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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40632E it is the complementary color #BF9CD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40632E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40632E shade: #456329, #56753C, #67874F, #789962 and #89AB75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40632E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40632E shade: #40632E, #2F511B, #1E3F08, #0D2D00 and #001B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40632E shade: #3F622D, #4D622D, #5B622D, #625A2D and #624C2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40632E shade: #3F622D, #31622D, #2D6238, #2D6246 and #2D6254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40632E shade matches the following richer shades: #3F622D, #3B6D21, #387916 and #34840A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40632E shade: #3F622D, #435639, #464B44, #4A3F50 and #4E345B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40632E shade: #5C622D, #4E622D, #3F622D, #31622D and #2D6237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40632E shade: #1B2913, #2D4620, #3F622D, #517E3A and #639A47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40632E shade: #40632E, #2D625A and #622D55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40632E shade: #40632E, #2D3F62 and #622D3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40632E shade: #40632E, #2D625A, #4F2D62 and #622D35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40632E shade: #40632E, #2D5A62, #4F2D62 and #62352D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 54 / 61

HEX #40632E

RGB 64 99 46

HSL 99.62, 0.37%, 0.28%

LAB 38.22, -23.43, 25.99

 

Complementary color

CMYK 9 / 25 / 0 / 18

HEX #BF9CD1

RGB 191 156 209

HSL 279.62, 0.37%, 0.72%

LAB 69.08, 22.63, -22.2

 

CMYK 30 / 0 / 59 / 61

HEX #456329

RGB 69 99 41

HSL 91.03, 0.41%, 0.27%

LAB 38.46, -22.05, 29.06

 

CMYK 26 / 0 / 49 / 54

HEX #56753C

RGB 86 117 60

HSL 92.63, 0.32%, 0.35%

LAB 45.67, -22.06, 27.79

 

CMYK 24 / 0 / 41 / 47

HEX #67874F

RGB 103 135 79

HSL 94.29, 0.26%, 0.42%

LAB 52.7, -21.98, 26.5

 

CMYK 22 / 0 / 36 / 40

HEX #789962

RGB 120 153 98

HSL 96, 0.22%, 0.49%

LAB 59.58, -21.87, 25.28

 

CMYK 20 / 0 / 32 / 33

HEX #89AB75

RGB 137 171 117

HSL 97.78, 0.24%, 0.56%

LAB 66.31, -21.74, 24.12

 

CMYK 35 / 0 / 54 / 61

HEX #40632E

RGB 64 99 46

HSL 99.62, 0.37%, 0.28%

LAB 38.22, -23.43, 25.99

 

CMYK 42 / 0 / 67 / 68

HEX #2F511B

RGB 47 81 27

HSL 97.78, 0.5%, 0.21%

LAB 30.8, -23.4, 27.25

 

CMYK 52 / 0 / 87 / 75

HEX #1E3F08

RGB 30 63 8

HSL 96, 0.77%, 0.14%

LAB 23.16, -23.01, 27.8

 

CMYK 71 / 0 / 100 / 82

HEX #0D2D00

RGB 13 45 0

HSL 102.67, 1%, 0.09%

LAB 15.29, -21.62, 21.77

 

CMYK 100 / 0 / 100 / 89

HEX #001B00

RGB 0 27 0

HSL 120, 1%, 0.05%

LAB 7.08, -14.46, 10.34

 

CMYK 36 / 0 / 54 / 62

HEX #3F622D

RGB 63 98 45

HSL 99.62, 0.37%, 0.28%

LAB 37.81, -23.44, 26.03

 

CMYK 21 / 0 / 54 / 62

HEX #4D622D

RGB 77 98 45

HSL 83.77, 0.37%, 0.28%

LAB 38.73, -17.68, 27.36

 

CMYK 7 / 0 / 54 / 62

HEX #5B622D

RGB 91 98 45

HSL 67.92, 0.37%, 0.28%

LAB 39.83, -11.44, 28.94

 

