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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4063F0 it is the complementary color #BF9C0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4063F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4063F0 shade: #4563EB, #5675FE, #6787FF, #7899FF and #89ABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4063F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4063F0 shade: #4063F0, #2F51DD, #1E3FCA, #0D2DB7 and #001BA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4063F0 shade: #4265F0, #4F42F0, #7D42F0, #AC42F0 and #DB42F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4063F0 shade: #4265F0 and #4242F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4063F0 shade matches the following richer shades: #4265F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4063F0 shade: #4265F0, #536FDF, #6379CF, #7483BE and #848DAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4063F0 shade: #42C1F0, #4293F0, #4265F0, #4E42F0 and #7C42F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4063F0 shade: #1137CF, #1C46ED, #4265F0, #6884F3 and #8FA3F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4063F0 shade: #4063F0, #F042F0 and #AAF042

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4063F0 shade: #4063F0, #F04265 and #65F042

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4063F0 shade: #4063F0, #F042F0, #F0CD42 and #42F042

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4063F0 shade: #4063F0, #F042BC, #F0CD42 and #42F076

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 59 / 0 / 6

HEX #4063F0

RGB 64 99 240

HSL 228.07, 0.85%, 0.6%

LAB 47.37, 35.25, -74.47

 

Complementary color

CMYK 0 / 18 / 92 / 25

HEX #BF9C0F

RGB 191 156 15

HSL 48.07, 0.85%, 0.4%

LAB 65.66, 1.06, 67.21

 

CMYK 71 / 58 / 0 / 8

HEX #4563EB

RGB 69 99 235

HSL 229.16, 0.81%, 0.6%

LAB 47.22, 34.09, -71.9

 

CMYK 66 / 54 / 0 / 0

HEX #5675FE

RGB 86 117 254

HSL 228.93, 0.99%, 0.67%

LAB 53.87, 31.86, -71.64

 

CMYK 60 / 47 / 0 / 0

HEX #6787FF

RGB 103 135 255

HSL 227.37, 1%, 0.7%

LAB 59.37, 24.07, -63.28

 

CMYK 53 / 40 / 0 / 0

HEX #7899FF

RGB 120 153 255

HSL 225.33, 1%, 0.74%

LAB 64.96, 16.74, -54.31

 

CMYK 46 / 33 / 0 / 0

HEX #89ABFF

RGB 137 171 255

HSL 222.71, 1%, 0.77%

LAB 70.64, 10.18, -45.28

 

CMYK 73 / 59 / 0 / 6

HEX #4063F0

RGB 64 99 240

HSL 228.07, 0.85%, 0.6%

LAB 47.37, 35.25, -74.47

 

CMYK 79 / 63 / 0 / 13

HEX #2F51DD

RGB 47 81 221

HSL 228.28, 0.72%, 0.53%

LAB 40.75, 38.01, -74.57

 

CMYK 85 / 69 / 0 / 21

HEX #1E3FCA

RGB 30 63 202

HSL 228.49, 0.74%, 0.45%

LAB 34.18, 41.15, -74.44

 

CMYK 93 / 75 / 0 / 28

HEX #0D2DB7

RGB 13 45 183

HSL 228.71, 0.87%, 0.38%

LAB 27.79, 44.5, -73.83

 

CMYK 100 / 84 / 0 / 36

HEX #001BA4

RGB 0 27 164

HSL 230.12, 1%, 0.32%

LAB 21.81, 47.51, -72.35

 

CMYK 73 / 58 / 0 / 6

HEX #4265F0

RGB 66 101 240

HSL 227.93, 0.85%, 0.6%

LAB 47.95, 34.24, -73.52

 

CMYK 67 / 73 / 0 / 6

HEX #4F42F0

RGB 79 66 240

HSL 244.48, 0.85%, 0.6%

LAB 40.98, 56.21, -84.92

 

CMYK 48 / 73 / 0 / 6

HEX #7D42F0

RGB 125 66 240

HSL 260.34, 0.85%, 0.6%

LAB 45.01, 62.16, -78.15

 

CMYK 28 / 73 / 0 / 6

HEX #AC42F0

RGB 172 66 240

HSL 276.55, 0.85%, 0.6%

LAB 50.64, 70.09, -68.73

 

CMYK 9 / 73 / 0 / 6

HEX #DB42F0

RGB 219 66 240

HSL 292.76, 0.85%, 0.6%

LAB 57.32, 79.06, -57.63

 

CMYK 73 / 58 / 0 / 6

HEX #4265F0

RGB 66 101 240

HSL 227.93, 0.85%, 0.6%

LAB 47.95, 34.24, -73.52

 

CMYK 73 / 73 / 0 / 6

HEX #4242F0

RGB 66 66 240

HSL 240, 0.85%, 0.6%

LAB 40.16, 54.96, -86.3

 

CMYK 73 / 58 / 0 / 6

HEX #4265F0

RGB 66 101 240

HSL 227.93, 0.85%, 0.6%

LAB 47.95, 34.24, -73.52

 

CMYK 73 / 58 / 0 / 6

HEX #4265F0

RGB 66 101 240

HSL 227.93, 0.85%, 0.6%

LAB 47.95, 34.24, -73.52

 

CMYK 63 / 50 / 0 / 13

HEX #536FDF

RGB 83 111 223

HSL 228, 0.69%, 0.6%

LAB 50.14, 24.54, -60.37

 

