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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40964B it is the complementary color #BF69B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40964B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40964B shade: #459646, #56A859, #67BA6C, #78CC7F and #89DE92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40964B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40964B shade: #40964B, #2F8438, #1E7225, #0D6012 and #004E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40964B shade: #40964B, #4C9640, #649640, #7B9640 and #929640

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40964B shade: #40964B, #409662, #409679, #409691 and #408496

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40964B shade matches the following richer shades: #40964B, #2FA73E, #1EB931 and #0CCA25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40964B shade: #40964B, #528558, #637365, #746272 and #86517F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40964B shade: #649640, #4D9640, #40964A, #409661 and #409678

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40964B shade: #285C2E, #34793D, #40964B, #4DB35A and #6ABF75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40964B shade: #40964B, #407B96 and #964059

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40964B shade: #40964B, #4A4096 and #964A40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40964B shade: #40964B, #407B96, #96408C and #965B40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40964B shade: #40964B, #406196, #96408C and #967540

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 50 / 41

HEX #40964B

RGB 64 150 75

HSL 127.67, 0.4%, 0.42%

LAB 55.49, -42.29, 31.78

 

Complementary color

CMYK 0 / 45 / 6 / 25

HEX #BF69B4

RGB 191 105 180

HSL 307.67, 0.4%, 0.58%

LAB 56.56, 44.86, -25.04

 

CMYK 54 / 0 / 53 / 41

HEX #459646

RGB 69 150 70

HSL 120.74, 0.37%, 0.43%

LAB 55.6, -41.68, 34.53

 

CMYK 49 / 0 / 47 / 34

HEX #56A859

RGB 86 168 89

HSL 122.2, 0.32%, 0.5%

LAB 62.26, -41.7, 33.17

 

CMYK 45 / 0 / 42 / 27

HEX #67BA6C

RGB 103 186 108

HSL 123.61, 0.38%, 0.57%

LAB 68.81, -41.58, 31.84

 

CMYK 41 / 0 / 38 / 20

HEX #78CC7F

RGB 120 204 127

HSL 125, 0.45%, 0.64%

LAB 75.27, -41.39, 30.59

 

CMYK 38 / 0 / 34 / 13

HEX #89DE92

RGB 137 222 146

HSL 126.35, 0.56%, 0.7%

LAB 81.64, -41.16, 29.4

 

CMYK 57 / 0 / 50 / 41

HEX #40964B

RGB 64 150 75

HSL 127.67, 0.4%, 0.42%

LAB 55.49, -42.29, 31.78

 

CMYK 64 / 0 / 58 / 48

HEX #2F8438

RGB 47 132 56

HSL 126.35, 0.47%, 0.35%

LAB 48.75, -41.98, 33.22

 

CMYK 74 / 0 / 68 / 55

HEX #1E7225

RGB 30 114 37

HSL 125, 0.58%, 0.28%

LAB 41.91, -41.18, 34.55

 

CMYK 86 / 0 / 81 / 62

HEX #0D6012

RGB 13 96 18

HSL 123.61, 0.76%, 0.21%

LAB 34.99, -39.48, 35.35

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 57 / 0 / 50 / 41

HEX #40964B

RGB 64 150 75

HSL 127.67, 0.4%, 0.42%

LAB 55.49, -42.29, 31.78

 

CMYK 49 / 0 / 57 / 41

HEX #4C9640

RGB 76 150 64

HSL 111.63, 0.4%, 0.42%

LAB 55.81, -40.44, 37.83

 

CMYK 33 / 0 / 57 / 41

HEX #649640

RGB 100 150 64

HSL 94.88, 0.4%, 0.42%

LAB 56.97, -32.33, 39.49

 

CMYK 18 / 0 / 57 / 41

HEX #7B9640

RGB 123 150 64

HSL 78.84, 0.4%, 0.42%

LAB 58.41, -23.33, 41.52

 

CMYK 3 / 0 / 57 / 41

HEX #929640

RGB 146 150 64

HSL 62.79, 0.4%, 0.42%

LAB 60.15, -13.6, 43.97

 

CMYK 57 / 0 / 50 / 41

HEX #40964B

RGB 64 150 75

HSL 127.67, 0.4%, 0.42%

LAB 55.49, -42.29, 31.78

 

CMYK 57 / 0 / 35 / 41

HEX #409662

RGB 64 150 98

HSL 143.72, 0.4%, 0.42%

LAB 55.87, -38.24, 19.84

 

CMYK 57 / 0 / 19 / 41

HEX #409679

RGB 64 150 121

HSL 159.77, 0.4%, 0.42%

LAB 56.37, -33.18, 7.58

 

CMYK 57 / 0 / 3 / 41

HEX #409691

RGB 64 150 145

HSL 176.51, 0.4%, 0.42%

LAB 57.02, -26.93, -5.17

 

CMYK 57 / 12 / 0 / 41

HEX #408496

RGB 64 132 150

HSL 192.56, 0.4%, 0.42%

LAB 51.6, -16.07, -16.19

 

CMYK 57 / 0 / 50 / 41

HEX #40964B

RGB 64 150 75

HSL 127.67, 0.4%, 0.42%

LAB 55.49, -42.29, 31.78

 

CMYK 72 / 0 / 63 / 35

HEX #2FA73E

RGB 47 167 62

HSL 127.5, 0.56%, 0.42%

LAB 60.42, -54.11, 43.87

 

CMYK 84 / 0 / 74 / 27

HEX #1EB931

RGB 30 185 49

HSL 127.35, 0.72%, 0.42%

LAB 65.9, -63.57, 54.98

 

CMYK 94 / 0 / 82 / 21

HEX #0CCA25

RGB 12 202 37

HSL 127.89, 0.89%, 0.42%

LAB 71.18, -70.63, 63.82

 

