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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40A951 it is the complementary color #BF56AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40A951. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40A951 shade: #45A94C, #56BB5F, #67CD72, #78DF85 and #89F198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40A951. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40A951 shade: #40A951, #2F973E, #1E852B, #0D7318 and #006105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40A951 shade: #41AA52, #4CAA41, #68AA41, #85AA41 and #A1AA41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40A951 shade: #41AA52, #41AA6E, #41AA8B, #41AAA7 and #4191AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40A951 shade matches the following richer shades: #41AA52, #2EBD45, #1BD038 and #08E32B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40A951 shade: #41AA52, #53975E, #66846B, #797178 and #8C5E85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40A951 shade: #69AA41, #4DAA41, #41AA50, #41AA6D and #41AA89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40A951 shade: #2A6E35, #358C43, #41AA52, #55BF66 and #73CA81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40A951 shade: #40A951, #4185AA and #AA415B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40A951 shade: #40A951, #5041AA and #AA5041

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40A951 shade: #40A951, #4185AA, #AA419A and #AA6541

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40A951 shade: #40A951, #4165AA, #AA419A and #AA8541

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 52 / 34

HEX #40A951

RGB 64 169 81

HSL 129.71, 0.45%, 0.46%

LAB 61.71, -48.94, 36.39

 

Complementary color

CMYK 0 / 55 / 9 / 25

HEX #BF56AE

RGB 191 86 174

HSL 309.71, 0.45%, 0.54%

LAB 52.72, 53.28, -27.51

 

CMYK 59 / 0 / 55 / 34

HEX #45A94C

RGB 69 169 76

HSL 124.2, 0.42%, 0.47%

LAB 61.79, -48.47, 39.01

 

CMYK 54 / 0 / 49 / 27

HEX #56BB5F

RGB 86 187 95

HSL 125.35, 0.43%, 0.54%

LAB 68.27, -48.66, 37.65

 

CMYK 50 / 0 / 44 / 20

HEX #67CD72

RGB 103 205 114

HSL 126.47, 0.5%, 0.6%

LAB 74.67, -48.66, 36.31

 

CMYK 46 / 0 / 40 / 13

HEX #78DF85

RGB 120 223 133

HSL 127.57, 0.62%, 0.67%

LAB 80.99, -48.56, 35.02

 

CMYK 43 / 0 / 37 / 5

HEX #89F198

RGB 137 241 152

HSL 128.65, 0.79%, 0.74%

LAB 87.24, -48.38, 33.8

 

CMYK 62 / 0 / 52 / 34

HEX #40A951

RGB 64 169 81

HSL 129.71, 0.45%, 0.46%

LAB 61.71, -48.94, 36.39

 

CMYK 69 / 0 / 59 / 41

HEX #2F973E

RGB 47 151 62

HSL 128.65, 0.53%, 0.39%

LAB 55.16, -48.4, 37.81

 

CMYK 77 / 0 / 68 / 48

HEX #1E852B

RGB 30 133 43

HSL 127.57, 0.63%, 0.32%

LAB 48.54, -47.31, 39.11

 

CMYK 89 / 0 / 79 / 55

HEX #0D7318

RGB 13 115 24

HSL 126.47, 0.8%, 0.25%

LAB 41.87, -45.35, 39.91

 

CMYK 100 / 0 / 95 / 62

HEX #006105

RGB 0 97 5

HSL 123.09, 1%, 0.19%

LAB 35.12, -42.17, 39.47

 

CMYK 62 / 0 / 52 / 33

HEX #41AA52

RGB 65 170 82

HSL 129.71, 0.45%, 0.46%

LAB 62.07, -48.96, 36.34

 

CMYK 55 / 0 / 62 / 33

HEX #4CAA41

RGB 76 170 65

HSL 113.71, 0.45%, 0.46%

LAB 62.23, -48.41, 44.77

 

CMYK 39 / 0 / 62 / 33

HEX #68AA41

RGB 104 170 65

HSL 97.71, 0.45%, 0.46%

LAB 63.4, -39.81, 46.42

 

