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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40C032 it is the complementary color #BF3FCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40C032. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40C032 shade: #45C02D, #56D240, #67E453, #78F666 and #89FF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40C032. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40C032 shade: #40C032, #2FAE1F, #1E9C0C, #0D8A00 and #007800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40C032 shade: #3FBF31, #65BF31, #8BBF31, #B2BF31 and #BFA531

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40C032 shade: #3FBF31, #31BF49, #31BF6F, #31BF96 and #31BFBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40C032 shade matches the following richer shades: #3FBF31, #30D21E and #20E50A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40C032 shade: #3FBF31, #4FAB45, #5E9858, #6E846B and #7D717F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40C032 shade: #8BBF31, #65BF31, #3FBF31, #31BF49 and #31BF6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40C032 shade: #297D20, #349E29, #3FBF31, #56D049 and #75D96A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40C032 shade: #40C032, #31B0BF and #BF3178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40C032 shade: #40C032, #313FBF and #BF313F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40C032 shade: #40C032, #31B0BF, #B031BF and #BF3F31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40C032 shade: #40C032, #3186BF, #B031BF and #BF6A31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 74 / 25

HEX #40C032

RGB 64 192 50

HSL 114.08, 0.59%, 0.47%

LAB 68.77, -60.53, 57.71

 

Complementary color

CMYK 7 / 69 / 0 / 20

HEX #BF3FCD

RGB 191 63 205

HSL 294.08, 0.59%, 0.53%

LAB 50.73, 68.28, -48.57

 

CMYK 64 / 0 / 77 / 25

HEX #45C02D

RGB 69 192 45

HSL 110.2, 0.62%, 0.46%

LAB 68.86, -59.83, 59.54

 

CMYK 59 / 0 / 70 / 18

HEX #56D240

RGB 86 210 64

HSL 110.96, 0.62%, 0.54%

LAB 75.1, -60.75, 59.27

 

CMYK 55 / 0 / 64 / 11

HEX #67E453

RGB 103 228 83

HSL 111.72, 0.73%, 0.61%

LAB 81.29, -61.31, 58.52

 

CMYK 51 / 0 / 59 / 4

HEX #78F666

RGB 120 246 102

HSL 112.5, 0.89%, 0.68%

LAB 87.42, -61.64, 57.53

 

CMYK 46 / 0 / 53 / 0

HEX #89FF79

RGB 137 255 121

HSL 112.84, 1%, 0.74%

LAB 90.88, -58.34, 53.31

 

CMYK 67 / 0 / 74 / 25

HEX #40C032

RGB 64 192 50

HSL 114.08, 0.59%, 0.47%

LAB 68.77, -60.53, 57.71

 

CMYK 73 / 0 / 82 / 32

HEX #2FAE1F

RGB 47 174 31

HSL 113.29, 0.7%, 0.4%

LAB 62.49, -59.07, 57.55

 

CMYK 81 / 0 / 92 / 39

HEX #1E9C0C

RGB 30 156 12

HSL 112.5, 0.86%, 0.33%

LAB 56.17, -56.86, 56.12

 

CMYK 91 / 0 / 100 / 46

HEX #0D8A00

RGB 13 138 0

HSL 114.35, 1%, 0.27%

LAB 49.81, -53.65, 52.82

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 67 / 0 / 74 / 25

HEX #3FBF31

RGB 63 191 49

HSL 114.08, 0.59%, 0.47%

LAB 68.42, -60.47, 57.7

 

CMYK 47 / 0 / 74 / 25

HEX #65BF31

RGB 101 191 49

HSL 98.03, 0.59%, 0.47%

LAB 69.65, -50.74, 59.33

 

CMYK 27 / 0 / 74 / 25

HEX #8BBF31

RGB 139 191 49

HSL 81.97, 0.59%, 0.47%

LAB 71.54, -37.51, 61.82

 

