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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40610B it is the complementary color #BF9EF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40610B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40610B shade: #456106, #567319, #67852C, #78973F and #89A952

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40610B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40610B shade: #40610B, #2F4F00, #1E3D00, #0D2B00 and #001900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40610B shade: #40600B, #57600B, #60530B, #603C0B and #60250B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40610B shade: #40600B, #28600B, #11600B, #0B601B and #0B6032

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40610B shade matches the following richer shades: #40600B and #426902

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40610B shade: #40600B, #3E5813, #3B4F1C, #394625 and #373E2D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40610B shade: #60540B, #56600B, #40600B, #29600B and #12600B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40610B shade: #0F1602, #273B07, #40600B, #58860F and #70AB13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40610B shade: #40610B, #0B603D and #5F0B60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40610B shade: #40610B, #0B4060 and #600B40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40610B shade: #40610B, #0B603D, #2C0B60 and #600B2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40610B shade: #40610B, #0B6056, #2C0B60 and #600B15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 89 / 62

HEX #40610B

RGB 64 97 11

HSL 83.02, 0.8%, 0.21%

LAB 37.23, -25.51, 40.44

 

Complementary color

CMYK 22 / 35 / 0 / 4

HEX #BF9EF4

RGB 191 158 244

HSL 263.02, 0.8%, 0.79%

LAB 70.91, 29.11, -38.59

 

CMYK 29 / 0 / 94 / 62

HEX #456106

RGB 69 97 6

HSL 78.46, 0.88%, 0.2%

LAB 37.53, -23.56, 42.18

 

CMYK 25 / 0 / 78 / 55

HEX #567319

RGB 86 115 25

HSL 79.33, 0.64%, 0.27%

LAB 44.67, -24.36, 43.23

 

CMYK 23 / 0 / 67 / 48

HEX #67852C

RGB 103 133 44

HSL 80.22, 0.5%, 0.35%

LAB 51.66, -24.85, 42.93

 

CMYK 21 / 0 / 58 / 41

HEX #78973F

RGB 120 151 63

HSL 81.14, 0.41%, 0.42%

LAB 58.49, -25.15, 42.05

 

CMYK 19 / 0 / 51 / 34

HEX #89A952

RGB 137 169 82

HSL 82.07, 0.35%, 0.49%

LAB 65.2, -25.32, 40.94

 

CMYK 34 / 0 / 89 / 62

HEX #40610B

RGB 64 97 11

HSL 83.02, 0.8%, 0.21%

LAB 37.23, -25.51, 40.44

 

CMYK 41 / 0 / 100 / 69

HEX #2F4F00

RGB 47 79 0

HSL 84.3, 1%, 0.15%

LAB 29.9, -24.4, 37.44

 

CMYK 51 / 0 / 100 / 76

HEX #1E3D00

RGB 30 61 0

HSL 90.49, 1%, 0.12%

LAB 22.35, -22.72, 30.22

 

CMYK 70 / 0 / 100 / 83

HEX #0D2B00

RGB 13 43 0

HSL 101.86, 1%, 0.08%

LAB 14.48, -20.72, 20.73

 

CMYK 100 / 0 / 100 / 90

HEX #001900

RGB 0 25 0

HSL 120, 1%, 0.05%

LAB 6.28, -12.83, 9.17

 

CMYK 33 / 0 / 89 / 62

HEX #40600B

RGB 64 96 11

HSL 82.59, 0.79%, 0.21%

LAB 36.89, -25.02, 40.14

 

CMYK 9 / 0 / 89 / 62

HEX #57600B

RGB 87 96 11

HSL 66.35, 0.79%, 0.21%

LAB 38.58, -14.56, 42.26

 

CMYK 0 / 14 / 89 / 62

HEX #60530B

RGB 96 83 11

HSL 50.82, 0.79%, 0.21%

LAB 35.4, -2.61, 39.88

 

CMYK 0 / 38 / 89 / 62

HEX #603C0B

RGB 96 60 11

HSL 34.59, 0.79%, 0.21%

LAB 28.75, 11.57, 34.16

 

CMYK 0 / 61 / 89 / 62

HEX #60250B

RGB 96 37 11

HSL 18.35, 0.79%, 0.21%

LAB 23.12, 25.33, 28.92

 

CMYK 33 / 0 / 89 / 62

HEX #40600B

RGB 64 96 11

HSL 82.59, 0.79%, 0.21%

LAB 36.89, -25.02, 40.14

 

CMYK 58 / 0 / 89 / 62

HEX #28600B

RGB 40 96 11

HSL 99.53, 0.79%, 0.21%

LAB 35.68, -33.93, 38.59

 

CMYK 82 / 0 / 89 / 62

HEX #11600B

RGB 17 96 11

HSL 115.76, 0.79%, 0.21%

LAB 35.02, -39.38, 37.75

 

CMYK 89 / 0 / 72 / 62

HEX #0B601B

RGB 11 96 27

HSL 131.29, 0.79%, 0.21%

LAB 35.04, -38.85, 31.59

 

CMYK 89 / 0 / 48 / 62

HEX #0B6032

RGB 11 96 50

HSL 147.53, 0.79%, 0.21%

LAB 35.34, -35.23, 19.71

 

CMYK 33 / 0 / 89 / 62

HEX #40600B

RGB 64 96 11

HSL 82.59, 0.79%, 0.21%

LAB 36.89, -25.02, 40.14

 

CMYK 37 / 0 / 98 / 59

HEX #426902

RGB 66 105 2

HSL 82.72, 0.96%, 0.21%

LAB 40.02, -28.86, 45.21

 

