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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #406286 it is the complementary color #BF9D79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #406286. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #406286 shade: #456281, #567494, #6786A7, #7898BA and #89AACD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #406286. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #406286 shade: #406286, #2F5073, #1E3E60, #0D2C4D and #001A3A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #406286 shade: #416286, #415086, #444186, #574186 and #6A4186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #406286 shade: #416286, #415086 and #414186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #406286 shade matches the following richer shades: #416286, #316296, #2062A6, #1061B7 and #0061C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #406286 shade: #416286, #516376, #616366, #716456 and #816446

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #406286 shade: #418684, #417686, #416386, #415186 and #434186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #406286 shade: #263A4F, #334E6A, #416286, #4E77A2 and #658CB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #406286 shade: #406286, #714186 and #7F8641

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #406286 shade: #406286, #864163 and #638641

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #406286 shade: #406286, #714186, #866341 and #568641

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #406286 shade: #406286, #864186, #866341 and #418641

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 27 / 0 / 47

HEX #406286

RGB 64 98 134

HSL 210.86, 0.35%, 0.39%

LAB 40.49, -1.41, -23.78

 

Complementary color

CMYK 0 / 18 / 37 / 25

HEX #BF9D79

RGB 191 157 121

HSL 30.86, 0.35%, 0.61%

LAB 66.95, 7.5, 23.57

 

CMYK 47 / 24 / 0 / 49

HEX #456281

RGB 69 98 129

HSL 211, 0.3%, 0.39%

LAB 40.55, -1.69, -20.63

 

CMYK 42 / 22 / 0 / 42

HEX #567494

RGB 86 116 148

HSL 210.97, 0.26%, 0.46%

LAB 47.76, -2.08, -20.8

 

CMYK 38 / 20 / 0 / 35

HEX #6786A7

RGB 103 134 167

HSL 210.94, 0.27%, 0.53%

LAB 54.79, -2.39, -20.99

 

CMYK 35 / 18 / 0 / 27

HEX #7898BA

RGB 120 152 186

HSL 210.91, 0.32%, 0.6%

LAB 61.65, -2.65, -21.22

 

CMYK 33 / 17 / 0 / 20

HEX #89AACD

RGB 137 170 205

HSL 210.88, 0.4%, 0.67%

LAB 68.37, -2.87, -21.46

 

CMYK 52 / 27 / 0 / 47

HEX #406286

RGB 64 98 134

HSL 210.86, 0.35%, 0.39%

LAB 40.49, -1.41, -23.78

 

CMYK 59 / 30 / 0 / 55

HEX #2F5073

RGB 47 80 115

HSL 210.88, 0.42%, 0.32%

LAB 33.09, -0.67, -23.7

 

CMYK 69 / 35 / 0 / 62

HEX #1E3E60

RGB 30 62 96

HSL 210.91, 0.52%, 0.25%

LAB 25.46, 0.41, -23.65

 

CMYK 83 / 43 / 0 / 70

HEX #0D2C4D

RGB 13 44 77

HSL 210.94, 0.71%, 0.18%

LAB 17.57, 2.14, -23.61

 

CMYK 100 / 55 / 0 / 77

HEX #001A3A

RGB 0 26 58

HSL 213.1, 1%, 0.11%

LAB 9.35, 4.93, -23.56

 

CMYK 51 / 27 / 0 / 47

HEX #416286

RGB 65 98 134

HSL 211.3, 0.35%, 0.39%

LAB 40.54, -1.16, -23.69

 

CMYK 51 / 40 / 0 / 47

HEX #415086

RGB 65 80 134

HSL 226.96, 0.35%, 0.39%

LAB 35.17, 10.28, -32.12

 

CMYK 49 / 51 / 0 / 47

HEX #444186

RGB 68 65 134

HSL 242.61, 0.35%, 0.39%

LAB 31.19, 20.88, -38.44

 

CMYK 35 / 51 / 0 / 47

HEX #574186

RGB 87 65 134

HSL 259.13, 0.35%, 0.39%

LAB 32.98, 25.89, -35.48

 

CMYK 21 / 51 / 0 / 47

HEX #6A4186

RGB 106 65 134

HSL 275.65, 0.35%, 0.39%

LAB 35.13, 31.38, -31.92

 

CMYK 51 / 27 / 0 / 47

HEX #416286

RGB 65 98 134

HSL 211.3, 0.35%, 0.39%

LAB 40.54, -1.16, -23.69

 

CMYK 51 / 40 / 0 / 47

HEX #415086

RGB 65 80 134

HSL 226.96, 0.35%, 0.39%

LAB 35.17, 10.28, -32.12

 

CMYK 51 / 51 / 0 / 47

HEX #414186

RGB 65 65 134

HSL 240, 0.35%, 0.39%

LAB 30.94, 20.16, -38.85

 

CMYK 51 / 27 / 0 / 47

HEX #416286

RGB 65 98 134

HSL 211.3, 0.35%, 0.39%

LAB 40.54, -1.16, -23.69

 

CMYK 67 / 35 / 0 / 41

HEX #316296

RGB 49 98 150

HSL 210.89, 0.51%, 0.39%

LAB 40.56, 0.9, -33.35

 

CMYK 81 / 41 / 0 / 35

HEX #2062A6

RGB 32 98 166

HSL 210.45, 0.68%, 0.39%

LAB 40.89, 4.54, -42.39

 

CMYK 91 / 47 / 0 / 28

HEX #1061B7

RGB 16 97 183

HSL 210.9, 0.84%, 0.39%

LAB 41.34, 10.69, -51.69

 

CMYK 100 / 51 / 0 / 22

HEX #0061C7

RGB 0 97 199

HSL 210.75, 1%, 0.39%

LAB 42.27, 16.53, -59.5

 