CMYK 7 / 0 / 74 / 25

HEX #B2BF31

RGB 178 191 49

HSL 65.49, 0.59%, 0.47%

LAB 74.16, -21.74, 65.24

 

CMYK 0 / 14 / 74 / 25

HEX #BFA531

RGB 191 165 49

HSL 49.01, 0.59%, 0.47%

LAB 68.17, -2.75, 59.95

 

CMYK 67 / 0 / 74 / 25

HEX #3FBF31

RGB 63 191 49

HSL 114.08, 0.59%, 0.47%

LAB 68.42, -60.47, 57.7

 

CMYK 74 / 0 / 62 / 25

HEX #31BF49

RGB 49 191 73

HSL 130.14, 0.59%, 0.47%

LAB 68.31, -60.66, 47.9

 

CMYK 74 / 0 / 42 / 25

HEX #31BF6F

RGB 49 191 111

HSL 146.2, 0.59%, 0.47%

LAB 68.8, -54.98, 29.96

 

CMYK 74 / 0 / 21 / 25

HEX #31BF96

RGB 49 191 150

HSL 162.68, 0.59%, 0.47%

LAB 69.55, -46.69, 10.16

 

CMYK 74 / 0 / 2 / 25

HEX #31BFBC

RGB 49 191 188

HSL 178.73, 0.59%, 0.47%

LAB 70.56, -36.58, -9.14

 

CMYK 67 / 0 / 74 / 25

HEX #3FBF31

RGB 63 191 49

HSL 114.08, 0.59%, 0.47%

LAB 68.42, -60.47, 57.7

 

CMYK 77 / 0 / 86 / 18

HEX #30D21E

RGB 48 210 30

HSL 114, 0.75%, 0.47%

LAB 74.07, -70.03, 68.26

 

CMYK 86 / 0 / 96 / 10

HEX #20E50A

RGB 32 229 10

HSL 113.97, 0.92%, 0.47%

LAB 79.82, -77.7, 76.02

 

CMYK 67 / 0 / 74 / 25

HEX #3FBF31

RGB 63 191 49

HSL 114.08, 0.59%, 0.47%

LAB 68.42, -60.47, 57.7

 

CMYK 54 / 0 / 60 / 33

HEX #4FAB45

RGB 79 171 69

HSL 114.12, 0.43%, 0.47%

LAB 62.69, -47.54, 43.49

 

CMYK 38 / 0 / 42 / 40

HEX #5E9858

RGB 94 152 88

HSL 114.38, 0.27%, 0.47%

LAB 57.6, -32.21, 27.82

 

CMYK 17 / 0 / 19 / 48

HEX #6E846B

RGB 110 132 107

HSL 112.8, 0.1%, 0.47%

LAB 52.82, -13.07, 10.9

 

CMYK 2 / 11 / 0 / 50

HEX #7D717F

RGB 125 113 127

HSL 291.43, 0.06%, 0.47%

LAB 49.13, 7.41, -6.01

 

CMYK 27 / 0 / 74 / 25

HEX #8BBF31

RGB 139 191 49

HSL 81.97, 0.59%, 0.47%

LAB 71.54, -37.51, 61.82

 

CMYK 47 / 0 / 74 / 25

HEX #65BF31

RGB 101 191 49

HSL 98.03, 0.59%, 0.47%

LAB 69.65, -50.74, 59.33

 

CMYK 67 / 0 / 74 / 25

HEX #3FBF31

RGB 63 191 49

HSL 114.08, 0.59%, 0.47%

LAB 68.42, -60.47, 57.7

 

CMYK 74 / 0 / 62 / 25

HEX #31BF49

RGB 49 191 73

HSL 130.14, 0.59%, 0.47%

LAB 68.31, -60.66, 47.9

 

CMYK 74 / 0 / 42 / 25

HEX #31BF6E

RGB 49 191 110

HSL 145.77, 0.59%, 0.47%

LAB 68.78, -55.16, 30.45

 

