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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40638F it is the complementary color #BF9C70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40638F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40638F shade: #45638A, #56759D, #6787B0, #7899C3 and #89ABD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40638F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40638F shade: #40638F, #2F517C, #1E3F69, #0D2D56 and #001B43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40638F shade: #416490, #414F90, #484190, #5E4190 and #734190

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40638F shade: #416490, #414F90 and #414190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40638F shade matches the following richer shades: #416490, #3062A1, #1F60B2 and #0E5EC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40638F shade: #416490, #52667F, #63686E, #746A5E and #846C4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40638F shade: #418F90, #417A90, #416590, #414F90 and #474190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40638F shade: #273D57, #345074, #416490, #4E78AD and #688DBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40638F shade: #40638F, #7C4190 and #849041

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40638F shade: #40638F, #904165 and #659041

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40638F shade: #40638F, #7C4190, #906D41 and #559041

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40638F shade: #40638F, #90418C, #906D41 and #419045

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 31 / 0 / 44

HEX #40638F

RGB 64 99 143

HSL 213.42, 0.38%, 0.41%

LAB 41.21, 0.94, -28.08

 

Complementary color

CMYK 0 / 18 / 41 / 25

HEX #BF9C70

RGB 191 156 112

HSL 33.42, 0.38%, 0.59%

LAB 66.54, 7, 27.92

 

CMYK 50 / 28 / 0 / 46

HEX #45638A

RGB 69 99 138

HSL 213.91, 0.33%, 0.41%

LAB 41.25, 0.54, -24.98

 

CMYK 45 / 25 / 0 / 38

HEX #56759D

RGB 86 117 157

HSL 213.8, 0.29%, 0.48%

LAB 48.43, -0.01, -25.06

 

CMYK 41 / 23 / 0 / 31

HEX #6787B0

RGB 103 135 176

HSL 213.7, 0.32%, 0.55%

LAB 55.43, -0.44, -25.18

 

CMYK 38 / 22 / 0 / 24

HEX #7899C3

RGB 120 153 195

HSL 213.6, 0.38%, 0.62%

LAB 62.27, -0.8, -25.33

 

CMYK 36 / 20 / 0 / 16

HEX #89ABD6

RGB 137 171 214

HSL 213.51, 0.48%, 0.69%

LAB 68.97, -1.1, -25.5

 

CMYK 55 / 31 / 0 / 44

HEX #40638F

RGB 64 99 143

HSL 213.42, 0.38%, 0.41%

LAB 41.21, 0.94, -28.08

 

CMYK 62 / 35 / 0 / 51

HEX #2F517C

RGB 47 81 124

HSL 213.51, 0.45%, 0.34%

LAB 33.87, 1.9, -28.08

 

CMYK 71 / 40 / 0 / 59

HEX #1E3F69

RGB 30 63 105

HSL 213.6, 0.56%, 0.26%

LAB 26.31, 3.26, -28.11

 

CMYK 85 / 48 / 0 / 66

HEX #0D2D56

RGB 13 45 86

HSL 213.7, 0.74%, 0.19%

LAB 18.52, 5.36, -28.14

 

CMYK 100 / 60 / 0 / 74

HEX #001B43

RGB 0 27 67

HSL 215.82, 1%, 0.13%

LAB 10.48, 8.59, -28.13

 

CMYK 55 / 31 / 0 / 44

HEX #416490

RGB 65 100 144

HSL 213.42, 0.38%, 0.41%

LAB 41.61, 0.89, -28.05

 

CMYK 55 / 45 / 0 / 44

HEX #414F90

RGB 65 79 144

HSL 229.37, 0.38%, 0.41%

LAB 35.46, 14.32, -37.77

 

CMYK 50 / 55 / 0 / 44

HEX #484190

RGB 72 65 144

HSL 245.32, 0.38%, 0.41%

LAB 32.2, 25.09, -42.96

 

CMYK 35 / 55 / 0 / 44

HEX #5E4190

RGB 94 65 144

HSL 262.03, 0.38%, 0.41%

LAB 34.34, 30.6, -39.4

 

CMYK 20 / 55 / 0 / 44

HEX #734190

RGB 115 65 144

HSL 277.97, 0.38%, 0.41%

LAB 36.82, 36.37, -35.31

 

CMYK 55 / 31 / 0 / 44

HEX #416490

RGB 65 100 144

HSL 213.42, 0.38%, 0.41%

LAB 41.61, 0.89, -28.05

 

CMYK 55 / 45 / 0 / 44

HEX #414F90

RGB 65 79 144

HSL 229.37, 0.38%, 0.41%

LAB 35.46, 14.32, -37.77

 

CMYK 55 / 55 / 0 / 44

HEX #414190

RGB 65 65 144

HSL 240, 0.38%, 0.41%

LAB 31.62, 23.52, -43.92

 

CMYK 55 / 31 / 0 / 44

HEX #416490

RGB 65 100 144

HSL 213.42, 0.38%, 0.41%

LAB 41.61, 0.89, -28.05

 

CMYK 70 / 39 / 0 / 37

HEX #3062A1

RGB 48 98 161

HSL 213.45, 0.54%, 0.41%

LAB 41.12, 4.78, -39.03

 

CMYK 83 / 46 / 0 / 30

HEX #1F60B2

RGB 31 96 178

HSL 213.47, 0.7%, 0.41%

LAB 41.01, 10.44, -49.27

 

CMYK 93 / 52 / 0 / 24

HEX #0E5EC3

RGB 14 94 195

HSL 213.48, 0.87%, 0.41%

LAB 41.28, 17.39, -58.78

 