CMYK 33 / 0 / 89 / 62

HEX #40600B

RGB 64 96 11

HSL 82.59, 0.79%, 0.21%

LAB 36.89, -25.02, 40.14

 

CMYK 30 / 0 / 78 / 65

HEX #3E5813

RGB 62 88 19

HSL 82.61, 0.64%, 0.21%

LAB 34.09, -21.41, 34.71

 

CMYK 25 / 0 / 65 / 69

HEX #3B4F1C

RGB 59 79 28

HSL 83.53, 0.48%, 0.21%

LAB 30.89, -17.19, 27.04

 

CMYK 19 / 0 / 47 / 73

HEX #394625

RGB 57 70 37

HSL 83.64, 0.31%, 0.21%

LAB 27.8, -11.87, 18.17

 

CMYK 11 / 0 / 27 / 76

HEX #373E2D

RGB 55 62 45

HSL 84.71, 0.16%, 0.21%

LAB 25.1, -6.6, 9.51

 

CMYK 0 / 13 / 89 / 62

HEX #60540B

RGB 96 84 11

HSL 51.53, 0.79%, 0.21%

LAB 35.7, -3.21, 40.14

 

CMYK 10 / 0 / 89 / 62

HEX #56600B

RGB 86 96 11

HSL 67.06, 0.79%, 0.21%

LAB 38.5, -15.03, 42.16

 

CMYK 33 / 0 / 89 / 62

HEX #40600B

RGB 64 96 11

HSL 82.59, 0.79%, 0.21%

LAB 36.89, -25.02, 40.14

 

CMYK 57 / 0 / 89 / 62

HEX #29600B

RGB 41 96 11

HSL 98.82, 0.79%, 0.21%

LAB 35.72, -33.62, 38.64

 

CMYK 81 / 0 / 89 / 62

HEX #12600B

RGB 18 96 11

HSL 115.06, 0.79%, 0.21%

LAB 35.04, -39.22, 37.78

 

CMYK 32 / 0 / 91 / 91

HEX #0F1602

RGB 15 22 2

HSL 81, 0.83%, 0.05%

LAB 6.14, -6.19, 8.26

 

CMYK 34 / 0 / 88 / 77

HEX #273B07

RGB 39 59 7

HSL 83.08, 0.79%, 0.13%

LAB 22.21, -17.23, 27.39

 

CMYK 33 / 0 / 89 / 62

HEX #40600B

RGB 64 96 11

HSL 82.59, 0.79%, 0.21%

LAB 36.89, -25.02, 40.14

 

CMYK 34 / 0 / 89 / 47

HEX #58860F

RGB 88 134 15

HSL 83.19, 0.8%, 0.29%

LAB 50.87, -33.06, 51.8

 

CMYK 35 / 0 / 89 / 33

HEX #70AB13

RGB 112 171 19

HSL 83.29, 0.8%, 0.37%

LAB 63.85, -40.18, 62.48

 

CMYK 34 / 0 / 89 / 62

HEX #40610B

RGB 64 97 11

HSL 83.02, 0.8%, 0.21%

LAB 37.23, -25.51, 40.44

 

CMYK 89 / 0 / 36 / 62

HEX #0B603D

RGB 11 96 61

HSL 155.29, 0.79%, 0.21%

LAB 35.55, -32.81, 13.46

 

CMYK 1 / 89 / 0 / 62

HEX #5F0B60

RGB 95 11 96

HSL 299.29, 0.79%, 0.21%

LAB 22, 45.27, -28.68

 

CMYK 34 / 0 / 89 / 62

HEX #40610B

RGB 64 97 11

HSL 83.02, 0.8%, 0.21%

LAB 37.23, -25.51, 40.44

 

CMYK 89 / 33 / 0 / 62

HEX #0B4060

RGB 11 64 96

HSL 202.59, 0.79%, 0.21%

LAB 25.51, -3.82, -23.61

 

CMYK 0 / 89 / 33 / 62

HEX #600B40

RGB 96 11 64

HSL 322.59, 0.79%, 0.21%

LAB 20.43, 40.62, -9.47

 

CMYK 34 / 0 / 89 / 62

HEX #40610B

RGB 64 97 11

HSL 83.02, 0.8%, 0.21%

LAB 37.23, -25.51, 40.44

 

CMYK 89 / 0 / 36 / 62

HEX #0B603D

RGB 11 96 61

HSL 155.29, 0.79%, 0.21%

LAB 35.55, -32.81, 13.46

 

CMYK 54 / 89 / 0 / 62

HEX #2C0B60

RGB 44 11 96

HSL 263.29, 0.79%, 0.21%

LAB 13.35, 36.12, -43.13

 

CMYK 0 / 89 / 52 / 62

HEX #600B2E

RGB 96 11 46

HSL 335.29, 0.79%, 0.21%

LAB 19.73, 38.62, 2.14

 

CMYK 34 / 0 / 89 / 62

HEX #40610B

RGB 64 97 11

HSL 83.02, 0.8%, 0.21%

LAB 37.23, -25.51, 40.44

 

CMYK 89 / 0 / 10 / 62

HEX #0B6056

RGB 11 96 86

HSL 172.94, 0.79%, 0.21%

LAB 36.19, -25.88, -0.98

 

CMYK 54 / 89 / 0 / 62

HEX #2C0B60

RGB 44 11 96

HSL 263.29, 0.79%, 0.21%

LAB 13.35, 36.12, -43.13

 

CMYK 0 / 89 / 78 / 62

HEX #600B15

RGB 96 11 21

HSL 352.94, 0.79%, 0.21%

LAB 19.14, 36.86, 19.01

 

Description

Color code: HEX #40610B | qconv.com Color code: HEX #40610B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 97 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 97 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 89 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 89% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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