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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #408E83 it is the complementary color #BF717C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #408E83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #408E83 shade: #458E7E, #56A091, #67B2A4, #78C4B7 and #89D6CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #408E83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #408E83 shade: #408E83, #2F7C70, #1E6A5D, #0D584A and #004637

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #408E83 shade: #3F8D82, #3F8D6D, #3F8D58, #3F8D43 and #508D3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #408E83 shade: #3F8D82, #3F838D, #3F6E8D, #3F598D and #3F448D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #408E83 shade matches the following richer shades: #3F8D82, #2F9D8E, #1EAE9A and #0EBEA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #408E83 shade: #3F8D82, #507C76, #606C6A, #715B5E and #814B52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #408E83 shade: #3F8D58, #3F8D6C, #3F8D81, #3F848D and #3F6F8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #408E83 shade: #26544D, #327068, #3F8D82, #4CA99C and #65BAAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #408E83 shade: #408E83, #433F8D and #8D623F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #408E83 shade: #408E83, #813F8D and #8D813F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #408E83 shade: #408E83, #433F8D, #8D3F4B and #898D3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #408E83 shade: #408E83, #5A3F8D, #8D3F4B and #728D3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 8 / 44

HEX #408E83

RGB 64 142 131

HSL 171.54, 0.38%, 0.4%

LAB 54.11, -26.77, -1.43

 

Complementary color

CMYK 0 / 41 / 35 / 25

HEX #BF717C

RGB 191 113 124

HSL 351.54, 0.38%, 0.6%

LAB 56.43, 32.09, 7.28

 

CMYK 51 / 0 / 11 / 44

HEX #458E7E

RGB 69 142 126

HSL 166.85, 0.35%, 0.41%

LAB 54.15, -26.92, 1.55

 

CMYK 46 / 0 / 9 / 37

HEX #56A091

RGB 86 160 145

HSL 167.84, 0.3%, 0.48%

LAB 60.93, -26.84, 0.66

 

CMYK 42 / 0 / 8 / 30

HEX #67B2A4

RGB 103 178 164

HSL 168.8, 0.33%, 0.55%

LAB 67.58, -26.72, -0.15

 

CMYK 39 / 0 / 7 / 23

HEX #78C4B7

RGB 120 196 183

HSL 169.74, 0.39%, 0.62%

LAB 74.12, -26.58, -0.9

 

CMYK 36 / 0 / 6 / 16

HEX #89D6CA

RGB 137 214 202

HSL 170.65, 0.48%, 0.69%

LAB 80.56, -26.43, -1.61

 

CMYK 55 / 0 / 8 / 44

HEX #408E83

RGB 64 142 131

HSL 171.54, 0.38%, 0.4%

LAB 54.11, -26.77, -1.43

 

CMYK 62 / 0 / 10 / 51

HEX #2F7C70

RGB 47 124 112

HSL 170.65, 0.45%, 0.34%

LAB 47.22, -26.62, -0.47

 

CMYK 72 / 0 / 12 / 58

HEX #1E6A5D

RGB 30 106 93

HSL 169.74, 0.56%, 0.27%

LAB 40.2, -26.24, 0.62

 

CMYK 85 / 0 / 16 / 65

HEX #0D584A

RGB 13 88 74

HSL 168.8, 0.74%, 0.2%

LAB 33.05, -25.43, 1.93

 

CMYK 100 / 0 / 21 / 73

HEX #004637

RGB 0 70 55

HSL 167.14, 1%, 0.14%

LAB 25.73, -24, 3.52

 

CMYK 55 / 0 / 8 / 45

HEX #3F8D82

RGB 63 141 130

HSL 171.54, 0.38%, 0.4%

LAB 53.73, -26.77, -1.41

 

CMYK 55 / 0 / 23 / 45

HEX #3F8D6D

RGB 63 141 109

HSL 155.38, 0.38%, 0.4%

LAB 53.18, -32.04, 9.9

 

CMYK 55 / 0 / 38 / 45

HEX #3F8D58

RGB 63 141 88

HSL 139.23, 0.38%, 0.4%

LAB 52.74, -36.48, 21.2

 