CMYK 22 / 0 / 62 / 33

HEX #85AA41

RGB 133 170 65

HSL 81.14, 0.45%, 0.46%

LAB 65.06, -29.01, 48.72

 

CMYK 5 / 0 / 62 / 33

HEX #A1AA41

RGB 161 170 65

HSL 65.14, 0.45%, 0.46%

LAB 67.06, -17.47, 51.48

 

CMYK 62 / 0 / 52 / 33

HEX #41AA52

RGB 65 170 82

HSL 129.71, 0.45%, 0.46%

LAB 62.07, -48.96, 36.34

 

CMYK 62 / 0 / 35 / 33

HEX #41AA6E

RGB 65 170 110

HSL 145.71, 0.45%, 0.46%

LAB 62.51, -44.16, 22.21

 

CMYK 62 / 0 / 18 / 33

HEX #41AA8B

RGB 65 170 139

HSL 162.29, 0.45%, 0.46%

LAB 63.13, -37.76, 7.1

 

CMYK 62 / 0 / 2 / 33

HEX #41AAA7

RGB 65 170 167

HSL 178.29, 0.45%, 0.46%

LAB 63.89, -30.39, -7.42

 

CMYK 62 / 15 / 0 / 33

HEX #4191AA

RGB 65 145 170

HSL 194.29, 0.45%, 0.46%

LAB 56.36, -16.71, -20.46

 

CMYK 62 / 0 / 52 / 33

HEX #41AA52

RGB 65 170 82

HSL 129.71, 0.45%, 0.46%

LAB 62.07, -48.96, 36.34

 

CMYK 76 / 0 / 63 / 26

HEX #2EBD45

RGB 46 189 69

HSL 129.65, 0.61%, 0.46%

LAB 67.58, -60.9, 48.82

 

CMYK 87 / 0 / 73 / 18

HEX #1BD038

RGB 27 208 56

HSL 129.61, 0.77%, 0.46%

LAB 73.3, -70.13, 59.99

 

CMYK 96 / 0 / 81 / 11

HEX #08E32B

RGB 8 227 43

HSL 129.59, 0.93%, 0.46%

LAB 79.14, -77.35, 69.61

 

CMYK 62 / 0 / 52 / 33

HEX #41AA52

RGB 65 170 82

HSL 129.71, 0.45%, 0.46%

LAB 62.07, -48.96, 36.34

 

CMYK 45 / 0 / 38 / 41

HEX #53975E

RGB 83 151 94

HSL 129.71, 0.29%, 0.46%

LAB 56.86, -34.27, 23.5

 

CMYK 23 / 0 / 19 / 48

HEX #66846B

RGB 102 132 107

HSL 130, 0.13%, 0.46%

LAB 52.27, -16.01, 10.06

 

CMYK 0 / 7 / 1 / 53

HEX #797178

RGB 121 113 120

HSL 307.5, 0.03%, 0.46%

LAB 48.55, 4.47, -2.75

 

CMYK 0 / 33 / 5 / 45

HEX #8C5E85

RGB 140 94 133

HSL 309.13, 0.2%, 0.46%

LAB 46.01, 25.34, -14.13

 

CMYK 38 / 0 / 62 / 33

HEX #69AA41

RGB 105 170 65

HSL 97.14, 0.45%, 0.46%

LAB 63.45, -39.46, 46.49

 

CMYK 55 / 0 / 62 / 33

HEX #4DAA41

RGB 77 170 65

HSL 113.14, 0.45%, 0.46%

LAB 62.26, -48.14, 44.82

 

CMYK 62 / 0 / 53 / 33

HEX #41AA50

RGB 65 170 80

HSL 128.57, 0.45%, 0.46%

LAB 62.04, -49.24, 37.31

 

CMYK 62 / 0 / 36 / 33

HEX #41AA6D

RGB 65 170 109

HSL 145.14, 0.45%, 0.46%

LAB 62.49, -44.35, 22.73

 