CMYK 57 / 0 / 50 / 41

HEX #40964B

RGB 64 150 75

HSL 127.67, 0.4%, 0.42%

LAB 55.49, -42.29, 31.78

 

CMYK 38 / 0 / 34 / 48

HEX #528558

RGB 82 133 88

HSL 127.06, 0.24%, 0.42%

LAB 51.01, -27.11, 19.02

 

CMYK 14 / 0 / 12 / 55

HEX #637365

RGB 99 115 101

HSL 127.5, 0.07%, 0.42%

LAB 46.78, -8.93, 5.75

 

CMYK 0 / 16 / 2 / 55

HEX #746272

RGB 116 98 114

HSL 306.67, 0.08%, 0.42%

LAB 43.75, 10.3, -6.32

 

CMYK 0 / 40 / 5 / 47

HEX #86517F

RGB 134 81 127

HSL 307.92, 0.25%, 0.42%

LAB 41.98, 29.61, -16.71

 

CMYK 33 / 0 / 57 / 41

HEX #649640

RGB 100 150 64

HSL 94.88, 0.4%, 0.42%

LAB 56.97, -32.33, 39.49

 

CMYK 49 / 0 / 57 / 41

HEX #4D9640

RGB 77 150 64

HSL 110.93, 0.4%, 0.42%

LAB 55.85, -40.13, 37.89

 

CMYK 57 / 0 / 51 / 41

HEX #40964A

RGB 64 150 74

HSL 126.98, 0.4%, 0.42%

LAB 55.48, -42.44, 32.28

 

CMYK 57 / 0 / 35 / 41

HEX #409661

RGB 64 150 97

HSL 143.02, 0.4%, 0.42%

LAB 55.85, -38.44, 20.37

 

CMYK 57 / 0 / 20 / 41

HEX #409678

RGB 64 150 120

HSL 159.07, 0.4%, 0.42%

LAB 56.35, -33.42, 8.11

 

CMYK 57 / 0 / 50 / 64

HEX #285C2E

RGB 40 92 46

HSL 126.92, 0.39%, 0.26%

LAB 34.61, -28.37, 21.25

 

CMYK 57 / 0 / 50 / 53

HEX #34793D

RGB 52 121 61

HSL 127.83, 0.4%, 0.34%

LAB 45.28, -35.43, 26.38

 

CMYK 57 / 0 / 50 / 41

HEX #40964B

RGB 64 150 75

HSL 127.67, 0.4%, 0.42%

LAB 55.49, -42.29, 31.78

 

CMYK 57 / 0 / 50 / 30

HEX #4DB35A

RGB 77 179 90

HSL 127.65, 0.4%, 0.5%

LAB 65.4, -48.47, 36.52

 

CMYK 45 / 0 / 39 / 25

HEX #6ABF75

RGB 106 191 117

HSL 127.76, 0.4%, 0.58%

LAB 70.6, -41.44, 29.52

 

CMYK 57 / 0 / 50 / 41

HEX #40964B

RGB 64 150 75

HSL 127.67, 0.4%, 0.42%

LAB 55.49, -42.29, 31.78

 

CMYK 57 / 18 / 0 / 41

HEX #407B96

RGB 64 123 150

HSL 198.84, 0.4%, 0.42%

LAB 48.83, -11.05, -20.43

 

CMYK 0 / 57 / 41 / 41

HEX #964059

RGB 150 64 89

HSL 342.56, 0.4%, 0.42%

LAB 39.36, 38.67, 3.18

 

CMYK 57 / 0 / 50 / 41

HEX #40964B

RGB 64 150 75

HSL 127.67, 0.4%, 0.42%

LAB 55.49, -42.29, 31.78

 

CMYK 51 / 57 / 0 / 41

HEX #4A4096

RGB 74 64 150

HSL 246.98, 0.4%, 0.42%

LAB 32.53, 28.11, -46.07

 

CMYK 0 / 51 / 57 / 41

HEX #964A40

RGB 150 74 64

HSL 6.98, 0.4%, 0.42%

LAB 40.82, 30.89, 20.7

 

CMYK 57 / 0 / 50 / 41

HEX #40964B

RGB 64 150 75

HSL 127.67, 0.4%, 0.42%

LAB 55.49, -42.29, 31.78

 

CMYK 57 / 18 / 0 / 41

HEX #407B96

RGB 64 123 150

HSL 198.84, 0.4%, 0.42%

LAB 48.83, -11.05, -20.43

 

CMYK 0 / 57 / 7 / 41

HEX #96408C

RGB 150 64 140

HSL 306.98, 0.4%, 0.42%

LAB 41.29, 46.17, -25.51

 

CMYK 0 / 39 / 57 / 41

HEX #965B40

RGB 150 91 64

HSL 18.84, 0.4%, 0.42%

LAB 44.71, 21.37, 25.68

 

CMYK 57 / 0 / 50 / 41

HEX #40964B

RGB 64 150 75

HSL 127.67, 0.4%, 0.42%

LAB 55.49, -42.29, 31.78

 

CMYK 57 / 35 / 0 / 41

HEX #406196

RGB 64 97 150

HSL 216.98, 0.4%, 0.42%

LAB 40.96, 4.56, -32.67

 

CMYK 0 / 57 / 7 / 41

HEX #96408C

RGB 150 64 140

HSL 306.98, 0.4%, 0.42%

LAB 41.29, 46.17, -25.51

 

CMYK 0 / 22 / 57 / 41

HEX #967540

RGB 150 117 64

HSL 36.98, 0.4%, 0.42%

LAB 51.36, 6.4, 33.85

 

Description

Color code: HEX #40964B | qconv.com Color code: HEX #40964B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 150 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 150 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 50 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 50% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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