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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #407EEDCE it is the complementary color #BF8112CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #407EEDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #407EEDCE shade: #457EE8CE, #5690FBCE, #67A2FFCE, #78B4FFCE and #89C6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #407EEDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #407EEDCE shade: #407EEDCE, #2F6CDACE, #1E5AC7CE, #0D48B4CE and #0036A1CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #407EEDCE shade: #407EED, #404FED, #5F40ED, #8E40ED and #BD40ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #407EEDCE shade: #407EED, #404FED and #4040ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #407EEDCE shade matches the following richer shades: #407EED and #2F79FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #407EEDCE shade: #407EED, #5183DC, #6287CB, #728CBA and #8391AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #407EEDCE shade: #40DCED, #40AEED, #407FED, #4051ED and #5D40ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #407EEDCE shade: #1354C8, #1A64EA, #407EED, #6597F1 and #8BB1F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #407EEDCE shade: #407EED, #D040ED and #C5ED40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #407EEDCE shade: #407EED, #ED407F and #7FED40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #407EEDCE shade: #407EED, #D040ED, #EDAE40 and #5DED40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #407EEDCE shade: #407EED, #ED40D6, #EDAE40 and #40ED57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 38 / 0 / 6

HEX #407EEDCE

RGBA 64 126 237 0.81

HSLA 218.5, 0.83%, 0.59%, 0.81

LABA 54.16, 17.35, -61.79, 0.81

 

Complementary color

CMYK 0 / 26 / 73 / 20

HEX #BF8112CE

RGBA 191 129 18 0.81

HSLA 38.5, 0.83%, 0.41%, 0.81

LABA 58.81, 15.87, 61.42, 0.81

 

CMYK 57 / 37 / 0 / 7

HEX #457EE8CE

RGBA 69 126 232 0.81

HSLA 219.02, 0.78%, 0.59%, 0.81

LABA 54.04, 16.22, -59.18, 0.81

 

CMYK 53 / 35 / 0 / 1

HEX #5690FBCE

RGBA 86 144 251 0.81

HSLA 218.91, 0.95%, 0.66%, 0.81

LABA 60.68, 14.46, -59.03, 0.81

 

CMYK 48 / 30 / 0 / 0

HEX #67A2FFCE

RGBA 103 162 255 0.81

HSLA 216.71, 1%, 0.7%, 0.81

LABA 66.48, 8.14, -51.96, 0.81

 

CMYK 43 / 24 / 0 / 0

HEX #78B4FFCE

RGBA 120 180 255 0.81

HSLA 213.33, 1%, 0.74%, 0.81

LABA 72.13, 1.31, -43.01, 0.81

 

CMYK 37 / 18 / 0 / 0

HEX #89C6FFCE

RGBA 137 198 255 0.81

HSLA 208.98, 1%, 0.77%, 0.81

LABA 77.83, -4.73, -34.08, 0.81

 

CMYK 59 / 38 / 0 / 6

HEX #407EEDCE

RGBA 64 126 237 0.81

HSLA 218.5, 0.83%, 0.59%, 0.81

LABA 54.16, 17.35, -61.79, 0.81

 

CMYK 64 / 41 / 0 / 12

HEX #2F6CDACE

RGBA 47 108 218 0.81

HSLA 218.6, 0.7%, 0.52%, 0.81

LABA 47.48, 19.69, -61.9, 0.81

 

CMYK 69 / 44 / 0 / 18

HEX #1E5AC7CE

RGBA 30 90 199 0.81

HSLA 218.7, 0.74%, 0.45%, 0.81

LABA 40.75, 22.54, -61.94, 0.81

 

CMYK 75 / 49 / 0 / 24

HEX #0D48B4CE

RGBA 13 72 180 0.81

HSLA 218.8, 0.87%, 0.38%, 0.81

LABA 34.02, 26.01, -61.81, 0.81

 

