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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40C045 it is the complementary color #BF3FBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40C045. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40C045 shade: #45C040, #56D253, #67E466, #78F679 and #89FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40C045. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40C045 shade: #40C045, #2FAE32, #1E9C1F, #0D8A0C and #007800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40C045 shade: #40BF45, #5DBF40, #80BF40, #A2BF40 and #BFBA40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40C045 shade: #40BF45, #40BF67, #40BF89, #40BFAC and #40B0BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40C045 shade matches the following richer shades: #40BF45, #2BD432, #16E91F and #02FD0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40C045 shade: #40BF45, #54AB58, #69966B, #7E817E and #926D91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40C045 shade: #80BF40, #5EBF40, #40BF44, #40BF66 and #40BF88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40C045 shade: #2B812E, #35A03A, #40BF45, #5FCA63 and #7ED481

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40C045 shade: #40C045, #40A2BF and #BF406F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40C045 shade: #40C045, #4440BF and #BF4440

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40C045 shade: #40C045, #40A2BF, #BF40BB and #BF5E40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40C045 shade: #40C045, #407BBF, #BF40BB and #BF8440

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 64 / 25

HEX #40C045

RGB 64 192 69

HSL 122.34, 0.5%, 0.5%

LAB 68.91, -58.82, 50.4

 

Complementary color

CMYK 0 / 67 / 3 / 25

HEX #BF3FBA

RGB 191 63 186

HSL 302.34, 0.5%, 0.5%

LAB 49.71, 65.06, -39.21

 

CMYK 64 / 0 / 67 / 25

HEX #45C040

RGB 69 192 64

HSL 117.66, 0.5%, 0.5%

LAB 68.99, -58.29, 52.63

 

CMYK 59 / 0 / 60 / 18

HEX #56D253

RGB 86 210 83

HSL 118.58, 0.59%, 0.57%

LAB 75.26, -58.92, 51.62

 

CMYK 55 / 0 / 55 / 11

HEX #67E466

RGB 103 228 102

HSL 119.52, 0.7%, 0.65%

LAB 81.47, -59.27, 50.45

 

CMYK 51 / 0 / 51 / 4

HEX #78F679

RGB 120 246 121

HSL 120.48, 0.88%, 0.72%

LAB 87.62, -59.42, 49.21

 

CMYK 46 / 0 / 45 / 0

HEX #89FF8C

RGB 137 255 140

HSL 121.53, 1%, 0.77%

LAB 91.11, -55.9, 44.7

 

CMYK 67 / 0 / 64 / 25

HEX #40C045

RGB 64 192 69

HSL 122.34, 0.5%, 0.5%

LAB 68.91, -58.82, 50.4

 

CMYK 73 / 0 / 71 / 32

HEX #2FAE32

RGB 47 174 50

HSL 121.42, 0.57%, 0.43%

LAB 62.6, -57.71, 51.29

 

CMYK 81 / 0 / 80 / 39

HEX #1E9C1F

RGB 30 156 31

HSL 120.48, 0.68%, 0.36%

LAB 56.24, -55.95, 51.57

 

CMYK 91 / 0 / 91 / 46

HEX #0D8A0C

RGB 13 138 12

HSL 119.52, 0.84%, 0.29%

LAB 49.84, -53.24, 50.63

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 66 / 0 / 64 / 25

HEX #40BF45

RGB 64 191 69

HSL 122.36, 0.5%, 0.5%

LAB 68.59, -58.47, 50.05

 

CMYK 51 / 0 / 66 / 25

HEX #5DBF40

RGB 93 191 64

HSL 106.3, 0.5%, 0.5%

LAB 69.44, -51.94, 53.34

 

CMYK 33 / 0 / 66 / 25

HEX #80BF40

RGB 128 191 64

HSL 89.76, 0.5%, 0.5%

LAB 71.02, -40.6, 55.5

 

