7 / 0 / 24

HEX #3EB3C1

RGB 62 179 193

HSL 186.41, 0.51%, 0.5%

LAB 67.36, -27.69, -16.66

 

CMYK 68 / 25 / 0 / 24

HEX #3E90C1

RGB 62 144 193

HSL 202.44, 0.51%, 0.5%

LAB 56.9, -9.17, -32.72

 

CMYK 68 / 44 / 0 / 24

HEX #3E6DC1

RGB 62 109 193

HSL 218.47, 0.51%, 0.5%

LAB 46.73, 11.79, -48.78

 

CMYK 68 / 0 / 30 / 24

HEX #3EC188

RGB 62 193 136

HSL 153.89, 0.51%, 0.5%

LAB 70.14, -48.79, 18.58

 

CMYK 80 / 0 / 35 / 16

HEX #2AD58B

RGB 42 213 139

HSL 154.04, 0.67%, 0.5%

LAB 76.04, -58.52, 25

 

CMYK 91 / 0 / 40 / 8

HEX #15EA8D

RGB 21 234 141

HSL 153.8, 0.84%, 0.5%

LAB 82.34, -67.08, 32.37

 

CMYK 100 / 0 / 43 / 0

HEX #01FE90

RGB 1 254 144

HSL 153.91, 0.99%, 0.5%

LAB 88.4, -73.79, 38.79

 

CMYK 68 / 0 / 30 / 24

HEX #3EC188

RGB 62 193 136

HSL 153.89, 0.51%, 0.5%

LAB 70.14, -48.79, 18.58

 

CMYK 52 / 0 / 23 / 33

HEX #53AC85

RGB 83 172 133

HSL 153.71, 0.35%, 0.5%

LAB 64.19, -36.1, 12.03

 

CMYK 31 / 0 / 13 / 41

HEX #689783

RGB 104 151 131

HSL 154.47, 0.18%, 0.5%

LAB 58.71, -20.37, 5.48

 

CMYK 5 / 0 / 2 / 49

HEX #7C8380

RGB 124 131 128

HSL 154.29, 0.03%, 0.5%

LAB 54.11, -3.19, 0.72

 

CMYK 0 / 24 / 14 / 43

HEX #916E7D

RGB 145 110 125

HSL 334.29, 0.14%, 0.5%

LAB 50.28, 16.37, -2.91

 

CMYK 68 / 0 / 66 / 24

HEX #3EC141

RGB 62 193 65

HSL 121.37, 0.51%, 0.5%

LAB 69.14, -59.96, 52.33

 

CMYK 68 / 0 / 49 / 24

HEX #3EC163

RGB 62 193 99

HSL 136.95, 0.51%, 0.5%

LAB 69.52, -55.64, 37.05

 

CMYK 68 / 0 / 31 / 24

HEX #3EC186

RGB 62 193 134

HSL 152.98, 0.51%, 0.5%

LAB 70.1, -49.21, 19.6

 

CMYK 68 / 0 / 12 / 24

HEX #3EC1A9

RGB 62 193 169

HSL 169.01, 0.51%, 0.5%

LAB 70.89, -40.97, 1.77

 

CMYK 68 / 6 / 0 / 24

HEX #3EB6C1

RGB 62 182 193

HSL 185.04, 0.51%, 0.5%

LAB 68.26, -29.17, -15.3

 

CMYK 68 / 0 / 29 / 49

HEX #2A825C

RGB 42 130 92

HSL 154.09, 0.51%, 0.34%

LAB 48.55, -35.53, 13.12

 

CMYK 68 / 0 / 29 / 37

HEX #34A172

RGB 52 161 114

HSL 154.13, 0.51%, 0.42%

LAB 59.37, -42.09, 15.69

 

CMYK 68 / 0 / 30 / 24

HEX #3EC188

RGB 62 193 136

HSL 153.89, 0.51%, 0.5%

LAB 70.14, -48.79, 18.58

 

CMYK 54 / 0 / 24 / 20

HEX #5ECB9B

RGB 94 203 155

HSL 153.58, 0.51%, 0.58%

LAB 74.48, -42.58, 14.59

 

CMYK 41 / 0 / 18 / 16

HEX #7DD5AF

RGB 125 213 175

HSL 154.09, 0.51%, 0.66%

LAB 79.07, -35.11, 10.57

 

CMYK 67 / 0 / 29 / 24

HEX #40C189

RGB 64 193 137

HSL 153.95, 0.51%, 0.5%

LAB 70.2, -48.24, 18.14

 

CMYK 68 / 51 / 0 / 24

HEX #3E5FC1

RGB 62 95 193

HSL 224.89, 0.51%, 0.5%

LAB 42.85, 20.7, -55.01

 

CMYK 0 / 58 / 68 / 24

HEX #C1523E

RGB 193 82 62

HSL 9.16, 0.51%, 0.5%

LAB 49.15, 43.23, 33.72

 

CMYK 67 / 0 / 29 / 24

HEX #40C189

RGB 64 193 137

HSL 153.95, 0.51%, 0.5%

LAB 70.2, -48.24, 18.14

 

CMYK 31 / 68 / 0 / 24

HEX #863EC1

RGB 134 62 193

HSL 272.98, 0.51%, 0.5%

LAB 41.79, 54.04, -56.42

 

CMYK 0 / 31 / 68 / 24

HEX #C1863E

RGB 193 134 62

HSL 32.98, 0.51%, 0.5%

LAB 60.55, 15.65, 46.67

 

CMYK 67 / 0 / 29 / 24

HEX #40C189

RGB 64 193 137

HSL 153.95, 0.51%, 0.5%

LAB 70.2, -48.24, 18.14

 

CMYK 68 / 51 / 0 / 24

HEX #3E5FC1

RGB 62 95 193

HSL 224.89, 0.51%, 0.5%

LAB 42.85, 20.7, -55.01

 

CMYK 0 / 68 / 37 / 24

HEX #C13E79

RGB 193 62 121

HSL 332.98, 0.51%, 0.5%

LAB 47.19, 57, -4.32

 

CMYK 0 / 17 / 68 / 24

HEX #C1A03E

RGB 193 160 62

HSL 44.89, 0.51%, 0.5%

LAB 67.15, 1.46, 53.73

 

CMYK 67 / 0 / 29 / 24

HEX #40C189

RGB 64 193 137

HSL 153.95, 0.51%, 0.5%

LAB 70.2, -48.24, 18.14

 

CMYK 64 / 68 / 0 / 24

HEX #453EC1

RGB 69 62 193

HSL 243.21, 0.51%, 0.5%

LAB 35.12, 42.45, -67.56

 

CMYK 0 / 68 / 37 / 24

HEX #C13E79

RGB 193 62 121

HSL 332.98, 0.51%, 0.5%

LAB 47.19, 57, -4.32

 

CMYK 4 / 0 / 68 / 24

HEX #BAC13E

RGB 186 193 62

HSL 63.21, 0.51%, 0.5%

LAB 75.41, -18.71, 62.02

 

Description

Color code: HEX #40C189 | qconv.com Color code: HEX #40C189 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 193 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 193 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 29 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 29% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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