CMYK 81 / 54 / 0 / 30

HEX #0036A1CE

RGBA 0 54 161 0.81

HSLA 219.88, 1%, 0.32%, 0.81

LABA 27.33, 30.07, -61.4, 0.81

 

CMYK 73 / 47 / 0 / 7

HEX #407EED

RGB 64 126 237

HSL 218.5, 0.83%, 0.59%

LAB 54.16, 17.35, -61.79

 

CMYK 73 / 67 / 0 / 7

HEX #404FED

RGB 64 79 237

HSL 234.8, 0.83%, 0.59%

LAB 42.45, 46.4, -80.83

 

CMYK 60 / 73 / 0 / 7

HEX #5F40ED

RGB 95 64 237

HSL 250.75, 0.83%, 0.59%

LAB 41.55, 58.16, -82.23

 

CMYK 40 / 73 / 0 / 7

HEX #8E40ED

RGB 142 64 237

HSL 267.05, 0.83%, 0.59%

LAB 46.35, 65.01, -74.18

 

CMYK 20 / 73 / 0 / 7

HEX #BD40ED

RGB 189 64 237

HSL 283.35, 0.83%, 0.59%

LAB 52.51, 73.39, -63.91

 

CMYK 73 / 47 / 0 / 7

HEX #407EED

RGB 64 126 237

HSL 218.5, 0.83%, 0.59%

LAB 54.16, 17.35, -61.79

 

CMYK 73 / 67 / 0 / 7

HEX #404FED

RGB 64 79 237

HSL 234.8, 0.83%, 0.59%

LAB 42.45, 46.4, -80.83

 

CMYK 73 / 73 / 0 / 7

HEX #4040ED

RGB 64 64 237

HSL 240, 0.83%, 0.59%

LAB 39.36, 54.92, -85.92

 

CMYK 73 / 47 / 0 / 7

HEX #407EED

RGB 64 126 237

HSL 218.5, 0.83%, 0.59%

LAB 54.16, 17.35, -61.79

 

CMYK 81 / 52 / 0 / 0

HEX #2F79FE

RGB 47 121 254

HSL 218.55, 0.99%, 0.59%

LAB 53.42, 24.92, -72.44

 

CMYK 73 / 47 / 0 / 7

HEX #407EED

RGB 64 126 237

HSL 218.5, 0.83%, 0.59%

LAB 54.16, 17.35, -61.79

 

CMYK 63 / 40 / 0 / 14

HEX #5183DC

RGB 81 131 220

HSL 218.42, 0.67%, 0.59%

LAB 55.23, 10.89, -50.54

 

CMYK 52 / 33 / 0 / 20

HEX #6287CB

RGB 98 135 203

HSL 218.86, 0.5%, 0.59%

LAB 56.32, 6.38, -39.17

 

CMYK 39 / 25 / 0 / 27

HEX #728CBA

RGB 114 140 186

HSL 218.33, 0.34%, 0.59%

LAB 57.92, 2.5, -26.97

 

CMYK 23 / 15 / 0 / 33

HEX #8391AA

RGB 131 145 170

HSL 218.46, 0.19%, 0.59%

LAB 59.87, 0.61, -14.8

 

CMYK 73 / 7 / 0 / 7

HEX #40DCED

RGB 64 220 237

HSL 185.9, 0.83%, 0.59%

LAB 80.96, -34.09, -19.92

 

CMYK 73 / 27 / 0 / 7

HEX #40AEED

RGB 64 174 237

HSL 201.85, 0.83%, 0.59%

LAB 67.63, -10.72, -40.42

 

CMYK 73 / 46 / 0 / 7

HEX #407FED

RGB 64 127 237

HSL 218.15, 0.83%, 0.59%

LAB 54.43, 16.73, -61.36

 

CMYK 73 / 66 / 0 / 7

HEX #4051ED

RGB 64 81 237

HSL 234.1, 0.83%, 0.59%

LAB 42.9, 45.22, -80.1

 

CMYK 61 / 73 / 0 / 7

HEX #5D40ED

RGB 93 64 237

HSL 250.06, 0.83%, 0.59%

LAB 41.39, 57.92, -82.51

 