CMYK 15 / 0 / 66 / 25

HEX #A2BF40

RGB 162 191 64

HSL 73.7, 0.5%, 0.5%

LAB 73.1, -27.52, 58.31

 

CMYK 0 / 3 / 66 / 25

HEX #BFBA40

RGB 191 186 64

HSL 57.64, 0.5%, 0.5%

LAB 73.91, -12.94, 59.85

 

CMYK 66 / 0 / 64 / 25

HEX #40BF45

RGB 64 191 69

HSL 122.36, 0.5%, 0.5%

LAB 68.59, -58.47, 50.05

 

CMYK 66 / 0 / 46 / 25

HEX #40BF67

RGB 64 191 103

HSL 138.43, 0.5%, 0.5%

LAB 68.99, -53.89, 34.38

 

CMYK 66 / 0 / 28 / 25

HEX #40BF89

RGB 64 191 137

HSL 154.49, 0.5%, 0.5%

LAB 69.58, -47.42, 17.29

 

CMYK 66 / 0 / 10 / 25

HEX #40BFAC

RGB 64 191 172

HSL 171.02, 0.5%, 0.5%

LAB 70.41, -38.99, -0.57

 

CMYK 66 / 8 / 0 / 25

HEX #40B0BF

RGB 64 176 191

HSL 187.09, 0.5%, 0.5%

LAB 66.45, -26.51, -16.94

 

CMYK 66 / 0 / 64 / 25

HEX #40BF45

RGB 64 191 69

HSL 122.36, 0.5%, 0.5%

LAB 68.59, -58.47, 50.05

 

CMYK 80 / 0 / 76 / 17

HEX #2BD432

RGB 43 212 50

HSL 122.49, 0.66%, 0.5%

LAB 74.72, -70.17, 63.47

 

CMYK 91 / 0 / 87 / 9

HEX #16E91F

RGB 22 233 31

HSL 122.56, 0.83%, 0.5%

LAB 81.04, -78.93, 74.08

 

CMYK 99 / 0 / 95 / 1

HEX #02FD0C

RGB 2 253 12

HSL 122.39, 0.98%, 0.5%

LAB 87.14, -85.44, 81.78

 

CMYK 66 / 0 / 64 / 25

HEX #40BF45

RGB 64 191 69

HSL 122.36, 0.5%, 0.5%

LAB 68.59, -58.47, 50.05

 

CMYK 51 / 0 / 49 / 33

HEX #54AB58

RGB 84 171 88

HSL 122.76, 0.34%, 0.5%

LAB 63.11, -43.68, 34.73

 

CMYK 30 / 0 / 29 / 41

HEX #69966B

RGB 105 150 107

HSL 122.67, 0.18%, 0.5%

LAB 57.92, -24.3, 17.92

 

CMYK 2 / 0 / 2 / 49

HEX #7E817E

RGB 126 129 126

HSL 120, 0.01%, 0.5%

LAB 53.65, -1.71, 1.23

 

CMYK 0 / 25 / 1 / 43

HEX #926D91

RGB 146 109 145

HSL 301.62, 0.15%, 0.5%

LAB 50.8, 21.09, -13.94

 

CMYK 33 / 0 / 66 / 25

HEX #80BF40

RGB 128 191 64

HSL 89.76, 0.5%, 0.5%

LAB 71.02, -40.6, 55.5

 

CMYK 51 / 0 / 66 / 25

HEX #5EBF40

RGB 94 191 64

HSL 105.83, 0.5%, 0.5%

LAB 69.48, -51.65, 53.39

 

CMYK 66 / 0 / 64 / 25

HEX #40BF44

RGB 64 191 68

HSL 121.89, 0.5%, 0.5%

LAB 68.58, -58.58, 50.47

 

CMYK 66 / 0 / 47 / 25

HEX #40BF66

RGB 64 191 102

HSL 137.95, 0.5%, 0.5%

LAB 68.98, -54.05, 34.87

 

CMYK 66 / 0 / 29 / 25

HEX #40BF88

RGB 64 191 136

HSL 154.02, 0.5%, 0.5%

LAB 69.56, -47.63, 17.8

 

