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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40BF5E it is the complementary color #BF40A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40BF5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40BF5E shade: #45BF59, #56D16C, #67E37F, #78F592 and #89FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40BF5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40BF5E shade: #40BF5E, #2FAD4B, #1E9B38, #0D8925 and #007712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40BF5E shade: #40BF5E, #44BF40, #66BF40, #89BF40 and #ABBF40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40BF5E shade: #40BF5E, #40BF80, #40BFA3, #40B9BF and #4097BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40BF5E shade matches the following richer shades: #40BF5E, #2BD453, #16E948 and #02FD3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40BF5E shade: #40BF5E, #54AB69, #699674, #7E817F and #926D89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40BF5E shade: #66BF40, #44BF40, #40BF5E, #40BF80 and #40BFA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40BF5E shade: #2B813F, #35A04F, #40BF5E, #5FCA78 and #7ED492

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40BF5E shade: #40BF5E, #4088BF and #BF4055

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40BF5E shade: #40BF5E, #5E40BF and #BF5E40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40BF5E shade: #40BF5E, #4088BF, #BF40A2 and #BF7740

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40BF5E shade: #40BF5E, #4062BF, #BF40A2 and #BF9D40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 51 / 25

HEX #40BF5E

RGB 64 191 94

HSL 134.17, 0.5%, 0.5%

LAB 68.87, -55.29, 38.74

 

Complementary color

CMYK 0 / 66 / 16 / 25

HEX #BF40A1

RGB 191 64 161

HSL 314.17, 0.5%, 0.5%

LAB 48.66, 60.8, -26.17

 

CMYK 64 / 0 / 53 / 25

HEX #45BF59

RGB 69 191 89

HSL 129.84, 0.49%, 0.51%

LAB 68.93, -55.01, 41.29

 

CMYK 59 / 0 / 48 / 18

HEX #56D16C

RGB 86 209 108

HSL 130.73, 0.57%, 0.58%

LAB 75.24, -55.34, 39.89

 

CMYK 55 / 0 / 44 / 11

HEX #67E37F

RGB 103 227 127

HSL 131.61, 0.69%, 0.65%

LAB 81.49, -55.47, 38.53

 

CMYK 51 / 0 / 40 / 4

HEX #78F592

RGB 120 245 146

HSL 132.48, 0.86%, 0.72%

LAB 87.67, -55.45, 37.23

 

CMYK 46 / 0 / 35 / 0

HEX #89FFA5

RGB 137 255 165

HSL 134.24, 1%, 0.77%

LAB 91.48, -52.09, 32.93

 

CMYK 66 / 0 / 51 / 25

HEX #40BF5E

RGB 64 191 94

HSL 134.17, 0.5%, 0.5%

LAB 68.87, -55.29, 38.74

 

CMYK 73 / 0 / 57 / 32

HEX #2FAD4B

RGB 47 173 75

HSL 133.33, 0.57%, 0.43%

LAB 62.51, -54.56, 40.21

 

CMYK 81 / 0 / 64 / 39

HEX #1E9B38

RGB 30 155 56

HSL 132.48, 0.68%, 0.36%

LAB 56.09, -53.32, 41.62

 

CMYK 91 / 0 / 73 / 46

HEX #0D8925

RGB 13 137 37

HSL 131.61, 0.83%, 0.29%

LAB 49.63, -51.29, 42.76

 

CMYK 100 / 0 / 85 / 53

HEX #007712

RGB 0 119 18

HSL 129.08, 1%, 0.23%

LAB 43.12, -48.21, 43.08

 

CMYK 66 / 0 / 51 / 25

HEX #40BF5E

RGB 64 191 94

HSL 134.17, 0.5%, 0.5%

LAB 68.87, -55.29, 38.74

 

CMYK 64 / 0 / 66 / 25

HEX #44BF40

RGB 68 191 64

HSL 118.11, 0.5%, 0.5%

LAB 68.65, -58.16, 52.25

 

CMYK 47 / 0 / 66 / 25

HEX #66BF40

RGB 102 191 64

HSL 102.05, 0.5%, 0.5%

LAB 69.79, -49.29, 53.82

 