CMYK 67 / 0 / 74 / 51

HEX #297D20

RGB 41 125 32

HSL 114.19, 0.59%, 0.31%

LAB 45.97, -43.42, 41.13

 

CMYK 67 / 0 / 74 / 38

HEX #349E29

RGB 52 158 41

HSL 114.36, 0.59%, 0.39%

LAB 57.41, -52.09, 49.42

 

CMYK 67 / 0 / 74 / 25

HEX #3FBF31

RGB 63 191 49

HSL 114.08, 0.59%, 0.47%

LAB 68.42, -60.47, 57.7

 

CMYK 59 / 0 / 65 / 18

HEX #56D049

RGB 86 208 73

HSL 114.22, 0.59%, 0.55%

LAB 74.55, -59.23, 55.11

 

CMYK 46 / 0 / 51 / 15

HEX #75D96A

RGB 117 217 106

HSL 114.05, 0.59%, 0.63%

LAB 78.72, -50.76, 45.4

 

CMYK 67 / 0 / 74 / 25

HEX #40C032

RGB 64 192 50

HSL 114.08, 0.59%, 0.47%

LAB 68.77, -60.53, 57.71

 

CMYK 74 / 8 / 0 / 25

HEX #31B0BF

RGB 49 176 191

HSL 186.34, 0.59%, 0.47%

LAB 66.11, -28.53, -17.48

 

CMYK 0 / 74 / 37 / 25

HEX #BF3178

RGB 191 49 120

HSL 330, 0.59%, 0.47%

LAB 45.12, 61.01, -6.82

 

CMYK 67 / 0 / 74 / 25

HEX #40C032

RGB 64 192 50

HSL 114.08, 0.59%, 0.47%

LAB 68.77, -60.53, 57.71

 

CMYK 74 / 67 / 0 / 25

HEX #313FBF

RGB 49 63 191

HSL 234.08, 0.59%, 0.47%

LAB 33.92, 38.75, -68.41

 

CMYK 0 / 74 / 67 / 25

HEX #BF313F

RGB 191 49 63

HSL 354.08, 0.59%, 0.47%

LAB 43.7, 56.41, 26.42

 

CMYK 67 / 0 / 74 / 25

HEX #40C032

RGB 64 192 50

HSL 114.08, 0.59%, 0.47%

LAB 68.77, -60.53, 57.71

 

CMYK 74 / 8 / 0 / 25

HEX #31B0BF

RGB 49 176 191

HSL 186.34, 0.59%, 0.47%

LAB 66.11, -28.53, -17.48

 

CMYK 8 / 74 / 0 / 25

HEX #B031BF

RGB 176 49 191

HSL 293.66, 0.59%, 0.47%

LAB 45.89, 67.52, -48.33

 

CMYK 0 / 67 / 74 / 25

HEX #BF3F31

RGB 191 63 49

HSL 5.92, 0.59%, 0.47%

LAB 45.43, 50.43, 36.68

 

CMYK 67 / 0 / 74 / 25

HEX #40C032

RGB 64 192 50

HSL 114.08, 0.59%, 0.47%

LAB 68.77, -60.53, 57.71

 

CMYK 74 / 30 / 0 / 25

HEX #3186BF

RGB 49 134 191

HSL 204.08, 0.59%, 0.47%

LAB 53.45, -6.02, -37

 

CMYK 8 / 74 / 0 / 25

HEX #B031BF

RGB 176 49 191

HSL 293.66, 0.59%, 0.47%

LAB 45.89, 67.52, -48.33

 

CMYK 0 / 45 / 74 / 25

HEX #BF6A31

RGB 191 106 49

HSL 24.08, 0.59%, 0.47%

LAB 53.61, 29.44, 45.45

 

Description

Color code: HEX #40C032 | qconv.com Color code: HEX #40C032 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 192 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 192 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 74 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 74% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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