CMYK 55 / 31 / 0 / 44

HEX #416490

RGB 65 100 144

HSL 213.42, 0.38%, 0.41%

LAB 41.61, 0.89, -28.05

 

CMYK 35 / 20 / 0 / 50

HEX #52667F

RGB 82 102 127

HSL 213.33, 0.22%, 0.41%

LAB 42.5, -0.91, -16.35

 

CMYK 10 / 5 / 0 / 57

HEX #63686E

RGB 99 104 110

HSL 212.73, 0.05%, 0.41%

LAB 43.77, -0.6, -4.03

 

CMYK 0 / 9 / 19 / 55

HEX #746A5E

RGB 116 106 94

HSL 32.73, 0.1%, 0.41%

LAB 45.4, 1.75, 8.16

 

CMYK 0 / 18 / 42 / 48

HEX #846C4D

RGB 132 108 77

HSL 33.82, 0.26%, 0.41%

LAB 47.19, 4.94, 20.91

 

CMYK 55 / 1 / 0 / 44

HEX #418F90

RGB 65 143 144

HSL 180.76, 0.38%, 0.41%

LAB 54.85, -23.46, -7.82

 

CMYK 55 / 15 / 0 / 44

HEX #417A90

RGB 65 122 144

HSL 196.71, 0.38%, 0.41%

LAB 48.33, -12.14, -17.66

 

CMYK 55 / 30 / 0 / 44

HEX #416590

RGB 65 101 144

HSL 212.66, 0.38%, 0.41%

LAB 41.91, 0.28, -27.58

 

CMYK 55 / 45 / 0 / 44

HEX #414F90

RGB 65 79 144

HSL 229.37, 0.38%, 0.41%

LAB 35.46, 14.32, -37.77

 

CMYK 51 / 55 / 0 / 44

HEX #474190

RGB 71 65 144

HSL 244.56, 0.38%, 0.41%

LAB 32.11, 24.86, -43.11

 

CMYK 55 / 30 / 0 / 66

HEX #273D57

RGB 39 61 87

HSL 212.5, 0.38%, 0.25%

LAB 25.13, -0.15, -18.27

 

CMYK 55 / 31 / 0 / 55

HEX #345074

RGB 52 80 116

HSL 213.75, 0.38%, 0.33%

LAB 33.41, 0.88, -23.8

 

CMYK 55 / 31 / 0 / 44

HEX #416490

RGB 65 100 144

HSL 213.42, 0.38%, 0.41%

LAB 41.61, 0.89, -28.05

 

CMYK 55 / 31 / 0 / 32

HEX #4E78AD

RGB 78 120 173

HSL 213.47, 0.38%, 0.49%

LAB 49.58, 1.24, -32.64

 

CMYK 44 / 25 / 0 / 27

HEX #688DBB

RGB 104 141 187

HSL 213.25, 0.38%, 0.57%

LAB 57.64, -0.48, -28.03

 

CMYK 55 / 31 / 0 / 44

HEX #40638F

RGB 64 99 143

HSL 213.42, 0.38%, 0.41%

LAB 41.21, 0.94, -28.08

 

CMYK 14 / 55 / 0 / 44

HEX #7C4190

RGB 124 65 144

HSL 284.81, 0.38%, 0.41%

LAB 37.98, 38.92, -33.39

 

CMYK 8 / 0 / 55 / 44

HEX #849041

RGB 132 144 65

HSL 69.11, 0.38%, 0.41%

LAB 57.3, -16.38, 39.93

 

CMYK 55 / 31 / 0 / 44

HEX #40638F

RGB 64 99 143

HSL 213.42, 0.38%, 0.41%

LAB 41.21, 0.94, -28.08

 

CMYK 0 / 55 / 30 / 44

HEX #904165

RGB 144 65 101

HSL 332.66, 0.38%, 0.41%

LAB 38.98, 37.58, -5.02

 

CMYK 30 / 0 / 55 / 44

HEX #659041

RGB 101 144 65

HSL 92.66, 0.38%, 0.41%

LAB 55.17, -29.01, 36.9

 

CMYK 55 / 31 / 0 / 44

HEX #40638F

RGB 64 99 143

HSL 213.42, 0.38%, 0.41%

LAB 41.21, 0.94, -28.08

 

CMYK 14 / 55 / 0 / 44

HEX #7C4190

RGB 124 65 144

HSL 284.81, 0.38%, 0.41%

LAB 37.98, 38.92, -33.39

 

CMYK 0 / 24 / 55 / 44

HEX #906D41

RGB 144 109 65

HSL 33.42, 0.38%, 0.41%

LAB 48.57, 8.4, 29.76

 

CMYK 41 / 0 / 55 / 44

HEX #559041

RGB 85 144 65

HSL 104.81, 0.38%, 0.41%

LAB 54.3, -34.79, 35.65

 

CMYK 55 / 31 / 0 / 44

HEX #40638F

RGB 64 99 143

HSL 213.42, 0.38%, 0.41%

LAB 41.21, 0.94, -28.08

 

CMYK 0 / 55 / 3 / 44

HEX #90418C

RGB 144 65 140

HSL 303.04, 0.38%, 0.41%

LAB 40.58, 43.92, -26.68

 

CMYK 0 / 24 / 55 / 44

HEX #906D41

RGB 144 109 65

HSL 33.42, 0.38%, 0.41%

LAB 48.57, 8.4, 29.76

 

CMYK 55 / 0 / 52 / 44

HEX #419045

RGB 65 144 69

HSL 123.04, 0.38%, 0.41%

LAB 53.49, -40.43, 32.43

 

Description

Color code: HEX #40638F | qconv.com Color code: HEX #40638F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 99 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 99 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 31 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 31% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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