CMYK 67 / 0 / 64 / 49

HEX #2B812E

RGB 43 129 46

HSL 122.09, 0.5%, 0.34%

LAB 47.51, -43.02, 36.66

 

CMYK 67 / 0 / 64 / 37

HEX #35A03A

RGB 53 160 58

HSL 122.8, 0.5%, 0.42%

LAB 58.23, -50.95, 43.25

 

CMYK 66 / 0 / 64 / 25

HEX #40BF45

RGB 64 191 69

HSL 122.36, 0.5%, 0.5%

LAB 68.59, -58.47, 50.05

 

CMYK 53 / 0 / 51 / 21

HEX #5FCA63

RGB 95 202 99

HSL 122.24, 0.5%, 0.58%

LAB 73.27, -51.72, 41.91

 

CMYK 41 / 0 / 39 / 17

HEX #7ED481

RGB 126 212 129

HSL 122.09, 0.5%, 0.66%

LAB 77.94, -42.78, 33.11

 

CMYK 67 / 0 / 64 / 25

HEX #40C045

RGB 64 192 69

HSL 122.34, 0.5%, 0.5%

LAB 68.91, -58.82, 50.4

 

CMYK 66 / 15 / 0 / 25

HEX #40A2BF

RGB 64 162 191

HSL 193.7, 0.5%, 0.5%

LAB 62.25, -19.33, -23.33

 

CMYK 0 / 66 / 42 / 25

HEX #BF406F

RGB 191 64 111

HSL 337.8, 0.5%, 0.5%

LAB 46.83, 54.53, 1.22

 

CMYK 67 / 0 / 64 / 25

HEX #40C045

RGB 64 192 69

HSL 122.34, 0.5%, 0.5%

LAB 68.91, -58.82, 50.4

 

CMYK 64 / 66 / 0 / 25

HEX #4440BF

RGB 68 64 191

HSL 241.89, 0.5%, 0.5%

LAB 35.32, 40.47, -66.07

 

CMYK 0 / 64 / 66 / 25

HEX #BF4440

RGB 191 68 64

HSL 1.89, 0.5%, 0.5%

LAB 46.42, 49.07, 29.18

 

CMYK 67 / 0 / 64 / 25

HEX #40C045

RGB 64 192 69

HSL 122.34, 0.5%, 0.5%

LAB 68.91, -58.82, 50.4

 

CMYK 66 / 15 / 0 / 25

HEX #40A2BF

RGB 64 162 191

HSL 193.7, 0.5%, 0.5%

LAB 62.25, -19.33, -23.33

 

CMYK 0 / 66 / 2 / 25

HEX #BF40BB

RGB 191 64 187

HSL 301.89, 0.5%, 0.5%

LAB 49.9, 64.85, -39.5

 

CMYK 0 / 51 / 66 / 25

HEX #BF5E40

RGB 191 94 64

HSL 14.17, 0.5%, 0.5%

LAB 51.21, 36.58, 34.96

 

CMYK 67 / 0 / 64 / 25

HEX #40C045

RGB 64 192 69

HSL 122.34, 0.5%, 0.5%

LAB 68.91, -58.82, 50.4

 

CMYK 66 / 36 / 0 / 25

HEX #407BBF

RGB 64 123 191

HSL 212.13, 0.5%, 0.5%

LAB 50.71, 2.76, -41.3

 

CMYK 0 / 66 / 2 / 25

HEX #BF40BB

RGB 191 64 187

HSL 301.89, 0.5%, 0.5%

LAB 49.9, 64.85, -39.5

 

CMYK 0 / 31 / 66 / 25

HEX #BF8440

RGB 191 132 64

HSL 32.13, 0.5%, 0.5%

LAB 59.84, 16.01, 44.86

 

Description

Color code: HEX #40C045 | qconv.com Color code: HEX #40C045 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 192 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 192 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 64 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 64% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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