CMYK 0 / 8 / 54 / 62

HEX #625A2D

RGB 98 90 45

HSL 50.94, 0.37%, 0.28%

LAB 38.02, -3.54, 26.94

 

CMYK 0 / 22 / 54 / 62

HEX #624C2D

RGB 98 76 45

HSL 35.09, 0.37%, 0.28%

LAB 33.89, 4.95, 21.88

 

CMYK 36 / 0 / 54 / 62

HEX #3F622D

RGB 63 98 45

HSL 99.62, 0.37%, 0.28%

LAB 37.81, -23.44, 26.03

 

CMYK 50 / 0 / 54 / 62

HEX #31622D

RGB 49 98 45

HSL 115.47, 0.37%, 0.28%

LAB 37.07, -28.49, 24.97

 

CMYK 54 / 0 / 43 / 62

HEX #2D6238

RGB 45 98 56

HSL 132.45, 0.37%, 0.28%

LAB 37.08, -27.89, 18.64

 

CMYK 54 / 0 / 29 / 62

HEX #2D6246

RGB 45 98 70

HSL 148.3, 0.37%, 0.28%

LAB 37.36, -24.97, 10.65

 

CMYK 54 / 0 / 14 / 62

HEX #2D6254

RGB 45 98 84

HSL 164.15, 0.37%, 0.28%

LAB 37.72, -21.48, 2.59

 

CMYK 36 / 0 / 54 / 62

HEX #3F622D

RGB 63 98 45

HSL 99.62, 0.37%, 0.28%

LAB 37.81, -23.44, 26.03

 

CMYK 46 / 0 / 70 / 57

HEX #3B6D21

RGB 59 109 33

HSL 99.47, 0.54%, 0.28%

LAB 41.18, -31.56, 35.9

 

CMYK 54 / 0 / 82 / 53

HEX #387916

RGB 56 121 22

HSL 99.39, 0.69%, 0.28%

LAB 45.04, -38.54, 44.06

 

CMYK 61 / 0 / 92 / 48

HEX #34840A

RGB 52 132 10

HSL 99.34, 0.86%, 0.28%

LAB 48.58, -44.52, 50.24

 

CMYK 36 / 0 / 54 / 62

HEX #3F622D

RGB 63 98 45

HSL 99.62, 0.37%, 0.28%

LAB 37.81, -23.44, 26.03

 

CMYK 22 / 0 / 34 / 66

HEX #435639

RGB 67 86 57

HSL 99.31, 0.2%, 0.28%

LAB 34.28, -13.52, 14.57

 

CMYK 7 / 0 / 9 / 71

HEX #464B44

RGB 70 75 68

HSL 102.86, 0.05%, 0.28%

LAB 31.23, -3.57, 3.47

 

CMYK 7 / 21 / 0 / 69

HEX #4A3F50

RGB 74 63 80

HSL 278.82, 0.12%, 0.28%

LAB 28.35, 8.45, -8.5

 

CMYK 14 / 43 / 0 / 64

HEX #4E345B

RGB 78 52 91

HSL 280, 0.27%, 0.28%

LAB 26.25, 19.8, -18.87

 

CMYK 6 / 0 / 54 / 62

HEX #5C622D

RGB 92 98 45

HSL 66.79, 0.37%, 0.28%

LAB 39.92, -10.99, 29.06

 

CMYK 20 / 0 / 54 / 62

HEX #4E622D

RGB 78 98 45

HSL 82.64, 0.37%, 0.28%

LAB 38.8, -17.25, 27.47

 

CMYK 36 / 0 / 54 / 62

HEX #3F622D

RGB 63 98 45

HSL 99.62, 0.37%, 0.28%

LAB 37.81, -23.44, 26.03

 

CMYK 50 / 0 / 54 / 62

HEX #31622D

RGB 49 98 45

HSL 115.47, 0.37%, 0.28%

LAB 37.07, -28.49, 24.97

 