CMYK 52 / 42 / 0 / 19

HEX #6379CF

RGB 99 121 207

HSL 227.78, 0.53%, 0.6%

LAB 52.77, 16.28, -47.06

 

CMYK 39 / 31 / 0 / 25

HEX #7483BE

RGB 116 131 190

HSL 227.84, 0.36%, 0.6%

LAB 55.75, 9.43, -32.61

 

CMYK 24 / 19 / 0 / 32

HEX #848DAE

RGB 132 141 174

HSL 227.14, 0.21%, 0.6%

LAB 58.98, 4.17, -18.41

 

CMYK 73 / 20 / 0 / 6

HEX #42C1F0

RGB 66 193 240

HSL 196.21, 0.85%, 0.6%

LAB 73.28, -19.59, -33.27

 

CMYK 73 / 39 / 0 / 6

HEX #4293F0

RGB 66 147 240

HSL 212.07, 0.85%, 0.6%

LAB 60.17, 5.97, -53.83

 

CMYK 73 / 58 / 0 / 6

HEX #4265F0

RGB 66 101 240

HSL 227.93, 0.85%, 0.6%

LAB 47.95, 34.24, -73.52

 

CMYK 68 / 73 / 0 / 6

HEX #4E42F0

RGB 78 66 240

HSL 244.14, 0.85%, 0.6%

LAB 40.91, 56.1, -85.03

 

CMYK 48 / 73 / 0 / 6

HEX #7C42F0

RGB 124 66 240

HSL 260, 0.85%, 0.6%

LAB 44.9, 62.01, -78.32

 

CMYK 92 / 73 / 0 / 19

HEX #1137CF

RGB 17 55 207

HSL 228, 0.85%, 0.44%

LAB 32.61, 47.18, -79.96

 

CMYK 88 / 70 / 0 / 7

HEX #1C46ED

RGB 28 70 237

HSL 227.94, 0.85%, 0.52%

LAB 39.14, 49.21, -86.33

 

CMYK 73 / 58 / 0 / 6

HEX #4265F0

RGB 66 101 240

HSL 227.93, 0.85%, 0.6%

LAB 47.95, 34.24, -73.52

 

CMYK 57 / 46 / 0 / 5

HEX #6884F3

RGB 104 132 243

HSL 227.91, 0.85%, 0.68%

LAB 57.96, 22.17, -58.93

 

CMYK 42 / 34 / 0 / 4

HEX #8FA3F6

RGB 143 163 246

HSL 228.35, 0.85%, 0.76%

LAB 68.52, 13.64, -43.68

 

CMYK 73 / 59 / 0 / 6

HEX #4063F0

RGB 64 99 240

HSL 228.07, 0.85%, 0.6%

LAB 47.37, 35.25, -74.47

 

CMYK 0 / 73 / 0 / 6

HEX #F042F0

RGB 240 66 240

HSL 300, 0.85%, 0.6%

LAB 60.53, 83.26, -52.32

 

CMYK 29 / 0 / 73 / 6

HEX #AAF042

RGB 170 240 66

HSL 84.14, 0.85%, 0.6%

LAB 87.61, -46.44, 72.36

 

CMYK 73 / 59 / 0 / 6

HEX #4063F0

RGB 64 99 240

HSL 228.07, 0.85%, 0.6%

LAB 47.37, 35.25, -74.47

 

CMYK 0 / 73 / 58 / 6

HEX #F04265

RGB 240 66 101

HSL 347.93, 0.85%, 0.6%

LAB 55.44, 67.48, 20.57

 

CMYK 58 / 0 / 73 / 6

HEX #65F042

RGB 101 240 66

HSL 107.93, 0.85%, 0.6%

LAB 84.73, -67.43, 68.54

 

CMYK 73 / 59 / 0 / 6

HEX #4063F0

RGB 64 99 240

HSL 228.07, 0.85%, 0.6%

LAB 47.37, 35.25, -74.47

 

CMYK 0 / 73 / 0 / 6

HEX #F042F0

RGB 240 66 240

HSL 300, 0.85%, 0.6%

LAB 60.53, 83.26, -52.32

 

CMYK 0 / 15 / 73 / 6

HEX #F0CD42

RGB 240 205 66

HSL 47.93, 0.85%, 0.6%

LAB 83.22, -1.76, 69.8

 

CMYK 73 / 0 / 73 / 6

HEX #42F042

RGB 66 240 66

HSL 120, 0.85%, 0.6%

LAB 83.9, -74.31, 67.43

 

CMYK 73 / 59 / 0 / 6

HEX #4063F0

RGB 64 99 240

HSL 228.07, 0.85%, 0.6%

LAB 47.37, 35.25, -74.47

 

CMYK 0 / 73 / 22 / 6

HEX #F042BC

RGB 240 66 188

HSL 317.93, 0.85%, 0.6%

LAB 58.09, 75.94, -26.7

 

CMYK 0 / 15 / 73 / 6

HEX #F0CD42

RGB 240 205 66

HSL 47.93, 0.85%, 0.6%

LAB 83.22, -1.76, 69.8

 

CMYK 73 / 0 / 51 / 6

HEX #42F076

RGB 66 240 118

HSL 137.93, 0.85%, 0.6%

LAB 84.37, -68.63, 46.31

 

Description

Color code: HEX #4063F0 | qconv.com Color code: HEX #4063F0 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 99 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 99 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 59 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 59% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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