CMYK 91 / 58 / 0 / 22

HEX #1354C8

RGB 19 84 200

HSL 218.45, 0.83%, 0.43%

LAB 38.98, 26.2, -65.41

 

CMYK 89 / 57 / 0 / 8

HEX #1A64EA

RGB 26 100 234

HSL 218.65, 0.83%, 0.51%

LAB 46.01, 29.3, -73.37

 

CMYK 73 / 47 / 0 / 7

HEX #407EED

RGB 64 126 237

HSL 218.5, 0.83%, 0.59%

LAB 54.16, 17.35, -61.79

 

CMYK 58 / 37 / 0 / 5

HEX #6597F1

RGB 101 151 241

HSL 218.57, 0.83%, 0.67%

LAB 62.72, 9.65, -50.25

 

CMYK 43 / 27 / 0 / 4

HEX #8BB1F4

RGB 139 177 244

HSL 218.29, 0.83%, 0.75%

LAB 71.87, 4.19, -37.39

 

CMYK 73 / 47 / 0 / 7

HEX #407EED

RGB 64 126 237

HSL 218.5, 0.83%, 0.59%

LAB 54.16, 17.35, -61.79

 

CMYK 12 / 73 / 0 / 7

HEX #D040ED

RGB 208 64 237

HSL 289.94, 0.83%, 0.59%

LAB 55.27, 77.04, -59.32

 

CMYK 17 / 0 / 73 / 7

HEX #C5ED40

RGB 197 237 64

HSL 73.87, 0.83%, 0.59%

LAB 88.36, -35.1, 74.29

 

CMYK 73 / 47 / 0 / 7

HEX #407EED

RGB 64 126 237

HSL 218.5, 0.83%, 0.59%

LAB 54.16, 17.35, -61.79

 

CMYK 0 / 73 / 46 / 7

HEX #ED407F

RGB 237 64 127

HSL 338.15, 0.83%, 0.59%

LAB 55.28, 69.28, 4.8

 

CMYK 46 / 0 / 73 / 7

HEX #7FED40

RGB 127 237 64

HSL 98.15, 0.83%, 0.59%

LAB 84.72, -59.54, 69.49

 

CMYK 73 / 47 / 0 / 7

HEX #407EED

RGB 64 126 237

HSL 218.5, 0.83%, 0.59%

LAB 54.16, 17.35, -61.79

 

CMYK 12 / 73 / 0 / 7

HEX #D040ED

RGB 208 64 237

HSL 289.94, 0.83%, 0.59%

LAB 55.27, 77.04, -59.32

 

CMYK 0 / 27 / 73 / 7

HEX #EDAE40

RGB 237 174 64

HSL 38.15, 0.83%, 0.59%

LAB 75.23, 13.03, 62.61

 

CMYK 61 / 0 / 73 / 7

HEX #5DED40

RGB 93 237 64

HSL 109.94, 0.83%, 0.59%

LAB 83.58, -68.4, 67.99

 

CMYK 73 / 47 / 0 / 7

HEX #407EED

RGB 64 126 237

HSL 218.5, 0.83%, 0.59%

LAB 54.16, 17.35, -61.79

 

CMYK 0 / 73 / 10 / 7

HEX #ED40D6

RGB 237 64 214

HSL 307.98, 0.83%, 0.59%

LAB 58.53, 79.37, -40.89

 

CMYK 0 / 27 / 73 / 7

HEX #EDAE40

RGB 237 174 64

HSL 38.15, 0.83%, 0.59%

LAB 75.23, 13.03, 62.61

 

CMYK 73 / 0 / 63 / 7

HEX #40ED57

RGB 64 237 87

HSL 127.98, 0.83%, 0.59%

LAB 83.1, -71.79, 58.6

 

Description

Color code: HEX #407EEDCE | qconv.com Color code: HEX #407EEDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 126 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 126 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 38 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 38% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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