CMYK 51 / 27 / 0 / 47

HEX #416286

RGB 65 98 134

HSL 211.3, 0.35%, 0.39%

LAB 40.54, -1.16, -23.69

 

CMYK 31 / 16 / 0 / 54

HEX #516376

RGB 81 99 118

HSL 210.81, 0.19%, 0.39%

LAB 41.19, -1.91, -12.9

 

CMYK 5 / 3 / 0 / 60

HEX #616366

RGB 97 99 102

HSL 216, 0.03%, 0.39%

LAB 41.88, -0.13, -1.97

 

CMYK 0 / 12 / 24 / 56

HEX #716456

RGB 113 100 86

HSL 31.11, 0.14%, 0.39%

LAB 43.21, 2.72, 9.84

 

CMYK 0 / 22 / 46 / 49

HEX #816446

RGB 129 100 70

HSL 30.51, 0.3%, 0.39%

LAB 44.55, 7.48, 21.46

 

CMYK 51 / 0 / 1 / 47

HEX #418684

RGB 65 134 132

HSL 178.26, 0.35%, 0.39%

LAB 51.66, -22.2, -5.62

 

CMYK 51 / 12 / 0 / 47

HEX #417686

RGB 65 118 134

HSL 193.91, 0.35%, 0.39%

LAB 46.71, -12.96, -14.21

 

CMYK 51 / 26 / 0 / 47

HEX #416386

RGB 65 99 134

HSL 210.43, 0.35%, 0.39%

LAB 40.85, -1.77, -23.22

 

CMYK 51 / 40 / 0 / 47

HEX #415186

RGB 65 81 134

HSL 226.09, 0.35%, 0.39%

LAB 35.46, 9.63, -31.66

 

CMYK 50 / 51 / 0 / 47

HEX #434186

RGB 67 65 134

HSL 241.74, 0.35%, 0.39%

LAB 31.1, 20.64, -38.58

 

CMYK 52 / 27 / 0 / 69

HEX #263A4F

RGB 38 58 79

HSL 210.73, 0.35%, 0.23%

LAB 23.68, -1.22, -15.26

 

CMYK 52 / 26 / 0 / 58

HEX #334E6A

RGB 51 78 106

HSL 210.55, 0.35%, 0.31%

LAB 32.24, -1.49, -19.36

 

CMYK 51 / 27 / 0 / 47

HEX #416286

RGB 65 98 134

HSL 211.3, 0.35%, 0.39%

LAB 40.54, -1.16, -23.69

 

CMYK 52 / 27 / 0 / 36

HEX #4E77A2

RGB 78 119 162

HSL 210.71, 0.35%, 0.47%

LAB 48.79, -1.69, -27.47

 

CMYK 44 / 23 / 0 / 29

HEX #658CB5

RGB 101 140 181

HSL 210.75, 0.35%, 0.55%

LAB 56.94, -2.42, -25.71

 

CMYK 52 / 27 / 0 / 47

HEX #406286

RGB 64 98 134

HSL 210.86, 0.35%, 0.39%

LAB 40.49, -1.41, -23.78

 

CMYK 16 / 51 / 0 / 47

HEX #714186

RGB 113 65 134

HSL 281.74, 0.35%, 0.39%

LAB 36.01, 33.46, -30.48

 

CMYK 5 / 0 / 51 / 47

HEX #7F8641

RGB 127 134 65

HSL 66.09, 0.35%, 0.39%

LAB 53.97, -13.23, 35.91

 

CMYK 52 / 27 / 0 / 47

HEX #406286

RGB 64 98 134

HSL 210.86, 0.35%, 0.39%

LAB 40.49, -1.41, -23.78

 

CMYK 0 / 51 / 26 / 47

HEX #864163

RGB 134 65 99

HSL 330.43, 0.35%, 0.39%

LAB 37.39, 33.77, -6.3

 

CMYK 26 / 0 / 51 / 47

HEX #638641

RGB 99 134 65

HSL 90.43, 0.35%, 0.39%

LAB 51.93, -24.88, 32.99

 

CMYK 52 / 27 / 0 / 47

HEX #406286

RGB 64 98 134

HSL 210.86, 0.35%, 0.39%

LAB 40.49, -1.41, -23.78

 

CMYK 16 / 51 / 0 / 47

HEX #714186

RGB 113 65 134

HSL 281.74, 0.35%, 0.39%

LAB 36.01, 33.46, -30.48

 

CMYK 0 / 26 / 51 / 47

HEX #866341

RGB 134 99 65

HSL 29.57, 0.35%, 0.39%

LAB 44.76, 9.77, 24.75

 

CMYK 36 / 0 / 51 / 47

HEX #568641

RGB 86 134 65

HSL 101.74, 0.35%, 0.39%

LAB 51.16, -29.81, 31.87

 

CMYK 52 / 27 / 0 / 47

HEX #406286

RGB 64 98 134

HSL 210.86, 0.35%, 0.39%

LAB 40.49, -1.41, -23.78

 

CMYK 0 / 51 / 0 / 47

HEX #864186

RGB 134 65 134

HSL 300, 0.35%, 0.39%

LAB 38.85, 39.81, -25.83

 

CMYK 0 / 26 / 51 / 47

HEX #866341

RGB 134 99 65

HSL 29.57, 0.35%, 0.39%

LAB 44.76, 9.77, 24.75

 

CMYK 51 / 0 / 51 / 47

HEX #418641

RGB 65 134 65

HSL 120, 0.35%, 0.39%

LAB 50.16, -36.75, 30.42

 

Description

Color code: HEX #406286 | qconv.com Color code: HEX #406286 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 98 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 98 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 27 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 27% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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