CMYK 54 / 0 / 44 / 62

HEX #2D6237

RGB 45 98 55

HSL 131.32, 0.37%, 0.28%

LAB 37.06, -28.08, 19.21

 

CMYK 34 / 0 / 54 / 84

HEX #1B2913

RGB 27 41 19

HSL 98.18, 0.37%, 0.12%

LAB 14.77, -11.16, 12.52

 

CMYK 36 / 0 / 54 / 73

HEX #2D4620

RGB 45 70 32

HSL 99.47, 0.37%, 0.2%

LAB 26.86, -17.85, 19.8

 

CMYK 36 / 0 / 54 / 62

HEX #3F622D

RGB 63 98 45

HSL 99.62, 0.37%, 0.28%

LAB 37.81, -23.44, 26.03

 

CMYK 36 / 0 / 54 / 51

HEX #517E3A

RGB 81 126 58

HSL 99.71, 0.37%, 0.36%

LAB 48.23, -28.71, 31.91

 

CMYK 36 / 0 / 54 / 40

HEX #639A47

RGB 99 154 71

HSL 99.76, 0.37%, 0.44%

LAB 58.24, -33.75, 37.53

 

CMYK 35 / 0 / 54 / 61

HEX #40632E

RGB 64 99 46

HSL 99.62, 0.37%, 0.28%

LAB 38.22, -23.43, 25.99

 

CMYK 54 / 0 / 8 / 62

HEX #2D625A

RGB 45 98 90

HSL 170.94, 0.37%, 0.28%

LAB 37.9, -19.83, -0.85

 

CMYK 0 / 54 / 13 / 62

HEX #622D55

RGB 98 45 85

HSL 314.72, 0.37%, 0.28%

LAB 27.1, 29.77, -13.4

 

CMYK 35 / 0 / 54 / 61

HEX #40632E

RGB 64 99 46

HSL 99.62, 0.37%, 0.28%

LAB 38.22, -23.43, 25.99

 

CMYK 54 / 36 / 0 / 62

HEX #2D3F62

RGB 45 63 98

HSL 219.62, 0.37%, 0.28%

LAB 26.72, 4.01, -22.9

 

CMYK 0 / 54 / 36 / 62

HEX #622D3F

RGB 98 45 63

HSL 339.62, 0.37%, 0.28%

LAB 26.25, 26.18, -0.05

 

CMYK 35 / 0 / 54 / 61

HEX #40632E

RGB 64 99 46

HSL 99.62, 0.37%, 0.28%

LAB 38.22, -23.43, 25.99

 

CMYK 54 / 0 / 8 / 62

HEX #2D625A

RGB 45 98 90

HSL 170.94, 0.37%, 0.28%

LAB 37.9, -19.83, -0.85

 

CMYK 19 / 54 / 0 / 62

HEX #4F2D62

RGB 79 45 98

HSL 278.49, 0.37%, 0.28%

LAB 25.02, 26.27, -25.36

 

CMYK 0 / 54 / 46 / 62

HEX #622D35

RGB 98 45 53

HSL 350.94, 0.37%, 0.28%

LAB 25.95, 24.87, 6.22

 

CMYK 35 / 0 / 54 / 61

HEX #40632E

RGB 64 99 46

HSL 99.62, 0.37%, 0.28%

LAB 38.22, -23.43, 25.99

 

CMYK 54 / 8 / 0 / 62

HEX #2D5A62

RGB 45 90 98

HSL 189.06, 0.37%, 0.28%

LAB 35.5, -12.98, -9.38

 

CMYK 19 / 54 / 0 / 62

HEX #4F2D62

RGB 79 45 98

HSL 278.49, 0.37%, 0.28%

LAB 25.02, 26.27, -25.36

 

CMYK 0 / 46 / 54 / 62

HEX #62352D

RGB 98 53 45

HSL 9.06, 0.37%, 0.28%

LAB 27.66, 19.21, 13.85

 

Description

Color code: HEX #40632E | qconv.com Color code: HEX #40632E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 99 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 99 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 54 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 54% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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