CMYK 62 / 0 / 19 / 33

HEX #41AA89

RGB 65 170 137

HSL 161.14, 0.45%, 0.46%

LAB 63.08, -38.24, 8.15

 

CMYK 62 / 0 / 52 / 57

HEX #2A6E35

RGB 42 110 53

HSL 129.71, 0.45%, 0.3%

LAB 41.06, -34.64, 25.41

 

CMYK 62 / 0 / 52 / 45

HEX #358C43

RGB 53 140 67

HSL 129.66, 0.45%, 0.38%

LAB 51.74, -42.15, 31.22

 

CMYK 62 / 0 / 52 / 33

HEX #41AA52

RGB 65 170 82

HSL 129.71, 0.45%, 0.46%

LAB 62.07, -48.96, 36.34

 

CMYK 55 / 0 / 47 / 25

HEX #55BF66

RGB 85 191 102

HSL 129.62, 0.45%, 0.54%

LAB 69.58, -49.47, 35.76

 

CMYK 43 / 0 / 36 / 21

HEX #73CA81

RGB 115 202 129

HSL 129.66, 0.45%, 0.62%

LAB 74.49, -41.65, 28.48

 

CMYK 62 / 0 / 52 / 34

HEX #40A951

RGB 64 169 81

HSL 129.71, 0.45%, 0.46%

LAB 61.71, -48.94, 36.39

 

CMYK 62 / 22 / 0 / 33

HEX #4185AA

RGB 65 133 170

HSL 201.14, 0.45%, 0.46%

LAB 52.73, -10.07, -26.05

 

CMYK 0 / 62 / 46 / 33

HEX #AA415B

RGB 170 65 91

HSL 345.14, 0.45%, 0.46%

LAB 42.89, 45.33, 7.4

 

CMYK 62 / 0 / 52 / 34

HEX #40A951

RGB 64 169 81

HSL 129.71, 0.45%, 0.46%

LAB 61.71, -48.94, 36.39

 

CMYK 53 / 62 / 0 / 33

HEX #5041AA

RGB 80 65 170

HSL 248.57, 0.45%, 0.46%

LAB 34.78, 35.08, -54.48

 

CMYK 0 / 53 / 62 / 33

HEX #AA5041

RGB 170 80 65

HSL 8.57, 0.45%, 0.46%

LAB 45.17, 35.69, 26.29

 

CMYK 62 / 0 / 52 / 34

HEX #40A951

RGB 64 169 81

HSL 129.71, 0.45%, 0.46%

LAB 61.71, -48.94, 36.39

 

CMYK 62 / 22 / 0 / 33

HEX #4185AA

RGB 65 133 170

HSL 201.14, 0.45%, 0.46%

LAB 52.73, -10.07, -26.05

 

CMYK 0 / 62 / 9 / 33

HEX #AA419A

RGB 170 65 154

HSL 309.14, 0.45%, 0.46%

LAB 45.16, 53.7, -27.68

 

CMYK 0 / 41 / 62 / 33

HEX #AA6541

RGB 170 101 65

HSL 20.57, 0.45%, 0.46%

LAB 49.78, 24.32, 31.97

 

CMYK 62 / 0 / 52 / 34

HEX #40A951

RGB 64 169 81

HSL 129.71, 0.45%, 0.46%

LAB 61.71, -48.94, 36.39

 

CMYK 62 / 41 / 0 / 33

HEX #4165AA

RGB 65 101 170

HSL 219.43, 0.45%, 0.46%

LAB 43.26, 9.18, -40.9

 

CMYK 0 / 62 / 9 / 33

HEX #AA419A

RGB 170 65 154

HSL 309.14, 0.45%, 0.46%

LAB 45.16, 53.7, -27.68

 

CMYK 0 / 22 / 62 / 33

HEX #AA8541

RGB 170 133 65

HSL 38.86, 0.45%, 0.46%

LAB 57.75, 6.33, 41.36

 

Description

Color code: HEX #40A951 | qconv.com Color code: HEX #40A951 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 169 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 169 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 52 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 52% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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