CMYK 28 / 0 / 66 / 25

HEX #89BF40

RGB 137 191 64

HSL 85.51, 0.5%, 0.5%

LAB 71.52, -37.3, 56.18

 

CMYK 10 / 0 / 66 / 25

HEX #ABBF40

RGB 171 191 64

HSL 69.45, 0.5%, 0.5%

LAB 73.73, -23.85, 59.17

 

CMYK 66 / 0 / 51 / 25

HEX #40BF5E

RGB 64 191 94

HSL 134.17, 0.5%, 0.5%

LAB 68.87, -55.29, 38.74

 

CMYK 66 / 0 / 33 / 25

HEX #40BF80

RGB 64 191 128

HSL 150.24, 0.5%, 0.5%

LAB 69.41, -49.31, 21.87

 

CMYK 66 / 0 / 15 / 25

HEX #40BFA3

RGB 64 191 163

HSL 166.77, 0.5%, 0.5%

LAB 70.17, -41.31, 4.01

 

CMYK 66 / 3 / 0 / 25

HEX #40B9BF

RGB 64 185 191

HSL 182.83, 0.5%, 0.5%

LAB 69.15, -30.92, -12.86

 

CMYK 66 / 21 / 0 / 25

HEX #4097BF

RGB 64 151 191

HSL 198.9, 0.5%, 0.5%

LAB 58.96, -13.41, -28.39

 

CMYK 66 / 0 / 51 / 25

HEX #40BF5E

RGB 64 191 94

HSL 134.17, 0.5%, 0.5%

LAB 68.87, -55.29, 38.74

 

CMYK 80 / 0 / 61 / 17

HEX #2BD453

RGB 43 212 83

HSL 134.2, 0.66%, 0.5%

LAB 74.97, -67.1, 51.04

 

CMYK 91 / 0 / 69 / 9

HEX #16E948

RGB 22 233 72

HSL 134.22, 0.83%, 0.5%

LAB 81.25, -76.33, 62.37

 

CMYK 99 / 0 / 76 / 1

HEX #02FD3D

RGB 2 253 61

HSL 134.1, 0.98%, 0.5%

LAB 87.29, -83.48, 72.23

 

CMYK 66 / 0 / 51 / 25

HEX #40BF5E

RGB 64 191 94

HSL 134.17, 0.5%, 0.5%

LAB 68.87, -55.29, 38.74

 

CMYK 51 / 0 / 39 / 33

HEX #54AB69

RGB 84 171 105

HSL 134.48, 0.34%, 0.5%

LAB 63.37, -40.95, 26.16

 

CMYK 30 / 0 / 23 / 41

HEX #699674

RGB 105 150 116

HSL 134.67, 0.18%, 0.5%

LAB 58.11, -22.62, 13.13

 

CMYK 2 / 0 / 2 / 49

HEX #7E817F

RGB 126 129 127

HSL 140, 0.01%, 0.5%

LAB 53.67, -1.51, 0.68

 

CMYK 0 / 25 / 6 / 43

HEX #926D89

RGB 146 109 137

HSL 314.59, 0.15%, 0.5%

LAB 50.52, 19.53, -9.64

 

CMYK 47 / 0 / 66 / 25

HEX #66BF40

RGB 102 191 64

HSL 102.05, 0.5%, 0.5%

LAB 69.79, -49.29, 53.82

 

CMYK 64 / 0 / 66 / 25

HEX #44BF40

RGB 68 191 64

HSL 118.11, 0.5%, 0.5%

LAB 68.65, -58.16, 52.25

 

CMYK 66 / 0 / 51 / 25

HEX #40BF5E

RGB 64 191 94

HSL 134.17, 0.5%, 0.5%

LAB 68.87, -55.29, 38.74

 

CMYK 66 / 0 / 33 / 25

HEX #40BF80

RGB 64 191 128

HSL 150.24, 0.5%, 0.5%

LAB 69.41, -49.31, 21.87

 