CMYK 55 / 0 / 52 / 45

HEX #3F8D43

RGB 63 141 67

HSL 123.08, 0.38%, 0.4%

LAB 52.41, -40.01, 32.12

 

CMYK 43 / 0 / 55 / 45

HEX #508D3F

RGB 80 141 63

HSL 106.92, 0.38%, 0.4%

LAB 53.07, -35.38, 35.14

 

CMYK 55 / 0 / 8 / 45

HEX #3F8D82

RGB 63 141 130

HSL 171.54, 0.38%, 0.4%

LAB 53.73, -26.77, -1.41

 

CMYK 55 / 7 / 0 / 45

HEX #3F838D

RGB 63 131 141

HSL 187.69, 0.38%, 0.4%

LAB 50.93, -18.47, -11.96

 

CMYK 55 / 22 / 0 / 45

HEX #3F6E8D

RGB 63 110 141

HSL 203.85, 0.38%, 0.4%

LAB 44.42, -6.62, -21.9

 

CMYK 55 / 37 / 0 / 45

HEX #3F598D

RGB 63 89 141

HSL 220, 0.38%, 0.4%

LAB 38.07, 6.34, -31.82

 

CMYK 55 / 52 / 0 / 45

HEX #3F448D

RGB 63 68 141

HSL 236.15, 0.38%, 0.4%

LAB 32.07, 20.08, -41.37

 

CMYK 55 / 0 / 8 / 45

HEX #3F8D82

RGB 63 141 130

HSL 171.54, 0.38%, 0.4%

LAB 53.73, -26.77, -1.41

 

CMYK 70 / 0 / 10 / 38

HEX #2F9D8E

RGB 47 157 142

HSL 171.82, 0.54%, 0.4%

LAB 58.67, -34.12, -1.09

 

CMYK 83 / 0 / 11 / 32

HEX #1EAE9A

RGB 30 174 154

HSL 171.67, 0.71%, 0.4%

LAB 64.06, -40.43, 0.02

 

CMYK 93 / 0 / 13 / 25

HEX #0EBEA5

RGB 14 190 165

HSL 171.48, 0.86%, 0.4%

LAB 69.21, -45.29, 1.43

 

CMYK 55 / 0 / 8 / 45

HEX #3F8D82

RGB 63 141 130

HSL 171.54, 0.38%, 0.4%

LAB 53.73, -26.77, -1.41

 

CMYK 35 / 0 / 5 / 51

HEX #507C76

RGB 80 124 118

HSL 171.82, 0.22%, 0.4%

LAB 48.8, -16.59, -1.55

 

CMYK 11 / 0 / 2 / 58

HEX #606C6A

RGB 96 108 106

HSL 170, 0.06%, 0.4%

LAB 44.59, -4.97, -0.43

 

CMYK 0 / 19 / 17 / 56

HEX #715B5E

RGB 113 91 94

HSL 351.82, 0.11%, 0.4%

LAB 40.9, 9.5, 1.67

 

CMYK 0 / 42 / 36 / 49

HEX #814B52

RGB 129 75 82

HSL 352.22, 0.26%, 0.4%

LAB 38.39, 23.78, 5.75

 

CMYK 55 / 0 / 38 / 45

HEX #3F8D58

RGB 63 141 88

HSL 139.23, 0.38%, 0.4%

LAB 52.74, -36.48, 21.2

 

CMYK 55 / 0 / 23 / 45

HEX #3F8D6C

RGB 63 141 108

HSL 154.62, 0.38%, 0.4%

LAB 53.16, -32.27, 10.44

 

CMYK 55 / 0 / 9 / 45

HEX #3F8D81

RGB 63 141 129

HSL 170.77, 0.38%, 0.4%

LAB 53.7, -27.03, -0.87

 

CMYK 55 / 6 / 0 / 45

HEX #3F848D

RGB 63 132 141

HSL 186.92, 0.38%, 0.4%

LAB 51.25, -19, -11.49

 