CMYK 66 / 0 / 15 / 25

HEX #40BFA2

RGB 64 191 162

HSL 166.3, 0.5%, 0.5%

LAB 70.15, -41.57, 4.52

 

CMYK 67 / 0 / 51 / 49

HEX #2B813F

RGB 43 129 63

HSL 133.95, 0.5%, 0.34%

LAB 47.72, -40.64, 28.28

 

CMYK 67 / 0 / 51 / 37

HEX #35A04F

RGB 53 160 79

HSL 134.58, 0.5%, 0.42%

LAB 58.47, -48.13, 33.35

 

CMYK 66 / 0 / 51 / 25

HEX #40BF5E

RGB 64 191 94

HSL 134.17, 0.5%, 0.5%

LAB 68.87, -55.29, 38.74

 

CMYK 53 / 0 / 41 / 21

HEX #5FCA78

RGB 95 202 120

HSL 134.02, 0.5%, 0.58%

LAB 73.57, -48.56, 31.77

 

CMYK 41 / 0 / 31 / 17

HEX #7ED492

RGB 126 212 146

HSL 133.95, 0.5%, 0.66%

LAB 78.23, -39.97, 24.71

 

CMYK 66 / 0 / 51 / 25

HEX #40BF5E

RGB 64 191 94

HSL 134.17, 0.5%, 0.5%

LAB 68.87, -55.29, 38.74

 

CMYK 66 / 29 / 0 / 25

HEX #4088BF

RGB 64 136 191

HSL 205.98, 0.5%, 0.5%

LAB 54.51, -4.94, -35.31

 

CMYK 0 / 66 / 55 / 25

HEX #BF4055

RGB 191 64 85

HSL 350.08, 0.5%, 0.5%

LAB 46.18, 52.18, 16.22

 

CMYK 66 / 0 / 51 / 25

HEX #40BF5E

RGB 64 191 94

HSL 134.17, 0.5%, 0.5%

LAB 68.87, -55.29, 38.74

 

CMYK 51 / 66 / 0 / 25

HEX #5E40BF

RGB 94 64 191

HSL 254.17, 0.5%, 0.5%

LAB 37.5, 44.65, -62.42

 

CMYK 0 / 51 / 66 / 25

HEX #BF5E40

RGB 191 94 64

HSL 14.17, 0.5%, 0.5%

LAB 51.21, 36.58, 34.96

 

CMYK 66 / 0 / 51 / 25

HEX #40BF5E

RGB 64 191 94

HSL 134.17, 0.5%, 0.5%

LAB 68.87, -55.29, 38.74

 

CMYK 66 / 29 / 0 / 25

HEX #4088BF

RGB 64 136 191

HSL 205.98, 0.5%, 0.5%

LAB 54.51, -4.94, -35.31

 

CMYK 0 / 66 / 15 / 25

HEX #BF40A2

RGB 191 64 162

HSL 313.7, 0.5%, 0.5%

LAB 48.7, 60.95, -26.69

 

CMYK 0 / 38 / 66 / 25

HEX #BF7740

RGB 191 119 64

HSL 25.98, 0.5%, 0.5%

LAB 56.72, 23.18, 41.35

 

CMYK 66 / 0 / 51 / 25

HEX #40BF5E

RGB 64 191 94

HSL 134.17, 0.5%, 0.5%

LAB 68.87, -55.29, 38.74

 

CMYK 66 / 49 / 0 / 25

HEX #4062BF

RGB 64 98 191

HSL 223.94, 0.5%, 0.5%

LAB 43.63, 18.37, -52.58

 

CMYK 0 / 66 / 15 / 25

HEX #BF40A2

RGB 191 64 162

HSL 313.7, 0.5%, 0.5%

LAB 48.7, 60.95, -26.69

 

CMYK 0 / 18 / 66 / 25

HEX #BF9D40

RGB 191 157 64

HSL 43.94, 0.5%, 0.5%

LAB 66.18, 2.32, 51.77

 

Description

Color code: HEX #40BF5E | qconv.com Color code: HEX #40BF5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 191 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 191 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 51 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 51% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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