CMYK 55 / 21 / 0 / 45

HEX #3F6F8D

RGB 63 111 141

HSL 203.08, 0.38%, 0.4%

LAB 44.73, -7.21, -21.42

 

CMYK 55 / 0 / 8 / 67

HEX #26544D

RGB 38 84 77

HSL 170.87, 0.38%, 0.24%

LAB 32.45, -17.73, -0.74

 

CMYK 55 / 0 / 7 / 56

HEX #327068

RGB 50 112 104

HSL 172.26, 0.38%, 0.32%

LAB 43.16, -22.09, -1.64

 

CMYK 55 / 0 / 8 / 45

HEX #3F8D82

RGB 63 141 130

HSL 171.54, 0.38%, 0.4%

LAB 53.73, -26.77, -1.41

 

CMYK 55 / 0 / 8 / 34

HEX #4CA99C

RGB 76 169 156

HSL 171.61, 0.38%, 0.48%

LAB 63.6, -30.77, -1.65

 

CMYK 46 / 0 / 6 / 27

HEX #65BAAE

RGB 101 186 174

HSL 171.53, 0.38%, 0.56%

LAB 70.13, -28.71, -1.93

 

CMYK 55 / 0 / 8 / 44

HEX #408E83

RGB 64 142 131

HSL 171.54, 0.38%, 0.4%

LAB 54.11, -26.77, -1.43

 

CMYK 52 / 55 / 0 / 45

HEX #433F8D

RGB 67 63 141

HSL 243.08, 0.38%, 0.4%

LAB 31.05, 24.26, -42.99

 

CMYK 0 / 30 / 55 / 45

HEX #8D623F

RGB 141 98 63

HSL 26.92, 0.38%, 0.4%

LAB 45.3, 13.28, 26.75

 

CMYK 55 / 0 / 8 / 44

HEX #408E83

RGB 64 142 131

HSL 171.54, 0.38%, 0.4%

LAB 54.11, -26.77, -1.43

 

CMYK 9 / 55 / 0 / 45

HEX #813F8D

RGB 129 63 141

HSL 290.77, 0.38%, 0.4%

LAB 38.1, 40.78, -31.33

 

CMYK 0 / 9 / 55 / 45

HEX #8D813F

RGB 141 129 63

HSL 50.77, 0.38%, 0.4%

LAB 53.73, -4.5, 36.97

 

CMYK 55 / 0 / 8 / 44

HEX #408E83

RGB 64 142 131

HSL 171.54, 0.38%, 0.4%

LAB 54.11, -26.77, -1.43

 

CMYK 52 / 55 / 0 / 45

HEX #433F8D

RGB 67 63 141

HSL 243.08, 0.38%, 0.4%

LAB 31.05, 24.26, -42.99

 

CMYK 0 / 55 / 47 / 45

HEX #8D3F4B

RGB 141 63 75

HSL 350.77, 0.38%, 0.4%

LAB 37.35, 34.32, 8.93

 

CMYK 3 / 0 / 55 / 45

HEX #898D3F

RGB 137 141 63

HSL 63.08, 0.38%, 0.4%

LAB 56.81, -12.82, 40.45

 

CMYK 55 / 0 / 8 / 44

HEX #408E83

RGB 64 142 131

HSL 171.54, 0.38%, 0.4%

LAB 54.11, -26.77, -1.43

 

CMYK 36 / 55 / 0 / 45

HEX #5A3F8D

RGB 90 63 141

HSL 260.77, 0.38%, 0.4%

LAB 33.25, 29.92, -39.34

 

CMYK 0 / 55 / 47 / 45

HEX #8D3F4B

RGB 141 63 75

HSL 350.77, 0.38%, 0.4%

LAB 37.35, 34.32, 8.93

 

CMYK 19 / 0 / 55 / 45

HEX #728D3F

RGB 114 141 63

HSL 80.77, 0.38%, 0.4%

LAB 55.06, -22.59, 37.97

 

Description

Color code: HEX #408E83 | qconv.com Color code: HEX #408E83 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 142 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 142 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 8 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 8% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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